- Acting of Lead Performers
- Acting of Supporting Cast
- Music Score
- Title Sequence
- Historical Importance
- Would You Recommend?
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- kevin sellers
Yeah, Bryan, I think you're right. Same seedy office, bad coffee, general air of second rateness. Good observation. I also agree that both films are good without being great.. The main difference is that Caine is a better actor than Newman, in my opinion, simply because he had more range. Don't think Newman was ever capable of portraying cold blooded villainy like Caine could in films like "Dressed To Kill" and "Get Carter."
Is it just me?
- Byron Sutter
Is it just me or does anyone else recognize the opening sequence as a parody of the opening sequence in The Ipcress File? Harper was released just a few months after The Ipcress File. I saw both films while in college and immediately made the connection between the two films. It seems that no one else with whom I have discussed this makes the connection. I love both films. They are well crafted with excellent plots and casts.
Great little gumshoe flick. It's a good thing I saw the full film on an earlier month, this month it's only the first hour. Thanks TCM. Pull your head out of...
- kevin sellers
Fun movie. Not especially deep or disturbing, but eminently watchable. Good crisp dialogue from William Golding out of Ross MacDonald and well paced direction from Jack Smight (Why didn't he'd have a bigger movie career?) However, the biggest reason to enjoy this movie is the acting. Great cast, and they all do a good job. Even actresses like Pamela Tiffin, who were never even competent in other movies, are good in this one. And actors who are usually good, like Robert Wagner, Arthur Hill, Lauren Bacall, and Robert Webber are great here. Holding all of it together is Paul Newman, excellent as always when playing a cynical, wisecracking anti hero. The last scene with him and Arthur Hill as disillusioned old friends and compromised idealists is the best in the movie. Give it a solid B.
TIMING IS EVERYTHING
Every time TCM advertised Harper I eagerly awaited the chance to watch it.Unfortunately the chosen time, 1:45am was very late.I would have enjoyed the opportunity to see this movie at an early night hour.The 10pm timeslot would have been appreciated.I notice this occurs quite a lot with movies not shown as often as others.Please, please re-examine some of the movies like this one and the times chosen to show to give us Fans of your channel. And I do hope you show this one again very soon.Thank you.
- Oliver Cutshaw
Fine film that combines elements of an old Philip Marlowe mystery with commentary of the swinging, sordid, and somewhat shallow lifestyles that are stereotypically associated with Southern California. Arthur Hill, Lauren Bacall, Newman all solid but Shelley Winters, Strother Martin, and Robert Wagner really stand out. Good soundtrack. Solid direction.Always enjoyed its updating on the old trench coat private eye films of the forties. Due for a remake.
Another 'h' of a movie by Paul Newman
- Armen Pandola
The Lew Archer fictional detective (ceated by Ross MacDonald) becomes Leww Harper because Paul Newman had a series of hits with movies containing a word that began with the letter H'' and wanted to continue his streak.The screenplay by William Goldman sets the standard for the modern detective movie - Harper has so many personal problems that his wife leaves him and his best friend almost shots him. The strong suit of this film is the cast. Newman at his 1960's best, Shelly Winters giving another Oscar caliber perfomance, Arthur Hill in a rare film role, Laren Bacall as the world's worse stepmother and a supporting cast that includes a wonderful guru send up by Strother Martin. The real sleeper in the movie is the performance by Robert Wagner - it is his best. Don't miss this one.
Most interesting aspect of this film is seeing LA as it was back in the 60's... all the Landmarks now long gone. Note the Psychodelic Hippie House at the top of Topanga Canyon overlooking Malibu was a major hang-out back then; well-known for its wild Open Invitation Full Moon parties... The old Porsche Speedster Newman drives in the film was owned by Steve McQueen; who was often seen driving around in it on LA's west side before & after the film.