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Overview for C. C. Coleman
C. C. Coleman

C. C. Coleman



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Birth Place: Profession: Director ...


Director (feature film)

Kiss Me, Stupid (1964) as Assistant Director
A small-town songwriter tries to sell his work to a stranded singing star.
Hud (1963) as Assistant Director
An amoral modern rancher clashes with his rigid father.
The Ladies' Man (1961) as Assistant Director
A houseboy creates chaos at a Hollywood hotel for aspiring actresses.
Blueprint for Robbery (1961) as Assistant Director
Heller in Pink Tights (1960) as Assistant Director
Touring actors in the wild West brave Indians and outlaws.
CinderFella (1960) as Assistant Director
The Cinderella story in form of a farce and with a guy in the leading role: Fowler is a clumsy simpleton, who has to care for his step mother and her two stuck-up sons Maximilian and Rupert. Only in the realms of phantasy he can find comfort. One day a good spirit appears to him and helps him to win the heart of the beautiful princess Charmant.
The Buccaneer (1959) as Assistant Director
French pirate Jean Lafitte tries to redeem his name helping the U.S. in the War of 1812.
Li'l Abner (1959) as Assistant Director
The residents of Dogpatch fight to persuade the government not to use their town as a nuclear testing ground.
The Hangman (1959) as Assistant Director
A marshal nicknamed "The Hangman" because of his track record in hunting down and capturing wanted criminals traces a robbery suspect to a small town. However, the man is known and liked in the town, and the citizens band together to try to help him avoid capture.
Vertigo (1958) as Loc asst dir
A detective falls for the mysterious woman he''s been hired to tail.
The Matchmaker (1958) as Assistant Director
A matchmaker falls for the man she is supposed to help find a wife.
The Geisha Boy (1958) as Assistant Director
A third-rate magician tours Japan with the USO.
Rock-a-Bye Baby (1958) as Assistant Director
A small-town repairman takes in his childhood sweetheart''''s triplets and is mistaken for their father.
The Sad Sack (1957) as Assistant Director
A hopelessly innocent private gets himself kidnapped in Morocco.
The Spirit of St. Louis (1957) as Assistant Director
Charles Lindbergh risks his life to complete his historic flight from New York to Paris.
The Joker Is Wild (1957) as Assistant Director
Singer Joe E. Lewis fights to rebuild his life after gangsters slash his vocal cords.
Artists and Models (1956) as Assistant Director
A struggling artist uses his roommate''s dreams to create a hit comic book.
The Rainmaker (1956) as Assistant Director
A fake rainmaker melts the heart of a Kansas spinster while trying to save the town''s crops.
3 Ring Circus (1955) as Assistant Director
A pair of war veterans wreak havoc when they join the circus.
The Desperate Hours (1955) as Assistant Director
Escaped convicts terrorize a suburban family they''''re holding hostage.
The Far Horizons (1955) as 2nd Unit Director
Romanticized version of Lewis and Clarks voyage of discovery through the American West.
Alaska Seas (1954) as Assistant Director
Robert Ryan and Brian Keith, vastly under-rated actors, take a B-potboiler and make it appear to actually be something more. Matt Baker (Robert Ryan), a nere-do-well adventurer, gets out of jail and skips/sails away on his boat without paying for the storage and repairs. Back in his hometown, he is hired by his old friend Jim Kimmerly (Brian Keith), head of the Salmon fishermen who have formed a canning cooperative, and are battling against an organized gang that rob the fishing traps regulary. Matt gets into a jam and needs money, so he joins the raiders, although his friend Jim, unaware of his duplicity, keeps covering for him among the other fishermen. The two men are also vying for the favors of Nicky (Jan Sterling.)
Sabrina (1954) as Assistant Director
Two wealthy brothers fall for the chauffeur's daughter.
Scared Stiff (1953) as Assistant Director
A singer and his sidekick help an heiress who''s inherited a haunted mansion.
Stalag 17 (1953) as Assistant Director
A cynical serviceman in a World War II POW camp has to prove he's not an informer.
Those Redheads from Seattle (1953) as Assistant Director
Sailor Beware (1952) as Assistant Director
Two sailors wreak havoc on the Navy.
Detective Story (1951) as Assistant Director
A rigid police detective accidentally uncovers his wife's illegal past.
Branded (1951) as 2nd Unit Director
A gunman tries to pass himself off as a wealthy ranchers long lost son.
That's My Boy (1951) as 2nd Unit Director
Ace in the Hole (1951) as Assistant Director
A small-town reporter milks a local disaster to get back into the big time.
A Place in the Sun (1951) as Assistant Director
An ambitious young man wins an heiress' heart but has to cope with his former girlfriend's pregnancy.
Sunset Blvd. (1950) as Assistant Director
A failed screenwriter falls into a mercenary romance with a faded silent-film star.
The Heiress (1949) as Assistant Director
A plain young woman's money makes her prey to fortune hunters.
The Emperor Waltz (1948) as Assistant Director
Traveling Salesman Virgil Smith wants to sell his Grammophones in pre-WWI Austria. To enhance this, he especially wants to sell one to Emperor Franz Joseph, but at first the Austrian palace guards think he is carrying a bomb. He meets the Countess Johanna von Stolzenberg-Stolzenberg and after the usual misunderstandings, falls in love with her, this is especially assisted by his dog Buttons. But the relation between a Countess and an ordinary U.S. citizen cannot work in Austria, that is the Emperor's opinion. Is he wrong?
A Foreign Affair (1948) as Assistant Director
A prim Congresswoman gets caught up in the romantic decadence of post-war Germany.
The Perils of Pauline (1947) as Assistant Director
The world''''s worst actress rises to stardom as serial queen Pearl White.
Road to Utopia (1946) as Unit dir
Two song-and-dance men on the run masquerade as killers during the Alaskan gold rush.
The Blue Dahlia (1946) as Assistant Director
A veteran fights to prove he didn''''t kill his cheating wife.
Blue Skies (1946) as Assistant Director
Vaudeville partners spend years vying for the same beautiful woman.
The Lost Weekend (1945) as Asst dir, 2d unit dir
A writer fights to overcome his addiction to liquor.
Here Come the Waves (1944) as Assistant Director
Twin sisters Rosemary and Susie Allison are successful nightclub performers. Their act is about to come to a close when serious-minded Rosemary announces she's joining the Waves. Fun-loving Susie decides to enlist also, especially after she learns that crooner Johnny Cabot has just been drafted by the Navy.
Double Indemnity (1944) as Assistant Director
An insurance salesman gets seduced into plotting a client's death.
The Uninvited (1944) as Assistant Director
A brother and sister buy a house with a ghostly secret.
Five Graves to Cairo (1943) as Assistant Director
A British corporal goes undercover to infiltrate Field Marshall Rommel's command.
No Time for Love (1943) as Asst dir, New York unit
A sophisticated reporter hires the construction worker she accidentally got fired.
Holiday Inn (1942) as Assistant Director
When he loses in love, a song-and-dance man retires from show business to run a country inn.
The Major and the Minor (1942) as Director
A woman disguises herself as a little girl and ends up in a military academy.
Lucky Jordan (1942) as Assistant Director
A racketeer struggles to adjust to military life after he''''s drafted.
West Point Widow (1941) as Assistant Director
Nothing But the Truth (1941) as Assistant Director
A businessman bets he can tell the truth for 24 hours.
Louisiana Purchase (1941) as Assistant Director
A bumbling young politician gets caught between grifters and a senator investigating corruption.
The Lady in Question (1940) as Assistant Director
When a jury member takes in the defendant he couldn't convict, she has a bad influence on his son.
Escape to Glory (1940) as Assistant Director
Amid rumors of war in Europe, a group of Americans rush homeward aboard a British freighter.
Missing Daughters (1939) as Director
Outpost of the Mounties (1939) as Director
Wade Beaumont (Dick Curtis), R. A. Kirby (Kenneth MacDonald) and Burke (Edmund Cobb), of the Caribou Trading Company, have reduced the miners and trappers almost to the point of slavery by charging them exorbitant prices for provisions. Beaumont threatens to quit and the other two are thrown in a panic, but a fistfight between Beaumont and Larry Daniels (Stanley Brown)gives Burke an idea. He stabs Beaumont with Larry's knife and RCMP Sergeant Neal Crawford (Charles Starrett)arrests Larry for murder. Neal's romantic interest in Larry's sister, Norma (Iris Meredith), makes this task difficult. Not happy at the evidence brought out in the trial, Neal takes a leave of absence and begins his own investigation. He ties up the gold at the trading company until a successor to Beaumont is appointed, and thus keeps Burke and Kirby from absconding with the gold. Norma and Neal see the crooks burn the evidence that will free Larry. Burke, Kirby and Jacques LaRue (Albert Morin) clean out the vault and ride away, but are pursued by Neal and the Mounties.
Homicide Bureau (1939) as Director
A homicide detective clashes with a beautiful citizens'''' rights advocate while investigating war profiteers.
My Son Is a Criminal (1939) as Director
Spoilers of the Range (1939) as Director
Beginning as usual with The Sons of the Pioneers singing "Tumbling Tumbleweeds" over the opening title and credit frames, which should be how all Westerns begin, especially those westerns of the 50's and 60's that used insipid title songs telling the plot before the film started, this one wastes no time as Lobo Savage (Dick Curtis, of course) secretly in league with saloon owner Cash Fenton (Kenneth Macdonald, of course) steals the $50,000 raised by the ranchers for Mesa Verde's new dam. Fenton agrees to lend the ranchers new money---their old money of course---to complete the dam on the condition their cattle are driven to market by a certain date in order to repay the loan. Then Lobo and his henchies set out to make certain the ranchers can't meet the deadline. Jeff Strong (Charles Starrett) discovers the connection between Savage and Fenton, and he and his cowhands, the Sons of the Pioneers, begin the battle to defeat Savage and Fenton.
Highway Patrol (1938) as Director
You Can't Take It with You (1938) as Dialogue Director
A girl from a family of freethinkers falls for the son of a conservative banker.
Squadron of Honor (1938) as Director
Flight to Fame (1938) as Director
When G-Men Step In (1938) as Director
Fred Garth (Don Terry) owns a printing establishment and poses as a business research expert, but actually runs several white-collar rackets operating by means of high-pressure telephone soliciting. He has sent his younger brother, Bruce Garth (Robert Paige), through law school with the intention of making him his legal watch-dog. But idealist Bruce enrolls as a Department of Justice investigator, and is detailed to track down charity and other phoney rackets. Both brothers are in love with attractive socialite Marjorie Drake (Julie Bishop as Jacqueline Wells), who is unaware of Fred's schemes and he uses her to meet other social leaders with pet charities and his salesmen sell them the program ads at five times the charity rate. Bruce and his partner Neale (Gene Morgan) trace the phone rackets to Bruce and a confrontation looms.
Lost Horizon (1937) as Assistant Director
Four fugitives from a Chinese revolution discover a lost world of peace and harmony.
Paid to Dance (1937) as Director
Government undercover agents William Dennis (Don Terry) and Joan Barclay (Jacqueline Wells) are working to solve the disappearances of girls working as "taxi-dancers" from dance halls operated by Jack Miranda (Arthur Loft) and his henchman Nifty (Paul Fix). Dennis sets himself up as a theatrical booking agent, and shows his power by the opening and closing of Miranda's Paradise Club at will.
Criminals of the Air (1937) as Director
Undercover agent Mark Owens (Charles Quigley) is sent to aid the Border Patrol in the trans-border town of Hernandez in breaking up a well-organized band of smugglers. Since the town is also noted for a place for obtaining quick marriages on the Mexico side, Mark obtains the job of pilot on "The Honeymoon Express." He does not realize that he has been recognized as a G-Man by "Hot Cake" Joe (Herbert Heywood), operator of a sandwich stand and an informant for the smugglers. Reporter Nancy Rawlings (Rosalind Keith), assigned to the airport on the American side of the border, sees Mike running the matrimonial express in his flamboyant uniform, and thinks he is ridiculous enough to make a good story. Her suspicions are aroused when he refuses to be photographed. She is further convinced he is a smuggler when she sees him accepting money from Kurt Feldon (Russell Hicks), suspected head of the smugglers. Feldon has accepted Mike as a genuine pilot for wedding parties and is paying him to steer customers to his cafe. Learning the truth from Joe, Feldon orders his henchman/flyer Blast Reardon (Marc Lawrence)to get rid of Mike. Blast, with a gang moll as his accomplice, charters Mike to fly them across the border to get married. A waitress at the airport, who Nancy has bribed to watch Mike's activities, tips her off about the flight and Nancy hides in the plane. Once in the air, Blast forces Mike to land at the smuggler's hideout, where he is imprisoned.
Parole Racket (1937) as Director
The Shadow (1937) as Director
Mary Gillespie is restoring the Col. Gillespie Circus to its former splendor after her father's death. With the help of her publicist boyfriend Jim, the sell-out crowds are returning to the big top. Egotistical equestrian star Senor Martinet, however, holds $60,000 of notes signed by the Colonel and due in 24 hours. When a mysterious shadowy figure is seen on the circus lot, and Martinet is murdered in the center ring during his performance, there are suspects aplenty, including Vindecco, Martinet's badly abused hunchback assistant. When Vindecco is murdered after confiding clues to Mary, Jim turns her over to the local sheriff, and continues the investigation to unmask the shaodw on his own.
A Fight to the Finish (1937) as Director
Dodge City Trail (1937) as Director
Let's start with some house cleaning first. Columbia produced a series of Charles Starrett westerns that they called "Peter B. Kyne productions" but, other than allowing the use of his name, writer Peter B. Kyne was not the producer on any of the films in this series, and didn't even write the few he is credited with by some sources. Since the source for this error is one of those often-used and often-wrong sources that many researchers use, and said source is one of those that never bother correcting the multitude of errors in their catalogs, the chances of some uninformed source adding Peter B. Kyne back to this film as the Producer is highly likely. This Harold Shumate story finds Texas ranch-foreman Steve Braddock (Charles Starrett) in charge of driving a large herd of cattle overland from Texas to Dodge City, Kansas. Slim Grayson (Donald Grayson), the eastern-educated son of the ranch owner, is along to sing songs around the campfire. The trail drive part only lasts until the herd reaches Plainview, where Steve, Slim and the cowhands rescue Marian Phillips (Marion Weldon) after she has been kidnapped off a stage by a gang led by Dawson (Alan Bridge). She tells Steve her father is a local rancher named Phillips, who she has not seen since she was a young girl, but Steve knows no rancher by that name but from her description, he feels sure that Plainview gambling-hall owner Kenyon Jackson (Russell Hicks) is her father. Of course he is and he, of course, is also the secret head of the Dawson gang, and Steve's tasks are to keep Marian from learning the truth about her father, cleaning up the gang and persuading the father to reform. By the way, Peter B. Kyne did not produce this film.
Mr. Deeds Goes to Town (1936) as Assistant Director
When he inherits a fortune, a small-town poet has to deal with the corruption of city life.
Legion of Terror (1936) as Director
Frank Marshall and Slim Hewitt, postal inspectors, infiltrate a Ku Klux Klan-like vigilante group which has mailed a bomb to a senator. When the legion kills the brother of Nancy Foster, she helps Frank and Slim in their investigation.
Code of the Range (1936) as Director
In this Charles Starrett western that WAS NOT produced by Peter B. Kyne and was solely written by Ford Bebee, although some sources attribute the story to Peter B. Kyne because, with his permission and as a selling angle, the title shown on the film and all of the posters is "Peter B. Kyne's CODE OF THE RANGE." The use of his name was Mr. Kyne's only contribution. Ford Beebe's "original screenplay" (he had used it before) finds the cattlemen, headed by "Calamity" Parker (Allan Cavan), opposing the use of their range lands by sheep herders, with cattlemen Lee Jamison (Charles Starrett) and Ed Randall (Edmund Cobb) in the dissenting minority and they offer sheepman Angus McLeod (Edward Coxen as Ed Coxen) free grazing privileges. Saloon owner Barney Ross (Albert J. Smith) offers to keep the sheepmen off of the range and out of town if each cattleman will pay $500. They agree after he promises there will be no bloodshed. Ross then visits bank clerk Quigley (Ralph McCullough), who Ross knows has stolen bank funds to cover his gambling losses at Ross' saloon, and forces him to forge the name of bank president Adams (Edward LeSaint) on a foreclosure notice on Jamison's ranch. Ross then buys Jamison's property thereby making it impossible for the sheep-herders to use the land for grazing. Calamity's daughter Janet (Mary Blake) works at the bank and is engaged to Jamison but they have parted because of a quarrel over the feud. But when Jamison learns that his property has been "legally" stolen, Mary, who suspects Ross and Quigley, aids him by wiring Adams to return immediately. Jamison, suspecting that Ross will have his henchmen take Adams off the stagecoach and kill him, beats the gang to the stagecoach, takes Adams and hides him. But Jamison has to flee town when Ross tells the townsmen that Jamison took Adams off the stage and killed him. But he will return.
One Way Ticket (1935) as Assistant Director
The Best Man Wins (1935) as Assistant Director
The Black Room (1935) as Assistant Director
An evil twin brother disposes of his enemies in a secret death chamber on his estate.
I'll Love You Always (1935) as Assistant Director
Justice of the Range (1935) as Assistant Director
The McLean and Brennan ranches are both losing cattle to rustlers and each blames the other when cattle buyer Graves is the real culprit. To throw suspicion off himself Graves hires Tim to investigate, not knowing that this will be his downfall.
A Feather in Her Hat (1935) as Assistant Director
A female shopkeeper sacrifices everything to give her son a theatrical career.
Let's Live Tonight (1935) as Assistant Director
Party Wire (1935) as Assistant Director
When a small-town girl's boyfriend leaves in disgrace, gossips spread false reports of her pregnancy.
Men of the Night (1934) as Assistant Director
"Stake-Out" Kelly (Bruce Cabot), ace detective, meets Mary Higgins (Judith Allen) at a small Hollywood sandwich shop where he expects to get some information concerning Packey Davis (Charles Sabin), head of a ring of jewel thieves. His suspicions are confirmed when Mary warns him that Davis is outside - waiting for him. Kelly sets a trap and, in the ensuing battle, one of the gangsters is killed. Davis is interested in rubbing out Kelly as Kelly and Baker are the only two witnesses against Smitty (Arthur Rankin), a Davis henchman. Baker is in the hospital and the plan is bring Smitty there for identification. Kelly accidently slips the secret to Mary, who in turn innocently informs Packey. A trap is laid.
Voice in the Night (1934) as Director
It Happened One Night (1934) as Assistant Director
A newspaperman tracks a runaway heiress on a madcap cross-country tour.
Twentieth Century (1934) as Assistant Director
A tempestuous theatrical director tries to win back the star he created and then drove away.
The Hell Cat (1934) as Assistant Director
Broadway Bill (1934) as Assistant Director
An heiress and her brother-in-law defy her father by going into horse racing.
Jealousy (1934) as Assistant Director
Larry O'Roark is a boxer who's insanely posssesive and jealous of his fiancee, Jo. the sight of her and her employer, Mr. Lambert, at ringside during his big fight distracts Larry and he is knocked out. He then promises never to be jealous again and marries Jo. When she realizes that they're broke she asks Lambert for a job (she had quit on marrying Larry.) One thing leads to another and Larry, enraged with jealousy, end up killing Lambert. He then wanders off in a daze, and Jo takes the rap for the murder. Larry descends from his amnesiac fog just in time to interrupt the announcement of the jury's verdict in Jo's trial. then it's off to the chair for Larry. Or is it?
Lady for a Day (1933) as Assistant Director
A gangster helps an old apple-vendor pose as a society woman to fool her visiting daughter.
The Circus Queen Murder (1933) as Assistant Director
A vacationing DA gets mixed up in a tangled case involving a touring circus.
Above the Clouds (1933) as Assistant Director
Fury of the Jungle (1933) as Assistant Director
So This Is Africa (1933) as Assistant Director
Bert Wheeler and Robert Woolsey play a couple of broke, hungry vaudevillians who are holed up in a hotel room with a few (tame) lions. They are hired by a movie producer who wishes to send them and their lions to Africa with a great naturalist, in order to make a jungle picture. An earlier expedition by this same naturalist was a failure, because she is afraid of animals. They all head to Africa and the lions are not mentioned again. Once in the jungle they have to fend off the amorous advances of the naturalist, of a vine-swinging native girl, and of a gorilla. They then run into the fearsome Amazon tribe, made up entirely of nubile females. Eventually they disguise themselves as Amazons to avoid being "loved to death." But these disguises lead to further difficulties when the all-male tribe of Tarzans show up for their annual mating ritual with the Amazons.
The Bitter Tea of General Yen (1933) as Assistant Director
An American missionary falls in love with a Chinese warlord.
Unknown Valley (1933) as Assistant Director
Looking for his missing father, Joe Gordon heads into the desert where Elders from a secret village find him unconscious. Attracted to Sheilla O'Neill, the two plan an escape from the village where no one is allowed to leave. But then he learns his father is being held prisoner and finding him, he is also made a prisoner.
Before Midnight (1933) as Assistant Director
A police inspector investigates the murder of a man who prophesied his own death.
Cocktail Hour (1933) as Assistant Director
American Madness (1932) as Assistant Director
A banker fights to keep his independence and protect his customers.
Shopworn (1932) as Assistant Director
A waitress falls for a wealthy young man but has to fight his mother to find happiness.
By Whose Hand? (1932) as Assistant Director
An escaped killer stalks the man who had turned him in.
Man Against Woman (1932) as Assistant Director
Platinum Blonde (1931) as Assistant Director
A heartless heiress seduces a hard-working reporter into a disastrous marriage.
The Good Bad Girl (1931) as Assistant Director
A gangster''''s moll tries to go straight to marry an honest man.
Fifty Fathoms Deep (1931) as Assistant Director
Sky Raiders (1931) as Assistant Director
The Last Parade (1931) as Assistant Director
Hurricane (1930) as Assistant Director
Brothers (1930) as Assistant Director
The Last of the Lone Wolf (1930) as Assistant Director
Madonna of the Streets (1930) as Assistant Director
Hell's Island (1930) as Assistant Director
The Quitter (1929) as Assistant Director
Trial Marriage (1929) as Assistant Director
The Eternal Woman (1929) as Assistant Director
Broadway Scandals (1929) as Assistant Director
Broadway Daddies (1928) as Assistant Director
Name the Woman (1928) as Assistant Director
The Girl in the Pullman (1927) as Assistant Director
The Rush Hour (1927) as Assistant Director

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