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J. Roy Hunt

J. Roy Hunt

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TCM Archive Materials VIEW ALL ARCHIVES (2)

Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Cinematography ...
RATE AND COMMENT

COMPLETE FILMOGRAPHY

Cinematography (feature film)

1. The Juggler (1953) as Director of Photography.
2. Desert Passage (1952) as Director of Photography.
3. Eight Iron Men (1952) as Director of Photography.
4. Target (1952) as Director of Photography.
5. Road Agent (1952) as Director of Photography.
6. Footlight Varieties (1951) as Director of Photography.
7. Overland Telegraph (1951) as Director of Photography.
8. Gunplay (1951) as Director of Photography.
9. Saddle Legion (1951) as Director of Photography.
10. Pistol Harvest (1951) as Director of Photography.
11. Border Treasure (1950) as Director of Photography.
12. Storm Over Wyoming (1950) as Director of Photography.
13. The Lawless (1950) as Director of Photography.
14. Rio Grande Patrol (1950) as Director of Photography.
15. Kill or Be Killed (1950) as Director of Photography.
16. Mighty Joe Young (1949) as Director of Photography.
17. Rustlers (1949) as Director of Photography.
18. Riders of the Range (1949) as Director of Photography.
19. Brothers in the Saddle (1949) as Director of Photography.
20. Race Street (1948) as Director of Photography.
21. Return of the Bad Men (1948) as Director of Photography.
22. Gun Smugglers (1948) as Director of Photography.
23. The Arizona Ranger (1948) as Director of Photography.
24. Indian Agent (1948) as Director of Photography.
25. The Devil Thumbs a Ride (1947) as Director of Photography.
26. Under the Tonto Rim (1947) as Director of Photography.
27. A Likely Story (1947) as Director of Photography.
28. Crossfire (1947) as Director of Photography.
29. Trail Street (1947) as Director of Photography.
30. Hollywood Bound (1946) as Photog for "The Spirit of 1976".
31. Black Beauty (1946) as Director of Photography.
32. A Game of Death (1945) as Director of Photography.
33. What a Blonde (1945) as Director of Photography.
34. The Brighton Strangler (1945) as Director of Photography.
35. Heavenly Days (1944) as Director of Photography.
36. Action in Arabia (1944) as Director of Photography.
37. I Walked with a Zombie (1943) as Director of Photography.
38. The Avenging Rider (1943) as Director of Photography.
39. The Falcon and the Co-eds (1943) as Director of Photography.
40. Syncopation (1942) as Director of Photography.
41. Red River Robin Hood (1942) as Director of Photography.
42. Call Out the Marines (1942) as Director of Photography.
43. Thundering Hoofs (1941) as Director of Photography.
44. Parachute Battalion (1941) as Director of Photography.
45. They Met in Argentina (1941) as Director of Photography.
46. Sunny (1941) as Background photog.
47. One Crowded Night (1940) as Director of Photography.
48. Cross-Country Romance (1940) as Director of Photography.
49. You Can't Fool Your Wife (1940) as Director of Photography.
50. The Saint's Double Trouble (1940) as Photography.
51. I'm Still Alive (1940) as Director of Photography.
52. Married and in Love (1940) as Director of Photography.
53. Stage to Chino (1940) as Photography.
54. Little Orvie (1940) as Photography.
55. Triple Justice (1940) as Photography.
56. Prairie Law (1940) as Director of Photography.
57. The Girl and the Gambler (1939) as Photography.
58. Panama Lady (1939) as Photography.
59. Full Confession (1939) as Director of Photography.
60. Boy Slaves (1939) as Photography.
61. The Flying Irishman (1939) as Photography.
62. Reno (1939) as Director of Photography.
63. Fixer Dugan (1939) as Photography.
64. Almost a Gentleman (1939) as Photography.
65. In Name Only (1939) as Director of Photography.
66. Room Service (1938) as Photography.
67. The Law West of Tombstone (1938) as Photography.
68. Blond Cheat (1938) as Photography.
69. Mother Carey's Chickens (1938) as Photography.
70. Radio City Revels (1938) as Photography.
71. A Man to Remember (1938) as Photography.
72. Shall We Dance (1937) as Camera.
73. That Girl from Paris (1937) as Photography.
74. Hitting a New High (1937) as Photography.
75. New Faces of 1937 (1937) as Photography.
76. A Damsel in Distress (1937) as Camera.
77. Sea Devils (1937) as Photography.
78. You Can't Buy Luck (1937) as Photography.
79. The Man Who Found Himself (1937) as Photography.
80. Breakfast for Two (1937) as Photography.
81. The Life of the Party (1937) as Photography.
82. Silly Billies (1936) as Photography.
83. Walking on Air (1936) as Photography.
84. Smartest Girl in Town (1936) as Photography.
85. The Bride Walks Out (1936) as Photography.
86. The Lady Consents (1936) as Photography.
87. Muss 'Em Up (1936) as Photography.
88. The Ex-Mrs. Bradford (1936) as Photography.
89. Without Orders (1936) as Photography.
90. Annie Oakley (1935) as Photography.
91. The Last Days of Pompeii (1935) as Photography.
92. We're Only Human (1935) as Photography.
93. Star of Midnight (1935) as Photography.
94. A Dog of Flanders (1935) as Photography.
95. She (1935) as Photography.
96. Let's Try Again (1934) as Photography.
97. The Meanest Gal in Town (1934) as Photography.
98. Finishing School (1934) as Photography.
99. The Silver Streak (1934) as Photography.
100. Hat, Coat, and Glove (1934) as Photography.
101. Dangerous Corner (1934) as Photography.
102. Aggie Appleby, Maker of Men (1933) as Photography.
103. Double Harness (1933) as Photography.
104. Oliver Twist (1933) as Photography.
105. Emergency Call (1933) as Photography.
106. Lucky Devils (1933) as Photography.
107. Flying Down to Rio (1933) as Photography.
108. Men of America (1932) as Photography.
109. The Roadhouse Murder (1932) as Photography.
110. The Sport Parade (1932) as Photography.
111. The Age of Consent (1932) as Photography.
112. Girl Crazy (1932) as Photography.
113. Friends and Lovers (1931) as Photography.
114. High Stakes (1931) as Photography.
115. Beau Ideal (1931) as Photography.
116. Way Back Home (1931) as Photography.
117. Consolation Marriage (1931) as Photography.
118. The Woman Between (1931) as Photography.
119. Behind Office Doors (1931) as Photography.
120. Leathernecking (1930) as Director of Photography.
121. Dixiana (1930) as Director of Photography.
122. Lawful Larceny (1930) as Director of Photography.
123. The Case of Sergeant Grischa (1930) as Director of Photography.
124. Love Comes Along (1930) as Director of Photography.
125. The Pay Off (1930) as Director of Photography.
126. Alias French Gertie (1930) as Director of Photography.
127. The Dummy (1929) as Director of Photography.
128. The Mighty (1929) as Camera.
129. Close Harmony (1929) as Director of Photography.
130. The Virginian (1929) as Director of Photography.
131. Why Bring That Up? (1929) as Director of Photography.
132. The Doctor's Secret (1929) as Director of Photography.
133. The Dance of Life (1929) as Director of Photography.
134. Take Me Home (1928) as Director of Photography.
135. Feel My Pulse (1928) as Director of Photography.
136. Forgotten Faces (1928) as Director of Photography.
137. Something Always Happens (1928) as Director of Photography.
138. The Fifty-Fifty Girl (1928) as Director of Photography.
139. Spider Webs (1927) as Camera.
140. New York (1927) as Director of Photography.
141. Swim, Girl, Swim (1927) as Director of Photography.
142. Rubber Heels (1927) as Director of Photography.
143. She's a Sheik (1927) as Director of Photography.
144. Beau Geste (1926) as Director of Photography.
145. Dancing Mothers (1926) as Director of Photography.
146. The Ace of Cads (1926) as Director of Photography.
147. A Kiss for Cinderella (1926) as Director of Photography.
148. The Manicure Girl (1925) as Director of Photography.
149. The Crowded Hour (1925) as Director of Photography.
150. Wild, Wild Susan (1925) as Director of Photography.
151. Miss Bluebeard (1925) as Director of Photography.
152. Lovers in Quarantine (1925) as Director of Photography.
153. Wildfire (1925) as Director of Photography.
154. Trouping With Ellen (1924) as Director of Photography.
155. Argentine Love (1924) as Director of Photography.
156. Her Own Free Will (1924) as Director of Photography.
157. The Rejected Woman (1924) as Director of Photography.
158. Dangerous Money (1924) as Director of Photography.
159. Second Youth (1924) as Director of Photography.
160. Sherlock Holmes (1922) as Director of Photography.
161. Polly of the Follies (1922) as Director of Photography.
162. Smilin' Through (1922) as Director of Photography.
163. What Women Will Do (1921) as Director of Photography.
164. The Passion Flower (1921) as Director of Photography.
165. The Wonderful Thing (1921) as Director of Photography.
166. Love's Redemption (1921) as Director of Photography.
167. Woman's Place (1921) as Director of Photography.
168. The Sign on the Door (1921) as Director of Photography.
169. The Branded Woman (1920) as Camera.
170. Pagan Love (1920) as Camera.
171. The Truth (1920) as Camera.
172. Help Yourself (1920) as Camera.
173. The Fall of the Romanoffs (1918) as Camera.
175. The Lone Wolf (1917) as Camera.
176. The Eternal Sin (1917) as Camera.
177. The Lincoln Cycle (1917) as Camera.
178. War Brides (1916) as Camera.
179. A Daughter of the Gods (1916) as Camera.

Cinematography (short)

180. The American Venus (1926) as Director of Photography.

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