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COMPLETE FILMOGRAPHY WITH SYNOPSIS
Make-Up (feature film)
Scientist and inventor Alexander Hartdegen is determined to prove that time travel is possible. His determination is turned to desperation by a personal tragedy that now drives him to want to change the past. Testing his theories with a time machine of his own invention, Hartdegen is hurtled 800,000 years into the future. There he finds a post-apocalyptic world where he discovers that mankind has been divided into the hunter... and the hunted.
The Flintstones in their mid twenties, as they journey through Rock Vegas, eventually ending in the wedding of Fred and Wilma.
He is the one they look for when the Klieg lights blaze, the one whose picture hangs on the wall. His presence hits them like a drug. He is the light and the glory, a reason to live... even die. They are the untold millions whose adoration translates into magazine covers and multi-million contracts. They are the sea of faces rendered invisible by distance, blurred together by their sheer mass, known only in the collective as 'the fans.' For all fans, the rules are unspoken but crystal-clear: you don't get too close to your heroes. But one fan, Gil Renard, is about to bend those rules. The stellar career of his idol, Bobby Rayburn, means everything to Gil. It is the filter through which he's viewed his own life, distilling it into something better. While Bobby's star appears to fall, Gil's own life spirals downward until he has nothing left but the prospect of returning his idol to his former glory, even if it means stepping out of the shadows of fandom and into his own dark center stage.
A story about the rise of a neo-Nazi movement in the United States. Three aimless young men and a college professor inadvertently get involved in the white supremacist "skinheads" movement.
A couple find themselves lost at night in a deserted section of a large city. In order to survive, they must match their wits against a street gang out to get them.
Sheriff Stella Stevens uses her wiles and the help of her three resourceful daughters -- one by each of her previous husbands -- to rope in a notorious desperado and a band of foreign revolutionaries in this light-hearted Western pilot to a prospective series.
On a bet with one of his practical-joking partners, a Los Angeles lawyer responds to an ad from a pretty Chicago magazine writer offering herself as a bridal candidate for an investigative reporting assignment, and then makes another bet that he can keep the relationship platonic for two weeks.
An illegal baby-selling operation is uncovered by social worker Lynda Carter in this drama produced by her manager/husband, Ron Samuels. Dean Stockwell and Sharon Farrell run the shady home for unwed mothers that supplies Harold Gould's equally shady adoption agency.
Make-Up (feature film)
A two-part miniseries based on the true story of two Florida girls somehow swapped in a hospital nursery and raised for a decade by the wrong biological parents.
Trash-wallowers, if TV ratings are a believable barometer, were beside themselves with glee, savoring every minute of this three-part, six-hour adaptation of Jackie Collins' book about women who, according to the network publicity releases, "are caught up in the low life and high society of the film
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