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Freddie Francis

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Also Known As: Ken Barnett, Frederick Francis Died: March 17, 2007
Born: December 22, 1917 Cause of Death:
Birth Place: London, England, GB Profession: director of photography, director, producer, focus puller, clapper boy, camera operator, apprentice still photographer

Biography CLOSE THE FULL BIOGRAPHY

Freddie Francis started his career as an apprentice to a still photographer and at age 17 began in motion pictures as a clapper boy. His first shot at cinematography came with the British Army Kinematographic unit during World War II, but after the war he returned to feature films as a camera operator, working with such seminal figures as Michael Powell and Emeric Pressburger, John Huston and Zoltan Korda. Francis did the second unit photography on John Huston's "Moby Dick" (1956) and shortly thereafter graduated to director of photography on "Hell for Korea" (also 1956). He won applause for his work on Joseph Losey's "Time Without Pity" (1957) and for his gritty photography for "Room at the Top" (1958). His Oscar-winning work on "Sons and Lovers" (1960) was at the same time dark and rich, with delicious grey hues.

Freddie Francis started his career as an apprentice to a still photographer and at age 17 began in motion pictures as a clapper boy. His first shot at cinematography came with the British Army Kinematographic unit during World War II, but after the war he returned to feature films as a camera operator, working with such seminal figures as Michael Powell and Emeric Pressburger, John Huston and Zoltan Korda. Francis did the second unit photography on John Huston's "Moby Dick" (1956) and shortly thereafter graduated to director of photography on "Hell for Korea" (also 1956). He won applause for his work on Joseph Losey's "Time Without Pity" (1957) and for his gritty photography for "Room at the Top" (1958). His Oscar-winning work on "Sons and Lovers" (1960) was at the same time dark and rich, with delicious grey hues.

Filmographyclose complete filmography

DIRECTOR:

1.
  Dark Tower (1989) Director
2.
3.
  Legend of the Werewolf (1975) Director
4.
  Ghoul, The (1975) Director
5.
  Son of Dracula (1974) Director
6.
  Craze (1973) Director
7.
8.
  Tales from the Crypt (1972) Director
9.
  Creeping Flesh, The (1972) Director

CAST: (feature film)

VIEW THE FULL FILMOGRAPHY

Milestones close milestones

1932:
Began career as apprentice to still photographer
1934:
Hired as a clapper boy at British International Pictures
1936:
Joined Gaumont-British as clapper loader
:
Moved to Pinewood studios as camera assistant
1939:
Served in the British Army; was a member of the Army Kinematographic Unit
1947:
Began as camera operator with "The Macomber Affair"
:
First worked under John Huston on "Moulin Rouge" (1953) and "Beat the Devil" (1954)
1956:
Won attention for his second unit photography of "Moby Dick", directed by Huston
1956:
First film as director of photography "Hell in Korea"
1958:
First screen collaboration with Jack Clayton, "Room at the Top"
1960:
Won first Academy Award for his cinematography on "Sons and Lovers"
1962:
Directed first feature "Two and Two Make Six"
1963:
Helmed episodes of the syndicated series "The Saint"
1980:
Returned to working as a director of photography on David Lynch's "The Elephant Man"
1982:
Served as cinematographer on the NBC drama "The Executioner's Song"; film was released theatrically in Europe
1989:
Earned second Best Cinematography Oscar for "Glory"
1991:
Shot remake of "Cape Fear", directed by Martin Scorsese
1996:
Directed "Last Respects" episode of the HBO series "Tales From the Crypt"
1999:
Served as director of photography on "The Straight Story", directed by David Lynch
VIEW ALL MILESTONES

Notes

"Although I love working, I won't work on a film unless I meet with the director and realize that he really wants me to do his movie. I have an arrangement with my agent that if anybody asks me to do a film, first of all, obviously we demand to see the script. Secondly, my agent asks if they are seeing anybody else in connection with this movie. If they say yes, he says, 'Well, Freddie doesn't want to do it.' I'm not saying every director has to have me on his movie, but any director who does has got to want me and nobody else." --Freddie Francis in FILM JOURNAL, September 1996

"I'm not a camerman. I'm the director's collaborator. Another thing, a corny old thing I keep saying, but about which I'm very sincere, is that there are three kinds of photography in movies. There's good photography, bad photography, and there's the right photography. Sometimes, to do the right photography you have to do what is almost, to a dyed-in-the-wool cameraman, bad photography . . . Sometimes you have to tone down your approach to become a collaborator on the movie." --Freddie Francis in FILM JOURNAL, September 1996

"I suppose I can say I slightly regret all the horror things I directed, but I didn't regret them at the time, because I enjoyed making them . . . To be quite honest, the standard of films I've photographed, both in terms of quality and money spent, are very different from the films I've directed. If I could direct some films with the same budgets as those I've photographed, I'd prefer directing. But I realize how lucky I was to have two hats to wear." --Francis in FILM JOURNAL, September 1996

Companions close complete companion listing

wife:
Pamela Mann. Continuity person.

Family close complete family listing

son:
Kevin Francis. Producer. Founding director of Tyburn Films.

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