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    • Schedule Change for James Garner Tribute on Monday, July 28

    • Turner Classic Movies Pays Tribute to James Garner on Monday, July 28 with the following festival of films. This program will replace the previously scheduled movies for that day so please take note.

      The new schedule for Monday, July 28 will be:
      6:00 AM Toward the Unknown
      8:00 AM Shoot-out at Medicine Bend
      9:30 AM Grand Prix
      12:30 PM Cash McCall
      2:15 PM The Wheeler Dealers
      4:00 PM Darby's Rangers
      6:15 PM Mister Buddwing
      8:00 PM The Thrill of it All
      10:00 PM The Americanization of Emily
      12:00 AM The Children's Hour
      2:00 AM Victor/Victoria
      4:30 AM Marlowe



      An enormously likable and well-respected star since the early 1950s, James Garner was an Oscar-nominated American actor with a knack for playing lovable rogues in scores of films and television series. Though his rugged good looks made him a capable leading man in features like "The Great Escape" (1963), "The Americanization of Emily" (1964), and "Grand Prix" (1969), Garner found his greatest fame on the small screen; most notably in two popular series: the tongue-in-cheek Western, "Maverick" (ABC, 1957-1962) and the detective drama "The Rockford Files" (NBC, 1974-1980). Both programs made excellent use of Garner's folksy, underplayed delivery, earning him an Emmy (for "Rockford") and scores of nominations. Unlike many of his contemporaries, he remained exceptionally active in movies and television, as well as scores of commercials, well into his eighth decade.

      Born James Scott Bumgarner in Norman, OK on April 7, 1928, Garner was one of three sons born to Weldon Bumgarner, a carpet layer, and his wife Mildred, who died when Garner was three. The boys - who included brothers Charlie, who died in 1965, and Jack, who followed Garner into acting in the mid-1960s - were sent to live with relatives until 1934, when their father remarried. The stepmother was apparently cut from typical fairytale cloth; in interviews, Garner recalled receiving consistent beatings from the woman, which ended only when he physically attacked her and she split from his father.

      Garner's father relocated to Los Angeles following the divorce, while his sons remained in Oklahoma. Displeased with the options afforded him there, the 16-year-old lied about his age while signing up for the United States Merchant Marines in 1944. A year later, he joined his father in Los Angeles and attempted to earn his diploma at Hollywood High School. Despite being a popular student and a skilled athlete in football and basketball, he dropped out in 1946 and returned to Norman, where he gave high school one final try before dropping out in 1948. Garner later joined the Army and served in Korea, where he earned two Purple Hearts for injuries sustained in the conflict. Those injuries would later dash his hopes of a college career after his return to the United States; he eventually moved back to Los Angeles and worked in a score of odd jobs, including a model for Jantzen's swim trunks.

      Garner's acting career began in 1954 after meeting Paul Gregory, a former classmate from Hollywood High, who was producing the Broadway run of "The Caine Mutiny Court Martial." Gregory got Garner a non-speaking role as a judge in the show, which allowed him to study its star, Henry Fonda, on a nightly basis. He eventually returned to Los Angeles and began working steadily in commercials and episodic television, which lead to a contract at Warner Bros., where he earned $150 a week. The studio also changed his name to "Garner" without his permission, but the new moniker stuck. He made his TV debut in a 1955 episode of "Cheyenne" (ABC, 1955-1963), which was quickly followed by his first feature, "Toward the Unknown," in 1956. That same year, he met Lois Clarke and married her after only 14 days. He became stepfather to her daughter, Kelly, and the couple had a daughter of their own, Greta, who later became a noted writer and - ironically enough, considering his future definitive role - a private investigator.

      Garner worked his way up from featured player to supporting actor in features - including "Sayonara" opposite none other than Marlon Brando in 1957 - before landing the role of gambler, drifter and reluctant hero Bret Maverick on "Maverick" in 1957. Originally envisioned as a standard issue horse opera and not unlike the plethora of cowboy series that dominated the networks at the time, creator Roy Huggins and Garner soon inverted the show's focus - and genre expectations as a whole - to make Maverick into an anti-hero, more interested in cards and relaxation than any sort of heroics. He was still a decent sort, and could be called upon to right wrongs when necessary, but Garner's Maverick did so with his wits; not his fists or guns. Eventually, the show took a decidedly satirical tone, even poking fun at established Western series like "Bonanza" (NBC, 1959-1973) and "Gunsmoke" (CBS, 1955-1975). Audiences flocked to the show as a fresh alternative on a stagnating genre, finding Garner's semi-comic tone enormously appealing. He would receive an Emmy nomination for his performance as Maverick in 1957, and take home a Golden Globe as Most Promising Newcomer in 1958. He would also make a cameo as the character in the 1959 comedy "Alias Jesse James," starring Bob Hope.

      Unfortunately, the network never felt entirely secure with Huggins and Garner's approach, and brought aboard Jack Kelly to play Bret's brother, Bart, who would bring a more traditional style of Western hero in the program. For the next three seasons, Garner and Kelly alternated as the star of the show, and occasionally appeared together in the same episode. But in 1960, he left "Maverick" over a contract dispute, and the show soon faltered before cancellation in 1962. Garner returned to moviemaking, but now as a leading man.

      Though he could more than carry his own in serious drama - he was fine if underutilized as the upstanding fiancée to Shirley Maclaine, who was carrying on an affair with Audrey Hepburn in "The Children's Hour" (1961) - Garner fared best in action pictures, which made excellent use of his tall, athletic frame. When given the chance, he was also surprisingly adept at comedies, to which he could apply his understated humor. He was a fine substitute for Rock Hudson in two Doris Day comedies - "The Thrill of It All," (1963) and "Move Over, Darling" (1964) - and played agreeable variations on his Maverick persona in "The Wheeler Dealers" (1963) and "The Art Of Love" (1965) with Dick Van Dyke and Elke Sommer. Garner also held his own amidst a cast of fellow up-and-comers, including Steve McQueen, James Coburn, Charles Bronson, and David McCallum, in John Sturges' classic World War II film "The Great Escape," and developed an interest in racing after starring in John Frankenheimer's gritty "Grand Prix" (1966). He was occasionally given chances to play outside his established screen persona, most notably in the anti-war drama "The Americanization of Emily" (1964), which earned controversy for Julie Andrews's wartime widow who trades sexual favors for commodities, and "Mr. Buddiwing" (1966), which cast Garner as an amnesiac searching for his identity. Thanks to "Maverick," he was regularly cast in Westerns, where he played everything from violent loners like his take on Wyatt Earp in "Hour of the Gun" (1967) to charming con men, such as in the hit comedy "Support Your Local Sheriff!" (1969), its sequel "Support Your Local Gunfighter" (1971), and the amusing "Skin Game" (1971) with Louis Gossett, Jr.

      After playing an exceptionally laid-back Phillip Marlowe in 1969's "Marlowe" (which featured a show-stopping fight with a pre-stardom Bruce Lee), Garner returned to network television with "Nichols" (NBC, 1971-72). The unusual Western cast Garner as a scheming con man whose get-rich schemes were interrupted by his appointment as sheriff of his small hometown. Audiences never warmed to the unscrupulous character, so he was shot dead in the season finale and replaced by his more benevolent twin - also played by Garner. Unfortunately, the network pulled the plug on the series before viewers could see if the change in direction was an improvement.

      Garner's next series proved to be one of his biggest career triumphs. He reunited with "Maverick" producer Roy Huggins, who teamed with producer Stephen J. Cannell to create "The Rockford Files," which also took a revisionist approach to a well-established TV genre - the detective series. Garner's Jim Maverick was as far afield from the small screen private eyes of the period as one could get - an ex-con with a spotty employment record, he solved low-rent cases (insurance scams, missing persons, and the like) for rock-bottom prices, and preferred to avoid violence at all costs. Everything about Rockford was laid back, from Garner's easygoing delivery to his questionable clothing choices and living situation - a trailer near the home of his retired dad (Noah Beery Jr.). The only nods to hipness were his car - a beautiful Pontiac Firebird - and the show's theme song by Mike Post and Pete Carpenter, which became a Grammy-winning Top 10 hit. Despite the lack of flash, audiences loved the interplay between Garner and Beery and the other series regulars, including Stuart Margolin as former cellmate and pal Angel, and Rockford's disregard for authority figures like the police (though J Santos' Sgt. Dennis Becker was a rare exception). "Rockford" was a moderate success in the ratings during its six-year run - it would become considerably more popular in reruns - and earned Garner several Emmy nominations before he took home the trophy in 1977.

      Despite the acclaim, the daily grind of a series took its toll on Garner's health. He preferred to work long hours and perform his own stunts, which exacerbated problems with his knees that he had incurred in Korea, and later resulted in back problems and an ulcer. At the advice of doctors, he left the show in 1980, much to the disappointment of its many fans. He attempted to fulfill his contract to NBC by launching a revival of "Maverick" in various forms - he had brought back the character in a 1978 TV-movie, "The New Maverick," in the debut episode of a failed spinoff series, "Young Maverick" (NBC, 1979); but "Bret Maverick" (NBC, 1981), was pulled after just 18 episodes.

      Garner would later engage in a bitter and protracted legal battle with NBC over the profits from "Rockford," which the network claimed had operated in the red for several seasons. Garner, who co-produced the series through his Cherokee Productions, disagreed, and the dispute remained unsettled until the early 1990s, when the network paid the actor an undisclosed sum out of court. From 1994 through 1999, Garner and most of the original "Rockford" cast (save Noah Beery, who died in 1994) reunited for a string of popular TV-movies which managed to recapture the low-key charm of the original series and netted Garner two Screen Actors Guild award nominations.

      The 1980s were a remarkably prolific and well-regarded period in Garner's career. He appeared in several features during the decade, most notably Blake Edwards' "Victor/Victoria" (1982) as the bewildered love interest for Julie Andrews' cross-dressing chanteuse, and earned his only Oscar nomination for the sweet, unassuming drama "Murphy's Romance" (1985) as the courtly town druggist who sweeps divorcee Sally Field off her feet. But he found regular and more substantial work in television movies, which frequently the now-50ish Garner in more serious roles. He co-starred with Mary Tyler Moore in an adaptation of Martha Weinman Lear's "Heartsounds" (1984), a chronicle of the difficulties faced by a couple after the husband underg s double bypass heart surgery, and teamed with James Woods in a pair of exceptional films - "Promise" (1985), with Garner as the brother of a schizophrenic (Woods), and "My Name Is Bill W." (1989), which explored the origins of Alcoholics Anonymous - which he also co-produced. There was also fine work in the miniseries "Space" (1985), with Garner as real-life Senator Norman Grant, who oversaw the development of the U.S. space program, and the Southern family drama "Decoration Day" (1990). For this impressive body of work, Garner received numerous Emmy and Golden Globe nominations, and brought home two awards - an Emmy for Outstanding Drama Special for "Promise" and a Golden Globe for Best Actor in "Decoration Day."

      Garner's health took an alarming turn in the late 1980s when he was forced to undergo quintuple bypass surgery. Earning his star on the Hollywood Walk of Fame in 1990 undoubtedly raised his spirits, and he continued with his busy work schedule, which saw him make a return to series work with "Man of the People" (NBC, 1991), a comedy about a scam artist appointed to a city council chair in a small California town. Despite solid ratings, the show was axed after only 10 episodes. Garner then resumed his TV-movie career, which balanced the crowd-pleasing "Rockford" reunions with more dramatic fare like "Barbarians at the Gate" (1993), which cast him in another Golden Globe-winning role as Nabisco chief F. Ross Johnson, who faces overwhelming opposition in his attempt to buy out the rest of the company's shareholders, and "Streets of Laredo" (1995), a sequel to the massively popular "Lonesome Dove" (1989) with Garner in Tommy Lee Jones' role. Garner also made a few returns to feature films, most notable the big-screen adaptation of "Maverick" (1994), now with Mel Gibson in the role and Garner as his father, and "Fire in the Sky" (1993) as a cagey Texas Ranger investigating claims of UFO abductions.

      Garner ended the 1990s with solid work in the detective drama "Twilight" (1998) opposite a galaxy of aging but well-regarded stars, including Paul Newman, Gene Hackman, Susan Sarandon and Stockard Channing, and the TV-movie "Legalese" (1998) as a slick celebrity lawyer defending an actress accused of murder. He began the new millennium with surgery on both knees, but the now-72-year-old Garner refused to slow down. He joined the cast of "Chicago Hope" (CBS, 1994-2000) in its final season to play the head of the hospital, then played a retired astronaut called back to duty for Clint Eastwood's rousing feature "Space Cowboys" (2000). More series work followed - he was a conservative Supreme Court judge on the short-lived "First Monday" (CBS, 2001), and later voiced an exceptionally laid-back Almighty in the animated series "God, the Devil and Bob" (NBC, 2000).

      In 2003, Garner made interesting headlines by stepping in to replace the late John Ritter as the father figure on "8 Simple Rules for Dating My Teenage Daughter" (ABC, 2002-05). Originally envisioned as a guest shot, Garner (who played series regular Katey Sagal's father) was later hired as a cast member, along with his former "Support Your Local Gunfighter" co-star Suzanne Pleshette, and stayed with the series until its cancellation in 2005. During this period, he also enjoyed two sizable hits at the movies - as Sandra Bullock's father in "The Divine Secrets of the Ya-Ya Sisterhood" (2002), and as the devoted husband to Alzheimer's-stricken Gena Rowlands in the formidable weeper "The Notebook" (2004), which earned him another Screen Actors Guild award nod. A year later, the organization would give him their Lifetime Achievement Award.

      In addition to his lengthy acting career, Garner was in demand as a commercial spokesman and voice-over artist. In the 1970s, he appeared alongside Mariette Hartley in a series of TV spots for Polaroid that were almost as well-known as his work on "Rockford Files." The pair's chemistry was so palpable that many viewers mistook them for real-life spouses. Later, he replaced the late James Coburn as the voice of Chevrolet's "Like a Rock" campaign. Garner also lent his time and services to several charitable causes, including the National Support Committee for the Native American Rights Fund (Garner was part Cherokee) and the National Advisory Board of the United States High School Golf Association. In 2008, the seemingly unstoppable force that was Garner underwent surgery for a minor stroke. Doctors gave his prognosis in April of that year as positive, giving fans a sigh of relief.

      (Bio courtesy of TCMDb)

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  1. New Books

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    • Start to Finish: Woody Allen and the Art of Moviemaking


    • by Eric Lax

      Start to Finish: Woody Allen and the Art of Moviemaking (Knopf Doubleday Publishing Group) is a cinephile's dream: the chance to follow legendary director Woody Allen throughout the creation of a film-from inception to premiere-and to enjoy his reflections on some of the finest artists in the history of cinema.

      Eric Lax has been with Woody Allen almost every step of the way. He chronicled Allen's transformation from stand-up comedian to filmmaker in On Being Funny (1975). His international best seller, Woody Allen: A Biography (1991), was a portrait of a director hitting his stride. Conversations with Woody Allen comprised interviews that illustrated Allen's evolution from 1971 to 2008. Now, Lax invites us onto the set-and even further behind the scenes-of Allen's Irrational Man, which was released in 2015, and starred Joaquin Phoenix and Emma Stone. Revealing the intimate details of Allen's filmmaking process, Lax shows us the screenplay being shaped, the scenes being prepared, the actors, cinematographers, other crew members, the editors, all engaged in their work. We hear Allen's colleagues speak candidly about working with him, and Allen speaking with equal openness about his lifetime's work. An unprecedented revelation of one of the foremost filmmakers of our time, Start to Finish is sure to delight not only movie buffs and Allen fans, but everyone who has marveled at the seeming magic of the artistic process.

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    • Sophia Loren: Movie Star Italian Style

    • by Cindy De La Hoz

      From the humblest of beginnings in her native Italy, Sophia Loren would flourish on the world stage as one of the most beautiful and talented actresses the screen has ever known. A prize in a beauty contest at age 16 led to a career that has lasted more than sixty years and performances in a diverse canon of films, including The Pride and the Passion, Houseboat, Marriage Italian Style, Grumpy Old Men, and Two Women, for which she was awarded the first Best Actress Oscar given to the star of a foreign film.

      Sophia Loren: Movie Star Italian Style is a photographic tribute to the beloved icon, recounting the star's extraordinary life and notable films with famous costars and directors and quotes by Sophia and those who have known her best. Filled with hundreds of rare color and black-and-white photographs, it's a volume as stunning as its ageless subject.


      Cindy De La Hoz is the author of several books on film and fashion- among them, Audrey and Givenchy, Lucy at the Movies, and Lana: The Memories, the Myths, the Movies, which Leonard Maltin called "one of the best books about a star I've ever read." She has also edited numerous books on film history and women's lifestyle subjects. Cindy lives in Philadelphia, PA.

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    • Backwards & In Heels: The Past, Present And Future Of Women Working In Film


    • It's almost 2018 yet Hollywood is still an old-boys club treating all women like second-class citizens. Screen Junkies and Fandango host and pundit, Alicia Malone, pulls back the curtain in this call-to-action truth teller. Jennifer Lawrence, Emma Watson, Mila Kunis, Emmy Rossum, Jessica Chastain and Lena Dunham are only a few of the thousands of women in the film industry being discriminated against for their gender. The pay-gap in Hollywood is only part of the problem.

      "After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels..." - Ann Richards

      Women have been instrumental in the success of American cinema since its very beginning. One of the first people to ever pick up a motion picture camera was a woman, as was the first screenwriter to win two Academy Awards, the inventor of the boom microphone and the first person to be credited with the title Film Editor. Throughout the entire history of Hollywood women have been revolutionizing, innovating, and shaping how we make movies, yet their stories are rarely shared. This is what film reporter Alicia Malone wants to change. Backwards and in Heels tells the history of women in film in a different way, with stories about incredible ladies who made their mark throughout each era of Hollywood. From the first women directors to the iconic movie stars and present day activists--each of these stories are inspiring in the accomplishments of women, and they also highlight the specific obstacles women have had to face. Backwards and in Heels combines research and exclusive interviews with influential women and men working in Hollywood today, such as Geena Davis, J.J. Abrams, Ava DuVernay, Octavia Spencer, America Ferrera, Paul Feig and many more, as well as film professors, historians and experts. Think of Backwards and in Heels as a guidebook--your entry into the complex world of women in film. Join Alicia Malone as she champions Hollywood women of the past and present, and looks to the future with the hopes of leveling out the playing field.


      Alicia Malone is a film reporter, host, writer and self-confessed movie geek. She first gained notice hosting movie-centric shows and reviewing films in her native Australia, before making the leap to Los Angeles in 2011. Since then, Alicia has appeared on CNN, the Today show, MSNBC, NPR and many more as a film expert. Currently, she is a host on FilmStruck, a cinephile subscription streaming service run by the Criterion Collection and Turner Classic Movies, and she is the creator and host of the weekly show, Indie Movie Guide on Fandango. Alicia is passionate about classic films, independent movies and supporting women in film. In 2015, Alicia gave a TEDx talk about the lack of women working in film and why this is important to change. In 2017, she was invited to give a second TEDx talk, where she spoke about the hidden stories of the earliest women working in Hollywood. Alicia has also spoken at conferences around America, and because of this, was named of one the 100 Worthy Women of 2016. Alicia has traveled the world to cover the BAFTAs, the Oscars, the Cannes Film Festival, Toronto Film Festival, Sundance Film Festival, Telluride Film Festival and SXSW. She is a member of the Broadcast Film Critics Association, and over the years has interviewed hundreds of movie stars and filmmakers. She also wrote this bio, but knew it would sound way less egotistical if written in third person.

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    • Kirk and Anne: Letters of Love, Laughter, and a Lifetime in Hollywood


    • As screen icon Kirk Douglas approaches his 100th birthday, he and his wife of 62 years, Anne Buydens, share secrets to longevity in life and love told through candid commentary and priceless correspondence between each other and famous friends from celebrities to world leaders, spanning almost a century.

      Part of Turner Classic Movies' publishing program, this book is the story of film legend and centenarian Kirk Douglas and his wife of nearly sixty-three years, Anne. Their stories of enduring love and a lifetime led on the world stage unfold through the couple's own candid commentary and priceless letters from their personal archives. Carefully maintained by Anne over the course of more than six decades and never before made public, the correspondence includes details of their courtship and marriage, set against the backdrop of Kirk's screen triumphs in films ranging from Lust For Life to Paths of Glory and Spartacus.

      Through the letters themselves and Kirk and Anne's words, never-before-told stories emerge about the legendary figures they knew so well, including Lauren Bacall, Frank Sinatra, Burt Lancaster, Elizabeth Taylor, John Wayne, the Kennedys, and the Reagans; fascinating first-hand accounts of film sets and star-studded dinner parties; and tales of travel to over forty countries as goodwill ambassadors. Complemented by previously unpublished photos, Kirk and Anne candidly details the adventurous, oftentimes comic, and poignant reality behind the glamour of a Hollywood life, as only a couple of sixty-two years (and counting) could tell it.


      Kirk Douglas, a living legend at age 100, has distinguished himself as an actor, producer, philanthropist, and author. His numerous recognitions for achievements both on and off screen include an Academy Award for Lifetime Achievement, the Presidential Medal of Freedom, and France's Legion of Honor. Over a career spanning seventy years, he starred in some eighty films.

      Anne Buydens Douglas built her career in the film industry as a publicist. She met Kirk Douglas during the making of Act of Love (1953) and they married soon after. Anne would become his closest advisor and eventually take the reins as president of their independent production company, Bryna Productions.

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  1. DVD Reviews

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    • Dick Dinman & William Wellman Jr. Salute the BEGGARS OF LIFE!

    • DICK DINMAN & WILLIAM WELLMAN JR. SALUTE THE "BEGGARS OF LIFE": Popular author, actor, producer and raconteur William Wellman Jr. and producer/host Dick Dinman rave about Kino Lorber's marvelous Blu-ray release of legendary director William Wellman's favorite of his silent films BEGGARS OF LIFE in which the notorious Louise Brooks plays a train-hopping hobo who dresses like a boy to escape the law and discourage the lecherous advances of Wallace Beery and his rambunctious band of hoboes.

      PLUS "DICK'S PICKS": Flicker Alley's sensational 2K Blu-ray restoration of THE LOST WORLD pits Wallace Beery against the meanest prehistoric monsters that KING KONG's cutting edge special effect animation genius Willis O'Brien can devise.


      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller Reach Their BREAKING POINT!

    • DICK DINMAN & EDDIE MULLER REACH THEIR "BREAKING POINT": TCM's acclaimed "Noir Alley" host Eddie Muller joins producer/host Dick Dinman in a noir-ish duet as both sing the praises of Michael Curtiz' alternately tough and tender John Garfield masterpiece THE BREAKING POINT (which Eddie feels is Curtiz' best directed feature) and the Criterion Collection's shimmeringly spotless Blu-ray release of this Warner Bros. gem is certain to restore this comparatively obscure film to it's rightful position as one of the finest film noir classics ever committed to celluloid.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman Salutes Cagney/Wilder Comedy Classic ONE, TWO, THREE

    • DICK DINMAN SALUTES CAGNEY/WILDER CLASSIC "ONE, TWO, THREE": Kino Lorber's KL Studio Classics division has just released on Blu-ray Billy Wilder's break-neck mile-a-minute cold war comedy classic ONE, TWO, THREE in which Hollywood great James Cagney gives one of the richest, funniest, most breathlessly paced performances of his career and joining producer/host Dick Dinman to salute this frantically paced comedic milestone is classic film distributor and popular writer, producer and director Michael Schlesinger whose commentary is one of the highlights of this much requested and long awaited Blu-ray release.

      PLUS: "Dick's Picks" salutes KL Studio Classics Blu-ray releases of Hitchcock's LIFEBOAT, THE INDIAN FIGHTER, MARJORIE MORNINGSTAR, A FAREWELL TO ARMS, TOUGH GUYS, DAREDEVILS OF THE RED CIRCLE, THE SHIEK and SON OF THE SHIEK, ZAZA and the 3-D Archive's brilliantly immersive 3-D restoration of THOSE REDHEADS FROM SEATTLE.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & George Feltenstein Salute Tracy/Hepburn, Scott/McCrea Hits!

    • DICK DINMAN & GEORGE FELTENSTEIN SALUTE TRACY/HEPBURN, SCOTT/McCREA HITS!: Warner Home Video's popular Senior Vice President of Classic and Theatrical Marketing George Feltenstein rejoins producer/host Dick Dinman as both salute the Blu-ray release of George Stevens' WOMAN OF THE YEAR which teamed Spencer Tracy and Katharine Hepburn for the very first time (and which together with Criterion's astounding Blu-ray incarnation of Michelangelo Antonioni's countercultural masterpiece BLOW-UP continues Warner Home Video's highly acclaimed association with the prestigious Criterion Collection) as well as the spectacular looking Warner Archive Blu-ray release of Sam Peckinpah's legendary masterwork RIDE THE HIGH COUNTRY in which iconic western stars Randolph Scott and Joel McCrea unite for the first and only time.
      PLUS: The underrated Glenn Ford/Henry Fonda contemporary western comedy THE ROUNDERS, Henry Fonda in SPENCER'S MOUNTAIN, the Sci-Fi hits WORLD WITHOUT END, WHEN DINOSAURS RULED THE EARTH and much in demand cult classic FROM HELL IT CAME in which a marauding and perpetually scowling tree terrorizes even more wooden thespians.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

      COMING SOON: JAMES CAGNEY RULES IN BILLY WILDER'S ONE, TWO, THREE!

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    • Dick Dinman & George Feltenstein Salute Kelly & Astaire Musicals!

    • DICK DINMAN & GEORGE FELTENSTEIN SALUTE KELLY & ASTAIRE MUSICALS: Warner Home Video and it's Warner Archive continue their celebrated tradition of releasing the greatest musicals of dancing legends Gene Kelly and Fred Astaire in pristine Blu-ray quality with the respective Blu-ray releases of Kelly's IT'S ALWAYS FAIR WEATHER and Astaire's FINIAN'S RAINBOW and producer/host Dick Dinman welcomes back Warner Home Video's Sr, Vp. of Classic and Theatrical Marketing George Feltenstein as both explore the immense challenges and difficulties both films faced during each of their production periods and the myriad of reasons that both films are far more popular today than they were in their initial releases.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

      COMING SOON: TRACY & HEPBURN! SCOTT & McCREA!! TABONGA!!!

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  1. Press Release

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    • Web Reviewer Glenn Erickson Launches 'CineSavant'


    • Web reviewer Glenn Erickson, aka 'DVD Savant' has established a new home under a new identity, 'CineSavant.' Reviewing independently since 1998, the Savant database has grown to over five thousand reviews and articles, and become one of the most respected and sought-out review pages on the web for news and opinions about classic films on disc. Readership boomed when the page Trailers from Hell picked up Glenn's reviews as featured content in 2015.

      A varied background helps add perspective to Glenn's reviews; from the UCLA Film School he worked in special effects, and then moved on to TV commercial work, and trailers for The Cannon Group. A long stint with MGM/UA Home Video led to editing large-scale DVD extras and other special projects. He began writing for the web in 1997 as 'MGM Video Savant.' Working with the film curators at MGM, Glenn helped detect and produced the restoration of the original ending of the film noir classic Kiss Me Deadly. Glenn has published two books of reviews, and has been writing and researching for TCM since 2004.

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    • Library of America's The Moviegoer on LAURA

    • Library of America's new regular web feature called The Moviegoer is devoted to great films inspired by classic American writing. This biweekly column features columns by Megan Abbott, David Denby, Wendy Lesser, Charles McGrath, Farran Smith Nehme, Carrie Rickey,Terrence Rafferty, Harold Schechter, Michael Sragow, & others and launched on January 27, 2016.

      American literature has proven an endlessly renewable resource for filmmakers, its originality and vitality inspiring whole catalogues of memorable movies. Now Library of America, the acclaimed nonprofit publisher of the nation's greatest writing, presents The Moviegoer, a biweekly column in which curator Michael Sragow (Film Comment) and other leading writers and critics offer fresh, penetrating examinations of the best of these films, gems that readers will want to revisit or watch for the first time. Standing at the intersection of classic American writing and classic filmmaking, The Moviegoer, offers not reviews but full scale reevaluations that explore the creative alchemy involved in translating a masterwork from page (or stage) to screen. It takes its inspiration, and its catholic compass, from the hero of Walker Percy's famous novel, and, in the words of curator Sragow, "aims to generate new enthusiasm for cinema as well as for literature."

      To read the entry in the series on Laura by Megan Abbott and to sign up for an alert when a new Moviegoer is published, click here.

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    • Acclaimed documentary TAB HUNTER CONFIDENTIAL released on DVD & Blu-ray

    • FilmRise has announced the September 1 Blu-Ray and DVD release of Tab Hunter Confidential. After an incredible year on the film festival circuit and a theatrical run across fifty cities in the United States, the acclaimed documentary will be available to rent or own from all major retailers. Based on Hunter's New York Times best selling memoir, producer Allan Glaser and director Jeffrey Schwarz (I Am Divine) have assembled dozens of past and present Hollywood stars, and most importantly the man himself, to talk frankly about being a survivor of the Hollywood roller coaster. The Blu-Ray & DVD will be available nationwide at all major retailers, with autographed copies only available on Tab Hunter's official website, www.tabhunter.com. Click here to learn more and order Tab Hunter Confidential on Blu-Ray & DVD (with optional autograph).

      Throughout the 1950s, Tab Hunter reigned as Hollywood's ultimate heartthrob. In dozens of films, and in the pages of countless magazines, Hunter's astonishing looks and golden-boy sex appeal drove his fans to screaming, delirious frenzy, solidifying him the prototype for all young matinee idols to come. Bristling against being just another pretty face and wanting to be taken seriously, Hunter was one of the few to be able to transcend pin-up boy status. He earned his stripes as an actor to become a major movie star and recording artist. But throughout his years of stardom, Hunter had a secret. He was gay, and spent his Hollywood years in a precarious closet that repeatedly threatened to implode and destroy him. Decades later, Hunter's dramatic, turbulent and ultimately inspiring life story has become an explosive documentary feature.

      Tab Hunter Confidential offers unprecedented access to the man behind the marquee smile, who shares first hand what it was like to be a manufactured movie star during the Golden Age of Hollywood and the consequences of being someone totally different from his studio image. The film traces Hunter's dizzying rise to Hollywood super-stardom, his secret life in an era when being openly gay was unthinkable, and his ultimate triumph when the limelight finally passed him by and true love won.

      Punctuating Tab's on-screen presence are rare film clips and provocative interviews with friends and co-stars including John Waters, Clint Eastwood, George Takei, Debbie Reynolds, Robert Wagner, Portia de Rossi, Noah Wyle, Connie Stevens, Robert Osborne, and dozens more.

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    • 3-D Funhouse at MoMA in NYC - Sept. 1-10


    • 3-D Funhouse is a weeklong tribute to the enterprising 3-D Film Archive, whose curators have dedicated themselves to collecting, restoring, and presenting in digital form the stereoscopic films of the analog era. It takes a lot of dedication and detective work to reassemble these wonders of midcentury technology, many of which were discarded by their producers once the 1950s 3-D fad had passed. Presented here are four newly restored features, ranging from the studio musical Those Redheads from Seattle (1953) to the feisty independent science-fiction film Gog (1954), as well as a program of rare 3-D shorts.


      Organized by Dave Kehr, Curator, Department of Film.


      3-D Rarities. 1922-53
      Friday, September 1, 4:00 p.m.
      Tuesday, September 5, 4:00 p.m.
      Saturday, September 9, 1:00 p.m.

      September Storm. 1960.
      Directed by Byron Haskin

      Friday, September 1, 7:00 p.m.
      Sunday, September 3, 1:00 p.m.
      Saturday, September 9, 7:00 p.m.

      Those Redheads from Seattle. 1953.
      Directed by Lewis R. Foster

      Saturday, September 2, 4:00 p.m.
      Monday, September 4, 4:00 p.m.
      Thursday, September 7, 7:00 p.m.

      Gog. 1954.
      Directed by Herbert L. Strock

      Saturday, September 2, 7:00 p.m.
      Monday, September 4, 7:00 p.m.
      Sunday, September 10, 4:00 p.m.

      Dragonfly Squadron. 1954.
      Directed by Lesley Selander

      Sunday, September 3, 4:00 p.m.
      Tuesday, September 5, 7:00 p.m.
      Wednesday, September 6, 4:00 p.m.


      For more information, links and showtimes, visit www.moma.org.

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To Kill a Mockingbird - 50th Anniversary DVD
$8.55
was $14.98
Out of the Past DVD
$14.36
was $17.99
Rear Window DVD
$10.47
was $14.98
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  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca