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Bob Fosse

Bob Fosse

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Sweet Charity... This 1969 musical film, choreographed and directed by Bob Fosse, tells the story... more info $14.98was $14.98 Buy Now

Liza With A... This Bob Fosse-directed, originally shot for TV special film of a 1972 concert... more info $26.99was $26.99 Buy Now

Also Known As: Died: September 23, 1987
Born: June 23, 1927 Cause of Death: heart attack
Birth Place: Chicago, Illinois, USA Profession: Dance ...
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"There were a couple of men who were crazy about me when they saw '[King] Kong'. Fosse was one. He got in touch with me. We became friends and lovers. We had a wonderful relationship. We laughed like crazy. I loved Fosse because he was a renegade and there was such a dark side to him. He loved that whole seedy side of New York--Forty-Second Street, the strip joints, the live sex shows. We'd hang out there, go to the arcades, these weird shows. Fosse knew it like the back of his hand. We were in and out of places you wouldn't even know existed.

"There was something very seductive about someone so caught up in self-destruction. It was very much like what you saw in 'All That Jazz', with his drinking and smoking. But he was unbelievably sweet, tender, and generous. He was so kind at a time when a lot of people had dismissed me ... There was, about Fosse, something sad. Profoundly lonely. That's what I connected with more than anything." --Jessica Lange quoted in Vanity Fair, October 1991.

Fosse once claimed his distinctive look stemmed from an attempt to hide his deficiencies: "I was getting pretty bald for a hoofer and felt a hat would hide it. Canes became important to me when my hands started trembling and seemed like a good way to distract the audience." --from The Boston Globe, September 6, 1998.

As Fosse acknowledged, his turned-in, angular, low-to-the-ground style developed from what [Gwen] Hillier [former Fosse dancer and director of a 1998 revival of 'Pippin' in the Los Angeles area] calls "the quirkiness of his own body--he wasn't tall, didn't have a huge build or as much ballet training as he probably would have liked." So he began by capitalizing on his unique personality as a dancer and later demanded the same individuality from others.

"The original [national company of] 'Pippin' was one of the first shows that I danced where I wasn't just a happy villager. He explained that he wanted each of us to find out exactly who we were in the show, to make our own personal statement there." --From Los Angeles Times, May 7, 1998.

"My life is an open pamphlet." --Bob Fosse

"He was like a master chef who put his finger in the kettle and said, 'It's right.' He was hardly an intellectual. He had this long sleaze streak, and that got him into trouble. But I don't know that you could classify him as a rebel." --biographer Morton Gottfried quoted in USA Today, June 23, 1998.

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