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|Also Known As:||Michael Philip Jagger, Sir Michael Philip Jagger||Died:|
|Born:||July 26, 1943||Cause of Death:|
|Birth Place:||Kent, England, GB||Profession:||songwriter, musician, singer, producer, actor, writer|
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Arguably one of the most influential singers in the history of rock and roll, Mick Jagger brought street smarts, an encyclopedic knowledge of rhythm and blues, and a stage presence that blew apart established concepts of self-confidence and sex appeal as the lead singer of The Rolling Stones. Jagger was also the bandâ¿¿s primary lyricist, and with longtime partner and foil Keith Richards, helped to pen some of the greatest rock songs of the 20th century, from "(I Canâ¿¿t Get No) Satisfaction" and "Gimme Shelter" to "You Canâ¿¿t Always Get What You Want," "Sympathy for the Devil," "Miss You" and countless others. For several generations of rock fans, he embodied the rock singer in its most complete form, as equal parts warrior-king, soothsayer, charlatan and shape shifter. And if his personal life occasionally strayed into the gossip pages, and his solo efforts lacked the bandâ¿¿s electricity and drive, Jagger could be forgiven for most of his sins by virtue of his influence on hundreds of aspiring musicians who saw the truth about rock and roll in his sinuous moves and seductive lyrics.Born Michael Philip Jagger on July 26, 1943, he was the eldest of two sons born to teacher Basil Jagger and his...
Arguably one of the most influential singers in the history of rock and roll, Mick Jagger brought street smarts, an encyclopedic knowledge of rhythm and blues, and a stage presence that blew apart established concepts of self-confidence and sex appeal as the lead singer of The Rolling Stones. Jagger was also the bandâ¿¿s primary lyricist, and with longtime partner and foil Keith Richards, helped to pen some of the greatest rock songs of the 20th century, from "(I Canâ¿¿t Get No) Satisfaction" and "Gimme Shelter" to "You Canâ¿¿t Always Get What You Want," "Sympathy for the Devil," "Miss You" and countless others. For several generations of rock fans, he embodied the rock singer in its most complete form, as equal parts warrior-king, soothsayer, charlatan and shape shifter. And if his personal life occasionally strayed into the gossip pages, and his solo efforts lacked the bandâ¿¿s electricity and drive, Jagger could be forgiven for most of his sins by virtue of his influence on hundreds of aspiring musicians who saw the truth about rock and roll in his sinuous moves and seductive lyrics.
Born Michael Philip Jagger on July 26, 1943, he was the eldest of two sons born to teacher Basil Jagger and his wife, Eva Ensley Jagger, a hairstylist and active member of the Conservative Party. Jaggerâ¿¿s parents intended for their son to follow in his fatherâ¿¿s career footsteps, but his true interests lay in singing. He was an active member of his church choir, and studied singersâ¿¿ technique and stage presence on radio and television and in films. As a schoolboy, Jagger befriended a classmate at Wentworth Primary School named Keith Richards, but the pair lost touch with each other. In the ensuing years, Jagger began to develop a fascination for American rock and roll and rhythm & blues, and briefly fronted his own band, Little Boy Blue and the Blue Boys. As before, he held a particular fascination of singers, especially the rock pioneer Little Richard, whose outrageous, sexually ambiguous presence would serve as a defining role model for his later career. However, unlike many future rock musicians, Jagger had an inherently practical side as well as a head for finance, and studied accounting and business at the London School of Economics while indulging his music passions after hours.
In 1960, he ran into Richards by chance while the two were waiting on a train platform. Jagger noticed that Richards was carrying several blues records, and the ensuing conversation reignited their friendship. It also sparked the inspiration for the pair to start a band, initially named the Rollinâ¿¿ Stones, which they commenced in earnest in 1961. After teaming with guitarist Brian Jones and piano player Ian Stewart, the duo added bassist and future Pretty Things member Dick Taylor and drummer Tony Chapman. After several lineup changes, which saw Bill Wyman replace Taylor and Charlie Watts take over the drummerâ¿¿s seat, the band added the grammatically correct "g" to their name and made their debut at Londonâ¿¿s Marquee Club in 1962.
The group quickly gained a following among young listeners, especially those who responded to their set lists of songs by Chuck Berry, Muddy Waters and other black R&B performers. Though at first, Jagger lacked the physically commanding stage presence of these talents, he was animated enough, and possessed a keen enough understanding of their delivery, as well as the blues idiom of the whole, which helped to propel the band ahead of most other R&B-influenced outfits. When The Rolling Stones made their initial tours of America in 1964 and 1965 â¿¿ at the height of worldwide Beatlemania â¿¿ they were frequently paired with established or up-and-coming black acts, and he studied their stage behavior to develop his own stage persona. Tina Turnerâ¿¿s highly kinetic, tireless and sexually suggestive stage presence would be a particular influence on him in later years.
By the mid-sixties, The Rolling Stones had developed into one of Englandâ¿¿s leading bands. Their scruffy looks and penchant for blues made them an alternative to the fresh-scrubbed Beatles, but it was the songwriting team of Jagger and Richards that truly fueled the groupâ¿¿s stratospheric ascent. Initially, the group leaned on American R&B to build their albums and performances, but their manager, Andrew Loog Oldham, pressured them to come up with their own material. By 1964, the duoâ¿¿s material was overtaking their covers on the charts, and in 1965, they scored their first U.K. and international No. 1â¿¿s with "The Last Time" and "(I Canâ¿¿t Get No) Satisfaction," respectively. As with John Lennon and Paul McCartney, Jagger and Richards frequently divided the responsibilities of lyrics and melody between them, though on several occasions, one person handled both duties, as Jagger did on "Brown Sugar" and "Sympathy for the Devil," while retaining the partnership credit. The duo also shared Lennon and McCartneyâ¿¿s penchant for stinginess in regard to letting others write material for their albums, a fact that drove Bill Wyman to strike out on his own solo career and eventually leave the band in the early â¿¿90s.
As the band developed its image as musical outlaws, so too did Jagger create his own reputation as one of Britainâ¿¿s most notorious lotharios. Among the famous women he counted as his conquests in the 1960s were model Chrissie Shrimpton and actress-singer Marianne Faithfull, who endured a lengthy and emotionally turbulent relationship with him throughout the 1960s. Though she scored a hit with a cover of the Jagger/Richards tune "As Tears Go By," she would be better known to the public as the woman in Jaggerâ¿¿s company when the police raided Richardsâ¿¿ flat in 1967 and arrested the bandmates for possession of pills. A highly publicized trial followed, during which Jagger was handed down a sentence of three months in jail. Appeals from the pop music community and its fans helped to overturn the sentence, which was amended to a conditional discharge. Faithfull would later fall into drug addiction and homelessness after Jagger left her in 1970, but rebounded in the 1980s with a revitalized career.
The end of the 1960s saw The Rolling Stones reach their creative zenith with a quintet of albums that many fans and critics regarded as among the best rock and roll music ever recorded â¿¿ 1968â¿¿s Beggars Banquet, 1969â¿¿s Let It Bleed, 1970â¿¿s Get Yer Ya-Yas Out, 1971â¿¿s Sticky Fingers and 1972â¿¿s Exile on Main Street, which seemed to perfectly encapsulate the joys and terrors of that tumultuous period. The band recorded some of its most enduring hits for these albums, including "You Canâ¿¿t Always Get What You Want, "Street Fighting Man," "Sympathy for the Devil," "Gimme Shelter," "Wild Horses," and "Brown Sugar," but conflict from both in and outside the Stones camp threatened to tear them apart on numerous occasions. The accidental death of Brian Jones in 1968 and the disastrous 1969 free concert at Altamont, which was captured on film in the harrowing documentary "Gimme Shelter"(1970), set the tone for much of the next half-decade: Jagger and Richardsâ¿¿ relationship, once almost familial, began to unravel under the weight of drug addiction and artistic differences. Their acrimony spread to the other band members as well, with Jonesâ¿¿ replacement, Mick Taylor, receiving much of Richardsâ¿¿ misplaced ire. Veteran player Ron Wood was eventually brought in to serve as much as mediator between Jagger and Richards as the bandâ¿¿s rhythm guitarist. The bandâ¿¿s finances were also in disarray, thanks to the stiff British tax system, which forced Jagger to relocate to the south of France. In addition, their manager, Allen Klein, successfully sued them to retain the rights to most of their songs written before 1971.
With the Stones in disarray, Jagger attempted to strike out on his own as an actor. He gave an impressive turn as a former rock star who swapped personalities with a sadistic gangster (James Fox) in hiding in Nicolas Roeg and Donald Cammell's "Performance" (1970). He received solid reviews for his work, but the majority of his later film roles would elude such praise. "Ned Kelly" (1970), about a 19th century Australian outlaw, was largely dismissed, and he was forced to abandon Werner Herzogâ¿¿s "Fitzcarraldo" (1982) when the filmâ¿¿s epic production delays conflicted with the bandâ¿¿s touring schedule. When not pursuing film roles, Jagger kept company with the nightclub scene in New York and Los Angeles, romancing such famous women as singer-songwriter Carly Simon, who was rumored to have penned her hit "Youâ¿¿re So Vain" (to which he contributed backing vocals) about him, as well as Bebe Buell, Janice Dickinson and Margaret Trudeau. He also began hobnobbing with celebrities from the entertainment and art world; it was in this circle that he met Nicaraguan-born partygoer Bianca Perez-Mora Macias, whom he would marry in 1971. The coupleâ¿¿s seven-year union produced a daughter, Jade, but was frequently rocked by Jaggerâ¿¿s infidelities, which resulted in a divorce in 1978. Jagger then took up with model Jerry Hall, with whom he had a two-decade-long relationship that produced four children.
Though Jaggerâ¿¿s personal life was on the rebound, his relationship with Richards and The Rolling Stones continued to sour. A series of perfunctory albums and tours throughout the 1970s, due largely to their inability to agree on the direction of the band, undermined their self-appointed status as the "worldâ¿¿s greatest rock and roll band," and by the end of the decade, the former partners were barely on speaking terms. Richards was particularly bothered by Jaggerâ¿¿s desire to push the Stones into more commercially acceptable pop and dance territories, which clashed with his blues-based ideas. Frustrated by Richardsâ¿¿ immovability, Jagger released a solo album, Sheâ¿¿s The Boss, in 1985. The soulful, poppier sound struck a chord with listeners, who helped to propel it to platinum status. Jagger made even further strides away from The Stones by recording a hit cover of Martha and the Vandellasâ¿¿ "Dancing in the Streets" alongside longtime friend David Bowie for the Live Aid organization. Both Jagger and Richards performed at the global benefit, though conspicuously apart from each other, with Richards and Ron Wood backing Bob Dylan, while Jagger pranced alongside his role model, Tina Turner.
Following the release of 1986â¿¿s Dirty Work, Jagger informed Richards that he would not tour to support the album. This launched a war of words between the two men that lasted several years. Meanwhile, Jagger attempted to capitalize on the success of Sheâ¿¿s the Boss with 1987â¿¿s Primitive Cool, but the sophomore release was a failure upon release. Within two years, he was back in the Stones camp, having settled his differences with Richards. The band released Steel Wheels in 1989, and if the record itself was underwhelming, the tour that followed was a major moneymaker, and re-established them as one of the top live acts in the world.
The 1990s saw Jagger at what appeared to be peace with his association with The Rolling Stones, while still making in-roads towards establishing himself as a solo act. He made sporadic returns to acting, most notably in 1997â¿¿s "Bent," based on the play by Martin Sherman, in which he played a transvestite cabaret performer during the Nazi regime. He also launched his own production company, Jagged Films, which would produce 2001â¿¿s spy thriller "Enigma" and financed 2008â¿¿s "The Women." His solo music career continued to have its ups and downs, with 1993â¿¿s Wandering Spirit reaching No. 11 on the U.S. charts, while 2001â¿¿s Goddess in the Doorway was largely ignored. And while many assumed that he had finally settled down with Hall, he proved them wrong by annulling their marriage in 1999 shortly after it was announced that he had fathered a child with Brazilian model Luciana Gimenez.
His career as a Rolling Stone continued unabated for much of the late 1990s and early 21st century. The band, which lost longtime member Bill Wyman in the early â¿¿90s, continued to release unspectacular albums like 1994â¿¿s Voodoo Lounge and 1997â¿¿s Bridges to Babylon, which were supported by epic world tours that raked in millions in ticket sales. As Jagger entered his sixth decade, fans and critics alike marveled at his physical endurance, which allowed him to perform his signature moves largely without stopping for two hours every night. And while performers from Lenny Kravitz and Axl Rose to Perry Farrell and OutKastâ¿¿s Andre 3000 claimed him as an influence, there was also the unavoidable sense that he was leading a band that had seen its best days three decades ago.
In 2001, Jagger received stellar reviews for his turn as the wry but wistful owner of a male escort service in George Hickenlooperâ¿¿s "The Man from Elysian Fields." Two years later, he accepted a knighthood from The Prince of Wales, which naturally spawned gales of derisive comments from Richards and tart ripostes from Jagger. The duo kept their love/hate relationship at bay long enough to celebrate their bandâ¿¿s 40th anniversary with the compilation album, Forty Licks (2002) and a 2002-03 world tour. Their 2007 "Bigger Bang" tour put them in the record books for earning $437 million, the second highest tour gross in world history. And while Richardsâ¿¿ 2010 autobiography Life took his partner to task for all manner of personal and musical crimes, both men publicly announced that their retirements were far in the future. Jagger formed a short-lived supergroup, SuperHeavy, with Dave Stewart, Joss Stone, A.R. Rahman and Damian Marley, releasing a single album in 2011. A longtime friend of producer Lorne Michaels, Jagger hosted the 2012 season finale of "Saturday Night Live" (NBC 1975- ), including a performance of the Stones hit "Ruby Tuesday" to serenade departing cast member Kristen Wiig. Jagger's tumultuous private life took another turn in March 2014 when his longtime girlfriend, fashion designer L'Wren Scott, committed suicide.
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Jagger once owned a piece of the Philadelphia Furies soccer team.
"Mick Jagger is equally seductive in a frock as he is in trousers." --"Bent" director Sean Mathias in 1997.
Jagger began an Internet company with the purpose of broadcasting cricket matches via computer. The website address is www.cricket.org.
About filming "Freejack": "It has been kind of tiring, but we came into three weeks of night shooting and it's a bit easier now. My rock 'n' roll recording training stands me in in pretty good stead for that--starting at 11 at night and going until 6 in the morning. I'm not at my best at 8 o'clock in the morning, I'm the first to admit." --Mick Jagger in USA Today, May 13, 1991.
About the Stones being compared to other bands: "Looking back, thinking of all that competition, I hate it. But I suppose it's all right, because I won out. But it wasn't only between us and the Beatles but us and all the other bands. I remember one time playing in Philadelphia, and Herman's Hermits were top of the bill, and we were second, and there was some argument about the dressing rooms. [Peter Noone] was complaining because he was top of the bill and his dressing room wasn't good enough. Anyway, there we were, and he was top of the bill because the Herman's Hermits were huge. And one of the most impossible things was going out to have a hamburger, and some guy would go, 'Are you Herman's Hermits?' It would kill you. So you go, 'Fuck you. Herman's Hermits is shit.'" --Mick Jagger in Rolling Stone, December 14, 1995.
"Obviously, I have this sort of strange animal magnetism. It's very hard to take my eyes off myself."-Jagger US Weekly November 11, 2002
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