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Onscreen credits state that this film was the first color "dancing musical," and was "filmed 100% in new Technicolor." It was Pioneer Pictures' second and last three-strip Technicolor feature to be distributed by RKO. According to Hollywood Reporter, Robert Benchley, on loan from M-G-M, teletyped dialogue for the film from New York, but was later replaced by credited writers Francis Edwards Faragoh and Ray Harris. The extent of Benchley's contribution to the final film, if any, has not been determined. A Hollywood Reporter news item described color director Robert Edmond Jones's aesthetic approach as "imaginative" rather than "realistic," as he was attempting to "synchronize color, music and dancing" throughout the picture. Charles Collins, a veteran New York and London stage performer, made his screen debut in this production. Hollywood Reporter production charts add Sherman Sanders and Cy Kendall to the cast, but their participation in the final film has not been confirmed.