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  1. Top News Stories

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    • The Wind and the Lion on Blu-ray

    • John Milius occupies a curious place in the culture of American filmmakers of the seventies. In the age of new, young, maverick voices, he's the rugged American individualist with conservative politics and iconoclastic heroes. He's fascinated with military culture and imperialist adventure, caught up in the tension between American isolation and intervention, in debt to the romantic ideals of honor and duty idealized in John Ford's cavalry films, and celebratory of the glory of battle, whether in war, on a surfboard challenging waves, or swinging a sword in the age of barbarism. In an era of secular liberalism, he's the wildman conservative of mythical heroes and combat veterans, but he's also more than that, as David Thomson notes in his Biographical Dictionary of Film: "He is an anarchist, he is articulate, and he has an unshakable faith in human grandeur...."

      The Wind and the Lion (1972), the sophomore feature of the film school-trained screenwriter turned director, takes on a romantic tale of rebellion and response, honorable ancient codes and modern military might, and the first stirrings of the United States of America, the modern, maverick young country in a political culture dominated by the history-seeped empires of old Europe, as a world power. And it does so in a cagily budget-minded take on the sweeping military epics and colonial adventures of the 1950s and 1960s, a sensibility appropriated in the opening seconds of the film as Jerry Goldsmith's grandly dramatic score plays under the credits etched into the handsome parchment of a yesteryear Hollywood frame.

      In Tangiers in 1904, a Berber chieftain sweeps through the city to the residence of the American ambassador with a small company of swordsmen on horseback, grabs the widow Eden Pedecaris (Candice Bergen) and her two adolescent children, and rides back out into the deserts of Morocco. It's a grand entrance for a hero who charges in like a villain, wrapped in a turban and face scarf that is pulled aside to reveal Sean Connery as Mulai Ahmed er Raisuli. Yes, this is the last days of the era when you could get away with an Anglo actor playing a Moroccan Berber leader with a Scottish accent but Connery plays it with gusto. He gives a swashbuckling flair to the leader of the guerilla opposition to a Moroccan ruler who has allowed the Germans and the French military presence into the ruling circle to vie for diplomatic influence. For Raisuli, such deference to the European powers is an affront to the honor and the sovereignty of the ancient culture and this kidnapping is as much about humiliating the prince as it is to secure a ransom from the Americans.

      Back in the United States, President Teddy Roosevelt (Brian Keith in a brush mustache and an easy, rugged charm) is campaigning for his first presidential election (he assumed office after the assassination of McKinley). The event becomes the issue he needs to define his run: he will not put up with such an attack on the American body. "Pedecaris alive or Raisuli dead!" becomes a slogan and when the Moroccan rulers refuse the entreaties of American diplomats to rescue their citizens, Roosevelt sends the American military to launch their own rescue. It's an American incursion of a sovereign power that Milius presents as both a daring diplomatic challenge to the supremacy of the European powers in colonial Africa and as a heroic military action in the name of American honor. John Huston has a small but memorable role as Secretary of State John Hay, constantly prodding Roosevelt with affairs of state while he's occupied at target practice, hunting, or on the campaign trail, and Clint Eastwood regular Geoffrey Lewis is the American Ambassador to Morocco, trying the walk the fine line of diplomacy between the figurehead prince and the real power behind the throne.

      Against the grand sweep of the military adventure is the almost-romance between Raisuli, a chauvinist with a sense of chivalry and honor, and Eden, who stands up to Raisuli, directly challenges him in front of his men, and plots her own escape rather than awaiting a rescue that may never come, dragging her reluctant children along with her. The kids are fascinated by the Berber warriors, especially her son William (Simon Harrison), who studies Raisuli's every movement, and they slowly accessorize their British outfits with the practical (and exotic) sashes and scarves of their desert captors. Faye Dunaway was reportedly slated for the role of Eden but dropped out due to illness and Bergen stepped in as a replacement. She comes off more flustered than furious, recalling the "spunky" energy of thirties actresses in battle-of-the-sexes pictures, and she lacks the onscreen gravitas that Connery effortlessly commands. But she commits to the role and that unbalanced sense of authority matches the situation: her defiance is all bluff given her position as the prisoner of a war-hardened desert tribe. Her growing respect and affection for Raisuli also puts a dent in her righteous defiance.

      Milius creates a small scale version of a 1960s military adventure epic, which he accomplishes without a cast of thousands at his disposal. He suggests a larger army while focusing on smaller engagements given greater scope with his Panavision frame and vast desert landscapes. You can see the influence of David Lean and Lawrence of Arabia in scenes of galloping swordsman dueling in silhouette against the sky and small bands of charging horseman dwarfed by vastness of the Moroccan desert. Milius hasn't the chops of Lean--the battle scenes are more interesting for the effort and energy than the technical execution--but he has a passion that overcomes the sometimes clumsy action staging and choppy editing and a cagey understanding of size and scale that gives the shots a kind of modest majesty. And he invests it with his own sense of honor and responsibility and romance of patriotic and moral causes, a sensibility out of favor by the seventies and its suspicion of foreign engagements.

      Raisuli is in every sense an enemy of America, yet Milius not only respects and likes him, he suggests a kinship with Teddy Roosevelt and the American spirit, equating the rebel Berber leader fighting to free his country from foreign influence with the spirit of American individualism and exceptionalism. "Sometimes your enemies are a lot more admirable than your friends," notes Roosevelt during the long-distance game of international chess. The Americans, who at the turn-of-the-century are underdog outsiders in the diplomatic gamesmanship and colonialist competitions of European powers, and the rebel Berbers find common cause against the old world arrogance of the German and French forces. Milius, true to form, identifies with the maverick spirit of the American cavalry unit sent to rescue Pedicaris, nicely expressed in the can-do practicality and frontier spirit of Steve Kanaly's Captain Jerome, whose mix of straight-talking manner and American colloquial expressions is as endearing as it is admirable.

      The Wind and the Lion has a rather romantic take on revolution and the honor of war that is out of step with the more complicated sensibilities of American movies in the seventies. Coming soon after the withdrawal from Vietnam, this celebration of gunboat diplomacy seems ill-timed, but Milius is full of contradictions and underdog valor and he creates such grand characters and colorful collisions of cultures and countries that it works. It received two Academy Award nominations, including Best Music for Jerry Goldsmith's sweeping dramatic score.

      It debuts on Blu-ray in a gorgeous edition. The film looks close to pristine, the colors are strong and the image clear and sharp. The DTS-HD 5.1 sound is muscular, recreating the six-track audio of the film's 70mm release version, with the battle scenes spreading the soundtrack through the surround channels.

      Features commentary by John Milius originally recorded for the 2004 DVD release. Milius is an articulate guy who loves historical and technical detail. He discusses his inspirations and goes into detail for the battle scenes, quite proud of the historical accuracy of his recreations, and he never fails to identity the gun going off in any given scene.

      Also includes the promotional behind-the-scenes produced for the film's original theatrical release. It's available through the Warner Archive collection but it is a pressed disc, not manufacture-on-demand like the Archive's DVD releases.

      by Sean Axmaker

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  1. New Books

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    • Elizabeth and Michael

    • By Donald Bogle

      One of the country's leading authorities on popular entertainment presents an eye-opening and unique biography of two larger-than-life legends--Elizabeth Taylor and Michael Jackson--and their unlikely yet enduring friendship.

      From the moment Elizabeth Taylor and Michael Jackson met, they were hooked on each other. He peered into her violet eyes and was transfixed; she, in turn, was dazzled by his talent, intrigued by his sweet-tempered childlike personality, and moved by the stories she had already heard about his troubled early life. Soon a deep friendship blossomed, unexpectedly unlike anything either had ever experienced. Through thick and thin, through their various emotional upheavals, through the peaks and valleys of their careers, through their personal traumas and heartaches, through the unending health issues and extreme physical pain that each experienced, and through the glare of the often merciless public spotlight, their bond held them together, and their love for each other endured.


      Donald Bogle skillfully recreates the moving narrative of Taylor and Jackson's experiences together and their intense emotional connection, without shying away from the controversies that swirled around them. Through interviews with friends and acquaintances of the two stars, as well as anonymous but credible sources, Elizabeth and Michael emerges as a tender, intimate look at this famous "odd couple" and a treasure to their millions of fans.

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    • Robert Wagner's I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses

    • By Robert Wagner and Scott Eyman

      In a career that has spanned over sixty years, Robert Wagner has witnessed the twilight of the Golden Age of Hollywood and the rise of television, becoming a beloved star in both film and TV. During this time, he became acquainted, both professionally and socially, with many of the greatest female screen personalities of all time. I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses (On-sale: 11/15/16) by Robert Wagner, with co-author Scott Eyman, provides an intimate and revealing account of the charisma of these women on film, why they became stars, and how their specific emotional and dramatic chemistries affected the choices they made both as actresses and as women.

      I LOVED HER IN THE MOVIES offers a privileged look behind the scenes at some of the most well-known women in show business. Among Wagner's subjects are Joan Crawford, Bette Davis, Marilyn Monroe, Gloria Swanson, Norma Shearer, Loretta Young, Joan Blondell, Irene Dunne, Rosalind Russell, Dorothy Lamour, Debra Paget, Jean Peters, Linda Darnell, Betty Hutton, Raquel Welch, Glenn Close, and the two actresses whom he ultimately married, Natalie Wood and Jill St. John. In addition to offering perceptive commentary on these women, Wagner examines topics like the strange alchemy of the camera--how it can transform the attractive into the stunning, and vice-versa--and how the introduction of color brought a new erotic charge to movies--one that enabled these actresses to become aggressively sexual beings in a way that that black and white films had only hinted at.


      Robert Wagner is the star of such films as A Kiss Before Dying, The Longest Day, The Pink Panther, and most recently, the Austin Powers franchise. On television, he starred in It Takes a Thief (with Fred Astaire), Switch (with Eddie Albert and Sharon Gless), and Hart to Hart (with Stefanie Powers). He has recently appeared on Two and a Half Men and NCIS. He is married to actress Jill St. John.

      Scott Eyman is the author of eleven books about the movies, including Lion of Hollywood: The Life of Louis B. Mayer (which the Wall Street Journal called one of the five best books ever written about Hollywood), Empire of Dreams: The Epic Life of Cecil B. DeMille, and more recently, John Wayne: The Life and Legend.

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    • King of Jazz: Paul Whiteman's Technicolor Revue

    • King of Jazz: Paul Whiteman's Technicolor Revue tells the story of the making, release, and restoration of Universal's 1930 Technicolor extravaganza King of Jazz. Authors James Layton and David Pierce have uncovered original artwork, studio production files, behind-the-scenes photographs, personal papers, unpublished interviews, and a host of other previously unseen documentation. The book offers a richly illustrated narrative with broader context on the film's diverse musical and theatrical influences. The story concludes with an in-depth look at the challenges Universal overcame in restoring the film in 2016. Additionally, the book's appendix provides a comprehensive guide to all of the film's performers, music, alternate versions, and deleted scenes.

      King of Jazz was one of the most ambitious films ever to emerge from Hollywood. Just as movie musicals were being invented in 1929, Universal Pictures brought together Paul Whiteman, leader of the country's top dance orchestra; John Murray Anderson, director of spectacular Broadway revues; a top ensemble of dancers and singers; early Technicolor; and a near unlimited budget. The film's highlights include a dazzling interpretation of George Gershwin's "Rhapsody in Blue," which Whiteman had introduced to the public in 1924; Walter Lantz's "A Fable in Jazz," the first cartoon in Technicolor; and Anderson's grand finale "The Melting Pot of Music," a visualization of popular music's many influences and styles. The film is not only a unique document of Anderson's theatrical vision and Whiteman's band at its peak, but also of several of America's leading performers of the late 1920s, including Bing Crosby in his first screen appearance, and the Russell Markert Dancers, who would soon become Radio City Music Hall's famous Rockettes.


      James Layton is Manager of the Museum of Modern Art's Celeste Bartos Film Preservation Center. Prior to this he worked at George Eastman House in Rochester, NY, where he curated two gallery exhibitions and the website Technicolor 100. Layton has also acted as Cataloguer and Workflow Coordinator at the East Anglian Film Archive in Norwich, UK, and is co-author of the Image Permanence Institute's informational poster Knowing and Protecting Motion Picture Film (2009).

      David Pierce is an independent film historian and archivist. He was formerly the Head of Preservation and Curator of the National Film and Television Archive at the British Film Institute. His articles have appeared in numerous journals, and his report on the survival of American silent feature films was published by the Library of Congress in 2013. He founded the Media History Digital Library, providing free online access to millions of pages of motion picture magazines and books.

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    • THE ESSENTIALS: 52 Must-See Movies and Why They Matter

    • By Jeremy Arnold
      Forward by Robert Osborne

      Since its inception on Turner Classic Movies in 2001, The Essentials has become the ultimate for movie lovers to expand their knowledge of must-see cinema and discover or revisit landmark films that have had a lasting impact on audiences everywhere.

      Based on the hit series, THE ESSENTIALS by Jeremy Arnold showcases 52 must-see movies from the silent era to modern times. Readers can enjoy one film per week, like on the show, for a year of great viewing, or indulge in a movie-watching binge-fest. Each film is profiled with entertaining discourse on why it's an Essential, and running commentary is provided by TCM's Robert Osborne and Essentials guest hosts past and present: Sally Field, Drew Barrymore, Alec Baldwin, Rose McGowan, Carrie Fisher, Molly Haskell, Peter Bogdanovich, Sydney Pollack, and Rob Reiner.

      Featuring full-color and black-and-white photography of the greatest stars in movie history throughout, THE ESSENTIALS is the ultimate curated guide to 52 films that define the meaning of the word "classic."


      Jeremy Arnold, a writer and film historian, is the author of Lawrence of Arabia: The 50th Anniversary, a coffee-table book companion to that film's Blu-ray release. In addition to his work for numerous film trade publications, he has written over five hundred programming articles for the Turner Classic Movies website and contributed audio commentaries and historical essays to the DVD and Blu-ray releases of classic films.

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  1. DVD Reviews

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    • Dick Dinman & William Wellman Jr. Salute BATTLEGROUND!

    • DICK DINMAN & WILLIAM WELLMAN JR. SALUTE "BATTLEGROUND!": BATTLEGROUND remains producer/host Dick Dinman's all-time favorite WW2 film and distinguished actor, writer and producer William Wellman Jr. rejoins Dick as both salute William Wellman's Oscar-winning once in a lifetime epic military drama which has just been beautifully remastered on Blu-ray by the Warner Archive.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller are ON DANGEROUS GROUND!

    • DICK DINMAN & EDDIE MULLER ARE "ON DANGEROUS GROUND": The Warner Archive has just released an astonishing looking (and sounding!) Blu-ray rendition of Nicholas Ray's dark yet hypnotically beautiful film noir ON DANGEROUS GROUND which features a steely yet sensitive performance from noir icon Robert Ryan that easily ranks up there with his finest efforts ever and producer/host Dick Dinman and his guest "Czar of Noir" Eddie Muller dissect the various qualities which make this film so captivatingly unique (including the plaintively emotional score by Bernard Herrmann which was one of his two favorites).

      PLUS: SHORT TAKES: Kino's Kl Classics' THE HOUSE ON 92nd STREET, DAISY KENYON and Cohen Film Collection's SUDDEN FEAR.

      COMING ATTRACTIONS: The Warner Archives' BAD DAY AT BLACK ROCK and Twilight Time's KISS OF DEATH.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller Explore THE ASPHALT JUNGLE!

    • DICK DINMAN & EDDIE MULLER EXPLORE "THE ASPHALT JUNGLE": Producer/host Dick Dinman welcomes back the "Czar of Noir" himself Eddie Muller as both celebrate the Criterion Collection's pristine release on Blu-ray of John Huston's THE ASPHALT JUNGLE which remains conceivably the greatest "heist/noir" masterwork ever committed to celluloid. (It's early in the year but its difficult to conceive that any home video outfit in the ensuing year will be able to top the astonishing "special features" included on this sensational disc.)

      PLUS: Show opener "Dick's Picks" salutes the Criterion Collection's recent Blu-ray releases of Robert Altman's McCABE & MRS. MILLER, Marlon Brando's ONE EYED JACKS and Howard Hawks' HIS GIRL FRIDAY.

      COMING SOON: DICK DINMAN & EDDIE MULLER ARE "ON DANGEROUS GROUND"!

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman Salutes Air Hero Jimmy Stewart!

    • DICK DINMAN SALUTES WW2 AIR HERO JIMMY STEWART: The dual releases of Olive Films stunning Blu-ray incarnation of the James Stewart air power classic STRATEGIC AIR COMMAND as well as author Robert Matzen's awe inspiring book MISSION: JIMMY STEWART AND THE FIGHT FOR EUROPE, which for the first time ever reveals the truth about Stewart's dangerous bombing missions over Germany, give producer/host Dick Dinman ample motivation to salute the spectacular military career of screen icon Stewart and Dick is joined by returning guest Robert Matzen as they marvel at the courage, skill and fortitude of this certifiable American hero.

      The opening DICK'S PICKS segment salutes Olive Films and their latest Blu-ray releases of not only STRATEGIC AIR COMMAND but Orson Welles' MACBETH (two versions!), HOUDINI, THE PRIVATE AFFAIRS OF BEL AMI, VILLA RIDES. ONE OF OUR AIRCRAFT IS MISSING and two new 4k releases of THE QUIET MAN and JOHNNY GUITAR (first time in original widescreen format on home video!).

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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  1. Press Release

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    • Bette Davis Double Feature - 4/4 at Laemmle Theatres in CA

    • Laemmle Theatres and the Anniversary Classics Series present Twofer Tuesdays, a classic movie double bill that will screen on the first Tuesday of each month as a recurring event. Our first attraction celebrates Hollywood legend Bette Davis in one of her most beloved roles, Now, Voyager (1942), on its 75th anniversary. As a bonus feature, we are pairing it with Marked Woman (1937; 80th anniversary) starring Davis and Humphrey Bogart. Both movies will show in three locations as a double feature (two movies, one admission price).

      Now, Voyager (1942) is considered a consummate "woman's film," a genre that was Davis' forte in her heyday in Hollywood's Golden Age of the 1930s and 40s, an era that she ruled as a top box office star. The plush melodrama, based on a novel by Olive Higgins Prouty (author of Stella Dallas, another classic tale of a self-sacrificing, independent woman), was adapted by Casey Robinson (Dark Victory) and directed by Irving Rapper (Deception). The film was nominated for three Academy Awards, including Davis as Best Actress as a repressed spinster who emerges from her shell in one of the screen's most dramatic makeovers. Co-starring Paul Henreid as her suave romantic partner, Oscar nominee Gladys Cooper (Supporting Actress) as her domineering mother and Claude Rains (one of Davis' favorite actors), as a paternal psychiatrist; the film was a huge commercial hit, the biggest box office success for Davis in that period. In Turner Classic Movies' The Essentials: 52 Must-See Movies and Why They Matter, author Jeremy Arnold calls it "a movie that has stood the test of time for its high entertainment value, romanticism, and subversive theme of female empowerment." Featuring a lushly romantic Oscar-winning score by Max Steiner, and with one of the most memorable closing lines in movie history, Now, Voyager was added to the National Film Registry in 2007.

      Our bonus feature, Marked Woman (1937) stars Davis as a nightclub "hostess" who becomes the target of a vengeful mobster (Eduardo Ciannelli), who in turn is prosecuted by a crusading district attorney (Humphrey Bogart). Co-written by Robert Rossen (All the King's Men, The Hustler) and Abem Finkel (Jezebel, Sergeant York), and directed by Lloyd Bacon (42nd Street), the movie is notable for its "torn from the headlines" realism that characterized Warner Bros. style in the 1930s. Because of the censorious Production Code, the brothel employing Davis' character was disguised as a clip joint. Davis' assured performance and the film's success contributed to her rise as queen of the Warner's lot, a position she held for the next decade.

      The Twofer Tuesdays double feature of Now, Voyager and Marked Woman plays April 4 at three locations: Ahrya Fine Arts, NoHo 7, and Pasadena Playhouse 7. Special Introduction by TCM film historian Jeremy Arnold at the Ahrya Fine Arts only, who will also be available to sign his book, Turner Classic Movies' The Essentials: 52 Must-See Movies and Why They Matter. Now, Voyager plays at 7:15 pm; Marked Woman at 5:00 pm and 9:45 pm.

      Ahrya Fine Arts Theatre
      8556 Wilshire Blvd.
      Beverly Hills CA 90211

      NoHo 7
      5240 Lankershim Blvd.
      North Hollywood CA 91601

      Playhouse 7
      673 E. Colorado Blvd.
      Pasadena CA 91101

      310-478-3836

      Tickets are available at the theater box offices and here:
      https://www.laemmle.com/films/41976

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The Egg and I DVD
$8.55
was $14.98
Westward The Women DVD
$14.96
was $19.99
The Graduate (Criterion Collection) DVD
$23.35
was $29.95
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  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca