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Film producer Alexander Meyerheimer is in Cannes and upset because scriptwriter Richard Benson is late delivering the script for The Girl Who Stole the Eiffel Tower , Meyerheimer's latest production. He wires Benson in Paris that he has only 2 days to complete the script; and Benson, who has written nothing, hires a secretary, Gabrielle Simpson, to move in and assist him. As they grind out a script that combines all the elements of a spy thriller, a comedy, a love story, a western, a musical, and every other basic motion picture genre, Richard and Gabrielle project themselves into the story and actually become the hero, heroine, and villain of each scene they create. They return to reality only for story changes, champagne suppers, and romantic interludes. When the deadline is reached the script is still unfinished, but Richard and Gabrielle have fallen in love.