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Albert Finney

Albert Finney

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Also Known As: Albert Finney Jr. Died:
Born: May 9, 1936 Cause of Death:
Birth Place: Lancashire, England, GB Profession: actor, producer, director

Biography CLOSE THE FULL BIOGRAPHY

A dynamic, often explosive stage and screen star, Albert Finney emerged from the same class at the Royal Academy of Dramatic Art as Peter O'Toole and Alan Bates to become one of the most respected British performers of his generation. After earning his stripes in productions of such classics as "Julius Caesar" (1956) and "Othello" (1959), Finney had his breakthrough performance on the big screen as the rakish "Tom Jones" (1963), a role that earned him his first Academy Award nomination. Though initially hamstrung by a public image as a sex symbol, he undercut such perceptions by making himself practically unrecognizable as the titular "Scrooge" (1970) and as famed sleuth Hercule Poirot in "Murder on the Orient Express" (1974). Following a lengthy absence from features to concentrate on the stage, Finney returned to the big screen the following decade for Oscar-nominated turns in "The Dresser" (1983) and "Under the Volcano" (1984). Finney was memorable as a Thompson-wielding Irish mob boss in the Coen Brothers' "Miller's Crossing" (1990), though by this time his public stature seemed to have waned. But he emerged triumphant again with his Academy Award-nominated performance in "Erin Brockovich"...

A dynamic, often explosive stage and screen star, Albert Finney emerged from the same class at the Royal Academy of Dramatic Art as Peter O'Toole and Alan Bates to become one of the most respected British performers of his generation. After earning his stripes in productions of such classics as "Julius Caesar" (1956) and "Othello" (1959), Finney had his breakthrough performance on the big screen as the rakish "Tom Jones" (1963), a role that earned him his first Academy Award nomination. Though initially hamstrung by a public image as a sex symbol, he undercut such perceptions by making himself practically unrecognizable as the titular "Scrooge" (1970) and as famed sleuth Hercule Poirot in "Murder on the Orient Express" (1974). Following a lengthy absence from features to concentrate on the stage, Finney returned to the big screen the following decade for Oscar-nominated turns in "The Dresser" (1983) and "Under the Volcano" (1984). Finney was memorable as a Thompson-wielding Irish mob boss in the Coen Brothers' "Miller's Crossing" (1990), though by this time his public stature seemed to have waned. But he emerged triumphant again with his Academy Award-nominated performance in "Erin Brockovich" (2000), which opened the doors for supporting parts in big studio films like "The Bourne Ultimatum" (2007) and smaller independents like "Before the Devil Knows You're Dead" (2007), giving the esteemed Finney a new lease on an already distinguished career.

VIEW THE FULL BIOGRAPHY

Filmographyclose complete filmography

DIRECTOR:

1.
  Charlie Bubbles (1968) Director

CAST: (feature film)

1.
 Skyfall (2012)
2.
4.
5.
 Good Year, A (2006)
6.
 Amazing Grace (2006)
8.
 Big Fish (2003) Edward Bloom (Senior)
9.
 Lonely War, The (2002) Winston Churchill
10.
 Gathering Storm, The (2002) Winston Churchill
VIEW THE FULL FILMOGRAPHY

Milestones close milestones

:
Played the lead in fifteen school plays between the ages of 12 and 17
:
Joined the stock company of the Birmingham Repertory Company
1956:
Stage acting debut with Birmingham Repertory Theatre in "Julius Caesar" playing as Brutus
1956:
London stage debut with the Birmingham Rep at the Old Vic in George Bernard Shaw's "Caesar and Cleopatra"
1958:
Had one scene opposite Charles Laughton in the West End production of "The Party"
1959:
Performed at the famed Shakespeare Memorial Theatre as Edgar in "King Lear" and Cassio in "Othello" (directed by Tony Richardson)
1960:
First collaboration with Lindsay Anderson, starring in Anderson's stage production of "The Lily-White Boys"
1960:
London stage breakthrough, playing the title character in "Billy Liar"; replaced in role by Tom Courtenay who would star in John Schlesinger's 1963 film version
1960:
Made film acting debut as Olivier's son in "The Entertainer" helmed by Richardson
1960:
First leading film role in Karel Reisz's "Saturday Night and Sunday Morning" produced by Richardson
:
Left David Lean's production of "Lawrence of Arabia" (1962) after four days, because it would have entailed signing a seven-year contract with the studio; recommended RADA classmate Peter O'Toole for the role
1961:
Played John Osborne's "Luther" in Paris, the Netherlands and London; directed by Richardson
1962:
Made stage directing debut with Harold Pinter's "The Birthday Party" at the Citizens Theater in Glasgow, Scotland
1963:
Received first Best Actor Oscar nomination, playing the title role in Richardson's "Tom Jones"
1963:
Broadway debut, reprising the title role in "Luther" directed by Richardson; earned a Tony nomination
1964:
First film as producer (also actor), Reisz's remake of "Night Must Fall"
1965:
Formed production company, Memorial Enterprises Ltd. (with actor Michael Medwin)
1967:
Film directing debut (also actor), "Charlie Bubbles"
1967:
Co-starred with Audrey Hepburn as a bickering couple in Stanley Donen's "Two for the Road"
1968:
Won a second Tony nomination for "A Day in the Life of Joe Egg"
1970:
Played the title role in Ronald Neame's musical film "Scrooge"
1972:
Served as an associate artistic director for the Royal Court Theatre in London; directed several plays
1974:
Garnered a second Best Actor Oscar nod as Hercule Poirot in Sidney Lumet's "Murder on the Orient Express"
1975:
Joined National Theatre in London to concentrated on stage work
1977:
Recorded <i>Albert Finney's Album</i> (Motown Records)
1981:
Returned to films in Alan Parker's look at a disintegrating marriage, "Shoot the Moon"; also co-starred Diane Keaton
1982:
Pocketed a reported $1 million to play Daddy Warbucks in John Huston's film version of "Annie"
1983:
Co-starred with fellow RADA alum Tom Courtenay in a film version of "The Dresser" directed by Peter Yates; both earned Oscar nominations for Best Actor
1984:
Nominated a fourth time for a Best Actor Academy Award for Huston's "Under the Volcano"
1984:
Formed theater company with actors Richard Johnson and Diana Rigg
1984:
Made U.S. TV acting debut in the title role of the CBS TV-movie "Pope John Paul II"
1987:
Reprised stage role as a Chicago gangster with an authentic South Side accent in Alan J. Pakula's film adaptation of "Orphans"
1990:
Appeared as Leo, the big city Irish crime lord of the Coen brothers' "Miller's Crossing"
1991:
Gave rich, rewarding performance as a bedeviled innkeeper in the otherworldly thriller "The Green Man" (A&E)
1992:
Showed off an Irish brogue as the local police sergeant of a small Irish village in 1957 for "The Playboys"
1993:
Delivered a fine performance as an eccentric Southern father in Bruce Beresford's "Rich in Love"
1994:
Offered a masterful performance as the public school teacher-scholar at the center of Mike Figgis' remake of "The Browning Version"
1995:
Reteamed with Yates for "The Run of the Country" once again playing an Irish cop
1996:
Co-starred with Courtenay in the London stage production of "Art"
1996:
Essayed permanently soused TV writer Daniel Feeld in two Dennis Potter-scripted BBC specials "Karaoke" and "Cold Lazarus" (aired in U.S. on Bravo)
1997:
Portrayed the domineering doctor father of Jennifer Jason Leigh in Agnieska Holland's film version of Henry James' "Washington Square"
1997:
Played the drunken Dr. Monygham in the lavish six-hour "Masterpiece Theatre" miniseries presentation of "Joseph Conrad's 'Nostromo'" (PBS)
1999:
Co-starred with Bruce Willis and Nick Nolte in a film adaptation of Kurt Vonnnegut's "Breakfast of Champions"
1999:
Played featured role of a former racing commissioner in "Simpatico"
1999:
Reunited with Courtenay for the "Masterpiece Theatre" drama "A Rather English Marriage" (PBS)
2000:
Portrayed the title character's lawyer boss Ed Masry in "Erin Brockovich" directed by Steven Soderbergh; received a Best Supporting Actor Academy Award nomination
2000:
Made cameo appearance in the Soderbergh directed "Traffic"
2000:
Starred opposite Bridget Fonda in "Delivering Milo"; screened at Cannes
2001:
Cast as Ernest Hemingway in "Hemingway, The Hunter Of Death"
2002:
Portrayed Winston Churchill in "The Gathering Storm"; received a SAG nomination for Best Actor in a Television Movie
2003:
Portrayed an Older Edward Bloom in "Big Fish," directed by Tim Burton; received a Golden Globe nomination for Best Actor in a Supporting Role
2005:
Voiced Finnis Everglot in Tim Burton's animated feature "Corpse Bride"
2006:
Co-starred with Russell Crowe in director Ridley Scott's "A Good Year"
2007:
Cast in "Amazing Grace," as John Newton the author of the hymn <i>Amazing Grace</i>
2007:
Cast as Dr. Albert Hirsch in "The Bourne Ultimatum"
2007:
Co-starred in Sidney Lumet's "Before the Devil Knows You're Dead"
2012:
Reprised Dr. Hirsch in "The Bourne Legacy"
2012:
Cast opposite Daniel Craig in 007 feature "Skyfall," directed by Sam Mendes
VIEW ALL MILESTONES

Education

Salford Grammar School: -
Royal Academy of Dramatic Art: London , England -

Notes

"I grew up secure, and it was dull. Part of the reason I became an actor is that I like my life insecure." --Albert Finney, quoted in "The Great Stage Stars" by Sheridan Morley

About his rapport with fellow RADA alum Tom Courtenay: "When we were doing the filming of 'The Dresser', we just sort of had an ease together when we were working. It was great. Very soon it was clear there was a tremendous sort of trust between us. It's a very comfortable relationship, and we can discuss things quite frankly with each other." --Finney to Los Angeles Times, October 2, 1999

"Listen, I don't care if the queen of England ever knights me because frankly you don't get land with the deal anymore. Who needs it?" --Finney to Cindy Pearlman in Chicago Sun-Times, March 13, 2000

Asked to name his best film: "I must say 'Two For the Road' (1967) because it holds up so well. Working with dear Audrey Hepburn is a memory I will never forget. If I close my eyes, I can still see both of us spending a summer filming in the south of France. I see Audrey in the makeup trailer because it was hot and she had to change her hair, makeup and costumes three times a day.

"She was remarkable. She worked from five in the morning to late at night . . . I've been very lucky to work with pros. And sometimes when I think back, I actually cry about it. These are people who have been capable of going out on a limb in some way. And courage always impresses me." --Finney in Chicago Sun-Times, March 13, 2000

Remembering John Huston, who directed him in "Annie" and Under the Volcano": "We were doing the read-through of 'Annie' in the Plaza Hotel in New York, and I sat next to John. I knew that he wasn't allowed to smoke anymore, and I smoke cigars, the big ones. When we had a break for coffee, I said, 'John, I'm dying for a smoke; do you mind if I smoke?' John said, 'I wish you would.' And as my smoke drifted past him he took big gulps of it out of the air." --Finney to Premiere, April 2000

About why he took a year off after "Tom Jones": "My agent said, 'In a year thay won't know who you are.' I said, 'They didn't know who I was four months ago. What's the difference?' That year taught me a lot--that I love to travel, and that it was very important to get away from [acting]. It's not like a proper job, where you start with good, honest work, so by the age of 40 you become a branch manager but by 65 you're out. In our game, you don't have to retire. With a bit of luck, I can be boring people to death for the next 20 years or so." --Finney quoted in Premiere, April 2000

On working with Julia Roberts in "Erin Brockovich": "As far as her public is concerned, she could only do romantic comedy if she wished. But for this film I think she went out on a limb. It is over two hours long, and she's on screen for most of that time. She didn't have a day off any day that I worked. But she never came on set in any other state than being ready to work. She was always up. I was proud of her as a fellow professional. That's how a trouper should be. Working with her was enjoyable, because it was volatile and unpredictable." --Finney, quoted in the London Times, April 6, 2000

Companions close complete companion listing

wife:
Jane Wenham. Actor. Married in 1957; divorced in 1961; member of Birmingham Rep with Finney.
companion:
Zoe Caldwell. Actor. Had relationship from 1959 to 1960; cited as a correspondent in Jane Wenham's divorce case against Finney.
companion:
Audrey Hepburn. Actor. Became romantically involved during the filming of "Two for the Road" (1967).
wife:
Anouk Aimee. Actor. Married in 1970; divorced in 1978.
companion:
Pene Delmage. Travel agent. Together since c. 1990.
VIEW COMPLETE COMPANION LISTING

Family close complete family listing

father:
Albert Finney Sr. Bookie.
mother:
Alice Finney.
son:
Simon Finney. Focus puller, assistant cameraman. Mother, Jane Wenham.

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