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  1. Top News Stories

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    • A Hard Day's Night on Criterion Blu-ray and DVD

    • In 1964 everyone under age 25 seemed to be a Beatles fan. The big wave hit America hard and fast early in the year. The four British 'lads' were a breath of fresh air, a welcome break from assassinations and nuclear standoffs. Their songs were rich with melody and the 'new sound' we were all told was coming from England. We were hungry for every snippet of B&W news footage of the Beatles smiling and making clever jokes in their unique suits and mop top haircuts. They just plain could do no wrong, as if they held the copyright on fun and happiness. For Gods such as these, movie stardom couldn't be far off.

      A Hard Day's Night turned out to be one of the happiest film accidents of the 1960s. David Picker signed United Artists on barely knowing what he was getting into, and the deal was closed so quickly that UA ceded ultimate ownership to producer Walter Shenson. But the choice of director was ideal for all parties. The Beatles had no intention of making a standard rock 'n' roll exploitation picture. For every Jailhouse Rock, four major embarrassments showed unhappy singers lip-synching to playback and sharing the stage with whatever pop act the record companies were pushing that year. American director Richard Lester had worked with The Goons and Peter Sellers, and the Beatles approved of his anarchic approach to comedy. Working with a script by Alun Owen, a writer familiar with Liverpool argot, Lester fashioned a wild farce that combined convincing newsreel-like action with a satire of a 'typical' day in the life for the Beatles. Viewers would get plenty of privileged time to hang out with the four most admired young men in the world.

      Although scripted, A Hard Day's Night is so freely assembled that audiences thought the Beatles were making it all up as they went along. The Fab Four avoid teeming mobs of teenaged girls, attend parties, give reporters grief and amuse each other in hotels and on trains. They display their public personalities, ratcheted up three notches in cleverness. Paul's crotchety grandfather (Wilfred Brambell) gets in constant trouble making petty side deals; Ringo becomes melancholy and wanders off just as rehearsals for a big television performance get underway. The neurotic Telly director comes unglued - will they make it back to the studio by airtime?

      There's nothing quite like this film: it's hard to imagine a better Beatles introduction to the mass audience. The show often takes on the look of a verité documentary, and displays a cutting style that captures perfectly the Beatles' impish sense of humor and effusive spontaneity. The lads give their minders headaches while tormenting (in good fun) the fussy BBC types preparing a video concert. Although never as bleakly absurd as an average Goon skit, the comedy draws upon silent-movie slapstick and silliness for its own sake -- but always in the service of character. Some of the Beatle interactions with passersby are inspired, such as John's impromptu love scene with an actress (Anna Quayle) in a narrow hallway. Sidebar gags suitable for a comic strip frequently intrude, like some business with a car thief ignored by the Bobbies that dash about like Keystone Cops. To create a break from the hectic pace, Director Lester takes time out for a slower sequence in which a lonely Ringo wanders down by the riverbank. Without his band mates he's just another sad-faced bloke. Viewers were dazzled by the Beatles and charmed by a stunning new visual approach. Lester continued this anarchic comedy style in his follow-up romantic comedy The Knack ... and How to Get It.

      Great care was taken to integrate the musical interludes into the film fabric. The first is the most daring -- the boys are playing cards in a train's baggage car when a song starts to play. Across a cut they've suddenly unpacked their equipment and are performing to a small audience of fans peering through a wire mesh fence. The reality then switches back, and yet it all seems perfectly natural. There's also the revolutionary "Can't Buy Me Love" sequence, that compresses the energy of a year into one brief music video-like playground romp. George Martin arranged a half-dozen instrumental cues that would now be classified as easy listening covers; since UA's original soundtrack album is no longer in print these can only be heard in the movie. The best is Martin's arrangement of "This Boy", which becomes a theme for Ringo. The fireworks are of course reserved for the finale, when The Beatles perform for a hall packed with screaming teenage girls. Brilliantly edited, it helped ignite the pandemonium of Beatlemania -- American kids yelled and cheered in film screenings as well.

      A Hard Day's Night made us think we were privy to the 'true' personalities of the Beatles. It places the four non-actors in such familiar situations that they often seem to be 'behaving' more than acting. Today an entire PR company would be in charge of the spin given the Beatles' image, but in this movie those decisions seem to have been arrived at by pure professional insight. The boys are mostly kept away from their hordes of star-crazed fans, leaving their status vaguely 'available' -- no girlfriends (or wives) are in evidence to make the average female fan feel resentful or inadequate. The tearful, hysterical girls that pour out their hearts at the finale are a phenomenon that the Beatles couldn't deal with individually, so the only recourse was to be remote Gods of music. The movies flattened and scrubbed Elvis into a boring self-parody, but with intuitive marketing savvy (no committee, no focus group) the Beatles' renown was amplified a hundred-fold. United Artists got an incredible bargain, but the Beatles became superstars bigger than anything Hollywood had seen in decades.

      The hotel staff, reporters, and television personnel are wildlife naturally found in the Beatles' habitat. Amusing Wilfrid Brambell gets major screen time, and luckily isn't too distracting. His character gives the boys someone to bounce off of and argue with. Grandfather's sour, caustic attitude also provides a baseline to insure that the Beatles' constant snippy remarks don't come off as cynical. The neurotic fashion exec (Kenneth Haigh) doesn't recognize George and tries to squeeze him as a resource for 'what the kids think'. The scene shows the Beatles transcending marketing hogwash mainly by ignoring it. George is soon shown the door, but not before introducing a new word to the lexicon: grotty.

      This one movie is perhaps the greatest national advertisement England ever exported. Contrasted with the violent divisiveness blanketing the news media here in the States, that island looked like Utopia. The police were sweet and thoughtful. Everyone was into rock music (sure they were...) and Youth seemed to rule all. The film gave American fans their first chance to see what the Beatles were like. It differentiated them by type: the cute one, the cool one, the quiet one and the funny one. With modifications, these public images stayed the same throughout their partnership. The frustration came when the Beatles attempted to evolve beyond the public images so firmly established here.

      The Criterion Collection's Blu-ray + DVD of A Hard Day's Night is a definitive edition of this beloved rock musical. The B&W HD transfer pulls everything out of Gilbert Taylor's marvelous images, transporting us back to the days when everything from England seemed perfect -- even if civilians in the street are almost always wearing raincoats.

      A DVD from 2002 had vandalized the film's audio mix by replacing the song tracks with stereophonic versions. Criterion's new release offers three audio choices, an original monaural track plus new stereo and 5.1DTS-HD Master Audio surround mixes, all uncompressed on the Blu-ray.

      The new disc has overcome another limitation of the older DVD extras -- Criterion is able to use Beatles music where appropriate, out of context with the film itself. A 2002 commentary offers filming memories from cast and crewmembers, but the Collection's excellent video extras are a comprehensive resource. In Their Own Voices (18 minutes) edits Beatle interview material to produce an opinion montage about the making of the film. You Can't Do That is a 1994 anniversary docu that includes an outtake of a Beatles song. Things They Said Today assembles an excellent compendium of interviews, stills and clips. As it is also from the 2002 DVD, no Beatles music is heard. Helpful little arrows identify marginal actors and personalities in the clips. Richard Lester has the best quote: "They told me I was the father of MTV. I wrote back and demanded a blood test."

      In Anatomy of a Style the film's story editor and music editor discuss the treatment of the musical sequences. Picturewise is a thoughtful video essay on Richard Lester by David Cairns, narrated by Rita Tushingham. Beatles biographer Mark Lewisohn's The Road to A Hard Day's Night is an absorbing, concise history of the quartet from their teenaged beginnings up until the production of their first movie. The final video extra is Lester's Oscar-nominated The Running Jumping & Standing Still Film (1960), a short comedy made with The Goons. Two reissue trailers are included as well.

      The fat insert booklet (80 pages) contains an essay by Howard Hampton and interview excerpts from director Lester. Criterion's disc producer is Kim Hendrickson.

      By Glenn Erickson

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  1. New Books

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    • Elizabeth and Michael

    • By Donald Bogle

      One of the country's leading authorities on popular entertainment presents an eye-opening and unique biography of two larger-than-life legends--Elizabeth Taylor and Michael Jackson--and their unlikely yet enduring friendship.

      From the moment Elizabeth Taylor and Michael Jackson met, they were hooked on each other. He peered into her violet eyes and was transfixed; she, in turn, was dazzled by his talent, intrigued by his sweet-tempered childlike personality, and moved by the stories she had already heard about his troubled early life. Soon a deep friendship blossomed, unexpectedly unlike anything either had ever experienced. Through thick and thin, through their various emotional upheavals, through the peaks and valleys of their careers, through their personal traumas and heartaches, through the unending health issues and extreme physical pain that each experienced, and through the glare of the often merciless public spotlight, their bond held them together, and their love for each other endured.


      Donald Bogle skillfully recreates the moving narrative of Taylor and Jackson's experiences together and their intense emotional connection, without shying away from the controversies that swirled around them. Through interviews with friends and acquaintances of the two stars, as well as anonymous but credible sources, Elizabeth and Michael emerges as a tender, intimate look at this famous "odd couple" and a treasure to their millions of fans.

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    • Robert Wagner's I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses

    • By Robert Wagner and Scott Eyman

      In a career that has spanned over sixty years, Robert Wagner has witnessed the twilight of the Golden Age of Hollywood and the rise of television, becoming a beloved star in both film and TV. During this time, he became acquainted, both professionally and socially, with many of the greatest female screen personalities of all time. I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses (On-sale: 11/15/16) by Robert Wagner, with co-author Scott Eyman, provides an intimate and revealing account of the charisma of these women on film, why they became stars, and how their specific emotional and dramatic chemistries affected the choices they made both as actresses and as women.

      I LOVED HER IN THE MOVIES offers a privileged look behind the scenes at some of the most well-known women in show business. Among Wagner's subjects are Joan Crawford, Bette Davis, Marilyn Monroe, Gloria Swanson, Norma Shearer, Loretta Young, Joan Blondell, Irene Dunne, Rosalind Russell, Dorothy Lamour, Debra Paget, Jean Peters, Linda Darnell, Betty Hutton, Raquel Welch, Glenn Close, and the two actresses whom he ultimately married, Natalie Wood and Jill St. John. In addition to offering perceptive commentary on these women, Wagner examines topics like the strange alchemy of the camera--how it can transform the attractive into the stunning, and vice-versa--and how the introduction of color brought a new erotic charge to movies--one that enabled these actresses to become aggressively sexual beings in a way that that black and white films had only hinted at.


      Robert Wagner is the star of such films as A Kiss Before Dying, The Longest Day, The Pink Panther, and most recently, the Austin Powers franchise. On television, he starred in It Takes a Thief (with Fred Astaire), Switch (with Eddie Albert and Sharon Gless), and Hart to Hart (with Stefanie Powers). He has recently appeared on Two and a Half Men and NCIS. He is married to actress Jill St. John.

      Scott Eyman is the author of eleven books about the movies, including Lion of Hollywood: The Life of Louis B. Mayer (which the Wall Street Journal called one of the five best books ever written about Hollywood), Empire of Dreams: The Epic Life of Cecil B. DeMille, and more recently, John Wayne: The Life and Legend.

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    • King of Jazz: Paul Whiteman's Technicolor Revue

    • King of Jazz: Paul Whiteman's Technicolor Revue tells the story of the making, release, and restoration of Universal's 1930 Technicolor extravaganza King of Jazz. Authors James Layton and David Pierce have uncovered original artwork, studio production files, behind-the-scenes photographs, personal papers, unpublished interviews, and a host of other previously unseen documentation. The book offers a richly illustrated narrative with broader context on the film's diverse musical and theatrical influences. The story concludes with an in-depth look at the challenges Universal overcame in restoring the film in 2016. Additionally, the book's appendix provides a comprehensive guide to all of the film's performers, music, alternate versions, and deleted scenes.

      King of Jazz was one of the most ambitious films ever to emerge from Hollywood. Just as movie musicals were being invented in 1929, Universal Pictures brought together Paul Whiteman, leader of the country's top dance orchestra; John Murray Anderson, director of spectacular Broadway revues; a top ensemble of dancers and singers; early Technicolor; and a near unlimited budget. The film's highlights include a dazzling interpretation of George Gershwin's "Rhapsody in Blue," which Whiteman had introduced to the public in 1924; Walter Lantz's "A Fable in Jazz," the first cartoon in Technicolor; and Anderson's grand finale "The Melting Pot of Music," a visualization of popular music's many influences and styles. The film is not only a unique document of Anderson's theatrical vision and Whiteman's band at its peak, but also of several of America's leading performers of the late 1920s, including Bing Crosby in his first screen appearance, and the Russell Markert Dancers, who would soon become Radio City Music Hall's famous Rockettes.


      James Layton is Manager of the Museum of Modern Art's Celeste Bartos Film Preservation Center. Prior to this he worked at George Eastman House in Rochester, NY, where he curated two gallery exhibitions and the website Technicolor 100. Layton has also acted as Cataloguer and Workflow Coordinator at the East Anglian Film Archive in Norwich, UK, and is co-author of the Image Permanence Institute's informational poster Knowing and Protecting Motion Picture Film (2009).

      David Pierce is an independent film historian and archivist. He was formerly the Head of Preservation and Curator of the National Film and Television Archive at the British Film Institute. His articles have appeared in numerous journals, and his report on the survival of American silent feature films was published by the Library of Congress in 2013. He founded the Media History Digital Library, providing free online access to millions of pages of motion picture magazines and books.

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    • THE ESSENTIALS: 52 Must-See Movies and Why They Matter

    • By Jeremy Arnold
      Forward by Robert Osborne

      Since its inception on Turner Classic Movies in 2001, The Essentials has become the ultimate for movie lovers to expand their knowledge of must-see cinema and discover or revisit landmark films that have had a lasting impact on audiences everywhere.

      Based on the hit series, THE ESSENTIALS by Jeremy Arnold showcases 52 must-see movies from the silent era to modern times. Readers can enjoy one film per week, like on the show, for a year of great viewing, or indulge in a movie-watching binge-fest. Each film is profiled with entertaining discourse on why it's an Essential, and running commentary is provided by TCM's Robert Osborne and Essentials guest hosts past and present: Sally Field, Drew Barrymore, Alec Baldwin, Rose McGowan, Carrie Fisher, Molly Haskell, Peter Bogdanovich, Sydney Pollack, and Rob Reiner.

      Featuring full-color and black-and-white photography of the greatest stars in movie history throughout, THE ESSENTIALS is the ultimate curated guide to 52 films that define the meaning of the word "classic."


      Jeremy Arnold, a writer and film historian, is the author of Lawrence of Arabia: The 50th Anniversary, a coffee-table book companion to that film's Blu-ray release. In addition to his work for numerous film trade publications, he has written over five hundred programming articles for the Turner Classic Movies website and contributed audio commentaries and historical essays to the DVD and Blu-ray releases of classic films.

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  1. DVD Reviews

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    • Dick Dinman Salutes Undervalued Star Van Johnson!

    • DICK DINMAN SALUTES UNDERVALUED STAR VAN JOHNSON: Kino Lorber's KL Studio Classics division has just released on Blu-ray a sparkling brand new 4K restoration of the riveting suspense thriller 23 PACES TO BAKER STREET and producer/host Dick Dinman welcomes noted author and classic film aficionado John McElwee to the show as both pay tribute to the versatile and undervalued 23 PACES TO BAKER STREET star Van Johnson.

      PLUS: "Dick's Picks" salutes KL Studio Classics Blu-ray releases of I WAKE UP SCREAMING, Elia Kazan's BOOMERANG, THE HOUSE ON 92nd STREET, THE LODGER, Preston Sturges' BEAUTIFUL BLONDE FROM BASHFUL BEND, Fritz Lang's WESTERN UNION, Henry King's DAVID & BATHSHEBA and PRINCE OF FOXES, NO HIGHWAY IN THE SKY, THE SICILIAN CLAN and BOY ON A DOLPHIN (stunning new 4K restoration!).

      EXTRA!
      DICK DINMAN SALUTES COHEN'S CHABROL COLLECTION!


      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & William Wellman Jr. Salute BATTLEGROUND!

    • DICK DINMAN & WILLIAM WELLMAN JR. SALUTE "BATTLEGROUND!": BATTLEGROUND remains producer/host Dick Dinman's all-time favorite WW2 film and distinguished actor, writer and producer William Wellman Jr. rejoins Dick as both salute William Wellman's Oscar-winning once in a lifetime epic military drama which has just been beautifully remastered on Blu-ray by the Warner Archive.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller are ON DANGEROUS GROUND!

    • DICK DINMAN & EDDIE MULLER ARE "ON DANGEROUS GROUND": The Warner Archive has just released an astonishing looking (and sounding!) Blu-ray rendition of Nicholas Ray's dark yet hypnotically beautiful film noir ON DANGEROUS GROUND which features a steely yet sensitive performance from noir icon Robert Ryan that easily ranks up there with his finest efforts ever and producer/host Dick Dinman and his guest "Czar of Noir" Eddie Muller dissect the various qualities which make this film so captivatingly unique (including the plaintively emotional score by Bernard Herrmann which was one of his two favorites).

      PLUS: SHORT TAKES: Kino's Kl Classics' THE HOUSE ON 92nd STREET, DAISY KENYON and Cohen Film Collection's SUDDEN FEAR.

      COMING ATTRACTIONS: The Warner Archives' BAD DAY AT BLACK ROCK and Twilight Time's KISS OF DEATH.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller Explore THE ASPHALT JUNGLE!

    • DICK DINMAN & EDDIE MULLER EXPLORE "THE ASPHALT JUNGLE": Producer/host Dick Dinman welcomes back the "Czar of Noir" himself Eddie Muller as both celebrate the Criterion Collection's pristine release on Blu-ray of John Huston's THE ASPHALT JUNGLE which remains conceivably the greatest "heist/noir" masterwork ever committed to celluloid. (It's early in the year but its difficult to conceive that any home video outfit in the ensuing year will be able to top the astonishing "special features" included on this sensational disc.)

      PLUS: Show opener "Dick's Picks" salutes the Criterion Collection's recent Blu-ray releases of Robert Altman's McCABE & MRS. MILLER, Marlon Brando's ONE EYED JACKS and Howard Hawks' HIS GIRL FRIDAY.

      COMING SOON: DICK DINMAN & EDDIE MULLER ARE "ON DANGEROUS GROUND"!

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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  1. Press Release

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    • Alec Baldwin to Host TCM's THE ESSENTIALS


    • Legendary Late Night Host David Letterman, Emmy and Golden Globe® Winner Tina Fey and Oscar-Winning Director William Friedkin Set to Join as Special Guests Throughout the Season.

      Premieres May 6 & Airs Saturdays at 8 p.m.



      Turner Classic Movies announced that Emmy® winner and Oscar® nominee Alec Baldwin will host The Essentials, TCM's popular franchise showcasing "must see" classic films. Joining Baldwin each week throughout the season will be one of three special guests: late-night television icon David Letterman, acclaimed actress, writer and comedian Tina Fey and legendary filmmaker William Friedkin. Together, Baldwin and his guests will introduce a hand-picked classic and offer color commentary on its cultural significance, its influence on other films, behind-the-scenes stories and their own personal reflections. The new season of The Essentials, which airs every Saturday night, premieres May 6 at 8 p.m. (ET).

      The Essentials will kick off with special guest David Letterman joining Baldwin to discuss a plethora of poplar classics including:
      • The Bad and the Beautiful (1952) - airing May 6
      • East of Eden (1955) - airing on May 13
      • No Time for Sergeants (1958) - airing on May 27
      • The Big Sleep (1946) - airing on June 16

      Tina Fey will make her guest appearance starting on June 24 to discuss her favorite classic films including:
      • Rear Window (1954) - airing June 24
      • The Lady Eve (1941) - airing on July 1
      • The Bride of Frankenstein (1935) - airing on July 8
      • Singin' in the Rain (1952) - airing on August 5

      Rounding out the entertaining new season, William Friedkin will join Baldwin to highlight another round of notable films such as:
      • The Quiet Man (1952) - airing on Aug. 12
      • The Manchurian Candidate (1962) - airing on Aug. 19
      • 2001: A Space Odyssey (1968) - airing on Sept. 2
      • The Treasure of the Sierra Madre (1948) - airing on Sept. 23

      Baldwin takes over The Essential's hosting duties following the death of his close friend and colleague, Robert Osborne, who hosted the franchise from 2006 to 2015. A longtime friend of TCM and supporter of classic films, Baldwin has appeared frequently on the network, including as co-host of The Essentials with Robert Osborne from 2009 to 2011. He demonstrated his skill as an interviewer in 2008, when he joined one of his idols, Gene Wilder, for an hour-long discussion at Wilder's home in the special Role Model: Gene Wilder. Baldwin turned the tables on Osborne in 2015 by interviewing the longtime TCM host for Private Screenings: Robert Osborne, a one-hour special that premiered as part of TCM's 20th Anniversary celebration. This past October, Baldwin was the on-air host for a month-long look at the world's greatest and most influential documentaries for TCM's Spotlight showcase.

      "I have some big shoes to fill hosting The Essentials, and I plan on doing Bob proud with this new season of The Essentials," said Baldwin. "Dave, Tina and Billy each bring a unique perspective to the movies in our lineup, and they have some fascinating, and even surprising, insights to share as we shine a spotlight on some of our favorite 'must-see' films from over a century of epic moviemaking."

      Additionally, select titles from The Essentials will also be available at 30,000 feet through Delta Studio, Delta Air Lines' industry-leading, free in-flight entertainment collection. Delta operates the world's largest in-flight entertainment-equipped fleet, offering up to 300 movies, 750 TV shows, 100 foreign film titles, 2,400 songs, 18 channels of live satellite TV on select aircraft and a selection of games on aircraft with seat-back entertainment systems.

      To view a promo and for more information including a complete schedule, bios, images and film information, please visit tcm.com/essentials.

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Sabrina (1954) DVD
$5.45
was $8.98
Some Like It Hot DVD
$11.21
was $14.98
The Randolph Scott Round-Up: Volume 2 DVD
$11.21
was $14.98
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  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca