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COMPLETE FILMOGRAPHY WITH SYNOPSIS
Music (feature film)
Los Angeles, 1949. Ruthless, Brooklyn-born mob king Mickey Cohen runs the show in this town, reaping the ill-gotten gains from the drugs, the guns, the prostitutes and - if he has his way - every wire bet placed west of Chicago. And he does it all with the protection of not only his own paid goons, but also the police and the politicians who are under his control. It's enough to intimidate even the bravest, street-hardened cop except, perhaps, for the small, secret crew of LAPD outsiders led by Sgt. John O'Mara and Jerry Wooters, who come together to try to tear Cohen's world apart.
A rare glimpse into the final days of Michael Jackson, the documentary is compiled from over one hundred hours of rehearsal and behind-the-scenes footage of the legendary entertainer preparing for his 50 sold-out shows at London's O2 Arena that were scheduled to commence in July 2009 before his unti
Alex "Hitch" Hitchens is a legendary--and deliberately anonymous--New York City "date doctor" who, for a fee, has helped countless men woo the women of their dreams. While coaching Albert, a meek accountant who is smitten with a glamorous celebrity, Allegra Cole, Hitch finally meets his match in the person of the gorgeous, whip-smart Sara Melas, a gossip columnist who follows Allegra''s every move. The ultimate professional bachelor, Hitch suddenly finds himself falling deliriously in love with Sarah, a reporter whose biggest scoop could very well be the unmasking of Manhattan''s most famous date doctor.
A husband and father of two announces to his family his plans to have a sex change, an event that will change all their lives forever.
Retired Mexican-American chef Martin Naranjo shares an L.A. home with his three gorgeous, but single, adult daughters. Though he long ago lost his ability to taste, Martin still lives to cook incredibly lavish dinners for his loved ones and to serve them in a family-style ritual at traditional sit-d
William Forrester, once a Pulitzer Prize winning novelist, now spends his days as a unkempt recluse who sits in his window spying on boys playing basketball in the schoolyard below. One of those boys, Jamal Wallace, is an exceptional athlete whose ticket out of the projects is only partially due to
Paul Vitti, New York gang boss, is suffering from anxiety attacks. Embarrassed by this un-Mafia problem, he seeks help from a psychiatrist, Ben Sobel. Sobel isn''t keen to help him, but is persuaded. Vitti''s problems threaten to postpone Sobel''s wedding in Miami, and worse, there is a Mob conference coming up that Vitti may not be in strong enough psychological shape to attend.
Five down-on-their-luck working-class men in Liverpool fulfill their dreams and aspirations by starting a swing band. The band is organized by an ex-con who hires his former girlfriend as the lead singer, and soon the band is on its way to becoming an overnight sensation.
One drunken night, five couples take their friendships one step further - they wife-swap. At first they think they can handle the after-effects, but soon they're caught up in events and emotions that move swiftly out of their control.
Hard-hitting biography of middle-weight champ Jake La Motta, whose life was haunted by violence inside and outside the ring.
Boys from opposite sides of the tracks vie to take a pretty senior to the prom.
A daffy door-to-door saleswoman blunders into a murder investigation.
Police patrolmen are stalked by a vengeful mobster escaped from prison.
A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.
Young Joe is paralyzed as he is bucked by a wild horse, a strawberry roan. Angered, his father, Walt, tries to shoot the horse but is stopped by his foreman, Gene Autry. The roan escapes and Autry, told to leave the ranch by Walt, finds and trains the horse, now named Champ, in hopes that by returning it to Joe it will provide him with the will to overcome his disability.
Dozens of star and character-actor cameos and a message about the Variety Club (show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.
Boy (Jimmy Lloyd) meets Girl (Leslie Brooks.) Boy tells Girl he is an oil company president and she tells him she is a popular night club singer. Boy and Girl are telling each other little white lies. But, via some contrived plot complications, Boy becomes a tycoon and the former night club cigarette-selling Girl becomes the Cinderella of Broadway, singing with the Russ Morgan Orchestra. Boy and Girl tell each other they are still more comfortable just being their humble selves. Girl neglects to tell Boy that her singing has been dubbed.
The goddess of the dance comes to Earth to take over a musical lampooning the gods.
Socialite Cathy Abbott (Jean Porter) is working in the chorus of a Broadway show instead of being enrolled at an exclusive girl's school as her parents (Regina Wallace and Douglas Wood) think. When the show closes, she brings two of her chorus friends, Patti Calhoun (June Preisser) and Vicki Adams (Judy Clark), home with her. In addition to trying to make her friends acceptable to the snooty society of which her family is part, she is also being blackmailed by a rival. She and her two friends win over the blue-bloods with a couple of chorus routines, and she discloses she will be marrying the butler, Tommy Randell (Jimmy Lloyd), rather than the pompous Freddie Ainsley (Rick Vallin).
Judy Gibson (Jean Porter), upon leaving finishing school, goes to meet her relatives, whom she believes to be wealthy and socially prominent. Actually, ther are penniless Broadway characters and, in order to avoid Judy learning the truth, they take possession of a Long Island mansion owned by a thief presently doing time in Sing Sing. Judy arrives with her fiance Dick Nichols (John Shelton) and his father (Douglas Wood), an industrialist who tries to sell worthless stock to Judy's family in order to bolster his shaky fiancial status. They give him $200,000, part of the stashed loot they found belonging to the home-owner thief. The latter escapes from prison. Complications arise. Jerry Wald and his band provide music for Jean Porter's singing, and pert-'n-pretty Porter, as usual, carries the show.
A hard-drinking reporter tries to help the embittered widow of the soldier who had saved his life during the war.
A tough veteran sets out to solve his war buddy's murder.
Romantically involved reporters compete to solve a murder on a famous actress'''' estate.
An advertising man has to come with "the perfect woman" for an ad campaign. He puts together a picture of a woman from a composite of several photos, to get an idea of the kind of woman he should look for. His boss sees it, thinks that it is an actual woman, and orders him to find her and use her in the campaign.
Gene Autry (Gene Autry) attempts to arrange that both the Indians and ranchers, scheduled to be driven from their land by Mesa City's mew aqueduct, benefit from the deal, which is opposed by town banker Mason (Ralph Morgan.) Mason stirs up the Indians against Gene but, with help from school teacher Carol (Jean Heather), Gene is able to expose Mason's schemes.
A theater producer is torn between his leading lady and his ex-wife while staging a show in Rio.
Ricky Malone (Jimmy Lloyd), Spud Winters (Bob Haymes AS Robert Stanton and not Kirby Grant as Robert Stanton, since Grant hadn't used that name in over five years, but I digress) and some other returning G.I.'s are trying to break into show business by the old summer resort resort. Terry (Leslie Brooks and she needs no number since she was in films 40 years before Leslie Brooks (I) directed his one-and-only film), a runaway daughter of a big producer who is trying to stifle her show-biz career, hires on as the (dubbed) singer.
Returning G.I. Curt Norton (Ken Curtis), owner of a radio station, finds his father Amos (Guy Kibbee) has allowed the station to run down and has squandered Curt's money in bad investments in war-surplus material. Eddie Jackson (Robert Stevens), who owns the rival station, is also attracted to Curt's sweetheart Jean White (Joan Barton). When Curt and the Hoosier Hotshots (Ken Trietsch, Paul Trietsch, Gil Taylor and Charles Ward) successfully stage an auction to raise money, Eddie hires Mimi (Claudia Drake) to claim that Curt married her in France.
A struggling lyricist befriends a composer''''s widow.
A fore-runner and a semi- slight version of "Take Care of My Little Girl" from Sam Katzman, but pert-and-pretty Jean Porter had a knack for making Katzman's pictures look better than they were. Here, she (as Joanne Leeds), interrupts her carnival singing career to enroll as a freshman at Upton College. She quickly encounters the snobbery of the sorority girls because of her background. But the sorority is reorganized on democratic principles and she is invited to join, although it is never made too clear why she would want to join this group of airheads anyway.
A gambler discovers an old flame in South America, but she's married to his new boss.
Judy McCoy (Judy Canova), a fortune teller with a circus, learns she has inherited some property and heads west to collect. When she arrives in the desert ghost town, she learns that a stipulation in the will is that she has to return the property to the rightful owners, an Indian tribe, before she gets the remaining inheritance. A gambling ring, led by Honest John Richards (Alan Bridge), will gain possession of the town if it is not returned to the Indians. The latter believe the town is haunted, because of the schemes of Honest John, and do not want it.
A comedy based on NBC's "People Are Funny" radio (and later television) program with Art Linkletter with a fictional story of how the program came to be on a national network from its humble beginning at a Nevada radio station. Jack Haley is a producer with only half-rights to the program while Ozzie Nelson and Helen Walker are the radio writers and supply the romance. Rudy Vallee, always able to burlesque himself intentional and, quite often, unintentional, is the owner of the sought-after sponsoring company. Frances Langford, as herself, sings "I'm in the Mood for Love" while the Vagabonds quartet (billed 12th and last) chimes in on "Angeline" and "The Old Square Dance is Back Again."
Based on a "serial" story by Robert Carson that ran in the Saturday Evening Post, this tale of an international counterfeiting-ring operating in Mexico starts with Patrick Nevil (Pat O'Brien)viewed as a suspicious character by newspaper woman Agnes Stuart (Ruth Warrick), who is working on a story to expose racketeering night-club owner Doc Lilley (Alan Hale.) She searches Lilley's home and finds the counterfeiting plates and thinks Nevil is part of the gang.
When his career crashes and burns, a director tries to come back staging country club shows.
Carol Lawrence (Gale Storm), an aspiring singer, goes to a new night club owned by Danny Warren (Phil Regan), whose father Daniel Warren (Russell Hicks) doesn't approve of the club and wants Danny to join him in the family business. Carol is suspected of being a process server and is thrown out of the club. An extremely long arm of coincidence leads her to the elder Warren's office and he hires her as a process server. She returns but gets a singing job this time so foregoes serving the cease-and-desist notice. The Three Stooges are on hand as waiters and Connee Boswell, Louis Jordan, Will Osborne and Mary Treen provide the music and songs in addition to Gale Storn on "Oh, Buddy" and "On the Sunny Side of the Street."
An amnesiac thinks he''''s a popular bandleader.
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