skip navigation
Henry Freulich

Henry Freulich

Up
Down

| VIEW ALL

TCM Messageboards
Post your comments here
ADD YOUR COMMENT>

share:

TCM Archive Materials VIEW ALL ARCHIVES (1)

Recent DVDs

 
 

Henry Freulich - NOT AVAILABLE

Find what your looking for faster use the search field below to shop for titles.

SEARCH TCM.COM/SHOP


OR ... Click here to VOTE > for this person to be released on Home Video

Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Cinematography ...
RATE AND COMMENT

COMPLETE FILMOGRAPHY WITH SYNOPSIS

Cinematography (feature film)

1.
Good Day for a Hanging (1959) as Director of Photography
A reformed bank robber has to choose between his former gang and doing the right thing.
2.
Tarawa Beachhead (1958) as Director of Photography
(War '58,BW). Kerwin Matthews, Julie Adams, Ray Danton, Karen Sharpe, Onslow Stevens, Russell Thorsen. Sergeant Tom Sloan (Kerwin Matthews) witnesses his commanding officer (Ray Danton) kill one of his own men but hestitates to inform his superiors. Tension builds between the two men when Sloan falls in love with the murdered man's widow. Paul Wendkos directs.
3.
Return to Warbow (1958) as Director of Photography
4.
No Time to Be Young (1957) as Director of Photography
(Dra '57,BW). Robert Vaughn, Roger Smith, Tom Pittman, Dorothy Green, Merry Anders, Kathy Nolan. Three teenager boys attempt to rob a supermarket resulting in the death of the store manager and dire consequences for the parties concerned. Several of the actors in this juvenile delinquent drama went on to become popular television stars - Robert Vaughn in THE MAN FROM U.N.C.L.E., Roger Smith in 77 SUNSET STRIP, and Kathy Nolan in THE REAL McCOYS.
5.
The 27th Day (1957) as Director of Photography
Aliens give five people from different nations the power to destroy their enemies.
6.
The Phantom Stagecoach (1957) as Director of Photography
7.
The Hard Man (1957) as Director of Photography
Madison is a Texas Ranger who resigns after he gets a reputation for bringing them back dead. He takes a job as deputy sheriff and quickly becomes embroiled in a range war against Greene, a rancher intent on taking over the whole range. He also begins an affair with French, Greene's wife, who wants Madison to kill her husband for her. She ends up doing the job herself.
8.
He Laughed Last (1956) as Director of Photography
When a chorus girl inherits a gangster's nightclub, her boyfriend accuses her of cheating.
9.
Inside Detroit (1956) as Director of Photography
10.
Over-Exposed (1956) as Director of Photography
11.
The White Squaw (1956) as Director of Photography
12.
The Houston Story (1956) as Director of Photography
A Texas oil driller schemes to steal millions of dollars in oil.
13.
Reprisal! (1956) as Director of Photography
New ranch owner Frank Madden, half Indian but posing as white, arrives just as an all white jury finds the three white Shipley brothers who lynched three Indians innocent. There is soon trouble between Frank and the Shipleys who are using Frank's land to graze their cattle. When the brother of one of the Indian victims kills a Shipley, Frank is accused and put in jail. The Shipleys then organize a lynch mob and head for the jail.
14.
Teen-Age Crime Wave (1955) as Director of Photography
Juvenile delinquents pull a young innocent into their crime spree.
15.
New Orleans Uncensored (1955) as Director of Photography
16.
Chicago Syndicate (1955) as Director of Photography
An accountant single-handedly tries to take down a powerful mobster.
17.
Jungle Moon Men (1955) as Director of Photography
Priestess Oma is forever young in this Jungle Jim knockoff of "She" or the La of Opar stories from "Tarzan". The Jungle Jim type is played by Weissmuller using his own name.
18.
It Came from Beneath the Sea (1955) as Director of Photography
A giant octopus attacks San Francisco.
19.
Pirates of Tripoli (1955) as Director of Photography
A pirate tries to help a deposed Arabian princess reclaim her throne.
20.
Masterson of Kansas (1955) as Director of Photography
Sheriff Bat Masterson joins forces with Wyatt Earp and Doc Holliday to save a rancher framed for murder.
21.
Duel on the Mississippi (1955) as Director of Photography
22.
Seminole Uprising (1955) as Director of Photography
George Montgomery, Karin Booth, William Faucett, Steve Ritch, Ed Hinton. Army lieutenant George Montgomery is assigned to retrieve a tribe of Seminole Indians who fled their Florida reservation and headed for Texas in 1855.
23.
The Gun That Won the West (1955) as Director of Photography
A cavalry attempts to establish a chain of forts in the Sious Indian territory while simultaneously avoiding a war.
24.
The Crooked Web (1955) as Director of Photography
25.
El Alamein (1954) as Director of Photography
26.
Jungle Man-Eaters (1954) as Director of Photography
27.
The Saracen Blade (1954) as Director of Photography
Ricardo Montalban, Betta St. John, Rick Jason, Carolyn Jones, Whitfield Conner, Michael Ansara. A 13th century revenge drama set during the time of the Crusades in which a commoner exacts justice for the murder of this father by Count Siniscola and his son. Directed by William Castle ("The Tingler") and based on the novel by Frank Yerby.
28.
Cannibal Attack (1954) as Director of Photography
Johnny Weissmuller, acting under his own name, fights enemy agents who are trying to steal cobalt while disguised as crocodiles.
29.
The Iron Glove (1954) as Director of Photography
A Scottish adventurer infiltrates the court of George I to prepare for a revolution.
30.
Battle of Rogue River (1954) as Director of Photography
A U.S. agent is caught between Oregon settlers and the Indians.
31.
The Miami Story (1954) as Director of Photography
Barry Sullivan, Luther Adler, John Baer, Adele Jergens, Beverly Garland, Dan Riss. Inspired by a U. S. Senate investigation, this documentary-styled melodrama pits a reformed gangster (posing as a Cuban racketeer) against a Miami syndicate chief. This Sam Katzman production features an introduction by Florida Senator George Smathers.
32.
The Law vs. Billy the Kid (1954) as Director of Photography
The young outlaw tries to go straight.
33.
Charge of the Lancers (1954) as Director of Photography
A soldier masquerades as a gypsy to rescue his best friend from the enemy.
34.
Slaves of Babylon (1953) as Director of Photography
(Adv '53). Richard Conte, Linda Christian, Maurice Schwartz, Michael Ansara, Terrance Kilburn. This is William Castle's version of the classic Bible story in which the Israelites free themselves from the oppressive rule of Nebuchadnezzar. Julie Newmar makes a brief appearance as a specialty dancer in this typically tacky Sam Katzman production.
35.
Serpent of the Nile (1953) as Director of Photography
Cleopatra seduces Marc Anthony into helping her conquer the world.
36.
Conquest of Cochise (1953) as Director of Photography
A cavalry major tries to prevent an Indian war.
37.
The Nebraskan (1953) as Director of Photography
A frontier scout tries to make peace between settlers and the Sioux.
38.
Ambush at Tomahawk Gap (1953) as Director of Photography
Ex-cons searching for buried loot are interrupted by an Indian attack.
39.
Siren of Bagdad (1953) as Director of Photography
An Arabian magician takes on a corrupt sultan to help a beautiful princess.
40.
Prisoners of the Casbah (1953) as Director of Photography
A typical Sam Katzman sand-and-sandals saga that is better than his later "Harem Scarum" only because this one doesn't have Elvis Presley. Gloria Grahame is the princess, Turhan Bey is the Captain of the Guard and Cesar Romero is the oily villain who has his sights set on Gloria and her father's throne. Romero and his henchmen cause Gloria, disguised as a boy (what a waste!), and Turhan to flee to the Casbah, where they plot to strike back at Romero.
41.
Flame of Calcutta (1953) as Director of Photography
Denise Darcel, Patric Knowles, Paul Cavanagh, George Keymas, Leonard Penn. The daughter of a slain French official wages guerrilla war on Prince Jehan, the man responsible for her father's death. This Sam Katzman production is set in India circa 1760.
42.
Prince of Pirates (1953) as Director of Photography
A prince fights to free his people from his older brother's oppressive rule.
43.
The Pathfinder (1953) as Director of Photography
George Montgomery, Helena Carter, Jay Silverheels, Walter Kingsford, Rodd Redwing, Elena Verdugo. British scout George Montgomery exposes French plans to gain control of the Great Lakes Region during the French and Indian Wars of the 18th century in this adaptation of the James Fenimore Cooper novel
44.
Target Hong Kong (1953) as Director of Photography
45.
Jack McCall, Desperado (1953) as Director of Photography
Wrongly accused of treason, a Civil War veteran tries to clear his name.
46.
Junction City (1952) as Director of Photography
47.
Okinawa (1952) as Director of Photography
(War '52,BW). Pat O'Brien, Cameron Mitchell, Richard Denning, Rhys Williams, James Dobson, Richard Benedict, Alvy Moore. The gun crew of a destroyer stationed off Okinawa duke it out with the Japanese during the Pacific Campaign of WWII.
48.
Montana Territory (1952) as Director of Photography
(Wes '52). Lon McCallister, Wanda Hendrix, Preston Foster, Hugh Sanders, Jack Elam, Clayton Moore, Myron Headley, & George Chesebro as Weasel. A young deputy sheriff takes action when he learns that the marshall is using his badge as a license to commit murder.
49.
Last Train from Bombay (1952) as Photography
An American diplomat is accused of murder during an Indian civil war.
50.
Hello God (1951) as Cinematographer
51.
Fort Savage Raiders (1951) as Photography
52.
My True Story (1951) as Photography
A female jewel thief tries to help the police capture a master criminal.
53.
The Lady and the Bandit (1951) as Director of Photography
A dramatization of the life of the English bandit Dick Turpin.
54.
Under the Gun (1951) as Director of Photography
55.
Cyclone Fury (1951) as Director of Photography
56.
Bonanza Town (1951) as Director of Photography
Using marked bills, Steve is looking for the supposedly dead Henry Hardison. Coming to Bonanza Town he gets a job with the town boss Crag Bozeman and gets paid with marked bills. He suspects Hardison is Boseman's boss and he is right as Hardison and his men are now planning to get rid of both him and the Durango kid.
57.
Corky of Gasoline Alley (1951) as Director of Photography
58.
Unknown World (1951) as Photography
59.
The Son of Dr. Jekyll (1951) as Director of Photography
The son of the notorious scientist fights to clear his father's name.
60.
Chinatown at Midnight (1950) as Director of Photography
Hurd Hatfield, Jean Wiles, Tom Powers, Ray Walker, Charles Russell, Jacqueline De Wit, Benson Fong, Ross Elliott. Caught in the act of stealing some antique vases, a thief murders two Chinese men and sets off a manhunt in Chinatown.
61.
Beware of Blondie (1950) as Director of Photography
Mr. Dithers has gone on vacation and left Dagwood to look after the company. Toby tries to take advantage of Dagwood's naivete, but Blondie saves the day.
62.
The Iroquois Trail (1950) as Director of Photography
A frontiersman helps the British fight off French invaders and double-dealing Indians.
63.
Bodyhold (1950) as Director of Photography
Tommy Jones, a well-built plumber, is invited to join a troupe of professional wrestlers, but is surprised to learn that the sport of exhibition wrestling is not on the up-and-up.
64.
Girls' School (1950) as Director of Photography
Peggy Donovan (Joyce Reynolds) enters an exclusive but financially-strapped finishing school for girls operated by Colonel Matthews (Thurston Hall) and his sister Emily (Julia Dean). Student Lucille Farnsworth (Laura Elliot) discovers the Peggy carries $30,000 in her luggage and reports it to the Colonel. She also writes to a Chicago address on the luggage that Peggy is at the school. The letter puts gambler Dave Vickers (Wilton Griff) on Peggy's trail. Peggy convinces the Colonel that the money is rightfully hers and offers to buy up the school's outstanding notes for a partnership. When Vickers arrives, Peggy confesses that her late father was a professional gambler and Vickers' partner. The latter claims half of the money which her father had saved away for her. She is willing to divide the money but when the Colonel learns it was won in a questionable card game, he turns it over to the police.
65.
The Vicious Years (1950) as Photography
66.
Bunco Squad (1950) as Director of Photography
Police try to get the goods on a phony seance racket.
67.
When You're Smiling (1950) as Director of Photography
68.
Song of India (1949) as Director of Photography
A jungle prince stands against a maharajah's plan to capture and sell wild animals.
69.
Not Wanted (1949) as Photography
Twentyish Sally Kelton is unhappy at home and in the drab town in which she lives, until she meets roving musician Steve Ryan. Sally falls for Steve, but to Steve, she's just another fling before he heads to another town. Sally decides to "pull up stakes" and heads on a bus to Steve's next stop. On the road, she meets Drew Baxter, owner of a gaseteria in the town where she's heading. Drew sets Sally up with a room at a local boarding house and a job at his business. Try as he might, Drew can't win Sally's heart from Steve, who has remained indifferent to Sally since her arrival. When Steve heads off to South America, Sally is even more despondent--especially after she learns that she's pregnant with his child.
70.
Kazan (1949) as Director of Photography
71.
Law of the Barbary Coast (1949) as Director of Photography
72.
The Secret of St. Ives (1949) as Director of Photography
A Frenchman imprisoned during the Napoleonic wars escapes to prove his innocence.
73.
Make Believe Ballroom (1949) as Director of Photography
74.
Rusty's Birthday (1949) as Director of Photography
A lost dog tries to find his way back to his beloved master.
75.
Prison Warden (1949) as Director of Photography
76.
The Devil's Henchman (1949) as Director of Photography
77.
Rusty Saves a Life (1949) as Director of Photography
A faithful dog rescues his master from a life of delinquency.
78.
Black Eagle: The Story of a Horse (1948) as Director of Photography
79.
Adventures in Silverado (1948) as Director of Photography
80.
Trail to Laredo (1948) as Director of Photography
81.
The Tender Years (1948) as Director of Photography
The first of the Edward L. Alperson "Alson Productions" for 20th Century-Fox distribution, featuring the return to the screen, after nearly a four-year absence, of comedian Joe E. Brown, in a non-comedic role. The story is set in a small mid-western town in the 1880's, where minister William "Will" Norris (Joe E. Brown) becomes involved in the vicious fights held in the local dog-pit when one of the injured animals escapes its brutal master and seeks refuge in the Norris home. Forced by law to return the dog to its owner, the minister goes against his religious teachings and, with his son Ted (Richard Lyon), steals the dog in an effort to rouse public sympathy against the dog fights and against cruelty to all animals. The film was endorsed in many locations by local chapters of the American Humane Society and/or the Society for the Prevention of Cruelty to Animals.
82.
Leather Gloves (1948) as Director of Photography
83.
Thunderhoof (1948) as Director of Photography
84.
The Woman from Tangier (1948) as Director of Photography
It's in B&W, has a sultry dame, much crime, set in the 40's, and many dark scenes, so the biggest surprise is that somebody hasn't dubbed this "film noir", since that seems to be the rivisionist guidelines of late. Whatever, any film that has the two leading ladies called "Nylon" and "Flo-Flo" deserves some attention just for that. This one has Nylon (Adele Jergens, born to play a character named Nylon), an American dancer fleeing Morocco after her employer gets into trouble with the police, and she stops off at Tangier on her way to Gibraltar, and that begs the question of why this wasn't titled "Woman from Morocco." $50,000 is stolen from the ship's safe and the captain tells the police that the purser was the thief and that he had to kill him in self defense, but the purser must have hidden the money before he got dead. The purser isn't in any position to make a disclaimer. Everybody buys that with the exception of an insurance detective (Stephen Dunne) who, along with the audience, suspects the captain of being the thief. With Nylon's help, he discovers that her old Morocco employer was actually the thief and was working with the captain.
85.
The Son of Rusty (1947) as Director of Photography
When they are separated, a boy and his dog fight to find each other.
86.
Keeper of the Bees (1947) as Director of Photography
Michael Worthington, an elderly owner of an apiary, befriends an embittered artist, Jamie McFarlaine (Michael Duane), who is seeking a divorce from his wife. Jamie falls in love with Alice (Gloria Henry), but the romance is almost doomed by the gossip-spreading of a meddlesome neighbor. The pair are reconciled through the actions of an orphan girl (Jo Ann Marlowe), whom they decide to adopt after they are married.
87.
Mr. District Attorney (1947) as Director of Photography
88.
The Lone Wolf in London (1947) as Director of Photography
A reformed thief gets mixed up in blackmail and the theft of diamonds held at Scotland Yard.
89.
Bulldog Drummond Strikes Back (1947) as Director of Photography
90.
Sport of Kings (1947) as Director of Photography
Tom Cloud (Paul Campbell) and his 12-year-old brother Bill (Mark Dennis) arrive in Kentucky to claim the farm left them by their father and encounter hostile neighbors. "Doc" Richardson (Gloria Henry), a young veterinarian who rents a cottage on the farm, tells Tom that the animosity arrives from the result of a wager former owner Major Denning (Harry Davenport) had made with his father the night before the Olympian Stakes. The Major lost the bet and Cloud took possession of the property. Tom aranges with the local banker to pay the old man from a small trust fund supposedly left to Major Denning, provided that Denning returns to the farm. But, as guardian of the Major's financial affairs, Tom also learns that he is responsible for the Major's heavy obligations.
91.
When a Girl's Beautiful (1947) as Director of Photography
An advertising man has to come with "the perfect woman" for an ad campaign. He puts together a picture of a woman from a composite of several photos, to get an idea of the kind of woman he should look for. His boss sees it, thinks that it is an actual woman, and orders him to find her and use her in the campaign.
92.
Personality Kid (1946) as Director of Photography
93.
It's Great to Be Young (1946) as Director of Photography
Ricky Malone (Jimmy Lloyd), Spud Winters (Bob Haymes AS Robert Stanton and not Kirby Grant as Robert Stanton, since Grant hadn't used that name in over five years, but I digress) and some other returning G.I.'s are trying to break into show business by the old summer resort resort. Terry (Leslie Brooks and she needs no number since she was in films 40 years before Leslie Brooks (I) directed his one-and-only film), a runaway daughter of a big producer who is trying to stifle her show-biz career, hires on as the (dubbed) singer.
94.
Just Before Dawn (1946) as Director of Photography
A criminal psychologist is tricked into injecting a diabetic with poison instead of insulin.
95.
The Devil's Mask (1946) as Director of Photography
A detective tries to identify a shrunken head found in a crashed cargo plane.
96.
Talk About a Lady (1946) as Director of Photography
97.
Shadowed (1946) as Director of Photography
Fred J. Johnson (Lloyd Corrigan) scores a hole-in-one but his next drive, using the lucky, initialed golf ball, soars out of bounds and lands near a spot where some counterfeiters are burying a murder victim. Then begins a series of events in which he is hounded and threatened by the killers. The consequences of his not reporting what he saw to the police lead to a climax in which is daughter is held hostage by the crooks.
98.
The Unknown (1946) as Director of Photography
A woman hires two detectives to keep her alive long enough to claim her inheritance.
99.
Blondie for Victory (1942) as Director of Photography
Blondie organizes Housewives of America to perform homefront wartime duties, including guarding the local dam. Dagwood and the other husbands don't care to be left home doing the cooking and taking care of the kids, so Dagwood pretends to join the Army. Blondie disbands the organization and comes home.
100.
Stand by All Networks (1942) as Director of Photography
A radio reporter sets out to track down and expose Nazi agents.
101.
Meet the Stewarts (1942) as Director of Photography
A socialite struggles to live on her blue-collar husband's salary.
102.
Boston Blackie Goes Hollywood (1942) as Director of Photography
When he's framed for robbery, a reformed thief takes off to find the real culprit.
103.
The Boogie Man Will Get You (1942) as Director of Photography
A young divorcee tries to convert a house into a hotel despite its oddball inhabitants.
104.
Atlantic Convoy (1942) as Director of Photography
105.
Blondie's Blessed Event (1942) as Director of Photography
106.
Shut My Big Mouth (1942) as Director of Photography
(Com '42,BW). Joe E. Brown, Adele Mara, Victor Jory, Fritz Feld, Don Beddoe, Pedro de Cordoba, Lloyd Bridges, Forrest Tucker, Chief Thunder-Cloud. A meek easterner (Joe E. Brown) unwittingly becomes sheriff of a western town and resorts to dressing in drag in order to foil the plans of the villainous Victor Jory. One of Joe E. Brown's most popular comedies.
107.
Blondie Goes to College (1942) as Director of Photography
Dagwood decides to go to college. Blondie goes along with him, keeping their marriage a secret. They send Baby Dumpling off to military school where he becomes top sergeant. Blondie is hounded by the campus stud and Dagwood makes the rowing team. It is revealed that a new child is on the way.
108.
Tillie the Toiler (1941) as Director of Photography
109.
Go West, Young Lady (1941) as Director of Photography
A sheriff's girlfriend tries to unearth the identity of a masked bandit chief.
110.
She Knew All the Answers (1941) as Director of Photography
111.
Blondie Goes Latin (1941) as Director of Photography
112.
Blondie in Society (1941) as Director of Photography
Dagwood brings home a pedigreed Great Dane which an important company client wants and which Blondie enters in the big dog show. A highlight of this film is the canine burping display.
113.
Blondie Has Servant Trouble (1940) as Director of Photography
Mr. Dithers has a house he can't unload because it is rumored to be haunted. When he lets the Bumsteads move into it, they discover sliding panels and secret passages. The haunting is the work of the butler and his wife who figure the house rightfully belongs to them.
114.
Blondie on a Budget (1940) as Director of Photography
Dagwood wants to join the trout club and Blondie wants a fur coat. Jealousy reigns when Dag's old girlfriend Joan shows up, but nothing else matters when a drawing at the movie theatre provides money for the coat.
115.
Blondie Plays Cupid (1940) as Director of Photography
The Bumsteads decide to spend a safe and sane 4th of July at Aunt Hannah's ranch. After missing their station, they hitch a ride with a young couple who are getting ready to elope. The young man, Charlie, sprains his ankle, so Dagwood is enlisted to carry the girl off for him. Dagwood climbs into her father's window by mistake, and just as the old man is about to explode with rage, Baby Dumpling explodes a firecracker which turns out to be a stick of dynamite. As the action reaches its peak, a gusher of oil suddenly springs up in the yard.
116.
The Lone Wolf Meets a Lady (1940) as Photography
A reformed jewel thief tries to clear a society beauty of murder charges.
117.
The Lone Wolf Strikes (1940) as Photography
A reformed jewel thief helps an heiress retrieve a stolen necklace.
118.
Blondie Takes a Vacation (1939) as Director of Photography
Blondie and Dagwood are in charge of operations at a mountain motel. The elderly owners of the establishment are in danger of losing their life savings. Among other things, arson threatens.
119.
Blondie Brings Up Baby (1939) as Director of Photography
A book salesman (Olin Howlin as Olin Howland) sells Blondie Bumstead (Penny Singleton) a set of books on child training because he has convinced her that Baby Dumplin (Larry Simms) is a child prodigy. Meanwhile, J.C. Dithers (Jonathan Hale), boss of Blondie's husband, Dagwood Bumstead (Arthur Lake), rips Dagwood for altering the plans on an apartment building the construction firm is building for Abner Cartwright (Robert Middlemass) and, to keep his job, Dagwood must get Cartwright to sign off on the changes - the latter refuses in order to escape from an unfavorable contract. Baby Dumpling, the genius, is registered at school and Daisy, accompanying him, is picked up by the dog-catcher on the way back home and taken to the pound. Daisy is adopted by Melinda Mason (Peggy Ann Garner), the crippled daughter of one of the town's wealthiest men. Baby Dumpling looks everywhere and can not find Daisy, and plays hooky from school the next day. Immediately, Blondie and Dagwood suspect kidnapping, and Dagwood learns that Melinda, also missing, was last seen playing with a little boy and a dog. Dagwood promptly heads for the Mason estate, where he is even more promptly arrested as a kidnap suspect.
120.
Across the Plains (1939) as Photography
Two young brothers are separated when their wagon train is attacked and their parents killed. One brother Cherokee is raised by Indians and the other, the Kansas Kid, by the outlaw gang leader Buff. Twenty years later they unknowingly meet again when the Kid goes after wagons being guided by Cherokee.
121.
Missing Daughters (1939) as Photography
122.
First Offenders (1939) as Photography
123.
Five Little Peppers and How They Grew (1939) as Director of Photography
A case of measles gets a working class family mixed up with a blustering businessman's clan.
124.
Good Girls Go to Paris (1939) as Photography
An English professor helps a waitress take a dream vacation in Paris.
125.
Blondie Meets the Boss (1939) as Photography
Dagwood Bumstead (Arthur Lake) quits his job when his long-awaited vacation is postponed. Blondie (Penny Singleton) asks J.C. Dithers (Jonathan Hale) to give Dagwood his job back, and Dithers agrees but on the condition that Blondie take charge of the office while he is in Washington closing a deal. Dagwood, left to tend the house while Blondie goes to work, succumbs to a neighbor's suggestion to go fishing and leaves Baby Dumpling (Larry Simms) in care of Blondie's sister, Dot (Dorothy Moore), in town for a jitterbug contest. While fishing, Dagwood meets two entertainers from the Garden Cafe and when one of them, Francine (Linda Winters), almost overturns the boat, Dagwood grabs to save her, and the "glutch" is photographed. Blondie has the film from Dagwood's camera developed, and Dithers wires her to buy some land owned by the Garden Club proprietor before he learns that it has been approved as the site of the new airport. Enroute, she picks up the developed film. Dagwood has wandered off to play pool, and Dot and her boy friend, Freddie (Joel Dean), take Baby Dumpling with them to the jitterbug contest at the Garden Cafe. Blondie recognizes Francine from the fishing photograph just as Dagwood comes along in pursuit of Baby Dumpling. She smacks him with her purse, then leaves with Baby Dumpling. The cafe owner finds the Dithers telegram realizes the importance of his land. Meanwhile, reeling from the impact of Blondie's blow, wins the jitterbug contest with his wild gyrations.
126.
I Am the Law (1938) as Photography
A law professor signs on as special prosecutor to take on the mob.
127.
When G-Men Step In (1938) as Photography
Fred Garth (Don Terry) owns a printing establishment and poses as a business research expert, but actually runs several white-collar rackets operating by means of high-pressure telephone soliciting. He has sent his younger brother, Bruce Garth (Robert Paige), through law school with the intention of making him his legal watch-dog. But idealist Bruce enrolls as a Department of Justice investigator, and is detailed to track down charity and other phoney rackets. Both brothers are in love with attractive socialite Marjorie Drake (Julie Bishop as Jacqueline Wells), who is unaware of Fred's schemes and he uses her to meet other social leaders with pet charities and his salesmen sell them the program ads at five times the charity rate. Bruce and his partner Neale (Gene Morgan) trace the phone rackets to Bruce and a confrontation looms.
128.
There's Always a Woman (1938) as Photography
While working on a simple case, married private eyes uncover a murder.
129.
Blondie! (1938) as Director of Photography
130.
The Little Adventuress (1938) as Photography
131.
Who Killed Gail Preston? (1938) as Photography
A temperamental singer's murder leaves a nightclub full of suspects.
132.
Women of Glamour (1937) as Photography
A girl with a reputation falls for a wealthy playboy.
133.
Counsel for Crime (1937) as Photography
Law school graduate Paul Maddox (Douglass Montgomery), adopted son of Senator Robert Maddox (Thurston Hall), accepts an offer to join the law firm of William "Bill" Mellon (Otto Kruger), brilliant but unscrupulous criminal attorney. Mrs. Maddox (Nana Bryant) is actually Paul's real mother, although neither the Senator nor Paul know it, and Bill Mellon is his father. Yes, it is one of "those" plots. Paul is at first critical of Mellon's sharp practices, but he relents when Ann McItyre (Jacqueline Wells, long before she ever thought about being Julie Bishop) convinces him it's all within the law, a fact most law school graduates would have learned in law school. Gambler Georgie Evans (Stanley Fields) comes to Mellon and tells him he has just killed Harrison, another underworld character, and insists it was in self defense. Mellon coaches Evans in how to tell his story to the police, then sends him to police headquarters to give himself up, and then assigns Paul to follow up on the case. While Evans and Paul are on separate routes to the police station, Evans stops by Harrison's and kills him under circumstances corresponding with Mellon's fool-proof alibi version already supplied before the act. Truly a good example of why it is best to consult an attorney before committing a rash act. Mellon learns of this post-dated action but, for a large sum of money from Evans, agrees to have his firm represent him and assigns Paul the task. Paul, of course, wins Evans an acquital. Paul later learns that the killing was committed after Evans had retained Mellon and quits the firm. Paul's moral snit does not extend past the point of allowing his adopted-father's influence getting him appointed Assistant District Attorney. Paul begins a probe against malpractice in the law profession, and Mellon hires Mitchell (Marc Lawrence) to dig up scandal on state officials sponsoring the probe. Mitchell does this even better than Mellon anticipated, especially when he comes back with the truth about Paul actually being Mrs. Maddox' own son. When Mitchell refuses to give up the papers with the proof, he and Mellon struggle and Mitchell dies from a shot from his own gun. Mellon is charged with murder and Paul is the prosecutor. Will Paul send his real Pa to jail for life?
134.
The League of Frightened Men (1937) as Photography
135.
It's All Yours (1937) as Photography
136.
Let's Get Married (1937) as Photography
137.
Murder in Greenwich Village (1937) as Photography
An heiress enlists a photographer to help clear her name of a murder charge.
138.
Meet Nero Wolfe (1936) as Photography
139.
Come Closer, Folks (1936) as Photography
140.
More Than a Secretary (1936) as Photography
A secretary gets the glamour treatment to win her boss' heart.
141.
And So They Were Married (1936) as Photography
The children of a divorcee and a widower try to keep their parents apart.
142.
Adventure in Manhattan (1936) as Photography
A hotshot reporter and a temperamental actress clash when he investigates the backer of her latest show.
143.
Shakedown (1936) as Photography
144.
Lady from Nowhere (1936) as Photography
145.
Don't Gamble with Love (1936) as Photography
146.
Hell-Ship Morgan (1936) as Photography
After getting in a fight in a waterfront cafe over a girl, Captain Ira "Hell-Ship" Morgan (George Bancroft) hires Jim Allen (Victor Jory) and they become good friends. Morgan befriends a desperate girl, Mary Taylor (Ann Sothern), and, out of gratitude, she agrees to marry him. Morgan gives her the magnificient Callao pearl as a wedding present. But Mary and Jim fall in love and are found together one night by a sailor, and Mary is forced to give him the pearl to keep him quiet. Morgan finds out about it. A terrific storm comes up and Morgan taunts Allen into going over the side to make repairs. Allen is injured but Morgan saves his life but breaks his own back.
147.
Unknown Woman (1935) as Photography
A female undercover agent tracks down bond thieves.
148.
Behind the Evidence (1935) as Photography
149.
The Lone Wolf Returns (1935) as Photography
150.
Grand Exit (1935) as Photography
An insurance investigator tries to track down an arsonist.
151.
The Public Menace (1935) as Photography
A cocky reporter's marriage to a manicurist jeopardizes his career.
152.
Air Hawks (1935) as Photography
Two competing air services battle each other while a mysterious death ray threatens the security of the world.
153.
One Way Ticket (1935) as Photography
154.
Most Precious Thing in Life (1934) as 2nd Camera
Years after being pushed out of her husband’s life, a woman befriends her long lost son.
155.
That's Gratitude (1934) as Photography
156.
Men of the Night (1934) as Photography
"Stake-Out" Kelly (Bruce Cabot), ace detective, meets Mary Higgins (Judith Allen) at a small Hollywood sandwich shop where he expects to get some information concerning Packey Davis (Charles Sabin), head of a ring of jewel thieves. His suspicions are confirmed when Mary warns him that Davis is outside - waiting for him. Kelly sets a trap and, in the ensuing battle, one of the gangsters is killed. Davis is interested in rubbing out Kelly as Kelly and Baker are the only two witnesses against Smitty (Arthur Rankin), a Davis henchman. Baker is in the hospital and the plan is bring Smitty there for identification. Kelly accidently slips the secret to Mary, who in turn innocently informs Packey. A trap is laid.
157.
A Man's Game (1934) as Camera Operator
158.
Thrill Hunter (1933) as Photography
A blowhard cowboy talks himself into a job as a movie stunt man.
159.
Brief Moment (1933) as Camera Operator
A nightclub singer tries to rehabilitate a wealthy playboy.
160.
Cocktail Hour (1933) as Camera Operator
161.
The Melody Man (1930) as Assistant Camera
162.
Smiling Irish Eyes (1929) as Director of Photography
163.
Footlights and Fools (1929) as Director of Photography

Film Production - Main (feature film)

164.
Devil's Henchmen (1949) as Photography
165.
Black Eagle (1948) as Photography

Cinematography (short)

166.

Please support TCMDB by adding to this information.

Click here to contribute