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Overview for Bob Hoskins
Bob Hoskins

Bob Hoskins


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Also Known As: Robert William Hoskins Died:
Born: October 26, 1942 Cause of Death:
Birth Place: Suffolk, England, GB Profession: Cast ... actor director screenwriter circus fire eater steeplejack porter seaman



However kudos were few for Marc Forsterâ¿¿s pretentious psychological thriller "Stay" (2005), in which Hoskins played a blind psychiatrist, but the actor next earned a Golden Globe nomination for co-starring with Judi Dench in "Mrs. Henderson Presents" (2005), Stephen Frearsâ¿¿ story of the famed Windmill Theatre in London, a 1930sâ¿¿ establishment known for its seminude reviews. Richard LaGravanese cast Hoskins and Fanny Ardant as a married couple role-playing on the seedy side of town in the "Pigalle" segment of "Paris Je Tâ¿¿aime" (2006), an anthology of short films about Paris that was a minor success on the art house circuit. Hoskins did first-time film director Allen Coulter a favor with his charismatic portrayal of early MGM studio brass Eddie Mannix in the George Reeves (Ben Affleck) biopic, "Hollywoodland" (2006), as well as putting his timeless quality to further good use in family classics "Pinocchio" (ION, 2008) and "A Christmas Carol" (2009), Robert Zemeckisâ¿¿ big budget holiday event starring Jim Carrey as Dickensâ¿¿ holiday grump and Hoskins as his underling Mr. Fezziwig.

Hoskins returned to screens the following year in such U.K.-produced films as the fact-based drama "Made in Dagenham" (2010), in which he played a machinists union representative negotiating a 1968 female auto workers strike, in addition to a supporting role in the inspirational sports drama "Will" (2011). For the second time he portrayed Hookâ¿¿s sniveling factotum, Smee, in the TV miniseries "Neverland" (Syfy, 2011), a reimagining of the Peter Pan fable, then returned to more realistic environs in the comedy-drama "Outside Bet" (2012), about group of friends in London looking to change their luck with a large bet on a single horserace. More mainstream fare came with Hoskinsâ¿¿ appearance as Muir the Dwarf in the blockbuster fantasy "Snow White and the Huntsman" (2012), starring Kristen Stewart and Chris Hemsworth in the title roles, alongside Charlize Theron as the evil queen, Ravenna. Then, in August 2012, industry contemporaries and fans were saddened by the news that Hoskins, who boasted an acting career spanning more than four decades, was officially retiring after having been diagnosed with Parkinsonâ¿¿s disease the previous year. In a press release through his agent, the actor stated that he looked forward to spending time with his family in a quiet retirement, asking only that the press respect his privacy in the matter. Bob Hoskins died of pneumonia on April 29, 2014.

the 1974 sitcom, "Thick as Thieves."

A scene-stealing stage role as an electrician in "Veterans" caught the eye of a television producer who cast him in the lead in the British comedy series, "Pennies from Heaven" (1978), where Hoskins played a sheet-music salesman prone to fantasy. He was a delight as the pioneering filmmaker in the series "Flickers" (ATV, 1980) and delivered an outstanding performance as a doomed London mobster in "The Long Good Friday" (1980). A prestigious BAFTA nomination and a Best Actor Award from the Evening Standard British Film Awards for his performance significantly raised Hoskinsâ¿¿ profile, and in quick succession he appeared as Iago in a BBC TV version of "Othello" (1980), as a rock and roll manager in "Pink Floydâ¿¿s The Wall" (1982), and as a heartless South American policeman in "Beyond the Limit" (1983). Hoskins was introduced to American audiences with his performance as American gangster Owen Madden in Francis Ford Coppola's major misfire, "The Cotton Club," (1984) as well as his portrayal of fascist leader Mussolini in the HBO miniseries "Mussolini and I" (1985).

Alan Aldaâ¿¿s film industry send-up "Sweet Liberty" (1986), featuring Hoskins as a neurotic screenwriter, was disappointing but Hoskins turned around to give one of the most critically hailed performances of his career in Neil Jordanâ¿¿s "Mona Lisa" (1986). His nuanced performance as an ex-con who lands a job driving a beautiful call girl (Cathy Tyson) only to get drawn into her personal life proved Hoskins as a believable romantic lead, earning him a Best Actor Academy Award nomination and a win at the Golden Globe Awards. Further trading on his newfound status as a romantic lead, he appeared opposite Maggie Smith in "The Lonely Passion of Judith Hearne" (1987). The following year Hoskins gave his most widely recognized performance as private eye Eddie Valiant in "Who Framed Roger Rabbit?" (1988), carrying the live action/animation hybrid with his convincing interactions with a goofy talking rabbit and a sultry cartoon sex symbol and in the process, earning a Golden Globe for his efforts.

Piling on the unpolished but irresistible charm, he shone again as the lover of a flamboyant small town single mom (Cher) in "Mermaids" (1990) and provided humorous support as the henchman Smee in "Hook" (1991), Steven Spielberg's retelling of the Peter Pan story. In 1988, Hoskins made his co-writing and co-directing debut with "The Raggedy Rawney." The film about a WWI soldier (Dexter Fletcher) who encounters a band of gypsies led by Hoskins received a mixed reception, with some complaining of the shift in tones from whimsical to serious, while others praised the acting and camera work. Moving into the early 1990s, the seemingly stalled actor churned out a few commercial vehicles that were decidedly unworthy of his talents, i.e., "Passed Away" (1992) and "Super Mario Bros." (1993). His wicked turn as a decidedly gay J. Edgar Hoover in Oliver Stone's sprawling "Nixon" (1995) put him back at the top of Hollywoodâ¿¿s character want-list, and he held that position with his amusing performance as a tabloid editor in search of an angel in "Michael" (1996).

When Hoskinsâ¿¿ second filmmaking effort, the childrenâ¿¿s film "Rainbow" (1996), was greeted with less enthusiasm than his first, he teamed with British director Shane Meadows to give a memorable performance as the scrappy owner of a local boxing club who tries to make a difference in the lives of disaffected youth in "TwentyFourSeven" (1997). In another surprising choice of roles, Hoskins co-starred as a pornographer in "Live Virgin" and rejoined Meadows for a cameo as a teacher in "A Room for Romeo Brass" (1999). Director Atom Egoyan made the most of Hoskinsâ¿¿ versatility when he cast him as a strangely genial serial killer in "Felicia's Journey" (1999), in which the actor turned in a remarkable, complex performance that earned a number of award nominations. From villainous to a more likable role, Hoskins played Sancho Panza, the right hand man of John Lithgow's "Don Quixote" (2000), in the TNT production. Without skipping a beat he gave an inspired turn as the notorious Panamanian dictator in "Noriega: God's Favorite" (2001) for Showtime and inhabited a different kind of leader when he portrayed Nikita Khrushchev in the World War II drama, "Enemy at the Gates" (2001).

Hoskins returned to working class territory as a fatherly butler in the Jennifer Lopez romantic comedy "Maid in Manhattan" (2002), but fared better co-starring with Brenda Blethyn in the 1920s-set romance "The Sleeping Dictionary" (2003). Hoskins and Blethyn paired up again in actor Kevin Spaceyâ¿¿s directorial debut, "Beyond the Sea" (2004), in which Hoskins played the brother-in-law and father figure of ailing singer Bobby Darin. Unfortunately, Spaceyâ¿¿s labor of love failed to spark an interest with critics and audiences. Hoskins went on to execute an amusing turn as the idiosyncratic Sir Pitt Crawley opposite Reese Witherspoon in Mira Nairâ¿¿s witty adaptation of "Vanity Fair" (2004), which thankfully overshadowed his supporting role in the abysmal sequel, "Son of the Mask" (2005), less than a year later. He then did a turn as cruel Uncle Bart, a British gangster who cruelly raises a young man (Jet Li) to be a cold-blooded fighter in Luc Bessonâ¿¿s "Unleashed" (2005). The combination of martial arts and blunt sentimentality earned plenty of critical kudos, especially for Li. <

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