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W. C. Fields

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Also Known As: Charles Bogle, Mahatma Kane Jeeves, William Claude Dukenfield, Otis Criblecoblis, Charles Bogle, Mahatma Kane Jeeves, Otis Criblecoblis Died: December 25, 2046
Born: January 29, 1880 Cause of Death: pneumonia
Birth Place: Philadelphia, Pennsylvania, USA Profession: comedian, actor, screenwriter, juggler, vaudevillian, ice delivery boy, scullery boy, cigar store assistant, newspaper vendor

Biography CLOSE THE FULL BIOGRAPHY

A renowned gambler and card-shark, a gin drinker, and hater of children, iconic actor- comedian W.C. Fields was known as all these things and more - a pool hustler, a juggler and an ordinary man struggling against life. Some widely held beliefs were true; some were part of the act, but above all the cantankerous man with a bulbous nose and a drawling voice was one of the funniest, richest and most influential comics of the twentieth century. While Charlie Chaplin drew our sympathy, Buster Keaton earned our astonishment and the Marx Brothers made us blush, Fields spoke directly to what made us human - our dark desires, the unspoken urge for meanness, the depravity which we all held quiet, all the while making us laugh when he got away with it. Fields was the man whom audiences hated to admit reminded them of themselves.William Claude Dukenfield was born on Jan. 29, 1880 and raised in Philadelphia, PA. From the start, he had show business in his blood. But unlike comics of later generations, he drew from real life instead of television or a Harvard education. During his childhood, his mother's withering asides about passing neighbors fueled what would become one of Field's classic bits - smiling...

A renowned gambler and card-shark, a gin drinker, and hater of children, iconic actor- comedian W.C. Fields was known as all these things and more - a pool hustler, a juggler and an ordinary man struggling against life. Some widely held beliefs were true; some were part of the act, but above all the cantankerous man with a bulbous nose and a drawling voice was one of the funniest, richest and most influential comics of the twentieth century. While Charlie Chaplin drew our sympathy, Buster Keaton earned our astonishment and the Marx Brothers made us blush, Fields spoke directly to what made us human - our dark desires, the unspoken urge for meanness, the depravity which we all held quiet, all the while making us laugh when he got away with it. Fields was the man whom audiences hated to admit reminded them of themselves.

William Claude Dukenfield was born on Jan. 29, 1880 and raised in Philadelphia, PA. From the start, he had show business in his blood. But unlike comics of later generations, he drew from real life instead of television or a Harvard education. During his childhood, his mother's withering asides about passing neighbors fueled what would become one of Field's classic bits - smiling openly while delivering tart-tongued comments under his breath. In later years, it came to light that Fields often embellished stories of a youth filled with hardship - with the likely truth being that his family was supportive of his dreams to enter show business.

Nonetheless, stories circulated that Fields grew up in an abusive household - years of listening to his father imbibe and sing religious songs, followed by a slap to the head, left him averse to music but open to drinking, as demonstrated in his later years. After just a few years of education, Fields was plucked out of school by his father and put to work, manning the vegetable cart that was the family business. At nine years old, the resourceful Fields sneaked into a vaudeville act and witnessed something that wound up changing his life: a juggling act. Determined to become a juggler himself, Fields practiced with his father's vegetables, frequently dropping them and earning not only his ire but, reportedly, a shovel to the head. At 11 years old, Fields ran away from home and never returned.

Working several odd jobs and often in trouble with authorities for stealing, Fields developed a fondness for vice and hustling money at billiards by age 15. He also kept up the juggling and became so skilled that he was hired by an amusement park in Norristown, PA, not far from where he was born. While juggling for appreciative crowds, he stumbled upon a sure-fire gag - he pretended to be clumsy and inept, dropping what he juggled, which including everything from cigar boxes to hats. But as each mishap translated to another miraculous feat, he earning laughs as well as applause. Soon after, he took a job juggling on the pier in Atlantic City, NJ.

At 18, he made his way to vaudeville, performing his juggling act as well as a variety of stock roles in other shows. Billed as "The Distinguished Comedian," Fields was reportedly so successful that he opened bank accounts in every city he played in. In fact, by the age of 23, he was already performing at London's Buckingham Palace with performer Sarah Bernhardt. Among his showbiz talents, Fields was also a skilled artist and drew cartoons for newspapers, as well as posters for his shows. Beginning in 1915, Fields landed a place in the enormously popular Ziegfield Follies, appearing in each show from that year through 1921. Still young and thin, he bore scant resemblance to the crusty persona for which he was later remembered. He perfected his clumsy juggler act and also developed a comedy pool routine, with strangely shaped pool cues and a custom-built pool table rigged for gags.

During this time he also developed his classic speech style, mumbling and grumbling his observations. His command onstage led to his first Broadway success in the musical, "Poppy," where he perfected his signature role of a sneaky, untrustworthy huckster. After his highly successful stint in the Follies, he ventured into the relatively new medium of film, appearing in silent films and "one-reelers," or 10-minute shorts. His first acting and writing effort - "The Pool Sharks" (1915) - saw a fake-mustachioed Fields comically competing against a rival for the affections of a woman. He soon completed other silent films before returning to vaudeville to star in a production of "Vanities." Fields was well-compensated for his efforts: fearing that he may fall back into poverty, the comic clamored for the best pay he could. By 1915, he was earning $800 a week; in later movies, he would earn as much as $5,000 a week.

Though Fields had made strides in the movie business, his commitments to the stage prevented him from stepping back in front of the camera until 1924. He returned to films with a brief comic appearance as a British officer in William Randolph Hearst's epic showcase for mistress Marion Davies, "Janice Meredith" (1924). Fields soon landed starring roles in a slew of silent comedies, all of which saw him wearing his then-trademark fake black mustache. In "Sally of the Sawdust" (1925), he was a crusty card shark who befriends a dancer (Carol Dempster) while working a carnival. Fields starred later that year in D.W. Griffith's crime drama, "That Royale Girl" (1925), playing a small time crook whose daughter (Dempster) falls under the suspicion of a district attorney (James Kirkwood) after her boyfriend murders his wife.

Fields continued to star in silent fare throughout the 1920s, though later generations were unable to see several titles because they were lost in the dustbins of time. After comic roles in "It's the Old Army Game" (1926) and "So's Your Old Man" (1926), he starred in "Two Flaming Youths" (1927) as the owner of a dog-and-pony operation that desperately tries to stay ahead of creditors and the authorities. In "The Potters" (1927), he puts his family into financial jeopardy after investing their life savings in worthless oil stock, while in "Running Wild" (1927) he starred as a henpecked family man who becomes aggressive at home and at work, thanks to a stage hypnotist who puts him under a spell. Fields made his final silent film, "Fools for Luck" (1928), donning his cheap black mustache one last time - he ditched the prop when he moved into talkies - to once again play a schmuck who invests all his money in a dry oil well.

When he reached his fifties - a time when most Hollywood actors have been pushed aside - Fields signed with producer Mack Sennett, famous for his comedy shorts, and felt a resurgence in his career. He churned out seven "two reelers" - typically running around 20 minutes each - including "The Golf Specialist" (1930), "The Dentist" (1932) and "The Fatal Glass of Beer" (1933). The shorts cemented what would become Fields' patented routine, and remain some of the funniest work of his career. With the feature film "International House," Fields signed a long-term contract with Paramount Pictures, which led to roles in 16 feature-length comedies, including "Million Dollar Legs" (1932) and "Tillie & Gus" (1933). On the former project, he met co-star Carlotta Monti, with whom he shared a relationship for the rest of his life. Monti would later write a book detailing the couple's involvement.

While never remembered for actually being drunk or disorderly, Field rightfully earned his reputation as a drinker. In the mid-1930s, Fields stopped appearing in movies for a spell due to illness brought about and exacerbated by alcohol. But during his convalescence, however, he started a career as a comic radio personality, frequently appearing as a guest on Charlie McCarthy's radio show and often trading insults with the host. As his health improved, Fields made a return to the movies - in a big way. In 1935, he played the character of Wilkins Micawber in "David Copperfield" - a thrill for the comic, due to his of his love of author Charles Dickens. The next year, he appeared in the film version of "Poppy" (1936) where he uttered one of his most famous lines: "Never give a sucker an even break!" The picture heralded his comeback.

Once again near the top of his game, Fields was offered the role of the Wizard in "The Wizard of Oz" (1939), but did refuse the part. The story went that he considered the role too small and that MGM did not offer him enough money - his going rate at the time was $100,000 per picture. But just as likely a story was that Fields was too busy writing his next film with his former radio partner, McCarthy - "You Can't Cheat and Honest Man" (1939). Like many of his later films, Fields wrote under a humorous-sounding pseudonym - in this case, Charles Bogle. He would also write under the names Otis Criblecoblis and Mahatma Kane Jeeves; a take on the then-popular phrase, "My hat, my cane, Jeeves."

In 1940, he co-starred with Mae West in "My Little Chickadee," which he also wrote. That same year he wrote and starred in "The Bank Dick," his most popular movie. A career highlight, he played the lead role of unlikely bank detective Edgar Sousé, a name derived from a slang term for a drunk, only with a more refined pronunciation. Fields delivered a number of classic lines, including asking a bartender if he had been in the night before and spent $20 - when the bartender answered that he had, Sousé showed relief and replied, "What a load that is off my mind. I thought I'd lost it." Ambling about town, Sousé encountered all manner of people and situations, scarcely improving them with his presence. Approaching a chauffeur working on a broken down car, Sousé utters the helpful hint that the problem may be with the wheelbase of the vehicle. He volunteers his help, asking for a monkey wrench, then knocks a perched toolbox down into the engine, which he leaves behind in even more of a mess. A madcap car chase in the climactic ending - including a detached steering wheel which Sousé places in the backseat, certain they will need it later - is made all the funnier by his characteristic deadpan reactions.

The film was nearly to be his last. Fields appeared as himself the following year in "Never Give a Sucker and Even Break" (1941), again written by him, where he played Uncle Bill or Bill - the name for which he was known by his friends. But by 1942, the roles dried up and Fields was at an end. He spent the last of his days in a hospital, suffering from various illnesses and deteriorating vision At Las Encinas Sanatorium in Pasadena, CA, Fields died at the age of 66 from a stomach hemorrhage on Christmas Day in 1946 - a holiday that he reportedly only pretended to hate despite his love for Dickens. He was soon laid to rest at Forest Lawn Memorial Park Cemetery, in Glendale, CA. When alive, he had often joked that he wanted his gravestone to say, "On the whole, I'd rather be in Philadelphia," which was interpreted as either a joke about his home state or a reference to the common comedian's lament that performing anywhere was better than performing in Philadelphia.

Meanwhile, Monti's account of her life with Fields - W.C. Fields & Me" -- was published in 1971 and made into a movie in 1976, with Rod Steiger playing Fields. In what may have been all-too-common circumstances of confusing fiction with real life, Fields was well known for loathing children. A widely circulated but nasty rumor had him spiking the milk of Baby Leroy with gin on the set of "Tillie & Gus," when the famous child star was just one-year-old. Later accounts, however, portrayed Fields as a devoted father and grandfather. Fields left behind a legacy of comedy that appeared in everything from the self-referential stage routines of Lenny Bruce to the strange names and odd asides in characters performed by Chevy Chase. He celebrated bad, astonishingly boorish behavior decades before Larry David. Yet thanks to his everyday humor and timeless scenarios of golf, pool and beer drinking, he remained contemporary well past his time.

VIEW THE FULL BIOGRAPHY

Filmographyclose complete filmography

CAST: (feature film)

1.
 Down Memory Lane (1949)
2.
 Song of the Open Road (1944) Himself
3.
 Follow the Boys (1944)
4.
 Sensations of 1945 (1944) Himself
5.
 Never Give a Sucker an Even Break (1941) The great man [W. C. "Uncle Bill" Fields]
6.
 The Bank Dick (1940) Egbert Sousé
7.
 My Little Chickadee (1940) Cuthbert J. Twillie
8.
 You Can't Cheat an Honest Man (1939) Larson E. Whipsnade
9.
 The Big Broadcast of 1938 (1938) T. Frothingill Bellows/S. B. Bellows
10.
 Poppy (1936) Prof. Eustace McGargle
VIEW THE FULL FILMOGRAPHY

Milestones close milestones

:
Raised in the Philadelphia area
1898:
Left home just before his 18th birthday and made stage debut peforming in vaudeville in Philadelphia
1898:
Began touring with the Monte Carlo Girls
1899:
NYC debut at Miner's Bowery Theatre (January)
1900:
Solo debut on the Orpheum circuit; began tour in San Francisco
1901:
Embarked on European tour, beginning in Berlin, Germany; later played London and Paris
1902:
Returned to Europe, playing Berlin, Vienna, Prague and London
1903:
Traveled to Australia and then South Africa
1904:
Toured Great Britain; also appeared in France and Italy
1905:
After completing performances in Denmark, Germany and Spain, returned to USA for first time in nearly three years
1905:
Broadway acting debut in "The Ham Tree"; toured with show on and off until 1907
1907:
Resumed vaudeville performances, returning with a juggling act
1908:
Continued to divide time appearing throughout the USA, in Europe, South Africa and Australia
:
Debuted at the Follies Bergere in Paris
1915:
Film acting debut in short, "Pool Sharks"
:
Became a Broadway headliner with the yearly editions of the "Ziegfeld Follies"
1922:
Appeared in Ziegfeld rival George White's "Scandals of 1922"
1923:
Starred as Eustace McGargle on stage in "Poppy"
1924:
Returned to films after nine years; made feature film acting debut in cameo role in "Janice Meredith"
1925:
Starred in "Sally of the Sawdust", directed by D.W. Griffith, a film adaptation of the stage play "Poppy"; recreated stage role of Eustace McGargle
1925:
Began making features for Paramount; first was "That Royle Girl" (no longer extant), directed by Griffith
1925:
Returned to the "Ziegfeld Follies"
1927:
Acted in feature "Running Wild", helmed by Gregory La Cava
1928:
Appeared in Earl Carroll's "Vanities"
1928:
Played the ringmaster in "Tillie's Punctured Romance"
1928:
Last Paramount silent, "Fools for Luck" (no longer extant)
1930:
Made final appearances in vaudeville at the Palace Theater
1930:
First sound film, the RKO short "The Golf Specialist", recreating routine from the "Ziegfeld Follies of 1918"
1930:
Again co-starred in Earl Carroll's "Vanities"
:
Final Broadway performance in "Ballyhoo"
1931:
First sound feature film role, played a barber in "Her Majesty Love"
:
Acted in a series of short films for producer Mack Sennett, including "The Dentist" (1932), "The Fatal Glass of Beer" and "The Pharmacist" (both 1933)
1933:
Radio debut as guest on "California Melodies"
1933:
First film with Baby LeRoy, "Tillie and Gus"
1933:
Cast as Humpty Dumpty in the screen version of "Alice in Wonderland"
1934:
Provided the stories (under pseudonym Charles Bogle) for "The Old Fashioned Way" and ""It's a Gift"
1935:
Delivered sole career dramatic performance playing Mr. Micawber in the George Cukor-directed "David Copperfield"
1935:
Starred in and provided story for "Man on the Flying Trapeze", a loose remake of "Running Wild"
1936:
Again reprised stage role in "Poppy", a remake of "Sally of the Sawdust"
1937:
Co-starred on the NBC radio program "Chase and Sanborn Hour", alongside Edgar Bergen and Charlie McCarthy
1938:
Last film for Paramount, "The Big Broadcast of 1938"
1939:
Reportedly declined to play the title role in "The Wizard of Oz", feeling the film would be a flop
1939:
Signed on at Universal for more than $100,000 per picture; first vehicle, "You Can't Cheat an Honest Man"
1940:
Teamed with Mae West for the comedy "My Little Chickadee"; also credited with co-writing screenplay with West
1940:
Starred in the comedy "The Bank Dick"; wrote screenplay under pseudonym Mahatma Kane Jeeves
1941:
Last starring vehicle, "Never Give A Sucker an Even Break"; also wrote story under pseudonym Otis Criblecoblis
1944:
Recreated his legendary pool routine in the vaudeville-inspired feature "Follow the Boys"
1945:
Made last feature film appearance in "Sensations of 1945"
VIEW ALL MILESTONES

Companions close complete companion listing

wife:
Harriet Hughes. Vaudevillian, showgirl. Met in late 1890s when they were both in appearing in vaudeville; became engaged in 1899; married in San Francisco on April 18, 1900; separated shortly after birth of son Claude; she converted to Roman Catholicism in 1906 and refused to grant Fields a divorce; died on November 7, 1963.
companion:
Bessie Chatterton Poole. Chorus girl. Together c. 1914 to c. 1916; gave birth to a son William on August 15, 1917, who later claimed to be Fields' illegitimate son; Fields reportedly paid child support for the boy until 1927 when Poole signed an agreement that William would make no further claims on any future inheritances and swearing that Fields was not the boy's father in return for $20,000 paid by Fields.
companion:
Maude Fenwick. Had relationship c. 1916 to c. 1923.
companion:
Mildred L Blackburn. Chorus girl. Had relationship c. 1923 to c. 1928.
companion:
Fay Adler. Chorus girl. Together c. 1928 to c. 1933.
companion:
Carlotta Monti. Actor. Began on-again, off-again relationship with Fields in 1933; detailed their relationship in book "W.C. Fields and Me"; later biographers of Fields disputed many of her claims.
companion:
Judith Allen. Actor. Began short-term relationship in 1934.
VIEW COMPLETE COMPANION LISTING

Family close complete family listing

father:
James L Dukenfield. Fruit and vegetable seller. British immigrant; served in the Union Army during the Civil War;.
mother:
Kate Dukenfield.
brother:
Walter Dukenfield. Younger.
sister:
Adel Dukenfield. Younger.
sister:
May Dukenfield. Younger.
brother:
Leroy Dukenfield. Born in 1895.
son:
Claude Fields. Born in July 1904; parents separated c. 1905.
VIEW COMPLETE FAMILY LISTING

Bibliography close complete biography

"Fields for President"
"W.C. Fields and Me"
"The Art of W.C. Fields"
"W.C. Fields By Himself"
"W.C. Fields"
"Man on the Flying Trapeze: The Life and Times of W.C. Fields" W.W. Norton & Co.
"Never Give a Sucker an Even Break: W.C. Fields on Business" Prentice-Hall
VIEW COMPLETE BIBLIOGRAPHY

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