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Alexander Golitzen

Alexander Golitzen

  • Thrill Of It All, The (1963) September 07 (ET) - Reminder REMINDER
  • Thoroughly Modern Millie (1967) September 08 (ET) - Reminder REMINDER
  • Sword in the Desert (1949) September 16 (ET) - Reminder REMINDER
  • That Uncertain Feeling (1941) September 17 (ET) - Reminder REMINDER
  • Sweet Charity (1969) October 12 (ET) - Reminder REMINDER
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Also Known As: Died: July 26, 2005
Born: February 28, 1908 Cause of Death: congestive heart failure
Birth Place: Russia Profession: Art Director ...
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COMPLETE FILMOGRAPHY WITH SYNOPSIS

Producer (feature film)

1.
Canyon Passage (1946) as Associate Producer
A respected businessman and his gambler best friend fall for the same woman in 1850s Oregon.
2.
A Night in Paradise (1946) as Associate Producer
Aesop takes a break from spinning fables to help a king and fall in love.
3.
Salome, Where She Danced (1945) as Associate Producer

Art Director (feature film)

4.
Showdown (1973) as Art Direction
In the Old West, Billy and Chuck were best friends until Chuck married the woman they both loved. The two of them drifted apart and eventually, Chuck became a sheriff and Billy a robber. Now Chuck has to hunt down his old friend, and as the chase goes along, they each reminisce about their past toge
5.
That Man Bolt (1973) as Art Direction
When a briefcase that is sought after by spies and criminals needs to be transported from Hong Kong to Mexico City, Lincoln Bolt is chosen to do the job.
6.
Breezy (1973) as Art Direction
Breezy is a teen-aged hippy with a big heart. After taking a a ride with a man who only wants her for sex, Breezy manages to escape. She runs to hide on a secluded property where stands the home of a middle-aged divorced man, Frank Harmon. Frank reluctantly takes Breezy in only to fall unexpectedly in love with her.
7.
Slaughterhouse-Five (1972) as Art Director
"Listen: Billie Pilgrim has come unstuck in time." The opening words of the famous novel are the quickest summary of this haunting, funny film. Director Hill faithfully renders for the screen Vonnegut's obsessive story of Pilgrim, whosurvives the 1945 firebombing of Dresden, then lives simultaneously in his pastas a young American POW, in the future as a well-cared-for resident of a zoo on the planet Tralfamadore, and in the present as a middle-aged optometrist in Ilium, N.Y.
8.
The Great Northfield Minnesota Raid (1972) as Art Director
This film chronicles the most daring robbery of the James Younger gang. On September 7, 1876, the gang held up the bank in Northfield, Minnesota which was known at the time as "the biggest bank west of the Mississippi."
9.
Joe Kidd (1972) as Art Director
Joe Kidd is a former bounty hunter who is now trying to earn his living as a horse rancher and tracker. He is hired by a greedy land-grabber to find and capture Luis Chama, a Mexican revolutionary who is organizing the peasants to reclaim the land that is rightfully theirs.
10.
Play Misty for Me (1971) as Art Director
A disc jockey is stalked by a rejected girlfriend turned violent.
11.
One More Train to Rob (1971) as Art Director
In the 1880's, Harker and his gang steal $40,000 from a train in the gold-mining country of California. After the robbery, the gang splits up to hide out, but when they meet to divide the spoils, Harker is cornered, framed for the crime and is sent to jail. When he is released over two years later,
12.
Red Sky at Morning (1971) as Art Director
A young boy adjusts to moving to a new town, as the experiences and people he meets mature him unexpectedly.
13.
How to Frame a Figg (1971) as Art Director
A bungling bookkeeper's assistant in the Dalton city hall finds himself framed for embezzlment. A sweet young woman helps him clear his name.
14.
The Beguiled (1971) as Art Director
Near the end of the Civil War, wounded Yankee soldier John McBurney is close to death when he is rescued by a twelve-year-old girl from a Louisiana boarding school. As John recovers, he begins to charm the girls, becoming the object of their awakening sexuality and jealousy runs rampant. After he rejects the headmistress of the school for a younger girl, John falls down the stairs breaking his leg, which eventually must be amputated. John begins to drink, and his behavior alienates both teachers and students. He makes an attempt to reform, but it is too late, as the headmistress and girls have decided to solve their problem by feeding him poison mushrooms.
15.
Shoot Out (1971) as Art Director
When bank robber Clay Lomax is released from jail, he starts looking for the man who turned him in. But his quest for revenge is complicated by the news that his ex-lover has died and left a daughter who presumably is his child.
16.
Raid on Rommel (1971) as Art Director
Captain Foster plans on raiding German-occupied Tobruk with hand- picked commandos, but a mixup leaves him with a medical unit led by a Quaker conscientious objector. Despite all odds they succeed with their mission. On the way they pick up and drug the mistress of an Italian general, blow up the entire fuel supply for the Afrika Korps, and swap philatelic gossip with Field Marshal Erwin Rommel.
17.
Story of a Woman (1970) as Art Director
18.
Company of Killers (1970) as Art Director
19.
Lost Flight (1970) as Art Director
20.
Pufnstuf (1970) as Art Director
Jimmy runs away to be by himself after a bad day at school. He takes his flute down by the sea to relax. When he lays the flute down it become alive. (Turns to solid gold with diamond studs). Plotting to steal is a witch names witchie-po. Jimmy hops aboard a beautiful magic talking board that wants to take him out to sea. But the boat actually belonged to the Witch.. who turned the boat back into a black evil craft meant to trap Jimmy and bring him to her. But Jimmy escape from the boat and make a swim for land. A Dragon named Puff-N-Stuff was watching the whole event between Jimmmy and the witch and he and the cops (two ants named Cling & clang) go to aid Jimmy. Jimmy end up on the shores of Living island (every thing is alive) & is rescued by Puff-N-Stuff & Co. The rest of the movie has the witch trying to get the magic flute in order to impress Boss Witch and her Friend Witch Hazel (Momma Cass), and Puff-N-Stuff and Friends attempting to find ways to get Jimmy off of the island
21.
Airport (1970) as Art Director
A mad bomber plots to blow up a jet on a snowy night.
22.
I Love My Wife (1970) as Art Director
Young surgeon becomes bored with his wife and family, he has a very successful career, but even with having so much in life, he feels empty and goes through a series of brief and meaningless relations with attractive women
23.
24.
The Forbin Project (1970) as Art Director
Forbin is the designer of an incredibly sophisticated computer that will run all of America's nuclear defenses. Shortly after being turned on, it detects the existence of Guardian, the Soviet counterpart, previously unknown to US Planners. Both computers insist that they be linked, and after taking safeguards to preserve confidential material, each side agrees to allow it. As soon as the link is established the two become a new Super computer and threaten the world with the immediate launch of nuclear weapons if they are detached. Colossus begins to give it's plans for the management of the world under it's guidance. Forbin and the other scientists form a technological resistance to Colossus which must operate underground.
25.
Angel in My Pocket (1969) as Art Director
A minister and his family fight for acceptance when he moves to a new church.
26.
Winning (1969) as Art Director
A racecar driver risks his marriage in pursuit of speed and success.
27.
Eye of the Cat (1969) as Art Director
28.
Tell Them Willie Boy Is Here (1969) as Art Director
After killing his girlfriend's father in self defense, a rebellious Native American races to elude a bloodthirsty posse.
29.
House of Cards (1969) as Art Director
Leschenhaut and Morillon are trying to organize a plot to overthrow the French government and set up a new fascist organization. Their plans are interrupted by Davis, an American boxer, tutor of young Paul de Villemont; in Villemont Manor he discovers the plot and, after the kidnapping of the boy, he travels to Rome, where the organization would exchange Paul with a list of members stolen by Davis to give to the press.
30.
The Love God? (1969) as Art Director
The editor of a nature journal becomes an unlikely sex object after a new publisher makes the magazine a girlie book.
31.
Death of a Gunfighter (1969) as Art Director
Even though Marshal Frank Patch has kept the peace in Cottonwood Springs for over twenty years, he is now the laughing stock of the town liberals who want some new blood in the Marshall's Office. When Patch shoots the drunken Luke Mills in self-defense they get the excuse they had been waiting for.
32.
Change of Habit (1969) as Art Director
A nun helps a doctor clean up the ghetto in which he lives.
33.
The Lost Man (1969) as Art Director
The leader of a black militant group hides out from police in an old movie theatre and enlists the help of a social worker to make his escape.
34.
A Man Called Gannon (1969) as Art Director
35.
Sweet Charity (1969) as Art Director
A taxi dancer's faith in love leads her to one bad match after another.
36.
What's So Bad About Feeling Good? (1968) as Art Director
A smuggled toucan escapes from New York customs and infects every downtrodden person in the city with a virus that causes them to be happy and generous.
37.
Nobody's Perfect (1968) as Art Director
This military service comedy chronicles the misadventures of the U.S.S. Bustard in Japan. The crew has stolen a Buddha statue from a Japanese village, which if discovered missing would threaten Japanese/American relations. Doc Willoughby is the ship's petty officer, whose antics are constantly getting him into trouble with his captain. On shore leave, Willoughby falls for a seemingly demure Japanese girl in a kimono shop, who actually turns out to be a Japanese/American nurse in the US Navy, Lt. Tomiko Momoyama. However, it turns out she was betrothed as a child to a traditional Japanese man named Toshi, who fully intends on enforcing tradition. Willoughby divides his time between trying to return the Buddha statue back to the Japanese village it rightfully belongs to, and trying to woo Tomiko from the traditional Japanese man she rightfully belongs to.
38.
The Ballad of Josie (1968) as Art Director
Josie Minick is a widow, who is forced to fend for herself. Josie living in a cattle country, finds herself in odds and war with the cattlemen of the town, when she decides to make a sheep farm her livelihood.
39.
Counterpoint (1968) as Art Director
A small orchestra, touring Germany during World War II, is captured by a German military unit and forced to play for them.
40.
In Enemy Country (1968) as Art Director
41.
The Shakiest Gun in the West (1968) as Art Director
A dentist cleans up the West with the help of a reformed lady bandit.
42.
The Hell With Heroes (1968) as Art Director
Two flyers during World War II get caught up in shenanigans with an international smuggler and his girlfriend.
43.
Journey to Shiloh (1968) as Art Director
Seven young Texans leave home to join the Confederate Army and in the process learn bitter lessons in life and death.
44.
Don't Just Stand There! (1968) as Art Director
45.
A Lovely Way To Die (1968) as Art Director
A police detective quits the force after charges of brutality, gets a job protecting a woman accused of murder, falls in love with her, and then ends up proving she was set up.
46.
Hellfighters (1968) as Art Director
While fighting a perilous oil-well fire, a demolition specialist seeks a reconciliation with his wife and daughter.
47.
Coogan's Bluff (1968) as Art Director
An Arizona sheriff tracks an escaped killer to the wilds of New York City.
48.
The Pink Jungle (1968) as Art Director
A famous fashion photographer is trapped in a remote South American country with a beautiful model and together with some unscrupulous characters, become involved in the search for a lost diamond mine.
49.
Madigan (1968) as Art Director
NYC police detective Madigan has 72 hours to find the mobster who got away with his gun.
50.
Did You Hear the One About the Traveling Saleslady? (1968) as Art Director
Agatha Knabenshu arrives in a small town in Missouri to sell player pianos to the locals. She's fired after her disastrous sales attempts nearly destroy the town. The stranded saleslady becomes friendly with an equally bumbling inventor and moves in with his family. The two then try to sell his automatic milking machine, but things turn sour when their demonstration causes a stampede.
51.
The Secret War of Harry Frigg (1968) as Art Director
When 5 allied generals are captured in Italy in WW II, it is a propaganda nightmare for the Allies. The generals are all 1 star and refuse to take orders from each other in order to plan an escape. Harry Frigg is a private who has escaped from the guard house dozens of times. He is promoted to Major General (2 stars) and ordered to get the generals out once he is captured. Harry is willing to escape, but then he meets the countess ...
52.
P. J. (1968) as Art Director
Private eye P.J. is reluctant when he gets a new job: he shall protect Maureen Preble, mistress of millionaire Orbeson, mainly from attacks by his wife and her greedy family. In truth Orbeson plans a deadly intrigue in which P.J. is to play a central part. Meanwhile P.J. falls in love with Maureen and Orbeson's money.
53.
Games (1967) as Art Director
Manhattan socialites with an interest in kinky "mind games" get more than expected when an amateur medium comes into their lives.
54.
Rough Night in Jericho (1967) as Art Director
In A Western town a US Marshall corrals the townsfolk to take a stance and fight a gang boss who terrorizes them.
55.
The Young Warriors (1967) as Art Director
56.
Banning (1967) as Art Director
Wagner plays a playboy golf pro down on his luck. Kicked off the circuit for alleged cheating he is forced to hustle for a living. Moving from one Country Club to another Wagner uses his talents to hustle golf and women while trying to stay one step ahead of an irate loan shark.
57.
Rosie (1967) as Art Director
Rosie is a sweet, rich and generous woman, especially when is comes to giving money. Daughters, Mildred and Edith, are worried that she will spend all their inheritance, so they plan to have Rosie put away in a home and have her legally declared insane. When Daphne,(Rosie's devoted and caring grand-daughter), over hears their plan, she vows to help her grandmother win.
58.
The King's Pirate (1967) as Art Director
Handsome British officer, Lt. Brian Hornsby is sent undercover to infiltrate a lively band of pirates. Lt. Brain soon finds himself involved with the Captain's girlfriend. Then Lt. Hornsby finds himself having to work quickly and smartly to capture a band of thieves.
59.
Gunfight in Abilene (1967) as Art Director
Fighting in the Civil War a man accidently kills his friend. Returning to Abilene after the war he finds his former sweetheart about to marry the brother of the man he killed. To pay his debt he not only refuses to win her back but takes the job of Sheriff, a job he doesn't want, when the brother asks him. Still haunted by the killing he refuses to carry a gun. But there is trouble between the ranchers and the farmers and when he finds the brother murdered he straps on a gun and heads after the killer.
60.
Thoroughly Modern Millie (1967) as Art Director
A small-town girl hits the big city in search of romance Roaring Twenties style.
61.
The Ride to Hangman's Tree (1967) as Art Director
62.
The Reluctant Astronaut (1967) as Art Director
Don Knotts is Roy Fleming, a small town kiddie-ride operator who is deathly afraid of heights. After learning that his father has signed him up for the space program, Roy reluctantly heads for Houston, only to find out upon arriving that his job is a janitor, not an astronaut. Anxious to live up to the expectations of his domineering father, Roy manages to keep up a facade of being an astronaut to his family and friends. When NASA decides to launch a lay person into space to prove the worthiness of a new automated spacecraft, Roy gets the chance to confront his fears.
63.
The Perils of Pauline (1967) as Art Director
64.
Tobruk (1967) as Art Director
September 1942 - With Erwin Rommel's Afrika Korps on the march through Egypt, a British special forces unit, composed of German Jews who serve with the British despite the mutual resentment between both, kidnap a Canadian officer who is an expert topographer and who is held prisoner by the Vichy French in Algeria. The officer, Donald Craig, must negotiate a company of British and German-Jewish commandos through 800 miles of the Sahara to aide a pending amphibious landing against Tobruk's massive fuel storage base - a mission that sees one impediment after another, and which discovers an undetected German armored force ready to win the battle of Egypt.
65.
The Pad (And How To Use It) (1966) as Art Director
This is about a man who lives alone in his apartment and finds his ideal woman while going to the symphony. He dates her brings her to the pad, only to find out that she came to the symphony on a ticket she got from a coworker.
66.
The Rare Breed (1966) as Art Director
A brave woman tries to breed her English bull with western cattle.
67.
Gambit (1966) as Art Director
A man dreams of the perfect robbery but can't seem to pull it off.
68.
Incident at Phantom Hill (1966) as Art Director
At the end of the Civil War, a million-dollar gold shipment is hijacked and buried in the desert. One man who knows where it is hidden sets out to get it, but he must fight off outlaws who are also after it and rampaging Apaches.
69.
Moment to Moment (1966) as Art Director
When an erring wife's supposedly dead lover turns up an amnesiac, it's her unsuspecting shrink husband who's enlisted to get those memories back.
70.
Texas Across the River (1966) as Art Director
A Texan, an Indian and a Spanish noblemen join forces against their enemies.
71.
... And Now Miguel (1966) as Art Director
A young boy joins his father on a mountain trip where he gets to graze sheep.
72.
The Plainsman (1966) as Art Director
73.
Beau Geste (1966) as Art Director
Michael "Beau" Geste leaves England in disgrace and joins the infamous French Foreign Legion. He is reunited with his two brothers in North Africa, where they face greater danger from their own sadistic commander than from the rebellious Arabs.
74.
The Appaloosa (1966) as Art Director
A wandering cowboy returns to his sleepy border hometown with the hopes of settling down. But when a merciless Mexican bandit steals his prize possession, it's a fight to the death for honor in the Old West.
75.
Blindfold (1966) as Art Director
Dr. Bartholomew Snow, a psychiatrist, is treating a man with emotional problems who, it turns out, is a brilliant scientist being pursued by different international powers and their operatives. Snow soon finds himself caught in the middle and out of desperation, he falls in with a mysterious and beautiful woman named Vicky Vincenti. But is she helping him, or is she yet another sinister figure out to manipulate him?
76.
Madame X (1966) as Art Director
A fallen woman on trial for murder is defended by the son she abandoned years earlier.
77.
Munster, Go Home! (1966) as Art Director
When the Munster family inherits a British Estate, they are met upon by some archcriminals who are using the place for a counterfeiting ring. The thugs try to chase them away.
78.
Let's Kill Uncle (1966) as Art Director
When his orphaned nephew inherits a fortune, a former spy plots to kill him.
79.
Gunpoint (1966) as Art Director
A Colorado sheriff pursues a ruthless gang of train robbers into New Mexico, where he has no official jurisdiction. Accompanying him is a motley posse, including a sharp-shooting gambler whose fiancee the gang has kidnapped.
80.
The Ghost and Mr. Chicken (1966) as Art Director
To win a reporting job, a young man must spend the night in a haunted house.
81.
Strange Bedfellows (1965) as Art Director
In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly afterward they separate. We then meet them five years later on the eve before their divorce becomes final. After seeing each other again, sparks are reignited and they spend the night together. Reality sets in when morning comes and they begin arguing again. Once again, divorce proceedings are on, until Carter that an important promotion hinges on whether he's married. He schemes to win back Toni and eventually succeeds. But can he keep her from destroying his career by posing as Lady Godiva in a protest movement?
82.
Bus Riley's Back in Town (1965) as Art Director
A young man returns home after a three year tour of duty in the navy only to find things are somewhat different from when he left. His kid sister has grown into a young woman, the job he thought was waiting for him turns out to have some unique conditions, and perhaps most importantly his former sweetheart has married a wealthy and much older man. Disillusioned, he drifts from job to job while trying hard to avoid the advances of his former girlfriend, who is unhappy in her marriage and longs for something extra. While all he wants to do is make something of his life, his will power will be put to the ultimate test.
83.
The Art of Love (1965) as Art Director
Painter Paul Sloan feels he's a failure, since nobody will buy his paintings. His art dealer informs him, that the works of an artist become much more wanted and valuable if the artist is dead. Therefore, Paul, together with his friend Casey Barnett, plans to fake his own suicide. However, it starts looking like Casey has murdered Paul and when Casey starts making a move for Paul's fiancTe, he decides to get revenge. However, Paul falls in love with Nikki, who has also tried to commit suicide.
84.
Fluffy (1965) as Art Director
A scientist proves that he can domesticate a lion, but nobody seems to believe him.
85.
Shenandoah (1965) as Art Director
A Virginia farmer fights to keep his family together during the Civil War.
86.
The War Lord (1965) as Art Director
A medieval knight's efforts to defend his lord are complicated when he falls in love.
87.
Mirage (1965) as Art Director
New York City. David Stillwell struggles to recover his memory before the people who are trying to kill him succeed. Who is he, who are they, and why is he surrounded by murder?
88.
Wild Seed (1965) as Art Director
A 17-year-old girl runs away from her east coast home, going west to Los Angeles to meet her biological father. She has learned from letters her mother kept that he was tragically separated from her before the girl's birth. On the road, she is protected and befriended by an independent-minded young drifter who helps her on her journey.
89.
Love and Kisses (1965) as Art Director
90.
The Sword of Ali Baba (1965) as Art Director
91.
McHale's Navy Joins the Air Force (1965) as Art Director
92.
I Saw What You Did (1965) as Art Director
A prank call turns deadly when two teenagers dial a murderer's number.
93.
A Very Special Favor (1965) as Art Director
In Paris, an oil executive does a favor for an older Parisian businessman by romancing the latter's daughter.
94.
That Funny Feeling (1965) as Art Director
A cleaning girl tries to pass off her workplace as her home, not knowing she's dating her boss.
95.
McHale's Navy (1964) as Art Director
The crew of PT-73 get into trouble when they back the wrong horse in a race. Now they have to come up with a way to raise the money to pay off the winners.
96.
Bedtime Story (1964) as Art Director
Two con-men engage in a competitve game of seducing wealthy women on the French Riviera.
97.
Kitten With a Whip (1964) as Art Director
A delinquent escapes from reform school and holds a politician hostage.
98.
Island of the Blue Dolphins (1964) as Art Director
In 1835, a group of white hunters slay most of an Indian tribe inhabiting an island off California, forcing the survivors to flee the island. Young Karana, realizing that her 6-year-old brother, Ramo, has been left behind, returns to the island.
99.
Bullet for a Badman (1964) as Art Director
Murphy plays ex-lawman who must strap on the guns again to catch a former nemesis, McGavin, who happens to be the ex husband of Murphy's wife and father of the boy that believes he's Murphy's son.
100.
Man's Favorite Sport? (1964) as Art Director
A sporting goods salesman who knows nothing about fishing must enter an angling contest.
101.
Send Me No Flowers (1964) as Art Director
When he mistakenly thinks he's dying, a hypochondriac tries to choose his wife's next husband.
102.
Father Goose (1964) as Art Director
A WWII drifter finds himself protecting schoolgirls and their beautiful teacher.
103.
Taggart (1964) as Art Director
Newly arrived settlers are attacked by local ranch owner Ben Blazer and his men. Kent Taggart sees his parents killed by Blazer's son, whom he tracks home. Taggart kills the boy in front of Blazer, himself dying of a wound, who then puts a price of $5,000 on Taggart's head, an offer enthusiastically taken up by ruthless killer Jason. Taggart has no option but to head out into hostile Apache country followed by Jason and other no-goods.
104.
The Brass Bottle (1964) as Art Director
Comedy about the proverbial genie who comes out of a bottle (a table lamp in this instance) to serve his new master. The only problem is that instead of helping his master, the genie (Burl Ives) tends to get his master (Tony Randall) into more predicaments than he gets him out of.
105.
I'd Rather Be Rich (1964) as Art Director
An updated remake of It Started With Eve (1941). A young heiress is summoned to the bedside of her dying grandfather. The man's last wish is to meet her fiance, but problems arise when the fiance is delayed and a young chemical engineer is persuaded to take his place. When the grandfather suddenly (and secretly) recovers, he uses the situation to his advantage - playing matchmaker in an attempt to ensure his granddaughter's happiness.
106.
The Night Walker (1964) as Art Director
A woman is beseiged by nightly dreams of an imaginary lover, and, after her husband dies, she is helped by a scheming lawyer to unravel the mystery in her subconscious.
107.
The Lively Set (1964) as Art Director
Casey Owens (James Darren), a young mechanic, has developed a design for a turbine car engine, paving the way for a jet-powered auto certain to set a new land speed record. Wealthy playboy Stanford Rogers (Peter Mann) hires Casey to build the car for him to race in the Tri-State Endurance Run. Chuck Manning (Doug McClure), an engineering student Casey met in a drag race, discovers potential flaws in the car's design. After an unsuccessful test run, Rogers abandons the turbine-powered car for a traditional racing model, but Casey and Chuck rework the turbine vehicle to compete with Rogers in the endurance run. Pamela Tiffin plays Eadie, Chuck's sister who becomes Casey's love interest.
108.
Wild and Wonderful (1964) as Art Director
Cognac, a pampered poodle and popular star on French television, creates marital problems for his pretty owner Giselle when he becomes jealous of her new husband.
109.
To Kill a Mockingbird (1963) as Art Director
A young girl grows up fast when her lawyer father defends a black man accused of raping a white woman.
110.
Tammy and the Doctor (1963) as Art Director
111.
The List of Adrian Messenger (1963) as Art Director
An Army officer races to save a group of former POWs from a murderous master of disguise.
112.
The Thrill of It All (1963) as Art Director
A doctor tries to cope with his wife's newfound stardom as an advertising pitch woman.
113.
Showdown (1963) as Art Director
114.
The Ugly American (1963) as Art Director
An intelligent, articulate scholar, Harrison MacWhite, survives a hostile Senate confirmation hearing at the hands of conservatives to become ambassador to Sarkan, a southeast Asian country where civil war threatens a tense peace. Despite his knowledge, once he's there, MacWhite sees only a dichotomy between the U.S. and Communism. He can't accept that anti-American sentiment might be a longing for self-determination and nationalism. So, he breaks from his friend Deong, a local opposition leader, ignores a foreman's advice about slowing the building of a road, and tries to muscle ahead. What price must the country and his friends pay for him to get some sense?
115.
A Gathering of Eagles (1963) as Art Director
A devoted Air Force commander sacrifices happiness in the name of duty.
116.
Forty Pounds of Trouble (1963) as Art Director
117.
To Kill a Mockingbird (1963) as Art Director
A young girl grows up fast when her lawyer father defends a black man accused of raping a white woman.
118.
Captain Newman, M. D. (1963) as Art Director
A World War II Army psychiatrist tries to help his battle-shocked patients.
119.
For Love or Money (1963) as Art Director
A millionairess forces her lawyer to find suitable husbands for her three daughters who stand to inherit a fortune.
120.
Lonely Are the Brave (1962) as Art Director
A modern-day cowboy defies the law in order to live a free man.
121.
That Touch of Mink (1962) as Art Director
Attraction develops between a suave businessman and a young woman determined to protect her innocence.
122.
If a Man Answers (1962) as Art Director
Rich socialite, Sandra Dee meets and marries photographer Bobby Darin and attempts to "train" him to be the perfect husband. Look for a very young Stephanie Powers as the devious friend .
123.
Six Black Horses (1962) as Art Director
Audie and Dan Duryea are hired by a mysterious woman to take her across Indian country to her husband. On route, she tries to seduce Audie by offering to give him Duryea's share of the money if he will help her achieve her real goal: kill Duryea for having killed her husband. Audie dreams of a getting enough money to buy a ranch of his own, but his loyalty to his friend prevails. In the end, Duryea is killed anyway by the Indians and gets his wish: a funeral carriage pulled by - you guessed it - six black horses.
124.
The Spiral Road (1962) as Art Director
A selfish and prideful young Dutch doctor, through a series of circumstances, comes to learn that he does indeed "need" a higher spiritual being and other people.
125.
Cape Fear (1962) as Art Director
An ex-convict plots to destroy the district attorney who sent him to prison.
126.
Flower Drum Song (1961) as Art Director
A refugee travels to Chinatown as a mail-order bride.
127.
Lover Come Back (1961) as Art Director
An ad exec in disguise courts his pretty female competitor.
128.
The Outsider (1961) as Art Director
A Native veteran who helped raise the flag at Iwo Jima suffers from survivor's guilt.
129.
The Great Impostor (1961) as Art Director
Based on a true story, a bright young man who hasn't the patience for the normal way of advancement finds that people rarely question you if your papers are in order. He becomes a marine, a monk, a surgeon onboard a Canadian Warship, and a prison warden.
130.
The Private Lives of Adam & Eve (1961) as Art Director
131.
Tammy Tell Me True (1961) as Art Director
132.
Posse From Hell (1961) as Art Director
Murphy goes after bad guys who shot his friend the sheriff and abducted a local girl. In a plot reminiscent of High Noon, the posse of town blowhards gradually abandons Murphy; only tenderfoot banker Saxon remains, to prove his manhood. When they find the girl, obviously abused by her captors, Murphy shows her acceptance and sympathy whereas the others disply only revulsion.
133.
The Last Sunset (1961) as Art Director
A sheriff finds the outlaw he''s hunting leading a cattle drive and decides to help him before arresting him.
134.
Back Street (1961) as Art Director
Third screen version of the classic romance about a woman sacrificing everything for love of a married man.
135.
College Confidential (1960) as Art Director
A professor's study of student lives and values erupts into scandal.
136.
Spartacus (1960) as Production Design
The rebellious Thracian Spartacus, born and raised a slave, is sold to Gladiator trainer Batiatus. After weeks of being trained to kill for the arena, Spartacus turns on his owners and leads the other slaves in rebellion. As the rebels move from town to town, their numbers swell as escaped slaves join their ranks. Under the leadership of Spartacus, they make their way to southern Italy, where they will cross the sea and return to their homes. Meanwhile, in Rome, the slave revolt has become a deciding factor in the power struggle between two senators: the republican Gracchus and the militarist Crassus, each of whom sees the fortunes of the rebellion as the key to his own rise to power or humiliating defeat. As the two statesmen attempt to aid, hinder and manipulate the rebels for their own benefit, Spartacus and his followers press on toward freedom.
137.
Seven Ways from Sundown (1960) as Art Director
Audie Murphy is again the kid who puts on a badge to catch the bad guy, skillfully played by Barry Sullivan. On the way back to town the two develop a curiously close relationship - Sullivan passes up several chances to get away - but in the end Sullivan "asks for it" and Murphy obliges.
138.
Midnight Lace (1960) as Art Director
A young woman can't get anyone to believe she's being stalked.
139.
Hell Bent for Leather (1960) as Art Director
When Clay Santell stops in the town of Sutterville after having his horse stolen, he is mistaken by townspeople for a murderer named Travers. The townspeople capture Santell, and turn him over to lawman Harry Deckett. Deckett, who is tired of chasing the real Travers, decides to kill Santell and pass him off as Travers. Santell escapes from Deckett, taking lovely Janet Gifford hostage in the process. Janet comes to believe Santell's story, and helps him in his struggle to prove his real identity.
140.
The Leech Woman (1960) as Art Director
A faded beauty leaves a trail of murder from Africa to the United States when she discovers a compound that will restore her lost youth--when consumed with fluid from the pineal gland of the newly dead.
141.
A Stranger in My Arms (1959) as Art Director
142.
Curse of the Undead (1959) as Art Director
B-grade western with a twist: mysterious gunslinger-for-hire Drake Robey is really a vampire, and it's up to Preacher Dan to save the town and girlfriend Dolores Carter.
143.
No Name on the Bullet (1959) as Art Director
The arrival of a hired gun stirs up suspicions in a small town.
144.
The Wild and the Innocent (1959) as Art Director
Charming tale of mountaineer-trapper Murphy's first taste "big city" life with young, sweet Sandra Dee in tow. She flees her family, which tried to trade her for some of Murphy's beaver pelts, and tags along with the reluctant Murphy. They get into all manner of trouble in town, and Murphy has to shoot the sheriff to rescue Dee from her job as a dancehall girl.
145.
This Earth Is Mine (1959) as Art Director
In 1931, Elizabeth Rambeau comes from England to live in California with her aunt and uncle of a winemaking dynasty, who are still wealthy despite 12 years of Prohibition. Object: marriage to the heir of another vineyard, to further consolidate holdings in the Valley. But John Rambeau, Elizabeth's illegitimate cousin, has other ideas about who she should marry, and sharply opposes patriarch Philippe's refusal to sell wine grapes to bootleggers. John's activities bring violence to the valley, and soap opera to the Rambeau family...
146.
Never Steal Anything Small (1959) as Art Director
Jake MacIllaney will do just about anything to win the presidential election of longshoreman union Local 26. When he encounters young upright attorney Dan Cabot and Cabot's attractive wife, Linda, MacIllaney breaks up their marriage, pursues Linda, and pins a grand larceny rap on Dan. And all set to music!
147.
The Perfect Furlough (1959) as Art Director
The Army assigns a female psychologist to chaperone a corporal who's won a date with a glamorous movie star.
148.
Money, Women and Guns (1959) as Art Director
Just after making a large gold discovery, an old prospector is ambushed and killed by three masked men but manages to kill two of his attackers before he dies. He also manages to scribble out a will, which is given to detective "Silver" Ward Hogan, who is hired to track down the legitimate heirs and to try to find the third murderer.
149.
Imitation of Life (1959) as Art Director
Two mothers, one white, one black, face problems with their rebellious daughters.
150.
Operation Petticoat (1959) as Art Director
During World War II, the crew of a decrepit submarine takes on a team of Army nurses.
151.
Ride a Crooked Trail (1958) as Art Director
An outlaw is mistaken for a U.S. marshal while planning a bank robbery.
152.
Touch of Evil (1958) as Art Director
A narcotics agent risks his wife's life to investigate a crooked cop.
153.
Twilight for the Gods (1958) as Art Director
154.
Once Upon a Horse... (1958) as Art Director
Dan and Doc are incompetent desperados who plan to give crime one more try before going straight. Miss Amity Babb is the shapely toast of Empty Cup, Colorado who sets prices by Wall Street, never loses at poker, and rules the town (and the sheriff) with a cash register in a velvet glove. When Amity and our two heroes meet, the slapstick burlesque of Western cliches grows ever wilder...
155.
Flood Tide (1958) as Art Director
The finding of a body on the beach leads to the conviction for murder of Bill Holleran (who claims innocence), thanks to the testimony of a 10-year-old boy, David Gordon. In flashback, Holleran's landlord Steve Martin recalls his prior involvement with David's widowed mother Anne, broken off because of the disabled boy's vindictive jealousy. Now that a man's life is at stake, Steve reluctantly re-enters the lives of the Gordons to find the truth. Is David a monster or just misunderstood?
156.
Day of the Bad Man (1958) as Art Director
When a judge sentences a killer to be hanged, the latter's henchmen ride into town to put a stop to it. Soon, it boils down to a showdown beteween the judge and the four bad guys.
157.
The Tarnished Angels (1958) as Art Director
A newsman falls for the wife of a barnstorming pilot whose work he's covering.
158.
Kathy O' (1958) as Art Director
In person, child film star Kathy O'Rourke belies her sweet image. Studio publicity man Harry Johnson must keep Celeste, a national magazine writer, from discovering this when writing a piece on Kathy. This won't be easy; Celeste is Harry's ex-wife. To Harry's surprise, Kathy and Celeste make friends; it seems all Kathy really needed was love... But when Kathy runs away to join Celeste, Harry is suspected of kidnapping.
159.
The Last of the Fast Guns (1958) as Art Director
160.
The Saga of Hemp Brown (1958) as Art Director
Ex-army sergeant Jed Givens and his gang rob an army payroll shipment led by Lt. Hemp Brown. Givens kills a civilian woman and all the soldiers, leaving Brown alive to face a military tribunal in which he is branded a coward, stripped of all insignia and drummed out of the army. Brown sets out to track down Givens in an effort to clear his name.
161.
The Female Animal (1958) as Art Director
Jaded movie star Vanessa Windsor, saved from a studio accident by handsome extra Chris Farley, pursues him, and soon he's the 'caretaker' of her beach house. Vanessa's sexy, alcoholic adult daughter Penny accidentally meets Chris, who rescues her from an 'octopus' boyfriend. Before you know it, Chris is involved with both mother and daughter, and his only way out is to take a job in a Mexican picture about man-eating orchids...
162.
The Lady Takes a Flyer (1958) as Art Director
163.
A Time to Love and a Time to Die (1958) as Art Director
In 1944, a company of German soldiers on the Russian front are numbed by the horrors and hardships of war when Private Ernst Graeber's long awaited furlough comes through. Back home in Germany, he finds his home bombed. While hopelessly searching for his parents, he meets lovely Elizabeth Kruse, daughter of a political prisoner; together they try to wrest sanity and survival from a world full of hatred.
164.
Wild Heritage (1958) as Art Director
The Breslins (Jake, Emma, three boys, and nubile daughter) cross the plains in a covered wagon, then pause in a lawless western town where Jake is shot by gunslingers Arn and Jud. But folksy Judge Copeland persuades them to go on. At Break Wagon Hill, their wagon does the obvious and they homestead on the spot. We follow their trials and joys and those of neighbors, the Bascombs. Finally, violence reappears in the form of a pair of rustlers...our old friends Arn and Jud.
165.
This Happy Feeling (1958) as Art Director
On a stormy night, young woman asks another guest at party to rescue her from her lecherous boss and take her to the train station. When her rescuer suggests that she stop at his place to get out of her wet clothes, she dashes from his car. The door she knocks on for help is the home of a retired actor and there she spends the rest of the night. He makes no passes and next morning she discovers young man who drove her from party is next door neighbor. The two men compete for her affections. Older man's zany live-in house-keeper and a seagull she has rescued provide comic relief.
166.
Step Down to Terror (1958) as Art Director
Pursued by detectives, Johnny Walters leaves the city to visit his family in a small California town. Among the household: his dead brother's luscious widow Helen, who soon is attracted to him. Ominous events and conflicting evidence leave Helen suspicious, but uncertain about her brother-in-law as tension builds...
167.
Raw Wind in Eden (1958) as Art Director
On a small Mediterranean island live Costanza, her father Urbano, and beachcomber Moore, whom she plans to marry. Into this Eden come two plane crash survivors, supermodel Laura and her playboy friend Wally. The shapely, worldly Laura becomes a bad influence, especially when triangles start to develop. But beyond this, little mysteries lead Laura and Wally to wonder what's going on and who Moore really is.
168.
Monster on the Campus (1958) as Art Director
A college professor acquires a newly discovered specimen of a prehistoric fish. While examining the find he is accidentally exposed to it+s blood, turning him into a murderous Neanderthal.
169.
The Restless Years (1958) as Art Director
Will Henderson is the new boy at the high school. He befriends outcast Melinda Grant, whose illegitimacy marks her and her unstable mother. As their friendship turns to love, gossip and lies threaten their relationship in this small town drama.
170.
Voice in the Mirror (1958) as Art Director
An artist turns to drink when his daughter dies suddenly.
171.
The Big Beat (1958) as Art Director
172.
Appointment with a Shadow (1958) as Art Director
173.
Girls on the Loose (1958) as Art Director
A nightclub owner runs an all-woman robbery gang.
174.
Live Fast, Die Young (1958) as Art Director
Two sisters live in a dysfunctional family in a California town. The elder, "nice" Kim, was sexually abused and hates men. Rebellious teen Jill is fed-up generally and runs away, finding her niche as a B-girl and sex-kitten working her way to Vegas. Kim leaves her job and goes in search of Jill, meeting her own misadventures en route; but by this time Jill's wanted for robbery. Will she live fast and die young?
175.
The Thing That Couldn't Die (1958) as Art Director
A severed head uses psychic powers to control the minds of several people.
176.
Summer Love (1958) as Art Director
A coed summer resort camp rocks with music and romance when a group of entertainers arrives to kick off the season.
177.
Damn Citizen (1958) as Art Director
178.
The Midnight Story (1957) as Art Director
Beloved priest Father Thomasino is murdered in a San Francisco alley, and the police have few clues. But traffic cop Joe Martini becomes obsessed with finding the killer; he suspects Sylvio Malatesta. Ordered off the case, Joe turns in his badge and investigates alone. Soon he is a close friend of the Malatesta family, all delightful people, especially lovely cousin Anna. Uncertain whether Sylvio is guilty or innocent, Joe is now torn between old and new loyalties.
179.
Kelly and Me (1957) as Art Director
Flop vaudeville performer Len Carmody is adopted by Kelly, a trained dog abandoned by Malo's dog act. When Kelly joins Len's ho-hum song and dance, a popular comedy act is born. On the train, Len meets young Mina Van Runkel, daughter of a movie producer in desperate need of new talent (it's 1930). Successful in making "dog pictures," can Len stand being second banana to Kelly? Complications: a pallid romantic triangle...and the reappearance of Kelly's original owner.
180.
Joe Butterfly (1957) as Art Director
The staff of "Yank" magazine are among the first American troops into Tokyo after the Japanese surrender. Their mission: produce an issue of the magazine...in three days. To accomplish the seeming impossible, they reluctantly enlist the aid of black marketeer and arch-conniver Joe Butterfly, who sets them up in a palatial private mansion, complete with lovely daughter -- strictly against regulations. How much trouble can our heroes talk their way out of?
181.
Mister Cory (1957) as Art Director
Cory, an ambitious Chicago slum kid with a knack for gambling, gets a busboy job at a posh Wisconsin resort...where his real purpose is to gamble with the staff and guests and romance rich young ladies. Setbacks follow, but Cory eventually rises to a high position in the world of professional gambling. But he just can't forget the glamorous Vollard sisters. And now he has even farther to fall...
182.
The Deadly Mantis (1957) as Art Director
The calving of an Arctic iceberg releases a giant praying mantis, trapped in suspended animation since prehistoric times. It first attacks military outposts to eat their occupants, then makes its way to the warmer latitudes of Washington and New York. A paleontologist works together with military units to try to kill it.
183.
The Incredible Shrinking Man (1957) as Art Director
When he mysteriously starts shrinking, a man finds a new world of danger in everyday creatures.
184.
Man in the Shadow (1957) as Art Director
A modern sheriff investigates the town boss's efforts to cover up a brutal crime.
185.
Gun for a Coward (1957) as Art Director
A young cowboy, whose dedication to the principles of peace and reason has earned him a reputation for cowardice, overcomes his psychological aversion to violence after his elder brother unjustly censures him for not joining in a foolhardy gunfight in which their youngest brother is killed.
186.
Man Afraid (1957) as Art Director
A burglar is surprised by David and Lisa Collins in their son's room. In the struggle, Lisa's eyes are hurt and David throws an ornament, unintentionally killing the young thief. It's not easy for Reverend Collins to deal with the resulting publicity, his own conscience, or Lisa's temporary blindness. Meanwhile Carl Simmons, father of the dead burglar, begins to stalk the Collins' son Michael.
187.
Interlude (1957) as Art Director
A young woman touring Germany is caught between a married symphony conductor and a doctor from back home.
188.
The Monolith Monsters (1957) as Art Director
A strange black meteor crashes near the town of San Angelo and litters the countryside with fragments. When a storm exposes these fragments to water, they grow into skyscraper-sized monoliths which then topple and shatter into thousands of pieces that grow into monoliths themselves and repeat the process. Any humans in the way are crushed or turned into human statues. The citizens of San Angelo desperately try to save themselves and the world from the spreading doom.
189.
The Kettles on Old MacDonald's Farm (1957) as Art Director
Ma and Pa do their bit to hook lumberman Brad Johnson up with spoiled socialite Sally Flemming. Ma teaches Sally how to behave like a hick so she'll be compatible with Brad.
190.
Istanbul (1957) as Art Director
Adventurer James Brennan returns to Istanbul five years after being ejected under suspicion of diamond smuggling. In flashback, he recalls his last days there, his torrid love affair with Stephanie Bauer, the efforts of shady characters to obtain a strange ornament he received from a friend, and Stephanie's disappearance during a fire. Now that Brennan is back, Stephanie (or her double) reappears, and there's still the question of where the supposedly smuggled diamonds are...
191.
The Land Unknown (1957) as Art Director
On a naval expedition to Antarctica, three men and reporter Maggie Hathaway crash-land in a crater 1000 m below sea level. There, they encounter steamy tropical forest, dinosaurs, carnivorous plants, and human footprints, as Maggie's clothes become more and more abbreviated.
192.
My Man Godfrey (1957) as Art Director
A bedraggled man becomes the butler of an eccentric household.
193.
Man of a Thousand Faces (1957) as Art Director
Chameleon-like actor Lon Chaney becomes a star while coping with his first wife's insanity.
194.
Night Passage (1957) as Art Director
A disgraced railroad employee tries to prove himself by guarding the company's payroll against outlaws.
195.
Quantez (1957) as Art Director
196.
Slim Carter (1957) as Art Director
Hughie Mack, a not so nice western singer, is discovered by Clover Doyle as the next movie cowboy hero. His name is changed to Slim Carter and a promotional buildup begins. Leo Gallaher, an orphan boy wins the contest to spend a month with Slim. Leo is a good influence on his cowboy hero. Clover sees the good and more in Slim. Montana Burriss is Slim's double.
197.
Tammy and the Bachelor (1957) as Art Director
A country girl saves a pilot after a plane crash.
198.
Slaughter on Tenth Avenue (1957) as Art Director
While investigating a dockside murder, a DA uncovers union racketeering.
199.
Written on the Wind (1957) as Art Director
A young woman marries into a corrupt oil family then falls for her husband's best friend.
200.
Four Girls in Town (1957) as Art Director
Four young starlets, from various parts of the world, are called to Hollywood to test for the lead in a major film. Each is romantically pursued by the director (Nader), composer (Chaplin) , playboy (Williams), and actor (Gavin.)
201.
Battle Hymn (1957) as Art Director
True story of a WWII pilot. Colonel Dean Hess, haunted by his accidental bombing of an orphanage in World War II, he re-enlists in 1950 and goes to Seoul to train Korean pilots, there he builds the local orphans a shelter and, aided by the woman he loves, engineers an astounding feat to rescue them.
202.
Rock, Pretty Baby (1957) as Art Director
203.
The Girl in the Kremlin (1957) as Art Director
204.
The Tattered Dress (1957) as Art Director
After a wild night, wealthy Michael Reston's adulterous wife Charleen comes home with her ripe young body barely concealed by a dress in rags; murder results. Top defense lawyer J.G. Blane, whose own marriage exists in name only, arrives in Desert View, Nevada to find the townsfolk and politically powerful Sheriff Hoak distinctly hostile to the Restons. In due course, Blane discovers he's been "taken for a ride," and that quiet desert communities can be deadly...
205.
The Night Runner (1957) as Art Director
Because of overcrowding at his mental hospital, a schizophrenic is released as an outpatient and told to stay away from emotional situations. He finds a room in a motel near the beach, but when he falls for the daughter of the motel's owner, the father confronts him with his past. This triggers th
206.
Joe Dakota (1957) as Art Director
207.
Raw Edge (1956) as Art Director
In the lawless Oregon country of 1842, local magnate Gerald Montgomery decrees that any unattached woman belongs to the first taker. Dan Kirby is lynched, starting a stampede to claim his half-Indian wife Paca. Trouble starts with the local tribe, but worse is in store when Dan's tough brother Tex rides in. The zeal of Montgomery's men to protect him from Tex is tempered by their lust for Hannah, who'd be his widow.
208.
World in My Corner (1956) as Art Director
A scrappy fighter from Jersey City named Tommy Shea -- "born in a dump, educated in an alley" -- catches the eye of wealthy businessman, Robert Mallinson, who allows him to train at his Long Island estate. Shea soon falls for Mallinson's daughter, Dorothy, but fears he doesn't have the money to support her in proper style. To get this money, Shea decides to work with crooked fight-promoter Harry Cram, even though this means dropping his honest manager, Dave Bernstein. As the big fight approaches, however, Shea begins to have second thoughts.
209.
Walk the Proud Land (1956) as Supv art dir
A government agent tries to treat the Apaches with respect.
210.
The Spoilers (1956) as Art Director
211.
The Benny Goodman Story (1956) as Art Director
The legendary band leader fights to make swing acceptable.
212.
All That Heaven Allows (1956) as Art Director
A lonely widow defies small-town gossip when she falls for a younger man.
213.
Never Say Goodbye (1956) as Art Director
In present-day U.S., Dr. Michael Parker, a prominent surgeon, unexpectedly runs into his German-born wife whom he thought was dead. Victor, an artist and his "dead" wife's now boyfriend, berates Dr. Parker for "killing" her. The bulk of the story flashes back to Austria during World War II as we learn how Dr. Parker met and married his wife, and the one mistake that may have cost him his family.
214.
Away All Boats (1956) as Art Director
The story of USS 'Belinda', Attack Transport PA22, launched late 1943 with regular-navy captain Hawks and ex-merchant captain MacDougall as boat commander. Despite personal friction, the two have plenty to deal with as the only experienced officers on board during the "shakedown." Almost laughable incompetence gradually improves, but the crew remains far from perfect when the ship sees action, landing troops on enemy beachheads. And few anticipate the challenges in store at Okinawa...
215.
The Unguarded Moment (1956) as Art Director
When a high-school teacher is attacked, evidence implicates a troubled student.
216.
Backlash (1956) as Art Director
Jim Slater's father (whom he never knew) died in the Apache ambush at Gila Valley, and Jim is searching for the one survivor, who supposedly went for help but disappeared with a lot of gold. In the process, he gets several people gunning for him, and he keeps meeting liberated woman Karyl Orton, who may be on a similar mission. Renewed Apache hostilities and an impending range war provide complications.
217.
The Toy Tiger (1956) as Art Director
Advertising executive Gwen Taylor sends her art director Rick Todd on a mission to bring an artist back to the commercial fold. Meanwhile, Gwen's fatherless son Timmie, at a remote boys' school, is riding for a fall by manufacturing evidence of his "explorer father." By an amazing coincidence, Rick steps off the bus at just the right moment for Timmie to recruit him as "father" without his knowledge. With no intention of collaborating, the befuddled Rick is carried along by the sweep of events. Who can predict the outcome?
218.
Star in the Dust (1956) as Art Director
In this western, a lawman tries to mediate between irate farmers and angry ranchers who are trying to decide the fate of a captured killer. The killer was hired by the ranchers who want him freed. The farmers, egged on by a schoolteacher, want to see the gunman swing. Meanwhile the real troublemaker
219.
There's Always Tomorrow (1956) as Art Director
When a toy manufacturer feels ignored and unappreciated by his wife and children, he begins to fall in love with a former employee.
220.
The Square Jungle (1956) as Art Director
Grocery clerk Eddie Quaid, in danger of losing his father to alcoholism and his girl Julie through lack of career prospects, goes into boxing. His cop friend McBride finances him; ex-con Bernie Browne trains him. Three years later, he is a challenger for the championship, and Julie re-enters his life. Can she win him back from a predatory blonde? And why does the prospect of Eddie's winning worry Bernie more than his losing?
221.
The Price of Fear (1956) as Art Director
The co-owner of a racetrack discovers that his partner has sold out to a gangster. The gangster plans to take sole control of the track and plans to get rid of his new partner. The partner's problems are just beginning, though, as he finds himself involved with a beautiful woman who, unknown to him, was involved in a hit-and-run and is trying to set him up for the crime.
222.
The Creature Walks Among Us (1956) as Art Director
In this third Gill-Man feature, the Creature is captured and turned into an air-breather by a rich mad scientist. This makes the Creature very unhappy, and he escapes, killing people and setting fires in the process.
223.
Francis in the Haunted House (1956) as Art Director
224.
The Kettles in the Ozarks (1956) as Art Director
Ma and the kids head back to the Ozarks for a visit with Uncle Sedge (essentially a Pa Kettle replacement). He's working his way through a twenty years long relationship with Miss Bedelia Baines.
225.
Congo Crossing (1956) as Art Director
Congotanga, West Africa, has no extradition laws; the government is controlled by foreign gangsters, headed by Carl Rittner. The latest plane from Europe carries lovely Louise Whitman, fleeing a French murder charge, and Mannering, who pays resident hit man O'Connell to kill her. Through a chain of circumstances Louise, O'Connell, and heroic surveyor David Carr end up alone in the jungle on Carr's mission to determine the true border of Congotanga... in which Rittner is keenly interested.
226.
The Mole People (1956) as Art Director
Archaeologists stumble upon a race of albinos living under the earth. They are afraid of light of any kind and keep mutant humanoid mole men as their slave
227.
The Rawhide Years (1956) as Art Director
Ben Matthews gives up the flashy life of a riverboat gambler, hoping to settle down in Galena with his girlfriend, luscious entertainer Zoe. But Galena's leading citizen is murdered on the boat; Ben, on arrival, finds a lynch mob after his neck, and flees. Three years of wandering later, Zoe's letters stop coming and Ben returns to find her and attempt the hopeless task of clearing himself.
228.
Showdown at Abilene (1956) as Art Director
229.
A Day of Fury (1956) as Art Director
230.
Everything but the Truth (1956) as Art Director
Willie Taylor, small-town 4th-grade schoolboy, takes to heart his admired teacher's words about truthfulness, and repeats in public his uncle's remark about paying a kickback to the mayor. Result: principal Miss Dabney (a political appointee) suspends Willie from school, and teacher Joan Madison, up against a political machine, enlists amorous columnist Ernie Miller to turn Willie's case into a cause celebre...
231.
Red Sundown (1956) as Art Director
When his life is saved in a shootout by a fellow gunman whose life he in turn had saved, Alex Longmire promises to give up his way of life. Riding into town he finds the only job available is deputy to sheriff Jade Murphy, an honest man caught between small farmers and a local cattle baron. And he has a pretty daughter. So Longmire decides to stay and see if he can use his expertise with firearms for good.
232.
Outside the Law (1956) as Art Director
233.
Behind the High Wall (1956) as Art Director
A group of convicts break out of prison, killing a guard, kidnapping the warden and forcing a reluctant inmate to accompany them. However, when a car accident kills everyone except the warden and the inmate hostage, the warden steals $100,000 of the gang's money, then when police arrive he accuses the inmate of the guard's murder in order to cover up his own crime.
234.
Pillars of the Sky (1956) as Art Director
A cavalry officer trying to stop an Indian war gets involved with a married woman.
235.
Foxfire (1955) as Art Director
Amanda Dartland accompanies her half-Apache husband Jonathan to a mining community where he will supervise the excavation of an almost mythical Apache treasure. His jealous rages and macho attitude cause her much misery, while the excavation project is threatened by prejudice and fear. Amanda tries to bridge the cultural gap, and Jonathan must do the same, or he will lose her. Mesmerizing brief performance by Celia Lovsky as Princess Saba.
236.
The Shrike (1955) as Art Director
A successful theatrical director is driven to failure by the machinations of his vengeful wife. Eventually, he lands in a mental hospital where both his wife and his new love, a young actress named Charlotte, are waiting to see him.
237.
So This Is Paris (1955) as Art Director
American sailors on leave strike up fun and romance with several Frenchwomen in Paris.
238.
Lady Godiva of Coventry (1955) as Art Director
In 11th-century England, King Edward the Confessor wants saxon Lord Leofric to marry a despised Norman woman, and has him jailed when he refuses. In jail, he meets Godiva, the sheriff's daughter, and soon they are wed. The times are turbulent and Godiva proves a militant bride; unhistorically, unrest between the Anglo-Saxon populace and the increasingly influential Norman French lead to her famous ride.
239.
The Looters (1955) as Art Director
240.
Kiss of Fire (1955) as Art Director
In 1700, news that the king of Spain is dying comes to the Spanish outpost in Santa Fe, New Mexico. For some reason, lovely Princess Lucia, the preferred heir, is in this remote location. To get her back to Europe without running afoul of the Viceroy of Mexico (who backs another heir) will require a guide friendly with the Indians: outlaw El Tigre, whom the princess (initially) despises. The highly hazardous journey is made more so by presence of turncoats in the group...
241.
Six Bridges to Cross (1955) as Art Director
Youth gang leader Jerry Florea is shot fleeing from a crime scene by rookie cop Ed Gallagher. Result: "he'll never have children of his own." Ed and Jerry develop a mutually beneficial friendship: Jerry gets the benefit of the doubt, Ed gets information that brings him rapid promotion. As years and jail terms go by, Ed's friendship with this likable rogue becomes strained, as hope for his reform dwindles. Can Jerry redeem himself in the end?
242.
The Private War of Major Benson (1955) as Art Director
An outspoken officer is forced to take charge of a military school.
243.
Cult of the Cobra (1955) as Art Director
While stationed in Asia, six American G.I.'s witness the secret ritual of Lamians (worshipers of women who can change into serpents). When discovered by the cult, the High Lamian Priest vows that "the Cobra Goddess will avenge herself". Once back in the United States, a mysterious woman enters into their lives and accidents begin to happen. The shadow of a cobra is seen just before each death.
244.
Abbott and Costello Meet the Mummy (1955) as Art Director
Two bumblers get mixed up with Egyptian grave robbers and a murderous mummy.
245.
One Desire (1955) as Art Director
Circa 1900, runaway boy Nugget arrives in an Oklahoma boom town to find his brother...who's a dealer in the casino section of a palatial bawdy house, and lover of the madam, Tacey Cromwell. Together, Nugget, Clint, and Tacey seek respectability in a Colorado mining town. Clint finds work at the town's new bank, while Tacey adopts another orphan, Seely. But Clint is pursued by banker's daughter Judith Watrous, who's seemingly sweet but takes ruthless steps to eliminate competition. Result for Tacey: heartbreak, renunciation, and tears a-plenty.
246.
Destry (1955) as Art Director
In the old West, a small frontier town is being controlled by ruthless mob boss Decker (Lyle Bettger) and his cronies. After the local sheriff dies under mysterious circumstances, Decker arranges to have the town drunk (Thomas Mitchell) appointed sheriff, thinking he will be ineffectual. But the new sheriff sends for Tom Destry, son of a famous two-fisted lawman, to be his deputy. When Tom (Audie Murphy) arrives, he isn't exactly the swaggering he-man the sheriff had in mind. In fact, Destry doesn't even carry a gun. But the new deputy's mild exterior masks a fierce determination to see justice done, as Decker and the other locals soon discover.
247.
Francis in the Navy (1955) as Art Director
248.
Tarantula (1955) as Art Director
A scientist's experiments to cure hunger create a giant tarantula.
249.
Man Without a Star (1955) as Art Director
A wandering cowboy gets caught up in a range war.
250.
Smoke Signal (1955) as Art Director
Capt. Harper's cavalry patrol returns to the fort to find it besieged by Ute Indians. The apparent cause is the recapture of Army traitor Brett Halliday, who deserted to the Utes in a previous war; but Brett has a different story. With capture imminent, the only chance for the surviving men (and one woman) is to boat down a wild, uncharted river, where Harper and Halliday must pull together, like it or not.
251.
Chief Crazy Horse (1955) as Art Director
When young Crazy Horse, of whom great things were predicted, wins his bride, rival Little Big Man goes to villainous traders with evidence of gold in the sacred Lakota burial ground. Of course, a new gold rush starts despite all treaties, and Crazy Horse becomes military leader of his people. Initial Indian victories lead to the inevitable result. Uniquely, all is told from the Indian perspective.
252.
The Far Country (1955) as Art Director
Two cowboys on the road to Alaska help a wagon train in trouble.
253.
Female on the Beach (1955) as Art Director
Lynn Markham moves into her late husband's beach house...the morning after former tenant Eloise Crandall fell (or was pushed) from the cliff. To her annoyance, Lynn finds both her real estate agent and Drummond Hall, her muscular beachcomber neighbor, making themselves quite at home. Lynn soon has no doubts of what her scheming neighbors are up to, but she finds Drummond's physical charms hard to resist. And she still doesn't know what really happened to Eloise.
254.
This Island Earth (1955) as Art Director
Dr. Meacham is chosen along with others by the inhabitants of the planet Metaluna to do research that will help save their dying planet. However, an evil scheme is uncovered by the suspecting Dr. Meacham when he discovers the Metalunan's plan to take over Earth. Dr. Meacham then escapes an exploding Metalunan built Earth lab along with Dr. Adams only to be kidnapped while flying away in a small plane. A flying saucer wisks both the scientists off to Metaluna where they are held accountable for blowing up the Metalunan Earth lab during their escape. They later escape there with the help of Exeter the friendly Metalunan. Metaluna then self destructs and the Doctors make it safely back to Earth, which is saved from Metalunan invasion.
255.
The Second Greatest Sex (1955) as Art Director
In 1880, Osawkie, Kansas is feuding with rival town Mandaroon over which will be county seat, keeping the town's men away from home most of the time. The last straw is when Matt Davis feels compelled to go on a new foray on his wedding night; his bride Liza (just call her Lysistrata) takes teacher Cassie's advice and organizes a marital strike to make the men-folk stop their nonsense.
256.
The Man from Bitter Ridge (1955) as Art Director
257.
Ain't Misbehavin' (1955) as Art Director
258.
Revenge of the Creature (1955) as Art Director
The Creature from the Black Lagoon is back! This time he's captured by scientists and transported to an aquarium in south Florida. Naturally, he's attracted to the lovely female scientist and manages to escape and kidnap her, heading to Jacksonville, presumably to catch a Jaguars game.
259.
Abbott and Costello Meet the Keystone Kops (1955) as Art Director
Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
260.
The Purple Mask (1955) as Art Director
France, 1803: 11 years after the Revolution, a royalist underground is led by a new 'Scarlet Pimpernel', the Purple Mask, who rescues nobles in distress and kidnaps Napoleon's officials for ransom, aided by the spy services of a group of lovely models headed by Laurette (really the Duc de Latour's daughter). But even she doesn't know the Purple Mask's real identity as foppish dancing master Rene...
261.
To Hell and Back (1955) as Art Director
Film star Audie Murphy plays himself in this tale of how he became World War II's most decorated U.S. soldier.
262.
Running Wild (1955) as Art Director
263.
Captain Lightfoot (1955) as Art Director
In 1815, Michael Martin, member of an Irish revolutionary society, turns highwayman to support it, and is forced to flee into outlawry. In Dublin, he meets famous rebel "Captain Thunderbolt" and becomes his second-in-command, "Lightfoot." 'Tis a perilous life, with captures, turncoats, rescues, and romance.
264.
The Glenn Miller Story (1954) as Art Director
The famed bandleader fights to establish himself and keep his family going.
265.
Dawn at Socorro (1954) as Art Director
A gunfighter mends his ways to help save an innocent young girl.
266.
The Black Shield of Falworth (1954) as Art Director
Technicolor & tights. In the days of King Henry IV, stalwart young Myles and his sister Meg have been raised as peasants, without any knowledge of who their father really was. But one day they journey to Macworth castle. There Myles falls in love with the Mackworth's daughter Anne, makes friends and enemies, and learns to be a knight so that, through the planning of Mackworth and his friend, Prince Hal, Myles can regain his true birthright from the evil Albon, and bear the black shield of Falworth.
267.
Sign of the Pagan (1954) as Art Director
Roman centurion Marcian is captured by Attila the Hun en route to Constantinople, but escapes. On arrival, he finds the eastern Roman emperor Theodosius plotting with Attila to look the other way while the latter marches against Rome. But Marcian gains the favor of Pulcheria, lovely sister of Theodosius, who favors a united Empire. As Attila marches, things look bleak for the weakened imperial forces. But the conqueror has an awe of the power of the Christians' God...
268.
Francis Joins the WACS (1954) as Art Director
On arrival at Fort Chase, ex-soldier Peter Stirling, recalled to active duty, is re-united with his old pal Francis the Talking Mule. Gradually, it dawns on Peter that a clerical error has assigned him to an all-female WAC base, where broad slapstick is the order of the day and Francis has more horse sense than any of the human officers. Too innocent to appreciate the pleasant aspects of his predicament, Peter ends by helping the "enemy" in a war-game battle of the sexes.
269.
Fireman Save My Child (1954) as Art Director
An intended film for Bud Abbott and Lou Costello that ened up with Hugh O'Brian (a performer who was often funny, but not on purpose) and Buddy Hackett in the A&C roles, with most of the footage given over to Spike Jones and His City Slickers, with all hands members of a 1910 fire company about to be mechanized. A&C visible in some long shots.
270.
Four Guns to the Border (1954) as Art Director
271.
Bengal Brigade (1954) as Art Director
272.
The Yellow Mountain (1954) as Art Director
273.
Playgirl (1954) as Art Director
Nightclub singer Fran Davis (Shelley Winters) is out to educate her out-of-town friend Phyllis Matthews (Coleen Miller)on the ins-and-outs of life in the Big City. But, par for the course in this Joseph Pevney potboiler, publisher Mike Marsh (Barry Sullivan), Fran's lover and unhappy married man to begin with, falls in love with Phyllis. There is a misunderstanding of the situation by the two girls. The girls quarrel, Marsh is shot, Fran hits the skids and she and Phyllis, to say the least, are on the outs. Then Fran learns that Phyllis is about to be used unwittingly as a decoy in a murder. Fran rides to her friend's rescue.
274.
Ricochet Romance (1954) as Art Director
275.
Naked Alibi (1954) as Art Director
Questioned as a murder suspect, solid (but drunk) citizen Al Willis attacks his police questioners, is beaten, and swears vengeance against them. Next night, Lieut. Parks is murdered; Willis is the only suspect in the eyes of tough Chief Conroy, who pursues him doggedly despite lack of evidence. The obsessed Conroy is dismissed from the force, but continues to harass Willis, who flees to a sleazy town on the Mexican border. Of course, Conroy follows. But which is crazy, Conroy or Willis?
276.
Thunder Bay (1953) as Art Director
Oil men battle fishermen for the rights to drill in the Gulf of Mexico.
277.
Girls in the Night (1953) as Art Director
278.
Column South (1953) as Art Director
As Lt. Jed Sayre struggles to prevent pre-Civil War tensions and a racist commanding officer from triggering war between the U.S. Cavalry and Navajo Indians, he finds his efforts are being undermined by the machinations of Confederate sympathizers.
279.
War Arrow (1953) as Art Director
Army Major Howell Brady is sent by Washington to end the Kiowa uprisings in Texas. Colonel Meade, who's in charge, resents both Brady's interference and his interest in beautiful Elaine Corwin, wife of a cavalry officer who disappeared on a scouting mission.
280.
Abbott and Costello Go to Mars (1953) as Art Director
Bud and Lou travel through space with a group of escaped gangsters.
281.
Seminole (1953) as Art Director
19th-century army officer Lance Caldwell is assigned to Fort King in the Everglades. Immediately clashing with his commanding officer Major Dade, Caldwell opposes Dade's plans to wipe out the Seminole Indians. The fact that Caldwell was the boyhood chum of Seminole chief Osceola is all the more reas
282.
Take Me to Town (1953) as Art Director
Saloon entertainer Vermilion O'Toole and her former partner in crime Newt Cole escape from a train ride to prison and hide out in logging town Timberline. Meanwhile, the three 'cute' sons of widower Will Hall come to town in search of a wife for their dad, and pick our heroine. Vermilion needs to lay low to escape the marshal, so she accepts the boys' offer to visit pioneer community Pine Grove. Once there, she annoys local Mrs. Grundys but eventually starts to fit in. But what is that blackhearted villain Newt Cole up to?
283.
Desert Legion (1953) as Art Director
Paul Lartal leads a troop of legionnaires into ambush at the hands of Omar Ben Calif. Returning later at the request of Princess Morjana he is led to the hidden city of Madara, currently harrassed by the evil Crito. Lartal must do in the bad guys (which includes participating in a bare chested spear-throwing contest), save the city and comfort the Princess.
284.
Law and Order (1953) as Art Director
Having cleaned up Tombstone, marshal Frame Johnson quits after an attempted lynching, and hopes to settle down on a ranch near Cottonwood with his sweetheart Jeannie. Before he can do so, it looks like he may have to clean up Cottonwood too. But how great a sacrifice will he make for law and order?
285.
Gunsmoke (1953) as Art Director
286.
City Beneath the Sea (1953) as Art Director
Divers Brad and Tony arrive in Jamaica to attempt salvage of the "Lady Luck," sunk with all hands and a million in gold. They charter a boat, "American Beauty," skippered by attractive Terry McBride, but cannot find the ship. But there's more to the "Lady Luck" than meets the eye, and undersea skullduggery forms a counterpoint to Brad's romance with Terry, and Tony's with cabaret singer Venita.
287.
The Veils of Bagdad (1953) as Art Director
Antar is sent by Suleiman, head of the Ottoman Empire, to Bagdad to prevent Hammam, Pasha of Bagdad, from purchasing the services of local leader Mustapha to unite the hill tribes and overthrow the emperor. The intrigue mounts as Antar falls in love with dancer Selima, who tries to avenge her father's death against Hammam's right-hand-man Kasseim, whose wife Rosanna has fallen in love with Antar!
288.
The Mississippi Gambler (1953) as Art Director
Mark Fallon, with partner Kansas John Polly, tries to introduce honest gambling on the riverboats. His first success makes enemies of the crooked gamblers and of fair Angelique Dureau, whose necklace he won. Later in New Orleans, Mark befriends Angelique's father, but she still affects to despise him as his gambling career brings him wealth. Duelling, tragedy, and romantic complications follow.
289.
The Great Sioux Uprising (1953) as Art Director
Joan Britton, improbably gorgeous frontier horse dealer, and the much less scrupulous Stephen Cook are friendly competitors supplying horses to the Union Army in Wyoming Territory during the Civil War. Southern general Stand Watie, a Cherokee, is rumored to be in the area to stir up the Sioux against the Union, when Cook picks this worst possible moment to steal a herd of Sioux horses. Enter ex-army doctor Jonathan Westgate, who becomes Cook's rival for the love of Joan, opposes his crooked activities...and who alone can prevent a new Indian war.
290.
The Man from the Alamo (1953) as Art Director
A survivor of the battle at the Alamo returns home to find his family has been killed by a bunch of thugs disguised as Mexican soldiers. He then grows intent on enacting revenge despite the lack of support for his cause.
291.
The Lone Hand (1953) as Art Director
292.
All I Desire (1953) as Art Director
An actress who has been estranged from her family, returns to her hometown to see her daughter in a school play.
293.
The Duel at Silver Creek (1952) as Art Director
The "Silver Kid" is an orphan who is deputized by the marshal of Silver City to help rid the town of a gang of gold mine claim-jumpers who will kill anyone who stands in their way.
294.
The World in His Arms (1952) as Art Director
Roistering sea captain Jonathan Clark, who poaches seal pelts from Russian Alaska, meets and woos Russian countess Marina in 1850 San Francisco. Events separate them, but after an exciting sea race to the Pribilof Islands they meet again; now, both are in danger from the schemes of villainous Prince Semyon.
295.
The Treasure of Lost Canyon (1952) as Art Director
Young David, orphaned en route to California, falls into the hands of medicine-show rascal Baltimore Dan. Years later, now a trained thief, he's adopted by eccentric 'Doc' Brown, retired miner and pharmacist. Doc and David become fast friends in their scenic outdoor rambles. But when they discover a hidden treasure, the idyllic interlude gives way to more troubles and a strange coincidence.
296.
It Grows on Trees (1952) as Art Director
The Baxters are a typical happy American family trying to live on too little money. Mrs. Polly Baxter acquires two mysterious trees that got into a nursery shipment by mistake. Guess what: they turn out to be money trees! After initial problems, Polly decides to spend the money. But there's one logical consequence of money grown on trees that no one's considered.
297.
Against All Flags (1952) as Art Director
A British officer must face off against the pirates of Madagascar.
298.
The Golden Horde (1951) as Art Director
In 1220, a small band of English crusaders arrives at Samarkand in Central Asia, just as the city and its ruling princess are threatened by the hordes of Genghis Khan. Lovely Princess Shalimar hopes to thwart the conqueror by guile, while Sir Guy wants to put up a brave (if ultimately hopeless) fight. Despite a mutual attraction, their conflicting projects threaten any hope of success either might have had alone. Fast-moving; bears little relation to history.
299.
Double Crossbones (1951) as Art Director
300.
Up Front (1951) as Art Director
Based on the famed W.W.II cartoons: Lowbrow G.I.s Willie and Joe, on the Italian front, are good soldiers in combat, but meet the antics of gung-ho Captain Johnson and other military snafus with a barrage of wry comments. On a 3-day pass in Naples, Joe's penchant for wine and women involves the pair with luscious Emi Rosso and her moonshiner father, whose tangled affairs land them in ever deeper trouble.
301.
You Never Can Tell (1951) as Art Director
An ex-police/army dog (German Shepherd), named Rex inherits a fortune from an eccentric millionaire. But someone poisons him for his fortune, and he gets to go back to earth as a human detective to bring his killer to justice, and protect the girl who used to look after him.
302.
Smuggler's Island (1951) as Art Director
303.
Frenchie (1951) as Art Director
A woman sells her successful business in New Orleans to find the men who killed her father.
304.
Tales of the West 4 (1951) as ["Western Courage"] art dir
305.
Tales of the West 3 (1950) as Art dir ["Rustlers' Ransom"]
306.
Spy Hunt (1950) as Art Director
307.
Bagdad (1949) as Art Director
An Arabian princess tries to bring her father's killers to justice.
308.
The Lady Gambles (1949) as Art Director
When Joan Boothe accompanies husband-reporter David to Las Vegas, she begins gambling to pass the time while he is doing a story. Encouraged by the casino manager, she gets hooked on gambling, to the point where she "borrows" David's expense money to pursue her addiction. This finally breaks up their marriage, but David continues trying to help her.
309.
Sword in the Desert (1949) as Art Director
After smuggling Jewish refugees into pre-Israel Palestine, a freighter captain becomes embroiled in the conflict.
310.
You Gotta Stay Happy (1949) as Production Design
Indecisive heiress Dee Dee Dillwood is pushed into marrying her sixth fiancTe, but unable to face the wedding night, she flees into the adjacent hotel room of commercial pilot Marvin Payne, who just wants to sleep. Somehow, she persuades him to take her to California. Her fellow passengers include a chimpanzee, a corpse (in a coffin), an absconding embezzler, and two smoochy newlyweds. Can love be far behind?
311.
The Saxon Charm (1948) as Art Director
312.
Tap Roots (1948) as Production Design
313.
Letter from an Unknown Woman (1948) as Art Director
A woman's lifelong love for a callous concert pianist leads to tragedy.
314.
The Lost Moment (1947) as Art Director
In a long flashback, a New York publisher is in Venice pursuing the lost love letters of an early-19th-century poet, Jeffrey Ashton, who disappeared mysteriously. Using a false name, Lewis Venable rents a room from Juliana Bordereau, once Jeffrey Ashton's lover, now an aged recluse. Running the household is Juliana's severe niece, Tina, who mistrusts Venable from the first moment. He realizes all is not right when late one night he finds Tina, her hair unpinned and wild, at the piano. She calls him Jeffrey and throws herself at him. The family priest warns Venable to tread carefully around her fantasies, but he wants the letters at any cost, even Tina's sanity.
315.
Smash Up--The Story of a Woman (1947) as Art Director
A singer's wife turns to the bottle when she fears she's lost her husband to success.
316.
Something in the Wind (1947) as Art Director
317.
A Night in Paradise (1946) as Art Director
Aesop takes a break from spinning fables to help a king and fall in love.
318.
Magnificent Doll (1946) as Art Director
Dolly Payne is adored by two leaders of the fledgling American government, James Madison and Aaron Burr. She plays each against the other, not only for romantic reasons, but also to influence the shaping of the young country. By manipulating Burr's affections, she helps Thomas Jefferson win the presidency, and eventually she becomes First Lady of the land herself.
319.
Salome, Where She Danced (1945) as Art Director
320.
Scarlet Street (1945) as Art Director
A middle aged wouldbe painter falls into the clutches of an unscrupulous woman.
321.
Cobra Woman (1944) as Art Director
Upon discovering his fiancTe Tollea has been kidnaped, Ramu and his friend Kado set out for a Pacific isle where all strangers are to be killed on arrival and the inhabitants, who are frequently sacrificed to an angry volcano god, worship the cobra. The island is ruled over by Tollea's evil twin Naja, the Cobra Woman, who, besides having designs on her new prisoner Ramu, also desires to eliminate any competition from her benevolent sister.
322.
San Diego, I Love You (1944) as Art Director
323.
The Climax (1944) as Art Director
Dr. Hohner (Karloff), theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer (Foster) reminds Hohner of the late diva, and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever. The singer's fiancTe (Bey) rushes to save her in the film's climax.
324.
Hi, Beautiful (1944) as Art Director
325.
Ladies Courageous (1944) as Art Director
326.
Phantom of the Opera (1943) as Art Director
Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career. But Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague the Paris Opera House, blamed on a legendary "phantom" whom none can find in the mazes and catacombs. But both of Christine's lovers have plans to ferret him out.
327.
We've Never Been Licked (1943) as Art Director
WWII morale film for Texas A&M graduates fighting overseas. Young Brad Craig (Langton) enters the military school with a chip on his shoulder which Mitchum and other upperclassmen quickly knock off. Once adjusted, Craig falls in love with a professor's beautiful daughter, only to find she is in love with his roommate, played by Noah Beery. In the meantime, Craig associates with Japanese spies (including William Frawley of "I Love Lucy") bent on stealing a secret chemical compound being worked on a the University. But is he one of them, or a double agent for his country?
328.
Gung Ho! (1943) as Art Director
A Marine squadron takes on a heroic Pacific Island raid during WWII.
329.
Eagle Squadron (1942) as Art Director
330.
Arabian Nights (1942) as Production Design
Half-brothers vie for an Arabian throne and the love of a beautiful storyteller.
331.
That Uncertain Feeling (1941) as Art Director
A happily married woman sees a psychoanalyst and develops doubts about her husband.
332.
Sundown (1941) as Art Director
An exotic woman helps the Allies fight the Germans in North Africa.
333.
Foreign Correspondent (1940) as Art Director
An American reporter covering the war in Europe gets mixed up in the assassination of a Dutch diplomat.
334.
The House Across the Bay (1940) as Art Director
An aircraft designer falls for an imprisoned gangster's wife.
335.
Slightly Honorable (1939) as Art Director
A lawyer is framed for the murder of a young party girl and tries to clear his name.
336.
Eternally Yours (1939) as Art Director
A woman is swept off her feet by a magician, and finds the results less than magical.
337.
Trade Winds (1938) as Art dir assoc
A private eye falls for the murderess he's pursuing.
338.
The Hurricane (1937) as Asst by
A Polynesian escapes prison to return home during a raging storm.
339.
Folies Bergère de Paris (1935) as Art dept
An entertainer impersonates a look-alike banker, causing comic confusion for his girlfriend and his double's wife.
340.
The Call of the Wild (1935) as Art Director
Jack Thornton has trouble winning enough at cards for the stake he needs to get to the Alaska gold fields. His luck changes when he pays $250 for Buck, a sled dog that is part wolf to keep him from being shot by an arrogant Englishman also headed for the Yukon.

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