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J. Roy Hunt

J. Roy Hunt

  • Last Days of Pompeii, The (1935) July 26 (ET) - Reminder REMINDER
  • Annie Oakley (1935) August 05 (ET) - Reminder REMINDER
  • Breakfast for Two (1937) August 05 (ET) - Reminder REMINDER
  • Double Harness (1933) August 09 (ET) - Reminder REMINDER
  • In Name Only (1939) August 10 (ET) - Reminder REMINDER
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Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Cinematography ...
RATE AND COMMENT

COMPLETE FILMOGRAPHY WITH SYNOPSIS

Cinematography (feature film)

1.
The Juggler (1953) as Director of Photography
A Jewish refugee fights to overcome the psychological effects of his World War II experiences.
2.
Desert Passage (1952) as Director of Photography
A cowboy doesn't realize the man he's been hired to drive to Mexico is an outlaw.
3.
Eight Iron Men (1952) as Director of Photography
A World War II squad tries to save a man trapped behind enemy lines.
4.
Target (1952) as Director of Photography
Two cowhands join forces with a lady Marshall to fight a land-grabbing scheme.
5.
Road Agent (1952) as Director of Photography
Cowboys fight bandits trying to take over the trails.
6.
Footlight Varieties (1951) as Director of Photography
Television personality Jack Paar introduces a series of songs and sketches.
7.
Overland Telegraph (1951) as Director of Photography
A cowboy tries to prevent the sabotage of a transcontinental telegraph.
8.
Gunplay (1951) as Director of Photography
Two cowboys hunt down the killers of a young boy's parents.
9.
Saddle Legion (1951) as Director of Photography
A cattle inspector runs a rustling ring on the side.
10.
Pistol Harvest (1951) as Director of Photography
A shipping magnate uses murder to escape an old debt.
11.
Border Treasure (1950) as Director of Photography
Two cowboys fight to protect a jewel shipment slated to help Mexican earthquake victims.
12.
Storm Over Wyoming (1950) as Director of Photography
Two drifters get caught in the middle during a cattlemen-sheep men feud.
13.
The Lawless (1950) as Director of Photography
A newspaper editor takes on the cause of oppressed migrant workers.
14.
Rio Grande Patrol (1950) as Director of Photography
A cowboy signs on to stop gunrunners from crossing the Mexican border.
15.
Kill or Be Killed (1950) as Director of Photography
16.
Mighty Joe Young (1949) as Director of Photography
Showmen try to exploit a giant ape raised by an orphan.
17.
Brothers in the Saddle (1949) as Director of Photography
When he thinks his brother has let him down, a cowboy goes bad.
18.
Rustlers (1949) as Director of Photography
Two cowboys get mixed up in rustling and counterfeit schemes.
19.
Riders of the Range (1949) as Director of Photography
Two ranch hands try to save the boss's son from a gambling debt.
20.
Race Street (1948) as Director of Photography
A night-club owner takes on the crooks who killed his best friend.
21.
Return of the Bad Men (1948) as Director of Photography
A farmer falls for the female leader of a band of notorious outlaws.
22.
Gun Smugglers (1948) as Director of Photography
A young boy threatens to follow in his outlaw brother's footsteps.
23.
The Arizona Ranger (1948) as Director of Photography
A disgraced veteran wanders the West alone until he decides to help a battered woman.
24.
Indian Agent (1948) as Director of Photography
A cowboy tries to stop outlaws from hijacking food supplies intended for an Indian reservation.
25.
The Devil Thumbs a Ride (1947) as Director of Photography
A salesman picks up a hitchhiker who turns out to be a killer on the run.
26.
Under the Tonto Rim (1947) as Director of Photography
When the Tonto Rim gang attack Brad's stagecoach, they take the strongbox and kill one of his workers. Learning the gang member Patton is in jail, Brad gets himself thrown in also. Chito helps break him out and he takes Patton with him. Patton leads him to the Tonto Rim hideout, but needing to get to the Sheriff, Brad finds himself a prisoner.
27.
A Likely Story (1947) as Director of Photography
A World War II veteran who thinks he's dying gets mixed up with gangsters.
28.
Crossfire (1947) as Director of Photography
A crusading district attorney investigates the murder of a Jewish man.
29.
Trail Street (1947) as Director of Photography
Bat Masterson fights to make Kansas safe for wheat farmers.
30.
Black Beauty (1946) as Director of Photography
A motherless girl searches for the horse she raised.
31.
Hollywood Bound (1946) as Photog for "The Spirit of 1976"
32.
A Game of Death (1945) as Director of Photography
A novelist and a pair of siblings are among the innocents stranded on remote island at the mercy of Nazi madman.
33.
What a Blonde (1945) as Director of Photography
A man defies his jealous wife to open his home to a group of chorus girls.
34.
The Brighton Strangler (1945) as Director of Photography
An actor playing a notorious killer begins to live the part.
35.
Heavenly Days (1944) as Director of Photography
When they're named Mr. and Mrs. Average Man, a small-town couple embarks on a whirlwind tour of Washington.
36.
Action in Arabia (1944) as Director of Photography
An adventurous reporter tangles with Nazis in the desert on the eve of World War II.
37.
I Walked with a Zombie (1943) as Director of Photography
A nurse in the Caribbean resorts to voodoo to cure her patient, even though she's in love with the woman's husband.
38.
The Falcon and the Co-eds (1943) as Director of Photography
A society sleuth investigates murder at a girls' school.
39.
The Avenging Rider (1943) as Director of Photography
Two cowhands are wrongly jailed as members of a murderous gang.
40.
Syncopation (1942) as Director of Photography
A young trumpeter rises through the jazz world and finds love.
41.
Red River Robin Hood (1942) as Director of Photography
Two ranchers fend off a crooked land grabber.
42.
Call Out the Marines (1942) as Director of Photography
Two old Marine Corps pals re-enlist and end up fighting over the same woman.
43.
Thundering Hoofs (1941) as Director of Photography
A young man fights to keep his father from cheating the owner of a stagecoach line.
44.
Parachute Battalion (1941) as Director of Photography
Army men train for the parachute corps.
45.
They Met in Argentina (1941) as Director of Photography
An oil tycoon's representative finds love when he tries to buy a South American race horse.
46.
Sunny (1941) as Background photog
47.
One Crowded Night (1940) as Director of Photography
Travelers at a California motel face a variety of personal crises.
48.
Prairie Law (1940) as Director of Photography
Cattlemen and farmers go to war over water rights.
49.
Stage to Chino (1940) as Photography
A retired postal inspector gets back in the saddle to prevent a stagecoach robbery.
50.
Cross-Country Romance (1940) as Director of Photography
A runaway heiress hides in a doctor's trailer for a rollicking trip to San Francisco.
51.
The Saint's Double Trouble (1940) as Photography
Reformed jewel thief Simon Templar lands in hot water when a look-alike smuggles stolen goods out of Egypt.
52.
Little Orvie (1940) as Photography
A child is told he cannot have a dog, but finds a stray and keeps it for a day.
53.
Triple Justice (1940) as Photography
A cowboy has to clear his name when he's mistaken for a bank robber.
54.
Married and in Love (1940) as Director of Photography
Illicit lovers plot to desert their spouses and marry each other.
55.
I'm Still Alive (1940) as Director of Photography
The dangers of his job threaten to break up a stuntman and his movie star wife.
56.
You Can't Fool Your Wife (1940) as Director of Photography
A neglected housewife turns herself into a glamour girl to win her husband back.
57.
The Girl and the Gambler (1939) as Photography
An outlaw kidnaps a dancer and her lover in order to win a bet.
58.
Panama Lady (1939) as Photography
An oil man forces a cabaret singer to work for him after she tries to rob him.
59.
In Name Only (1939) as Director of Photography
A wealthy man falls for a widow but can't get his wife to divorce him.
60.
Reno (1939) as Director of Photography
A divorce lawyer prospers as a gambling tycoon.
61.
Boy Slaves (1939) as Photography
A young runaway ends up in a juvenile labor camp.
62.
Almost a Gentleman (1939) as Photography
Saving a dog from the pound gets a man mixed up in murder.
63.
The Flying Irishman (1939) as Photography
True story of "Wrong Way" Corrigan, who set out to cross the U.S. and ended up in Ireland.
64.
Full Confession (1939) as Director of Photography
A priest hears a murderer's confession, then finds himself suspected of the same crime.
65.
Fixer Dugan (1939) as Photography
A circus man adopts an aerialist's daughter.
66.
Room Service (1938) as Photography
Three zany producers try to extend their hotel credit until they can get a play mounted.
67.
The Law West of Tombstone (1938) as Photography
A cowardly judge enlists a hot young gunman to help him fight outlaws.
68.
A Man to Remember (1938) as Photography
A small-town doctor fights crooked politicians during a polio epidemic.
69.
Blond Cheat (1938) as Photography
A millionaire backs his daughter's stage career to keep her from marrying the wrong man.
70.
Radio City Revels (1938) as Photography
Burned-out songwriters find man who composes while asleep.
71.
Mother Carey's Chickens (1938) as Photography
A widow with four children fights to keep her home.
72.
Shall We Dance (1937) as Camera
A ballet dancer and a showgirl fake a marriage for publicity purposes, then fall in love.
73.
That Girl from Paris (1937) as Photography
A French opera star in hiding hooks up with a swing band.
74.
You Can't Buy Luck (1937) as Photography
A racehorse owner tries to buy victory by performing good deeds, but gets mixed up in murder instead.
75.
Hitting a New High (1937) as Photography
A crackpot press agent tries to pass off an aspiring opera singer as a jungle girl.
76.
Sea Devils (1937) as Photography
A feud between Coast Guardsmen heats up when one falls for the other's daughter.
77.
The Life of the Party (1937) as Photography
A young girl tries to escape the suitors her mother has picked for her.
78.
The Man Who Found Himself (1937) as Photography
A determined nurse puts a cocky surgeon back on track.
79.
Breakfast for Two (1937) as Photography
A Texas heiress competes with a gold digger for the love of a playboy.
80.
A Damsel in Distress (1937) as Camera
An American dancer on vacation in England falls for a sheltered noblewoman.
81.
New Faces of 1937 (1937) as Photography
A producer over-finances a Broadway show, expecting it to flop.
82.
Silly Billies (1936) as Photography
Traveling dentists in the old West try to save a small town from an Indian attack.
83.
Muss 'Em Up (1936) as Photography
A tough detective investigates organized crime's ties to the murder of a millionaire's dog.
84.
Walking on Air (1936) as Photography
A girl torments her parents by hiring a phony suitor.
85.
The Bride Walks Out (1936) as Photography
A model weds a struggling engineer then has her own struggles with domesticity.
86.
Without Orders (1936) as Photography
Two pilots compete for the love of a pretty flight attendant.
87.
The Ex-Mrs. Bradford (1936) as Photography
A detective teams with his ex-wife to solve a murder.
88.
The Lady Consents (1936) as Photography
A doctor leaves his wife for another woman then realizes he's made a big mistake.
89.
Smartest Girl in Town (1936) as Photography
A girl in search of a rich husband mistakes a millionaire for a male model.
90.
Annie Oakley (1935) as Photography
The famed female sharpshooter learns that you can't get a man with a gun when she falls for a rival marksman.
91.
A Dog of Flanders (1935) as Photography
A Belgian boy nurses a stray dog back to health.
92.
Star of Midnight (1935) as Photography
A New York lawyer tries to track down a kidnapped actress.
93.
The Last Days of Pompeii (1935) as Photography
A blacksmith's rise to wealth and power is jeopardized by his son's Christianity and the eruption of Vesuvius.
94.
We're Only Human (1935) as Photography
A cop, who plays by his own rules, brings down a notorious gangster.
95.
She (1935) as Photography
Leo Vincey, told by his dying uncle of a lost land visited 500 years ago by his ancestor, heads out with family friend Horace Holly to try to discover the land and its secret of immortality, said to be contained within a mystic fire. Picking up Tanya, a guide's daughter, in the frozen Russian arctic, they stumble upon Kor, revealed to be a hidden civilization ruled over by an immortal queen, called She, who believes Vincey is her long-lost lover John Vincey, Leo's ancestor.
96.
The Silver Streak (1934) as Photography
On its inaugural run, a high-speed train has to race a polio victim to an iron lung.
97.
Let's Try Again (1934) as Photography
A doctor and his wife almost succumb to the lure of outside relationships.
98.
Dangerous Corner (1934) as Photography
Friends uncover a dark secret when they compare notes about a theft and suicide.
99.
The Meanest Gal in Town (1934) as Photography
A stranded carnival girl comes between a lady show owner and the town barber.
100.
Finishing School (1934) as Photography
A boarding-school girl has to cope with family problems and puppy love.
101.
Hat, Coat, and Glove (1934) as Photography
A lawyer gets mixed up in a net of intrigue when he witnesses a suicide.
102.
Emergency Call (1933) as Photography
A promising surgeon discovers his hospital is run by gangsters.
103.
Lucky Devils (1933) as Photography
Two Hollywood stuntmen compete for the same pretty extra.
104.
Flying Down to Rio (1933) as Photography
A dance-band leader finds love and success in Brazil.
105.
Double Harness (1933) as Photography
After tricking a playboy into marriage, a woman sets out to win his love honestly.
106.
Oliver Twist (1933) as Photography
In Dickens' classic tale, an orphan wends his way from cruel apprenticeship to den of thieves in search of a true home.
107.
Aggie Appleby, Maker of Men (1933) as Photography
A socialite can't choose between the tough guy she's turned into a gentleman and the gentleman she's turned into a tough guy.
108.
Men of America (1932) as Photography
A modern-day rancher faces lynching when he's suspected of a mob killing.
109.
The Roadhouse Murder (1932) as Photography
Reporter has bright idea of claiming to be a murderer and writing his own expose.
110.
Girl Crazy (1932) as Photography
City slickers try to turn a broken-down ranch into a resort.
111.
The Sport Parade (1932) as Photography
College team mates follow different paths after they graduate.
112.
The Age of Consent (1932) as Photography
College co-eds learns to handle the responsibilities of romance.
113.
Beau Ideal (1931) as Photography
In this sequel to the classic Beau Geste, a Legionnaire gets mixed up in an Arabian religious war.
114.
Friends and Lovers (1931) as Photography
A society woman and her husband blackmail the men who flirt with her.
115.
High Stakes (1931) as Photography
116.
Way Back Home (1931) as Photography
A New England preacher shelters a young boy from his alcoholic father.
117.
Consolation Marriage (1931) as Photography
A couple who married after each was jilted faces the return of their former loved ones.
118.
The Woman Between (1931) as Photography
A World War I pilot falls for his commander's wife.
119.
Behind Office Doors (1931) as Photography
An under-appreciated secretary finds a new job and takes her former boss's success with her.
120.
Alias French Gertie (1930) as Director of Photography
A female thief poses as a maid to bilk her high-society employers.
121.
Love Comes Along (1930) as Director of Photography
An American sailor falls in love with a saloon singer.
122.
The Pay Off (1930) as Director of Photography
A gentleman thief suffers from unrequited love.
123.
Lawful Larceny (1930) as Director of Photography
A wife seeks revenge against the owner of a gambling operation.
124.
Dixiana (1930) as Director of Photography
A circus star falls for a society playboy in 19th-century New Orleans.
125.
The Case of Sergeant Grischa (1930) as Director of Photography
126.
Leathernecking (1930) as Director of Photography
127.
The Mighty (1929) as Camera
128.
The Dummy (1929) as Director of Photography
129.
Close Harmony (1929) as Director of Photography
130.
The Dance of Life (1929) as Director of Photography
131.
Why Bring That Up? (1929) as Director of Photography
George's partner in vaudeville quits their act, claiming that Betty has broken his heart. George then teams up with Charlie, a stranded trouper, and Irving becomes their manager. Later, in New York, the "Two Black Crows" star in their own revue and save money to build their own theater on Broadway. Betty comes to the theater with her lover, who poses as a cousin and induces George to hire her. He showers her with jewels and money. She tries to persuade George to invest in oil stock her lover is selling, and though their act is a success, Charlie fires Betty. When Charlie and Betty's lover quarrel, Charlie is injured.
132.
The Doctor's Secret (1929) as Director of Photography
133.
The Virginian (1929) as Director of Photography
Molly Wood arrives in a small western town to be the new schoolmarm. The Virginian, foreman on a local ranch, and Steve, his best fiend, soon become rivals for her affection. Steve falls in with bad guys led by Trampas, and the Virginian catches him cattle rustling. As foreman, he must give the order to hang his friend. Trampas gets away, but returns in time for the obligatory climactic shootout in the streets.
134.
Feel My Pulse (1928) as Director of Photography
135.
Something Always Happens (1928) as Director of Photography
136.
Take Me Home (1928) as Director of Photography
137.
Forgotten Faces (1928) as Director of Photography
138.
The Fifty-Fifty Girl (1928) as Director of Photography
139.
New York (1927) as Director of Photography
140.
She's a Sheik (1927) as Director of Photography
141.
Spider Webs (1927) as Camera
142.
Rubber Heels (1927) as Director of Photography
143.
Swim, Girl, Swim (1927) as Director of Photography
144.
The Ace of Cads (1926) as Director of Photography
145.
Dancing Mothers (1926) as Director of Photography
146.
A Kiss for Cinderella (1926) as Director of Photography
147.
Beau Geste (1926) as Director of Photography
Michael "Beau" Geste leaves England in disgrace and joins the infamous French Foreign Legion. He is reunited with his two brothers in North Africa, where they face greater danger from their own sadistic commander than from the rebellious Arabs.
148.
The American Venus (1926) as Director of Photography
A dazzling story of the perfect American beauty!
149.
Wildfire (1925) as Director of Photography
150.
The Manicure Girl (1925) as Director of Photography
151.
Miss Bluebeard (1925) as Director of Photography
152.
Wild, Wild Susan (1925) as Director of Photography
153.
The Crowded Hour (1925) as Director of Photography
154.
Lovers in Quarantine (1925) as Director of Photography
155.
Her Own Free Will (1924) as Director of Photography
156.
Trouping With Ellen (1924) as Director of Photography
157.
Argentine Love (1924) as Director of Photography
158.
Dangerous Money (1924) as Director of Photography
159.
The Rejected Woman (1924) as Director of Photography
160.
Second Youth (1924) as Director of Photography
161.
Polly of the Follies (1922) as Director of Photography
162.
Smilin' Through (1922) as Director of Photography
163.
Sherlock Holmes (1922) as Director of Photography
Sherlock Holmes faces off against Professor Moriarty.
164.
Woman's Place (1921) as Director of Photography
165.
The Wonderful Thing (1921) as Director of Photography
166.
Love's Redemption (1921) as Director of Photography
On the island of Jamaica, a young man of promise, Clifford Standish, is slowly sinking into an alcoholic debauchery. He meets a good-hearted woman called Ginger who leads him back to sobriety and society. But when they return to England together, they find society not worth living with.
167.
What Women Will Do (1921) as Director of Photography
168.
The Sign on the Door (1921) as Director of Photography
169.
The Passion Flower (1921) as Director of Photography
170.
The Truth (1920) as Camera
171.
Pagan Love (1920) as Camera
172.
Help Yourself (1920) as Camera
173.
The Branded Woman (1920) as Camera
Ruth Sawyer discovers that her mother has an ill-savory past and decides to withhold this information from the man she loves. But a crooked pal of Ruth's mother shows up with blackmail in his plans.
174.
Passing of the Third Floor Back, The (1918) as Camera
To a rooming house which has fallen on hard times comes The Stranger, an unknown but gentle man who is given the back room on the third floor. His arrival marks a change in the lives of all the boarders, from the girl resisting her parents' pleas that she marry the lecherous Mr. Wright, to an architect and a pianist, both of whose dreams are near destruction from their own discouragement.
175.
The Fall of the Romanoffs (1918) as Camera
176.
The Lone Wolf (1917) as Camera
177.
The Lincoln Cycle (1917) as Camera
178.
The Eternal Sin (1917) as Camera
179.
A Daughter of the Gods (1916) as Camera
180.
War Brides (1916) as Camera

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