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Paul Ivano

Paul Ivano


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Also Known As: Died: April 9, 1984
Born: May 13, 1900 Cause of Death:
Birth Place: Germany Profession: Cinematography ...


Cinematography (feature film)

The Naked Flame (1970) as Director of Photography
Chubasco (1968) as Director of Photography
A young delinquent tries to redeem himself by working on a tuna boat.
The Nun and the Sergeant (1962) as Director of Photography
A sergeant commanding a mission in Korea is joined by a schoolgirl and a nun.
Lizzie (1957) as Director of Photography
A mousy woman discovers she has two other personalities.
Hold Back Tomorrow (1955) as Director of Photography
Kentucky Rifle (1955) as Director of Photography
A man escorts a wagon load of Kentucky rifles through Indian territory and must find a way to get through without losing the rifles to the Indians. Unfortunately the Indians know about it, and give the occupants an ultimatum: either the rifles or their lives.
Fangs of the Wild (1954) as Director of Photography
Tad Summers (Freddie Ridgeway), son of mountain lodge owner Jim Summers (Onslow Stevens), sees Roger Wharton (Charles Chaplin Jr.) kill his supposed best friend. Tad tells his father, who doesn't believe him, but Linda Wharton (Margia Dean), Roger's wife, does and taunts him into a confession. Roger sets out to get rid of the boy.
Thy Neighbor's Wife (1953) as Director of Photography
One Girl's Confession (1953) as Director of Photography
Another of the "Fate and Irony" films from director-writer-producer-actor Hugo Hass but this one has less hair-shirt torment than most of his offerings, although his camera, as usual, lingers provocatively on the contours of the leading lady and, in this case, the leading lady is more than well-contured. Mary Adams (the well-contured Cleo Moore) works in a tawdry waterfront restuarant where the owner not only maltreats her, he also cheated her father out of a fortune years ago. The owner acquires $25,000 in an illegal transaction, which Mary promptly steals, hides, confesses her crime and serves a short sentence. Freed, she goes to work in a restaurant owned by Dragomie Damitrod (Hugo Hass) and when he gets into trouble over a gambling debt she offers to help him by telling him where the $25,000 is hidden and she will loan him the amount he needs. But circumstances indicate that he has stolen all of the money and she clouts him on the head with a whiskey bottle, apparently killing him. She then learns that he didn't steal the money, digs it up and donates it to an orphanage and then surrenders to the police where she learns that Damitrod is not dead. Well,dang. But all is not lost as she seems to be heading for matrimony with fisherman Johnny (Glenn Langan), who has been hanging around romancing her at her various jobs between jail stints.
Run for the Hills (1953) as Director of Photography
Miss Body Beautiful (1953) as Camera
For Men Only (1952) as Photography
Strange Fascination (1952) as Director of Photography
Breakdown (1952) as Director of Photography
Japanese War Bride (1952) as Loc photog
Korean War veteran returns home to rural Salinas, California with his new Japanese wife, whom he met at a war hospital. The couple are forced to deal with the sometimes subtle, sometimes overt racism of his family and the townspeople, especially after the birth of their son.
Captive Women (1952) as Director of Photography
Red Snow (1952) as Director of Photography
Hello God (1951) as Cinematographer
Gold Raiders (1951) as Director of Photography
In this comedy western, the Three Stooges star as traveling salesmen who work with a frontier insurance agent to stop a gang of gold thieves.
Pickup (1951) as Director of Photography
Low-budget, tabloid-lurid story with high camp value of older man falling for much younger beauty who's busy figuring out how she can kill him now that they're married. Nasty verbal encounters and above all, Beverly Michaels, spike up this flick.
The Girl on the Bridge (1951) as Director of Photography
An elderly watchmaker stops a beautiful young blonde from committing suicide by throwing herself off a bridge. They eventually marry, and things go well until a man from her somewhat unsavory past shows up and attempts to blackmail the woman.
Southside 1-1000 (1950) as Photography
Champagne for Caesar (1950) as Director of Photography
What happens when the man who knows everything goes on a quiz show that doubles your cash prize every time a you answer a question correctly? Beauregard Bottomly is that man & what happens is you end up with 40 million dollars at stake.
The Second Face (1950) as Director of Photography
A homely woman injured in a car crash awakes to find the plastic surgery has transformed her into a first class beauty.
The Lovable Cheat (1949) as Director of Photography
Search for Danger (1949) as Director of Photography
They Live by Night (1949) as Helicopter photog
After an unjust prison sentence, a young innocent gets mixed-up with hardened criminals and a violent escape.
Million Dollar Weekend (1948) as Director of Photography
Concert Magic (1948) as Photography
The Mozart Story (1948) as Cam [American]
Fun on a Weekend (1947) as Director of Photography
Penniless strangers team up to fleece the rich.
The Gangster (1947) as Director of Photography
A troubled gangster, who has lost all faith in people, loses his weak grip on life.
The Spider Woman Strikes Back (1946) as Director of Photography
Jean (Brenda Joyce) takes the job of caretaker/companion (before the word took on a completly alternate-life style meaning) to blind woman Zenobia (Gale Sondergaard.) Also hanging around the house, in this horror/western, is Mario (Rondo Hatton), a deaf-mute servant who evidently wasn't much help to Zenobia when it came to identifying the source of a noise Zenobia couldn't see. Jean is a little slow in realizing that Zenobia is slowly killing her by taking her blood. Nothing personal. Zenobia needs her blood to feed some plants. She uses the blossoms of the plants to make poison to kill cattle in order to drive away the local ranchers so she can buy all the
The Dark Horse (1946) as Director of Photography
Little Miss Big (1946) as Director of Photography
Black Angel (1946) as Director of Photography
Kirk Bennett is falsely sentenced to death for killing blackmailer Mavis Marlowe, ex-wife of nice-guy drunk Martin Blair. Bennett's stand-up wife Catherine tries to prove him innocent, enlisting the aid of Blair, who falls in love with her. Bennett's execution draws near as the two pose as piano player and singer, trying to get the goods on sleazy nightclub owner Marko, a prime suspect. Failing to nail Marko, Catherine goes off to meet with her husband, scheduled to die the next morning, and Blair slips into an alcoholic stupor before the real killer is revealed.
Honeymoon Ahead (1945) as Director of Photography
Men in Her Diary (1945) as Director of Photography
Singer/Dancer Peggy Ryan neither sings nor dances in this comedy in which she plays a secretary, whose life has no romance because she devotes all of her time to her attractive older sister. But she does keep a diary that contains some fact and many fictional entries. One such is read by the wife (Louise Allbritton) of her boss (Jon Hall) who promptly sues for a divorce. Virginia Grey stars in a musical produced by Hall and sings (possibly dubbed) "Makin' a Million" and "Keep Your Chin Up." No spoiler to add that Ryan gets a boyfriend and Hall and Allbritton are reunited before this one runs it course.
The Strange Affair of Uncle Harry (1945) as Director of Photography
Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship with new colleague Deborah Brown promises happiness at last...thwarted by passive, then increasingly active opposition from one sister. Will Harry resort to desperate measures?
I'll Tell the World (1945) as Director of Photography
The Frozen Ghost (1945) as Director of Photography
Swing Out Sister (1945) as Director of Photography
Senorita from the West (1945) as Director of Photography
See My Lawyer (1945) as Director of Photography
The Suspect (1945) as Director of Photography
In 1902 London, unhappily married Philip Marshall meets young Mary Gray, who is unemployed and depressed. Their deepening friendship, though physically innocent, is discovered by Philip's wife who threatens him with exposure and scandal, driving him to kill her. Thereafter, fortune seems to smile on Philip Marshall; but does fate have a surprise in store?
Pursuit to Algiers (1945) as Director of Photography
Sherlock Holmes tries to protect a foreign leader traveling on an ocean liner.
Dead Man's Eyes (1944) as Director of Photography
An artist (Lon Chaney Jr) is blinded by a jealous assistant/model. His fiance's father generously offers his eyes for a sight restoring operation. there's only one hitch. Chaney has to wait until after the man dies. Not surprisingly, when the benefactor dies a very premature death, suspicion falls on the artist.
Slightly Terrific (1944) as Director of Photography
Pardon My Rhythm (1944) as Director of Photography
Destiny (1944) as Director of Photography
Hi, Beautiful (1944) as Director of Photography
Adventure in Music (1944) as Photography
The Impostor (1944) as Director of Photography
All by Myself (1943) as Director of Photography
Flesh and Fantasy (1943) as Director of Photography
Two clubmen discuss the occult, introducing three weird tales: 1) Plain, bitter Henrietta secretly loves law student Michael. Then on Mardi Gras night, a mysterious stranger gives her a mask of beauty that she must return at midnight. 2) At a party, palmist Podgers makes uncannily accurate predictions, later telling skeptic Marshal Tyler that he will murder someone. The notion obsesses Tyler, with ironic consequences. 3) High wire artist Gaspar dreams of falling, then loses his nerve. He recognizes Joan from his dreams, and falls for her. Will any of his dreams, involving Joan and disaster, come true?
Fired Wife (1943) as Director of Photography
Honeymoon Lodge (1943) as Director of Photography
Hitler--Dead or Alive (1943) as Director of Photography
You're a Lucky Fellow, Mr. Smith (1943) as Director of Photography
A young woman marries a soldier to fulfill the conditions of a will. However, when she gets ready to divorce him, she realizes that she actually loves him, and determines to find a way to stay married to him.
She's for Me (1943) as Director of Photography
Larceny with Music (1943) as Director of Photography
In a desperate attempt to get a job for Ken Daniels (Allan Jones) and Alvino Rey (Himself) and his Orchestra (themselves), agent Mike Simms (William Frawley) plots to make Daniels a missing heir. Simms hires Austin J. Caldwell (Gus Schilling) to pose as an attorney and go to Gus Borelli (Leo Carrillo), owner of the swank Blue Room, asking if he has heard about Daniels' inheritance. Borelli, figuring he can cut in on the money, bright Daniels and Simms to the Blue Room just as Pamela Mason (Kitty Carlisle) is rehearsing some songs with Zybisco (Sig Arno) and his string quintet. Simms refuses to let Daniels sing with the quintet,saying he has already made arrangements with Alvino Rey to bring his orchestra and the King Sisters (Alyce, Donna, Louise and Yvonne King) into the Blue Room. This causes Pamela to lose her job and she is furious with Daniels, who tells her he will get her a job with the Rey orchestra. Later, she discovers the hoax tells Borelli, who sets out to kill Daniels and Simms. They, and the orchestra, manage to escape just as the Blue Room is filling with customers drawn by Borelli's heavy advertising of Daniel's debut. He sends Pamela to bring them back.
About Face (1942) as Director of Photography
Two army sergeants wreak havoc on leave.
The Bashful Bachelor (1942) as Director of Photography
An Arkansas store owner stages a series of accidents to impress a woman with his heroism.
Isle of Missing Men (1942) as Cinematographer
Convicts on a prison island plot their escape.
The Shanghai Gesture (1942) as Photography
A gambling queen uses blackmail to stop a British financier from closing her Chinese clip joint.
Should a Girl Marry? (1939) as Photography
Girl from Rio (1939) as Director of Photography
Fury Below (1938) as Photography
I Am a Criminal (1938) as Photography
The Luck of Roaring Camp (1937) as Photography
Hoosier Schoolboy (1937) as Photography
Atlantic Flight (1937) as Photography
A pioneering aviator helps bring a madcap heiress and a fellow flyer together.
Old Louisiana (1937) as Photography
Island Captives (1937) as Photography
The 13th Man (1937) as Photography
A tough district attorney has been cleaning up the town, and has already imprisoned twelve dangerous criminals. As he is about to name the target for his next investigation, he is murdered in the midst of a crowd. The police have many suspects and hardly any clues, so two reporters decide to investigate for themselves.
Blazing Barriers (1937) as Photography
Battle of Greed (1937) as Photography
When silver is found in Virginia City, Lawyer John Storm leads a group from Indiana west. He soon has to defend them all in court against a company that is after their claims. Fighting a crooked Judge, he gets a mis-trial by telling how much each of the jurors was bribed. Then he gets the Governor to appoint a new Judge. But just as the retrial opens, the Judge learns his daughter has been kidnaped.
Sum Hun (1936) as Photography
Ambush Valley (1936) as Photography
When Clay Morgan kills Joel Potter, Marshal Manning has to arrest the brother of the girl he plans to marry. When the Morgans effect Clay's escape, the Potters take Ann Morgan as a hostage. Manning is now caught in the middle and the two sides are about to fight it out.
Cavalcade of the West (1936) as Photography
Two brothers are separated when young. One becomes the pony express rider Clint Knox and the other the outlaw Ace Carter. Their next meeting finds Ace way-laying Clint as he delivers the mail.
The Riding Avenger (1936) as Photography
Vengeance of Rannah (1936) as Photography
Insurance Agent Ted Sanders has been called in to investigate a robbery and murder. A deputy also arrives to investigate. But unknown to Ted, the Deputy is a fake and actually part of the gang. The fake plants some of the money in Ted's room so he can arrest him. Then with the help of the gang he plans to finish Ted off.
Blonde Venus (1932) as Addl cam
A nightclub singer gives in to a rich playboy to finance her husband''''s medical treatment.
An American Tragedy (1931) as Camera
Hell's Angels (1930) as Asst photog
Two buddies take on World War I flying aces and a seductive blonde.
No Other Woman (1928) as Director of Photography
Queen Kelly (1928) as Director of Photography
After being seduced by a prince, a convent girl is sent to an African bordello.
Yellow Fingers (1926) as Director of Photography
A Woman of the Sea (1926) as Director of Photography
Joan and Magdalen are the daughters of a fisherman. Magdalen leaves her fiancé, Peter, to run off to the big city. Joan and Peter marry. Magdalen's return years later causes trouble for the marriage, but Joan and Peter remain together in the end.
The Dancers (1925) as Director of Photography
Vengeance of The Deep (1923) as Director of Photography

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