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Robert T. Kane - NOT AVAILABLE
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COMPLETE FILMOGRAPHY WITH SYNOPSIS
Producer (feature film)
A convict uses a fake gun to start a full-scale prison escape.
After killing a cop, a burglar fights to evade the police.
The lives of a close-knit group of brothers growing up in Iowa during the days of the Great Depression and of World War II and their eventual deaths in action in the Pacific theater are chronicled in this film based on a true story.
A woman defies convention by joining the WAAFs and becoming romantically involved with an AWOL soldier.
A married matador's rise to stardom is complicated by an affair with a beautiful aristocrat.
Tomboy (Withers) is sent to finishing school where she falls for the headmaster (Sutton). When her love letters are discovered she okays his relation with a teacher (Kelly) and gets her first kiss from a beau (Clayton).
American (Churchill) in London dislikes England until his daughter (Lehmann) falls for the son (Granger) of the Lord (Drayton) with whom he wants to conclude a business deal.
Jane breaks into the film business while also reviving the flagging career of her film director uncle (Wilcoxon) and getting him hooked up with his secretary (Stuart).
When a young horse trainer falls for a Gypsy girl, it reignites an old family feud.
A young girl (Rene Ray) is traveling to London to find work. Arriving at the station, she meets a man (Robert Newton) who has been stabbed by a member of a gang of crooks involved with greyhound racing. She becomes a suspect but flees the scene in order to deliver a message to the dead man's brother. She is protected from the police by a night club entertainer (John Mills), who she learns is the man she is seeking.
Opening with a credit line that reads "Entire production conceived, created and directed by George White," a film evolves where the only plot line is a thin backstage romance between Jimmy Martin (Rudy Vallee) and Kitty Donnelly (Alice Faye)in and around a dozen or more sketches, revues, black-outs and singing and dancing turns. Made before the birth of the production code, reviewers of the day found much to object about in the implications of Alice Faye's "Nasty Man" song with the Meglin Kiddies, and the dog action in the "Your Dog Loves My Dog" number by Vallee, Faye, Jimmy Durante and Dixie Dunbar. The geometric dance arrangements used in the Vallee, Durante and Cliff Edwards "Every Day Is Father's Day" was not cause for Busby Berkeley to lose any sleep.
A young man must choose between his childhood sweetheart and his love of the sea.
Production Companies (feature film)
The daughter of a murdered financier is working as a jewelry salesperson while she tracks those among her father's colleagues who plotted against him.
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