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Doane Harrison

Doane Harrison

  • Apartment, The (1960) September 27 (ET) - Reminder REMINDER
  • Uninvited, The (1944) October 23 (ET) - Reminder REMINDER
  • Love in the Afternoon (1957) October 24 (ET) - Reminder REMINDER
  • Convicts 4 (1962) October 25 (ET) - Reminder REMINDER
  • Remember the Night (1940) December 04 (ET) - Reminder REMINDER
  • Who's Afraid Of Virginia Woolf? (1966) December 06 (ET) - Reminder REMINDER


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Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Editing ...


Director (feature film)

The Emperor Waltz (1948) as Fill-In Director
Traveling Salesman Virgil Smith wants to sell his Grammophones in pre-WWI Austria. To enhance this, he especially wants to sell one to Emperor Franz Joseph, but at first the Austrian palace guards think he is carrying a bomb. He meets the Countess Johanna von Stolzenberg-Stolzenberg and after the usual misunderstandings, falls in love with her, this is especially assisted by his dog Buttons. But the relation between a Countess and an ordinary U.S. citizen cannot work in Austria, that is the Emperor's opinion. Is he wrong?

Producer (feature film)

The Fortune Cookie (1966) as Associate Producer
A crooked lawyer trumps up an insurance case for a cameraman injured at a pro football game.
Kiss Me, Stupid (1964) as Associate Producer
A small-town songwriter tries to sell his work to a stranded singing star.
Irma La Douce (1963) as Associate Producer
A Parisian policeman gives up everything for the love of a free-living prostitute.
My Six Loves (1963) as Associate Producer
Successful Broadway star Janice Courtney collapses from exhaustion and is ordered to rest for six weeks at her country home in Connecticut. While there, she meets some people who change her life permanently, and discovers true love and happiness.
One, Two, Three (1961) as Associate Producer
A Coca-Cola executive in West Berlin tries to keep the boss's daughter from marrying a Communist.
The Apartment (1960) as Associate Producer
An aspiring executive lets his bosses use his apartment for assignations, only to fall for the big chief's mistress.
Some Like It Hot (1959) as Associate Producer
Two musicians on the run from gangsters masquerade as members of an all-girl band.
Love in the Afternoon (1957) as Associate Producer
An aging American tycoon overcomes his inhibitions to court a young Parisian.
The Seven Year Itch (1955) as Associate Producer
A married man whose wife is on vacation falls for the blonde bombshell upstairs.

Editing (feature film)

Sabrina (1954) as Ed adv
Two wealthy brothers fall for the chauffeur's daughter.
Forever Female (1954) as Ed adv
An aspiring playwright gets an opportunity to see his play produced but is forced to make significant changes in the script so that the producer can cast his middle-aged ex-wife in the ingenue leading role.
The Girls of Pleasure Island (1953) as Ed adv
In the spring of 1945, World War II is coming to a close. Roger Halyard (Leo Genn), a dignified, strait-laced Englishmen, lives on a South Sea atoll with his three daughters, Gloria (Dorothy Bromley), Hester (Audrey Dalton) and Violet (Joan Elan), along with the housekeeper, Thelma (Elsa Lancaster), who has raised the girls since childhood. Other than their father, the girls have never seen another man. Halyard is informed that 1500 U.S. Marines will soon arrive to establish an air base on the island. Halyard is rather apprehensive over the prospect of his daughters, who have never met another man, being thrown together with 1500 Marines who haven't seen a woman in months.
Stalag 17 (1953) as Ed adv
A cynical serviceman in a World War II POW camp has to prove he's not an informer.
Thunder in the East (1953) as Editing Supervisor
During India's first years of independence from Britain, Steve Gibbs lands his armaments loaded plane in Ghandahar province hoping to get rich. Pacifist Prime Minister Singh hopes to reach an agreement with guerilla leader Khan, the maharajah is a fool, and the British residents are living in the past. Steve's love interest is Joan Willoughby, the blind daughter of a parson.
Somebody Loves Me (1952) as Ed consultant
Just for You (1952) as Editing Supervisor
Jordan Blake (a widower) is a successful Broadway Producer who has always been to busy for his children, Barbara and Jerry. Girlfriend, Carolina a musical comedy star, urges Jordan to take his kids on a vacation and get to know them before they are all grown up. Is Jordan already too late?
Branded (1951) as Editing Supervisor
A gunman tries to pass himself off as a wealthy ranchers long lost son.
Ace in the Hole (1951) as Editing Supervisor
A small-town reporter milks a local disaster to get back into the big time.
When Worlds Collide (1951) as Editing Supervisor
Richard Derr, Barbara Rush, Peter Hanson, Larry Keating, John Hoyt. A landmark science fiction film of the fifties. Scientists race against time to build a super rocket ship that can save a select group before the earth collides with another planet. Naturally, no one wants to be left behind for the final Armageddon. The special effects which include a giant tidal wave crashing down on Broadway won an Oscar. Produced by fantasy film specialist George Pal (The Time Machine ) .
Sunset Blvd. (1950) as Editing Supervisor
A failed screenwriter falls into a mercenary romance with a faded silent-film star.
Mr. Music (1950) as Editing Supervisor
Dear Wife (1950) as Editing Supervisor
Teenaged Miriam starts a political campaign to nominate Bill Seacroft, her brother-in-law, for state senator in opposition to the local political machine. Unknown to Miriam, said machine nominates her father, Judge Wilkins. As support grows for Bill, the presence of rival candidates under one roof poses problems, especially for Ruth, wife to Bill and daughter of the judge.
A Foreign Affair (1948) as Editing Supervisor
A prim Congresswoman gets caught up in the romantic decadence of post-war Germany.
Miss Tatlock's Millions (1948) as Editing Supervisor
After the accidental death of an idiot heir, a stunt man is hired to impersonate him while the family gathers to determine the dispersment of the estate of Miss Tatlock's millions.
The Emperor Waltz (1948) as Editing Supervisor
Traveling Salesman Virgil Smith wants to sell his Grammophones in pre-WWI Austria. To enhance this, he especially wants to sell one to Emperor Franz Joseph, but at first the Austrian palace guards think he is carrying a bomb. He meets the Countess Johanna von Stolzenberg-Stolzenberg and after the usual misunderstandings, falls in love with her, this is especially assisted by his dog Buttons. But the relation between a Countess and an ordinary U.S. citizen cannot work in Austria, that is the Emperor's opinion. Is he wrong?
Ladies' Man (1947) as Editing Supervisor
Henry Haskell (Eddie Bracken), owner of a hard-scrabble farm near Badger, Oklahona, thwarted in love and through with women forever, strikes oil while digging for water and becomes a millionaire. He heads for New York, with $50,000 in his pocket, to fulfill his lifelong ambition of seeing Grant's Tomb and riding the subway. Fortune-huntress Gladys Hayden (Virginia Field) moves into rooms adjoining Henry's at his swank New York hotel. He joins a large crowd on the street and suddenly finds himself being interviewed by Jean Mitchell (Virginia Wells) on a "Streets of New York" broadcast. When Henry says he is the only millionaire from Badger, Oklahoma, Jean impulsively offers to introduce him to any listener who sends in a box-top of her sponsor's face powder. Henry invites Jean to dine at the Automat and a ride home on the subway and, since he borrows nickels from her for food and the subway, she doubts he is really a millionaire. She is unaware he couldn't get change for a $100 bill. On the subway, they encounter Spike Jones and His City Slickers and, learning they are out of work, Henry gives them each $100 bills. Millions of women, clamouring for dates with Henry, send in box-tops. Jean and her uncle dream up a radio program that promises some lucky Cinderella a date with Henry each night. Jean puts on an act that makes Henry, self-vowed woman-hater, think her job is in jeopardy and he goes along. And Gladys makes strides with Henry with her phoney southern accent. When Henry learns that he has been tricked into the radio scheme, he pretends to be bankrupt...
Our Hearts Were Growing Up (1946) as Editing Supervisor
Cornelia and Emily, at college in the early 1920s, have triangle trouble with their beaus. Their affairs become entangled with those of a chance-met, kindly bootlegger. Much of the humor derives from pre-Roaring Twenties naivity.
The Unseen (1945) as Editing Supervisor
The Lost Weekend (1945) as Editing Supervisor
A writer fights to overcome his addiction to liquor.
Double Indemnity (1944) as Editing Supervisor
An insurance salesman gets seduced into plotting a client's death.
Practically Yours (1944) as Editing
The Uninvited (1944) as Editing
A brother and sister buy a house with a ghostly secret.
Five Graves to Cairo (1943) as Editing
A British corporal goes undercover to infiltrate Field Marshall Rommel's command.
The Crystal Ball (1943) as Editing
A female fortuneteller uses her "powers" to land a man.
The Major and the Minor (1942) as Editing
A woman disguises herself as a little girl and ends up in a military academy.
Take a Letter, Darling (1942) as Editing
A female executive hires a male secretary.
Beyond the Blue Horizon (1942) as Editing
New York Town (1941) as Editing
Hold Back the Dawn (1941) as Editing
A gigolo flees Nazi occupation and sets his sights on a shy schoolteacher who happens to be a US citizen.
Golden Gloves (1940) as Editing
Dancing on a Dime (1940) as Editing
Arise, My Love (1940) as Editing
A dashing pilot and a vivacious reporter find adventure in Europe on the eve of World War II.
Remember the Night (1940) as Editing
An assistant D.A. takes a shoplifter home with him for Christmas.
The Night of Nights (1939) as Editing
Midnight (1939) as Editing
An unemployed showgirl poses as Hungarian royalty to infiltrate Parisian society.
Thrill of a Lifetime (1938) as Editing
Stolen Heaven (1938) as Editing
Artists and Models Abroad (1938) as Editing
Internes Can't Take Money (1937) as Editing
In a fantastically art-deco hospital, young Dr. Kildare treats and falls for impoverished Janet Healy, widow of a bank robber, who's been in prison and can't find her baby. Later she helps Kildare sew up gangster Hanlon in a tavern back room. Kildare pursues Janet and enlists Hanlon to help her; the gangster's solution, not surprisingly, is violent.
Easy Living (1937) as Editing
When a working girl tries to return a lost fur coat, she gets caught up in a wealthy family's battles.
13 Hours by Air (1936) as Editing
Let's Make a Million (1936) as Editing
The Texas Rangers (1936) as Editing
Four Hours to Kill! (1935) as Editing
Collegiate (1935) as Editing
Annapolis Farewell (1935) as Film Editor
You Belong to Me (1934) as Editing
She Made Her Bed (1934) as Editing
The Sphinx (1933) as Film Editor
A man known to be a mute is suspected of committing a murder, as he was noticed at the scene. However, witnesses saw and heard him talking as he was leaving the scene of the crime. The police must determine if he is the actual killer or if he is being framed.
Devil's Mate (1933) as Editing
The Avenger (1933) as Editing
On Your Guard (1933) as Film Editor
The Crooked Circle (1932) as Editing
Her Man (1930) as Film Editor
The Sophomore (1929) as Film Editor
This Thing Called Love (1929) as Film Editor
The Office Scandal (1929) as Film Editor
The Shady Lady (1929) as Film Editor
The Leatherneck (1929) as Film Editor
High Voltage (1929) as Film Editor
His First Command (1929) as Film Editor
The Racketeer (1929) as Film Editor
A young beauty marries a gangster to help her musician boyfriend's career.
Man-Made Woman (1928) as Editor
Celebrity (1928) as Film Editor
Show Folks (1928) as Film Editor
The Spieler (1928) as Film Editor
The Cavalier (1928) as Film Editor
Man-Made Women (1928) as Film Editor
Power (1928) as Film Editor
The Blue Streak (1926) as Film Editor
The Broadway Gallant (1926) as Film Editor
The Better Man (1926) as Film Editor
Doubling With Danger (1926) as Film Editor
The Night Patrol (1926) as Film Editor
Jimmie's Millions (1925) as Film Editor
The Fighting Demon (1925) as Film Editor
The Prince of Pep (1925) as Editing
Youth and Adventure (1925) as Film Editor

Film Production - Main (feature film)

Who's Afraid of Virginia Woolf? (1966) as Prod adv
An academic couple reveal their deepest secret to a pair of newcomers during an all-night booze fest.
Convicts 4 (1962) as Asst to prod
A convicted killer discovers a talent for art while behind bars.
The Jayhawkers! (1959) as Asst to the prod
In the maelstrom of Pre-Civil War Kansas, a government agent infiltrates the vigilante group called the Jayhawks.
Witness for the Prosecution (1957) as Prod assoc
A British lawyer gets caught up in a couple's tangled marital affairs when he defends the husband for murder.

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