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The Music Maids - NOT AVAILABLE
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COMPLETE FILMOGRAPHY WITH SYNOPSIS
Cast (feature film)
Henny (Henny Youngman), talent scout for the Margaret Ames (Sally Eilers) Film Agency in Hollywood, mistakes Judy (Anne Gillis) and Marian (Elyse Knox), the understudies, for Eileen (Marjorie Woodworth) and Betty (Ramsay Ames), the real stars of a Broadway show and signs them up for movies. Margaret, furious with Henny for the blunder, fires him---but only temporarily. Another agent, Marty Allen (Richard Lane), once married to and still in love with Margaret, signs Betty and Eileen. Henny arrives with Judy and Marian, and the nightclub manager asks Henny to emcee the show. Though he is not sure himself what they can do, Henny introduces the girls and they make a hit in a dramatic sketch. (Simmer down, it's just a Monogram movie, and their nightclub attendees can react anyway director Phil Karlstein/Karlson wants them to.) Big-time movie producer R. J. (Alan Dinehart) signs them to a film contract. So, what does this have to do with the title, "A WAVE, a WAC and a Marine"? Because Judy joins the WAVES, Marian the WACS and Marty the Marines and all have two weeks before induction, and that is more than long enough to shoot a Monogram musical-within-a-Monogram musical and have a few days to spare.
One of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes. On reissue all of the entries underwent a title change from "Hit Parade of 19??" to, usually, a title of a song contained in the film, as happened in the case of this film when it was reissued as "Change of Heart" in 1949, and not known under that title until 1949. Not reissuing the film under the original title of "Hit Parade of 1943" had a two-fold purpose; the audiences of that era were not much interested in seeing a film twice, and a changed title-even when the original title was clearly shown in (very) small print in the ads and on the posters---had a chance of being seen again by that segment of the ticket-buying public who didn't read the small print. The plot here is just a trifle---Susan Hayward ghost writes songs for composer John Carroll, whose charms evidently outweighed his song-writing ability---played in and around some great singing and dancing numbers by, for its time, a large number of black performers including Dorothy Dandridge, Count Basie, dancing by the great Jack Williams and the team of "Pops & Louie"(Albert Whitman and Louis Williams)and others, including Spanish dancer Chinita Marin, billed as Chinita. The song "Change of Heart", by Jule Styne and Harold Adamson, was Oscar-nominated, and also became the title of the film on 1949 reissue. Walter Scharf also was Oscar-nominated for Best Scoring of a Musical. Republic seldom got two nominations in any single year, much less two in the same film.
A nightclub owner in Panama takes on Nazi spies.
Show-biz hopefuls stage a benefit for an orphanage.
A vaudeville team breaks up when both men fall for the same gorgeous hoofer.
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