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J. Roy Hunt

J. Roy Hunt

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TCM Archive Materials VIEW ALL ARCHIVES (2)

Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Cinematography ...
RATE AND COMMENT

COMPLETE FILMOGRAPHY

Cinematography (feature film)

1. The Juggler (1953) as Director of Photography.
2. Desert Passage (1952) as Director of Photography.
3. Eight Iron Men (1952) as Director of Photography.
4. Target (1952) as Director of Photography.
5. Road Agent (1952) as Director of Photography.
6. Footlight Varieties (1951) as Director of Photography.
7. Overland Telegraph (1951) as Director of Photography.
8. Gunplay (1951) as Director of Photography.
9. Saddle Legion (1951) as Director of Photography.
10. Pistol Harvest (1951) as Director of Photography.
11. Border Treasure (1950) as Director of Photography.
12. Storm Over Wyoming (1950) as Director of Photography.
13. The Lawless (1950) as Director of Photography.
14. Rio Grande Patrol (1950) as Director of Photography.
15. Kill or Be Killed (1950) as Director of Photography.
16. Mighty Joe Young (1949) as Director of Photography.
17. Rustlers (1949) as Director of Photography.
18. Brothers in the Saddle (1949) as Director of Photography.
19. Riders of the Range (1949) as Director of Photography.
20. Race Street (1948) as Director of Photography.
21. Return of the Bad Men (1948) as Director of Photography.
22. Gun Smugglers (1948) as Director of Photography.
23. The Arizona Ranger (1948) as Director of Photography.
24. Indian Agent (1948) as Director of Photography.
25. The Devil Thumbs a Ride (1947) as Director of Photography.
26. Under the Tonto Rim (1947) as Director of Photography.
27. A Likely Story (1947) as Director of Photography.
28. Crossfire (1947) as Director of Photography.
29. Trail Street (1947) as Director of Photography.
30. Black Beauty (1946) as Director of Photography.
31. Hollywood Bound (1946) as Photog for "The Spirit of 1976".
32. A Game of Death (1945) as Director of Photography.
33. What a Blonde (1945) as Director of Photography.
34. The Brighton Strangler (1945) as Director of Photography.
35. Heavenly Days (1944) as Director of Photography.
36. Action in Arabia (1944) as Director of Photography.
37. I Walked with a Zombie (1943) as Director of Photography.
38. The Falcon and the Co-eds (1943) as Director of Photography.
39. The Avenging Rider (1943) as Director of Photography.
40. Syncopation (1942) as Director of Photography.
41. Red River Robin Hood (1942) as Director of Photography.
42. Call Out the Marines (1942) as Director of Photography.
43. Thundering Hoofs (1941) as Director of Photography.
44. Parachute Battalion (1941) as Director of Photography.
45. They Met in Argentina (1941) as Director of Photography.
46. Sunny (1941) as Background photog.
47. One Crowded Night (1940) as Director of Photography.
48. Cross-Country Romance (1940) as Director of Photography.
49. You Can't Fool Your Wife (1940) as Director of Photography.
50. Little Orvie (1940) as Photography.
51. I'm Still Alive (1940) as Director of Photography.
52. The Saint's Double Trouble (1940) as Photography.
53. Prairie Law (1940) as Director of Photography.
54. Stage to Chino (1940) as Photography.
55. Triple Justice (1940) as Photography.
56. Married and in Love (1940) as Director of Photography.
57. Panama Lady (1939) as Photography.
58. In Name Only (1939) as Director of Photography.
59. Reno (1939) as Director of Photography.
60. Fixer Dugan (1939) as Photography.
61. The Flying Irishman (1939) as Photography.
62. Boy Slaves (1939) as Photography.
63. The Girl and the Gambler (1939) as Photography.
64. Almost a Gentleman (1939) as Photography.
65. Full Confession (1939) as Director of Photography.
66. Room Service (1938) as Photography.
67. The Law West of Tombstone (1938) as Photography.
68. Blond Cheat (1938) as Photography.
69. A Man to Remember (1938) as Photography.
70. Radio City Revels (1938) as Photography.
71. Mother Carey's Chickens (1938) as Photography.
72. Shall We Dance (1937) as Camera.
73. New Faces of 1937 (1937) as Photography.
74. The Life of the Party (1937) as Photography.
75. The Man Who Found Himself (1937) as Photography.
76. Hitting a New High (1937) as Photography.
77. A Damsel in Distress (1937) as Camera.
78. Sea Devils (1937) as Photography.
79. That Girl from Paris (1937) as Photography.
80. You Can't Buy Luck (1937) as Photography.
81. Breakfast for Two (1937) as Photography.
82. Silly Billies (1936) as Photography.
83. Muss 'Em Up (1936) as Photography.
84. Without Orders (1936) as Photography.
85. Smartest Girl in Town (1936) as Photography.
86. The Lady Consents (1936) as Photography.
87. The Bride Walks Out (1936) as Photography.
88. Walking on Air (1936) as Photography.
89. The Ex-Mrs. Bradford (1936) as Photography.
90. Annie Oakley (1935) as Photography.
91. A Dog of Flanders (1935) as Photography.
92. We're Only Human (1935) as Photography.
93. The Last Days of Pompeii (1935) as Photography.
94. She (1935) as Photography.
95. Star of Midnight (1935) as Photography.
96. Let's Try Again (1934) as Photography.
97. The Meanest Gal in Town (1934) as Photography.
98. Finishing School (1934) as Photography.
99. Dangerous Corner (1934) as Photography.
100. The Silver Streak (1934) as Photography.
101. Hat, Coat, and Glove (1934) as Photography.
102. Flying Down to Rio (1933) as Photography.
103. Emergency Call (1933) as Photography.
104. Lucky Devils (1933) as Photography.
105. Oliver Twist (1933) as Photography.
106. Aggie Appleby, Maker of Men (1933) as Photography.
107. Double Harness (1933) as Photography.
108. The Age of Consent (1932) as Photography.
109. Girl Crazy (1932) as Photography.
110. Men of America (1932) as Photography.
111. The Roadhouse Murder (1932) as Photography.
112. The Sport Parade (1932) as Photography.
113. High Stakes (1931) as Photography.
114. Friends and Lovers (1931) as Photography.
115. Beau Ideal (1931) as Photography.
116. Way Back Home (1931) as Photography.
117. The Woman Between (1931) as Photography.
118. Behind Office Doors (1931) as Photography.
119. Consolation Marriage (1931) as Photography.
120. Dixiana (1930) as Director of Photography.
121. Love Comes Along (1930) as Director of Photography.
122. The Pay Off (1930) as Director of Photography.
123. Leathernecking (1930) as Director of Photography.
124. The Case of Sergeant Grischa (1930) as Director of Photography.
125. Lawful Larceny (1930) as Director of Photography.
126. Alias French Gertie (1930) as Director of Photography.
127. The Virginian (1929) as Director of Photography.
128. Close Harmony (1929) as Director of Photography.
129. The Dummy (1929) as Director of Photography.
130. The Doctor's Secret (1929) as Director of Photography.
131. Why Bring That Up? (1929) as Director of Photography.
132. The Dance of Life (1929) as Director of Photography.
133. The Mighty (1929) as Camera.
134. Feel My Pulse (1928) as Director of Photography.
135. Forgotten Faces (1928) as Director of Photography.
136. Take Me Home (1928) as Director of Photography.
137. Something Always Happens (1928) as Director of Photography.
138. The Fifty-Fifty Girl (1928) as Director of Photography.
139. Spider Webs (1927) as Camera.
140. She's a Sheik (1927) as Director of Photography.
141. Rubber Heels (1927) as Director of Photography.
142. New York (1927) as Director of Photography.
143. Swim, Girl, Swim (1927) as Director of Photography.
144. A Kiss for Cinderella (1926) as Director of Photography.
145. The Ace of Cads (1926) as Director of Photography.
146. Dancing Mothers (1926) as Director of Photography.
147. Beau Geste (1926) as Director of Photography.
148. Wildfire (1925) as Director of Photography.
149. Lovers in Quarantine (1925) as Director of Photography.
150. The Manicure Girl (1925) as Director of Photography.
151. Miss Bluebeard (1925) as Director of Photography.
152. Wild, Wild Susan (1925) as Director of Photography.
153. The Crowded Hour (1925) as Director of Photography.
154. Her Own Free Will (1924) as Director of Photography.
155. Trouping With Ellen (1924) as Director of Photography.
156. Second Youth (1924) as Director of Photography.
157. Argentine Love (1924) as Director of Photography.
158. The Rejected Woman (1924) as Director of Photography.
159. Dangerous Money (1924) as Director of Photography.
160. Sherlock Holmes (1922) as Director of Photography.
161. Polly of the Follies (1922) as Director of Photography.
162. Smilin' Through (1922) as Director of Photography.
163. The Wonderful Thing (1921) as Director of Photography.
164. The Sign on the Door (1921) as Director of Photography.
165. Woman's Place (1921) as Director of Photography.
166. The Passion Flower (1921) as Director of Photography.
167. What Women Will Do (1921) as Director of Photography.
168. Love's Redemption (1921) as Director of Photography.
169. Help Yourself (1920) as Camera.
170. The Truth (1920) as Camera.
171. The Branded Woman (1920) as Camera.
172. Pagan Love (1920) as Camera.
174. The Fall of the Romanoffs (1918) as Camera.
175. The Eternal Sin (1917) as Camera.
176. The Lincoln Cycle (1917) as Camera.
177. The Lone Wolf (1917) as Camera.
178. A Daughter of the Gods (1916) as Camera.
179. War Brides (1916) as Camera.

Cinematography (short)

180. The American Venus (1926) as Director of Photography.

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