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Overview for Roy Baird
Roy Baird

Roy Baird



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Birth Place: Profession: Producer ...


Director (feature film)

Casino Royale (1967) as Assistant Director
A retired James Bond goes back into action to infiltrate a nest of enemy spies.
Contest Girl (1966) as Assistant Director
On a seaside holiday, pretty Bristol typist Shirley meets Dan Mackenzie from her local paper. He persuades her that she has what it takes in the world of beauty contests, and so it proves. Ditching her predictable fiance and having to leave home, Shirley moves to London to continuing success. Increasingly smitten by her, Dan reckons he should be more than just her manager, but this is not at all the way Shirley sees things.
Disk-O-Tek Holiday (1966) as Assistant Director
Devils of Darkness (1965) as Assistant Director
Jig Saw (1965) as Assistant Director
The Leather Boys (1965) as Assistant Director
Dot and Reggie are part of a notorious biker crew who decide to get hitched. However, there is little marital bliss when marriage doesn''t seem to tame Dot one bit -- she comes home drunker and later than ever if she decides to come home at all. When Reggie turns to his biker pals for comfort he encounters the shadowy underground of gay biker culture.
The Collector (1965) as Asst dir, British staff
A disturbed young man kidnaps a woman he's been stalking.
Code 7, Victim 5! (1965) as Assistant Director
Rotten to the Core (1965) as Assistant Director
Rogues Jelly Knight, Scapa Flood, and Lennie the Dip leave prison expecting boss The Duke to have their stash ready to share out. Instead, Duke's girl Sara gives them the news Duke is dead and the money gone on nursing care. They soon discover that Duke is actually running Hope Springs Nature Clinic with the help of most of the local villains. Very strange - and the nearby army camp and Sara's encouragement of Lieutenant Vine would seem to be no coincidence either.
The Break (1963) as Assistant Director
The Wrong Arm of the Law (1963) as Assistant Director
The crooks in London know how it works. No one carries guns and no one resists the police. Then a new gang appears that go one better. They dress as police and steal from the crooks. This upset's the natural order of the police/criminal relationship and the police and the crooks join forces to catch the IPOs (Impersonating Police Officers), including an armored car robbery in which the police must help the gangs to set a trap.
The Quare Fellow (1962) as Assistant Director
A prison warden finds his belief in capital punishment tested.
Information Received (1962) as Assistant Director

Producer (feature film)

Buddy's Song (1990) as Producer
A teenager attempts to reunite his estranged parents and start up his own rock band.
McVicar (1981) as Producer
Quadrophenia (1979) as Producer
It''s 1964 and Jimmy is stuck being a gofer at a cigarette-hawking ad agency, living in a lower middle class Brit walkup with seemingly dead-headed parents that don''t understand him, Jimmy lives to be a "Mod": zooming through London streets on his Vespa; popping "blues," bought or nicked; endlessly grooving - to The Who on TV, or in the local dance club, or at a gate-crashed private party; pursuing the just-out-of-reach Steph and idolizing the super-cool, super-blond top Mod Ace Face.
Lisztomania (1976) as Producer
A wild and imaginitive send-up of the bawdy life of Romantic composer/piano virtuoso Franz Liszt (played by The Who's Roger Daltrey). Director Ken Russell utilizes ubiquitous phallic imagery and devotes a good portion of the film to Liszt's "friendship" with fellow composer Richard Wagner. The film begins during the time when Franz would give piano performance to a crowd of shrieking teenage fans while maintaining affairs with his (multiple!) mistresses. He eventually seeks Princess Carolyne of St. Petersburg (at her invitation), elopes, and, after their marriage is forbidden by the Pope (Ringo Starr), he embraces the monastic life as an abbe. Often scorned by critics for director Ken Russell's metaphoric interpretation of Liszt's life (in lieu of a more literal one), Lisztomania plays like a trip through a fun house and contains enough symbolism to appease any film buff.
Stardust (1975) as Executive Producer
That'll Be the Day (1974) as Executive Producer
Abandoned by his father at an early age, Jim MacLaine seems to have inherited the old man's restlessness. Despite his apparent intelligence, Jim decides not to take the exams that would pave his way to university. He lives, for a time, a life consisting of dead-end jobs and meaningless sex, before returning home to work in his mother's shop. But still he can't settle down; he begins to think that the life of a pop musician might be the thing for him.
Mahler (1974) as Producer
Both trifles and structure are tossed out the door by director Ken Russell in this film. Here, historical content matters not so much as metaphors, feelings, emotions, and interpretations, and pay close attention, as every word and frame is intended to be important. The film takes place on a single train ride, in which the sickly, aged composer Gustav Mahler and his wife, Alma, confront the reasons behind their faltered marriage and dying love. Each word seems to evoke memories of past, and so the audience witnesses events of Mahler's life that explain somewhat his present state. Included are his turbulent and dysfunctional family life as a child, his discovery of solace in the "natural" world, his brother's suicide, his [unwanted] conversion from Judiasm to Catholicism, his rocky marriage and the death of his young children. The movie weaves in and out of dreams, flashbacks, thoughts and reality as Russell poetically describes the man behind the music.
Last Days of Man on Earth, The (1973) as Executive Producer
After the death of his Nobel Prize-winning father, billionaire physicist Jerry Cornelius becomes embroiled in the search for the mysterious "Final Programme", developed by his father. The programme, a design for a perfect, self-replicating human being, is contained on microfilm. A group of scientists, led by the formidable Miss Brunner (who consumes her lovers), has sought Cornelius's help in obtaining it. After a chase across a war-torn Europe on the verge of anarchy, Brunner and Cornelius obtain the microfilm from Jerry's loathsome brother Frank. They proceed to an abandoned underground Nazi fortress in the Arctic to run the programme, with Jerry and Miss Brunner as the subjects.
The Devils (1971) as Associate Producer
An account of the apparent demoniacal possession of the 17th-century nuns of Louden, climaxing in the burning of their priest as a sorcerer.
The Music Lovers (1971) as Executive Producer
Unconventional account of composer Tchaikovsky''''s life and loves.
Women in Love (1970) as Associate Producer
In the twenties, two free-thinking sisters try to balance sexual passion with independence.
If.... (1969) as Executive Producer
In an inditement of the British Boys School, we follow Mick and his mostly younger friends through a series of indignities and occasionally abuse as any fond feelings toward these schools are destroyed. When Mick and his friends rebel, violently, the catch phrase, "which side would you be on" becomes quite stark.
Our Mother's House (1967) as Associate Producer
Afraid of being separated, a family of children keep their mother''s death a secret.

Film Production - Main (feature film)

Morgan! (1966) as Production Manager
An eccentric artist wages an all-out campaign to stop his ex-wife from remarrying.
Sing and Swing (1964) as Production Manager

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