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Overview for Louise Fletcher
Louise Fletcher

Louise Fletcher



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Also Known As: Died:
Born: July 22, 1934 Cause of Death:
Birth Place: Birmingham, Alabama, USA Profession: Cast ... actor receptionist


An American film and television actress of considerable and quiet strength, Louise Fletcher won the Academy Award in 1975 as the unforgettable, iron-willed Nurse Ratched in Milos Forman's "One Flew Over the Cuckoo's Nest." The role and subsequent honors were seen by the press as the high point of Fletcher's screen career, since none of the projects that followed, which included "Exorcist II: The Heretic" (1979), "Brainstorm" (1983) and "Invaders from Mars" (1987) matched its box office or critical returns. However, Fletcher worked steadily after "Cuckoo's Nest," earning Emmy nominations for television turns and accepting the notion of "the Oscar curse" with patience and good humor, confident in the knowledge that she had created one of cinema's most enduring villains.

Born Estelle Louise Fletcher in Birmingham, AL on July 22, 1934, she was one of four children by Episcopal minister Robert Capers Fletcher and his wife, Estelle Caldwell. Both of Fletcher's parents were deaf, though she and all of her siblings were born without hearing loss. She was taught to speak by a hearing aunt, who also introduced her to acting. After graduating from the University of North Carolina at Chapel Hill with a degree in drama, she traveled to the West Coast with her roommates, and eventually found herself in Los Angeles without the funds to return home. Fletcher took a job as a receptionist, which paid for acting classes.

Fletcher made her onscreen debut in the late 1950s, landing guest roles on such popular series as "Maverick" (ABC, 1957-1962) and "The Untouchables" (ABC, 1959-1963). However, she left the business in 1963 to raise two sons by her marriage to producer Jerry Bick. A decade passed before she returned to acting, first in the 1974 TV movie "Can Ellen Be Saved" (ABC), and then as bank robber Bert Remsen's duplicitous sister in "Thieves Like Us" (1974), a remake of the 1948 film directed by Robert Altman and co-produced by her husband. Altman later tailored the role of country singer Linnea Reese for Fletcher - the role even called for her to have two deaf children - but after a falling out with Bick, Altman cast Lily Tomlin as Reese.

However, director Milos Forman had seen Fletcher in "Thieves" and wanted her for a major role in his next picture, an adaptation of Ken Kesey's novel "One Flew Over the Cuckoo's Nest." Forman made Fletcher audition repeatedly over a six-month period, during which nearly every major actress in Hollywood refused the part of Nurse Ratched, the martinet-like head nurse at a mental hospital. Fletcher eventually won the role, and collaborated closely with Forman to shape the character into a three-dimensional person, rather than the monster as depicted on the page. Fletcher's turn brought a level of humanity and vulnerability to Ratched, which earned critical acclaim, as well as an Oscar nomination for Best Actress. When Fletcher won the award, she thanked her parents for their support in American Sign Language, creating an enduring moment of genuine emotion in Oscar history. Fletcher also collected a Golden Globe and BAFTA for her iconic performance.

Back stage at the ceremony, Forman told Fletcher that after the success of "Cuckoo's Nest," he and his cast would next make major flops. Unfortunately, his prediction came true. Forman's next film was the sprawling historical epic "Ragtime" (1980), while Fletcher was cast as a scientist in John Boorman's critically reviled "Exorcist II: The Heretic" (1979). Its failure seemed to set the tone for Fletcher's subsequent career, which was spent largely in forgettable features like "The Magician of Lublin" (1979) and Lewis Teague's "The Lady in Red" (1979), which cast her as Anna Sage, the madam who helped the FBI track down John Dillinger. In the 1980s, she settled into a series of roles in several cult science fiction films, including Michael Laughlin's unsettling "Strange Behavior" (1981), its semi-sequel "Strange Invaders" (1983) and Douglas Trumbull's "Brainstorm" (1983), which was all but forgotten in the scandal surrounding the death of its star, Natalie Wood, who drowned during production in November 1981.

There were a number of missed opportunities for Fletcher in the 1980s. She was originally considered for Shirley MacLaine's role in "Terms of Endearment" (1983) and her scenes were deleted from Sergio Leone's "Once Upon a Time in America" (1984). She instead settled for character parts in largely forgettable efforts like "Nobody's Fool" (1986), Tobe Hooper's woebegone remake of "Invaders from Mars" (1986), and the lurid film version of V.C. Andrews' pulp Gothic novel, "Flowers in the Attic" (1987), which earned her a Saturn Award nomination as the film's villain, a religiously fanatical grandmother who tormented her daughter and grandchildren, the former of which were kept prisoner in her mansion's attic for years. Her turn in "Invaders from Mars" earned her a Razzie nomination from the Golden Raspberry Awards, which gave her the dubious distinction of earning laurels from Hollywood's most celebrated and least desired award groups.

The 1990s saw Fletcher working steadily in both low-budget efforts and Hollywood features. Most were again largely dismissible, though she did earn a following as a steely spiritual leader in numerous episodes of "Star Trek: Deep Space Nine" (syndicated, 1993-99). There was also an Emmy nomination for guest appearances on "Picket Fences" (CBS, 1992-96) as Marlee Matlin's estranged mother, and a Satellite nod for the HBO drama "Breast Men" (1997) as lead David Schwimmer's mother. In 2004, Fletcher earned her second Emmy nomination as an embittered piano teacher who still harbored regrets over her failed music career on the religious-themed series, "Joan of Arcadia" (CBS, 2003-05). Television continued to provide her with choice roles in subsequent years, including the physician mother of Deanne Bray's Emma Coolidge, who could turn sound into physical force on "Heroes" (NBC, 2006-2010), William H. Macy's incarcerated and irascible mother on "Shameless" (Showtime, 2011- ) and Tim Daly's mom on "Private Practice" (ABC, 2007-13).

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