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COMPLETE FILMOGRAPHY WITH SYNOPSIS
Make-Up (feature film)
When her best friend dies, a woman takes the orphaned children in search of their father.
Publisher Martin Jamison (Paul Maxey) sends for Philo Vance (Alan Curtis) as he wants to hire him as a technical advisor on the crime stories he publishes. Paul Morgan (Frank Fenton), Morgan's partner, regards the plan as foolish. Jamison tells his secretary Mona Bannister (Sheila Ryan) to bring Vance to his home that night and he will reveal the solution to the seven-year mystery of the killing of Sam Philips, former partner in the firm. Philips ex-wife (Tala Birell), now a receptionist for the company, is alarmed when she overhears. As Vance and Mona drive up, two shots are heard and Jamison's body is later found in the trunk of Vance's car.
A two-bit hood sets out to rob his boss''''s illegal gambling operation.
Barbara Carlin (June Lockhart) attends her own funeral and returns home suspecting that her husband,Rod Carlin (Mark Daniels), had tried to do away with her, and is also (rightfully) curious as to just who was the woman buried under her name. She learns that the victim was glamour girl Helen Lawrence (Sonia Darren), with whom her husband had been having an affair. Complications come from her sister Rusty (Cathy O'Donnell), who, it turns out, is not her real sister and also doesn't like her a whole lot, and from a dim-witted prize fighter,George Mandley (Greg McClure). The family attorney, Michael Dunn (Hugh Beaumont), stands around and provides little in the way of help or reason for being there, until...
Yong Joel Curtis (Ted Donaldson) finds an orphaned colt in the woods, whom he names "Red" and raises and trains him. When he learns that his grandmother (Jane Darwell) is going to have to sell her ranch to pay off the debts, he trains Red, with the help of Andy McBride (Robert Paige), as a race horse with the intention of selling his beloved animal friend in order to pay off his grandmother's debts.
Set in an apartment building whose occupants include Arthur Earthleigh (George Brent), a meek and mild type married to the beautiful-but-domineering Mae (Carole Landis); a Bohemian artist, David Galleo (Turhan Bey) and his always-there model, Deborah Tyler (Virginia Mayo); and Olive Jensen (Ann Dvorak), a Greenwich Village type who is always slightly-but-continuously inebriated, and whose motto is "love and let love." She calls on George while his wife is out, and when she passes out during his attempts to get her out before his wife returns, he thinks she is dead and deposits her on Galleo's terrace. Galleo takes advantage of the situation by using it in a blackmail scheme against Arthur, which is shakey, at best, as Olive refuses to stay dead.
Cecily Harrington (Sylvia Sidney), struggling along on a small allowance, wins a fortune in a lottery. She decides to travel rather than marrying her fiance Nigel Lawrence (John Howard.) A stranger, Manuel Cortez (John Hodiak), comes to rent her flat and she falls in love with him, and they are married. For their honeymoon, they go to an isolated English college where she, unlike the audience, doesn't realize she has married a fortune-hunting Bluebeard with a few murdered wives in his past. The question is will she be able to repent in leisure her decision to marry in haste.
The first Eagle-Lion film stars Kenny Delmar as Senator Beauregard Claghorn, his "Allen's Alley" resident-character heard on Fred Allen's radio program. Claghorn was a blustery, one-man-Chamber-of-Commerce for all things Southern, who had no tolerence for anything north of the Mason-Dixon line, although he made allowances for South Philly. The character inspired the creation of one of the most popular of the Warners' cartoon characters, Foghorn Leghorn, who re-worked most of the originals material and style. The title of this movie is a stock line- "it's a joke, son"---he would feed a befuddled Fred Allen each week. In the film, Claghorn gets into some financial difficulties and is forced by a machine-political gang to enter a race for state senator against his wife (Una Merkel) who appears to have a good chance to beat the political hack backed by the machine. Claghorn is in to siphon votes and ensure his wife's opponent will win and is expected to run a campaign that will defeat himself and his wife. But, he runs to win and the machine's henchies abduct him.
Playboy Larry Blandon (Damian O'Flynn) introduces his grandmother Stella Blandon (Clara Blandick) to his fiancee, radio singer Virginia Berneaux (Ramsay Ames). Despite Larry's record of broken romances and divorces, Virginia decides she will marry him. Virginia is slain that night and Blandon telephones his friend Philo Vance (William Wright) to help find the killer. Even as they talk, the killer strikes again and Philo hears Larry fall dead. Philo begins his investigation with Alexis Carnova (Leon Belasco), Virginia's manager, and the two go to Larry's home, where Stella tells them that the motive for the killing might be Larry's will that names the six women in his life as heirs and if any die before the will is probated, the others will divide the shares. They also learn that Katherine Corbett (Phyllis Planchard), the first of Larry's wives, has been murdered. Suspicion now falls on Lorena Sims (Terry Austin), a former wife who has been a patient at a sanitarium suffering from a nervous ailment. All of the deaths have been by poison and Lorena had access to it at the sanitarium. Philo uncovers another piece of information that leads him to break into the Blandon home just as Stella is about to give Lorena a glass of warm milk.
Although Dale (Brenda Joyce) and Ken Bullock (Donald Woods) should be a happily married couple, their marriage is on the verge of a break-up, because Dale refuses to give up her well-paying job in order to devote more time to Ken and their two children Jimmy (Tommy Ivo), age 9, and Tommy (Grgeory Marshall), age 6. They sue for divorce and the Judge (Selmer Jackson) rules that the children be placed in the custody of their father. Dale realizes what she has lost but she is too proud to say anyhthing to Ken, whom she still loves. Ken, shopping for the perfect stay-at-home wife to take care of his children, falls for the charms of his secretary, Millie Lynch (Vivian Austin, in one of the four films she made at PRC as Terry Austin.) Not quite.
American-International did not invent the juvenile delinquents-jalopies-reckless driving-hot rodders-build it at home-chicken playing genre of movies. PRC and Monogram started churning them out in the mid-forties as part of their let-this-be-a-lesson-to-you genre, preceded by the zoot-suiter and jitter-buggers films, which was better than the social guidance films teen-agers were being overdosed on at school. PRC did at least use card-carrying members of SAG. This one is a sermon against speeding, and Darryl Hickman has it brought straight home to him when he side-swipes a car and causes a collision in which his best friend is killed---the fate of all best friends in juvenile-theme movies including "Rebel Without a Cause"--- and his mother is injured. Lots of lecturing precedes and follows.
Sheila Page, a Broadway star, shoots Barney, her murderous husband on New Year's Eve. She flees her apartment and goes to her Producer, John Friday. When she arrives, it is New Year's day, a year earlier. She has been given the chance to live life over and correct the errors of the past only to find that the end will be the same although the path will be different.
Ken Williams (James Brown), a star basketball player on a college team learns that a police lieutenant (Regis Toomey) is the head of a gambling ring attempting to fix basketball games by bribing the players. With the aid of some of his ex-GI buddies, he exposes the gamblers.
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