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|Also Known As:||Jose Vicente Ferrer De Otero Y Cintron||Died:||January 26, 1992|
|Born:||January 8, 1912||Cause of Death:||cancer|
|Birth Place:||Puerto Rico||Profession:||Cast ... actor writer director producer assistant stage manager musician French teacher|
Protean Broadway actor-director-producer whose noteworthy stage performances include Iago to Paul Robeson's "Othello" (1942), a Tony-winning "Cyrano de Bergerac" (1946) and the prince in the Noel Coward musical, "The Girl Who Came to Supper" (1964).
Ferrer made his Hollywood debut in "Joan of Arc" (1948) and, thanks to his sonorous voice and urbane manner, excelled at playing pedants and snobs, like the pompous Nazi professor in Mel Brooks's 1983 remake of "To Be or Not to Be." He proved his versatility, though, as the murderous hypnotist in "Whirlpool" (1949), the defending officer in "The Caine Mutiny" (1954), the sadistic Turkish bey in "Lawrence of Arabia" (1962) and the ham actor in "Enter Laughing" (1966).
Ferrer's work as a film director has been generally undistinguished, one exception being his scathing look at the TV industry, "The Great Man" (1956). He was married to actress Uta Hagen (1938-48) and singer Rosemary Clooney (1953-66), and his son is character actor Miguel Ferrer.
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Ferrer received his first Academy Award nomination for his film debut in Joan of Arc in 1948. Ferrer won an Academy Award as "Best Actor" for his portrayal of Cyrano de Bergerac in the 1950 film. In 1952, Ferrer portrayed French painter Henri de Toulouse-Lautrec in John Huston's Moulin Rouge , for which he was Oscar nominated for the third time. In the midst of his film work, Ferrer would return to the stage every so often, and the most notable performance of his later career was in the dual role of Miguel de Cervantes and his fictional creation Don Quixote in the hit musical Man of La Mancha. Ferrer took over the role from Richard Kiley in 1967, and subsequently went on tour with it in the first national company of the show. He considered Lawrence of Arabia in 1962,to be his finest film performance.
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