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William Hanna

William Hanna

  • Dangerous When Wet (1953) December 12 (ET) - Reminder REMINDER
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Also Known As: Died: March 22, 2001
Born: July 14, 1910 Cause of Death:
Birth Place: Melrose, New Mexico, USA Profession: Director ...
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NOTES

About his relationship with Joseph Barbera: "One thing that has probably kept us together is that, while we work very closely here at the studio, his outside interests are entirely different from mine, and we never see each other socially. We have had strictly a business relationship all along.

"When Joe and I did the Tom and Jerry cartoons at MGM, Joe did all the drawing, and I did all the timing and directing. We'd sit across a big desk and together we'd develop all the material ... My talent, I believe, has been in organization. I'm still directing pictures, but I'm also directing the work of other people. And I also spend a lot of time with the writers. My own efforts have always been in writing: I have written the main titles and lyrics for over one hundred series." --William Hanna, in "Cartoons Today"

"As it is now, we're turning out eight half-hour shows a week. One person works on more footage per day than all of us combined used to. Back in the Tom and Jerry days, I personally did a minute and a half of film a week; now I do as much as thirty-five minutes a week. So you can see the quantity produced is much greater today. The economics has a lot to do with it, of course. The economics of TV dictates the quality. I think we do a fair job on character design and we do a good job on voice casting and in backgrounds, but we fall short in actual animation. It is unfortunate that more money cannot be spent on animation. The cost per foot of Tom and Jerry-type animation would be prohibitive, even for theatrical shorts. I think that to achieve the same standards today, a six-minute Tom and Jerry would cost in the area of $100,000. They only cost $30,000 to make in the forties." --Wiliam Hanna, in "Cartoons Today"

"In the early days, I had bar sheets. Did you ever see those? I had [music] bar sheets and I would set established tempos--2/10 frame beats to the bar, 2/12, 2/14. Whatever the click was ... The reason ours [characters] worked so well with the music is because we had bar sheets there and would establish a tempo that would suit a chase, or a spooky scene, or whatever it was and you'd establish that tempo and record it to that ... For me it was a godsend. The music that I had studied." --Hanna quoted in THE HOLLYWOOD REPORTER 1994 ANIMATION SPECIAL ISSUE

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