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After the opening credits, a title card reads, "I first heard of Flagg and Quirt from my friend Captain Laurence Stallings of the 5th U.S. Marines. At that time they were in action on the Verdun Front, France." The card is signed by the director Raoul Walsh. Fox made two previous films featuring the characters Flagg and Quirt, the 1926 What Price Glory and the 1929 The Cock-Eyed World, both directed by Walsh and starring McLaglen and Lowe (see AFI Catalog of Feature Films, 1921-30; F2.6213 and F2.0940) and one later film, the 1933 Hot Pepper (see below), directed by John Blystone and again starring McLaglen and Lowe. Walsh, in his autobiography, commented, "Women of All Nations was a turkey because it could not be anything else. A third McLaglen-Lowe film was just too much for the public."
Information in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library indicate that James Gleason, Basil Woon, William K. Wells and Walter C. Kelly wrote material for the film, but that only Barry Conners' material was used in the final film. Humphrey Bogart and Nat Pendleton are listed as cast members in early screen credit sheets in the legal records, and still photographs from the film's production show Bogart with McLaglen and Lowe in the battleship sequence. Neither Bogart nor Pendleton were apparent in the print viewed, and an examination of the film's continuity taken from the screen did not reveal scenes with their characters. In addition, in the final screen credit sheet in the legal records, for the print that was shipped from Hollywood to New York on May 13, 1931, neither Bogart's nor Pendleton's name appears, thus indicating that their scenes were cut from the final film. Information in the legal records indicates that J. Henry Kruse led the singers and directed the Swedish orchestra in the Swedish sequence of the film. Although reviews and modern sources call both Flagg and Quirt sergeants, Flagg is called a captain in the film's dialogue.
Variety commented that the "meow chorus" was reminiscent of a scene in Paramount's Dishonored, also starring McLaglen, which was released earlier in 1931. Variety also noted that "the wholesale cutting is obvious and results in many pointless sequences."