powered by AFI
A space fungus transforms an astronaut into a deadly monster.
After the experimental rocket ship secretly launched by Prof. Bernard Quatermass crashes into a field outside London, the only survivor of the three-man crew is Victor Carroon, who crawls out but can only whisper "Help me" before lapsing into a catatonic state. When the rocket is examined, Quatermass, his aide Marsh, government minister Blake and Dr. Gordon Briscoe are mystified as to what happened to the bodies of the other men and disappointed that a camera logging the rocket's flight has been destroyed. Some days later, Scotland Yard's Inspector Lomax and his aide discuss the case, which they are investigating, and Lomax expresses his opinion that something is wrong with Carroon, whose hands feel like ice. Quatermass then arrives at Lomax's office and chastises him for trying to interrogate "a national hero" and taking the still-catatonic Carroon's fingerprints. After reluctantly giving Lomax files on Carroon and his crew, Quatermass returns to his laboratory, where Briscoe is attending Carroon. Briscoe is concerned that the structure of Carroon's blood, muscle and bone seems to be changing and thinks that his patient might get better care in a hospital, but Quatermass assures Briscoe that he knows more about the scientific anomalies of the condition than ordinary physicians. Carroon's wife Judith grudgingly agrees with Quatermass, so Briscoe decides to give Carroon another blood transfusion. Later, Lomax goes to see Quatermass and demands his solemn word that the fingerprints in Carroon's file are genuine. With Quatermass' assurance, Lomax shows him that the fingerprints taken after the crash were not only different, but not human. Just then Quatermass receives an urgent call to come to the crash site. Resolving to work together, Quatermass and Lomax head to the site, where Marsh and Briscoe have uncovered an unknown substance. Marsh also tells Quatermass that, although the ship's camera was damaged, the film seems to be intact. Back at the lab, Briscoe examines the substance but cannot determine if the jelly-like organic material is plant or animal matter and speculates that it might be the remains of the other two crewmen. Meanwhile, Carroon awakens, reaches for a vase of flowers and collapses. Judith rushes to inform Briscoe, after which he and Quatermass put Carroon back in bed. When they notice that Carroon's hand is mutating, Judith lashes out at Quatermass, telling him that her husband would be better off dead. Briscoe then convinces Quatermass to have Carroon taken to a hospital. Later that day, Quatermass, Lomax and Blake look at the film that has been salvaged from the rocket. It shows two crewmen collapsing as temperature gauges on the instrument panal rise. When the third crewman, whom they deduce is Carroon, starts to collapse, the film suddenly stops. That night, when Judith goes to see her husband, she is told that there can be no visitors, but a sympathetic night porter suggests that she sneak in to see him between the nursing shifts. She then goes to her car and summons Christie, a man who has promised to help her. Pretending to be the night nurse, Christie relieves the other nurse then dresses Carroon. While Christie is briefly outside the room checking their escape route, Carroon sees a cactus plant and smashes it. As they are riding down in the elevator, Christie senses that Carroon is hiding something and grabs his arm, causing Carroon to strike him violently. Carroon emerges from the hospital alone and is greeted by Judith, who puts him into the car and drives away, happily talking to him as if he will be fine. However, when she sees his now horribly mutated hand, she becomes agitated. He then smashes the car window and runs off, leaving his wife screaming in terror. Meanwhile, after a nurse has discovered Christie's badly deformed dead body, Quatermass, Lomax and Briscoe arrive at the hospital. A policeman tells them that Carroon must be on the other side of London, where Judith and the car were discovered. After revealing that Judith's mental state is dire, the policeman says that she was able to relate that Carroon's hand was gray, with cactus-like thorns. While Carroon eludes police searching for him throughout London, Briscoe performs an autopsy on Christie and wonders whether or not the strange mutations represent forms of life drifting through space that have taken over Carroon and are using him as a carrier. He further speculates that the life form is a combination of plant and animal that now needs food. A short time later, Carroon enters a chemist's shop and frantically looks through the store shelves. When Carroon starts to cry, the kind-hearted chemist sees that his arm is injured and tries to examine it, but Carroon kills him. Quatermass is soon informed of the break-in at the chemist's shop and rushes there with Briscoe, who concludes that Carroon might have been trying to kill himself but could not find the right combination of drugs. Carroon continues to wander through London and eventually enters the London Zoo. The next morning, Quatermass, Lomax and Briscoe are summoned to the zoo where many animals have been killed. In the nearby bushes, Briscoe finds a pulsating mass and Quatermass uses tongs to place it into a sealed box. Meanwhile, at a London police station, Rosie Rigley makes a report about seeing something large crawling beside a brick wall. When the police investigate, they conclude that Carroon had been there and order the area evacuated. Back at Briscoe's lab, the pulsating mass breaks out of its glass case and eats all of the caged mice. When Briscoe and Quatermass return to the lab, the mass has mutated into an octopus-like creature that Briscoe fears will continue to mutate and grow. Lomax now has the government call out the army and civil defense units to scour London for Carroon. That night, as the BBC is airing a live special program about the restoration of Westminster Abbey, a body appears on the floor. The producer rushes inside the Abbey from the television van outside. Soon Lomax arrives and orders the area cleared. The producer does not wish to stop the program, but when the camera pans to some scaffolding, a huge beast is shown onscreen. Just then Briscoe and Quatermass arrive, and in the van watch the television monitor as the beast mutates and grows before the cameras. Quatermass theorizes that a huge electrical shock might kill the beast and orders all of London's electrical power diverted to the Abbey. At 11:00 p.m., after the lights of London go dark, an electrician attaches a cable to the scaffolding holding the beast, then runs out of the Abbey. After the current is switched on, the beast is electrocuted as the BBC cameras record the event. When Lomax, Quatermass and Briscoe re-enter the Abbey and see the dead beast, Lomax grudgingly tells Quatermass that this time he has won. As Quatermass walks away, Marsh asks if there is anything more to do and Quatermass answers that they will be trying the experiment again soon.
Cast & Crew
|MPAA Ratings:||Premiere Info:||Los Angeles opening: 27 Jun 1956|
|Release Date:||1956||Production Date:||
|Color/B&W:||Black and White||Distributions Co:||United Artists Corp.|
|Sound:||Mono||Production Co:||Hammer Film Productions, Ltd.|
|Duration(mins):||78||Country:||Great Britain and United States|
Leonard Maltin Ratings & Review
LEONARD MALTIN MOVIE RATING
LEONARD MALTIN MOVIE REVIEW:
User Ratings & Review
This title has not been reviewed. Be the FIRST to write a review by CLICKING HERE >
User Ratings & Review
The Quatermass Xperiment (1955)
Jay Higgins 2009-08-30
What a terrific and chilling film! Also known as "The Creeping Unknown". Great cast, genuinely eerie. The acting is quite good, especially Brian...
There's a DVD available for this Movie Actually.
Caesar A. Mendez 2009-08-11
Like Ms. Fiori, I saw this movie whenI was a child. But, not in the movie theatre, but regulary on TV (WOR Channel9 in NYC) It was among mine & my...
Great SciFi Film!
Dianne Fiori 2007-01-16
This is my scariest movie ever! I saw it in 1956 when I was 11 years old and have never forgotten it. The look on Richard Wordsworth's face as he...