- Acting of Lead Performers
- Acting of Supporting Cast
- Music Score
- Title Sequence
- Historical Importance
- Would You Recommend?
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- Dashiell Barnes
Fine adaptation of Booth Tarkington's novel. Hepburn earned an Oscar nomination as a woman desperate to look rich among society, fine work from Fred's MacMurray & Clark. Dinner is an unforgettable moment in an occasionally dull film. Great romantic film helmed by director Stevens. I give it a 3.5/5.
- Jeff Boston
Booth Tarkington's Pulitzer Prize-winning novel "Alice Adams" from 1921 had its 1935 film adaptation earn Oscar noms for Best Picture and Best Actress. The movie version has a timeless message, and what happens with the father and the daughter must have played well with Great Depression audiences. Director George Stevens uses his trademark close ups frequently and effectively, and the film has some good lines. My favorites came from the father, including "let's go see if we can eat it" and the one where, while recuperating at home, he tells his visiting boss that he feels bad for receiving a salary without earning it. Sadly, such an honorable principle is getting to be as dated as the film's offered cigarettes, black maid, and likeable stars.
Um verdadeiro Clássico
Katharine Hepburn está fascinante neste filme. Tudo é perfeito e precioso num filme que faz você se divertir e se apaixonar pelos personagens. Um clássico que vale ouro
- Jenn E.
Katharine Hepburn literally wrenches my heart in Alice Adams. I was quite literally moved to tears with her performance. I absolutely love this movie and could watch it over and over.
ALICE A COMPULSIVE LIAR
ALICE STARTS OUT PRETENDING TO HAVE PURCHASED HER 5& DIME COMPACT AT A UPSCALE DEPARTMENT STORE THEN GOES ON TO LIE TO THE MAN AT THE FLORAL SHOP ABOUT ALL HER ENGAGEMENTS. SHE PICKS FLOWERS THAT ARE CLEARLY MARKED "DO NOT PICK"' AND THAT HAPPENS IN LESS THAN 15 MINUTES NOT ONLY DOES SHE HAVE THE PROBLEM WITH HONESTY, BUT SHE IS FRANTIC IN HER QUEST TO BE ACCEPTED BY PEOPLE WHO WANT NOTHING TO DO WITH HER. WITH THE WAY SHE IS TREATED SHE SHOULD BE THE LAST ONE TO LOOK DOWN HER NOSE AT PEOPLE OF ANOTHER RACE. SHE IS CAUGHT BY FRED'S CHARACTER IN LIES SEVERAL TIMES SO YOU WONDER WHAT HIS INTEREST IN HER IS OTHER THAN TO SEE HOW THE OTHER HALF LIVES. SHE AT ONE POINT TALKED ABOUT BEING HERSELF. WITH ALL THE DECEIT SHE DISPLAYED HOW COULD ANYONE LOVE HER FOR WHO SHE REALLY WAS. WAS APPARENT THAT
- TCM fanatic
I've always loved this movie ever since I first saw it. I thought K. Hepburns's performance wonderful. She was touchingly sweet and sad and gave the overall feel of the movie a softness that belied the theme of people wanting to strive for riches and lying to achieve their goal. F. MacMurray is very handsome and totally sexy as the target of Alice's machinations. Hattie McDaniels is hilarious; but then, she manages to convey an honest quality to her roles that defy sterotyping. She's never portrayed her character in a lowly way in any movie I've seen her. In fact, she manages to be on a level par with the stars of her films. She's a jewel, and so is this film.
- Steve Steinfeld
TCM host, Robert Osborne, stated once that the reason the Academy came up with the supporting actor/actress award was because of Hattie McDaniel(s) brief but brilliant performance in this film! I sure wouldn't doubt that statement!
- jarrod McDonald
I'd hardly call this film racist. Sure, it's a product of its times but there have been many films before and since that have featured minorities in second-hand roles. What's good with this one is that the maid gets the last laugh..in fact, she gets most of the laughs, and not in a derogatory way. It's a character study. It's more a comment on her lack of gracefulness than the fact that she's black. This move is more than the scenes featuring the black maid. It's a pointed satire about people desiring to be snobs so as to seem important. It's rather heavy-handed but delightfully so, and that's the genuis of Tarkington's writing. Add Hepburn and MacMurray, and the results are delicious.
- Barry Phillips
A lovely racist little film about class distinction with a soft Kate, good production values, and a decent plot.