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Frank Arrigo

Frank Arrigo

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Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Art Director ...
RATE AND COMMENT

COMPLETE FILMOGRAPHY WITH SYNOPSIS

Producer (feature film)

1.
The Groundstar Conspiracy (1972) as Associate Producer
A break-in and sabotage attempt occurs at a top secret research institute and the culprit is cornered and captured. The problem is that he's been badly injured and claims to have lost his memory entirely. A cat-and-mouse game ensues between investigator Tuxan, the mystery intruder Welles and the people who sent him on the mission.

Assistant Direction (feature film)

2.
Mustang Country (1976) as Assistant Director
With the help of a Native American teenager, a Montana rancher attempts to catch a wild mustang.

Art Director (feature film)

3.
Third Girl From the Left, The (1973)
Kim Novak and Tony Curtis made their TV-movie debuts in this drama of an aging chorus girl who falls for an attentive young delivery boy after deciding that her long-time love affair with a nightclub comic is not headed anywhere.
4.
How to Steal an Airplane (1972)
Two adventurous gringos take on the job of reclaiming a stolen jet from the son of a banana republic dictator. Filmed in late 1968 under the title "Only One Day Left Before Tomorrow," this one sat in a vault for over two years before reluctantly being shown. In later syndication, it reverted to its
5.
Return Of Charlie Chan, The (1971)
Plans to bring Charlie Chan back to TV in this mystery involving the legendary sleuth and a wealthy Greek ship tycoon aboard the latter's yacht off the coast of Vancouver resulted in this curiously disappointing TV-movie with a stranger history. Filmed on location in late 1970, it premiered on Briti
6.
Flight of the Doves (1971) as Art Director
With their cruel stepfather in pursuit, two British runaways Finn Dove and his sister Derval decide to go to Ireland to the safety of their Granny O'Flaherty.
7.
Little Game, A (1971)
A hostile youngster who will stop at nothing to break up his mother's marriage is suspected of homicide, and his stepfather fears that he may be the boy's next victim.
8.
Soldier Blue (1970) as Art Director
After a cavalry group is massacred by the Cheyenne, only two survivors remain: Honus, a naive private devoted to his duty, and Cresta, a young woman who had lived with the Cheyenne two years and whose sympathies lie more with them than with the US government. Together, they must try to reach the cavalry's main base camp. As they travel onward, Honus is torn between his growing affection for Cresta, and his disgust for her anti-American beliefs. They reach the cavalry campsite on the eve of an attack on a Cheyenne village, where Honus will learn which side has really been telling him the truth.
9.
Lost Flight (1970) as Art Director
10.
Change of Habit (1969) as Art Director
A nun helps a doctor clean up the ghetto in which he lives.
11.
House of Cards (1969) as Art Director
Leschenhaut and Morillon are trying to organize a plot to overthrow the French government and set up a new fascist organization. Their plans are interrupted by Davis, an American boxer, tutor of young Paul de Villemont; in Villemont Manor he discovers the plot and, after the kidnapping of the boy, he travels to Rome, where the organization would exchange Paul with a list of members stolen by Davis to give to the press.
12.
Hellfighters (1968) as Art Director
While fighting a perilous oil-well fire, a demolition specialist seeks a reconciliation with his wife and daughter.
13.
The Scalphunters (1968) as Art Director
A trapper and his educated slave track an outlaw band.
14.
Rough Night in Jericho (1967) as Art Director
In A Western town a US Marshall corrals the townsfolk to take a stance and fight a gang boss who terrorizes them.
15.
Torn Curtain (1966) as Art Director
A U.S. scientist pretends to defect to follow his mentor behind the Iron Curtain.
16.
Love and Kisses (1965) as Art Director
17.
Mirage (1965) as Art Director
New York City. David Stillwell struggles to recover his memory before the people who are trying to kill him succeed. Who is he, who are they, and why is he surrounded by murder?
18.
Bus Riley's Back in Town (1965) as Art Director
A young man returns home after a three year tour of duty in the navy only to find things are somewhat different from when he left. His kid sister has grown into a young woman, the job he thought was waiting for him turns out to have some unique conditions, and perhaps most importantly his former sweetheart has married a wealthy and much older man. Disillusioned, he drifts from job to job while trying hard to avoid the advances of his former girlfriend, who is unhappy in her marriage and longs for something extra. While all he wants to do is make something of his life, his will power will be put to the ultimate test.
19.
The Killers (1964) as Art Director
Supposedly based on the short story by Ernest Hemingway. In this film noir, two hitmen want to find out why their latest victim (a race car driver!) "just stood there and took it" when they came to shoot him. Ronald Reagan plays a rich, double-crossing bad guy. A young Angie Dickinson (looking just like Ellen Barkin) plays the femme fatale.
20.
The Night Walker (1964) as Art Director
A woman is beseiged by nightly dreams of an imaginary lover, and, after her husband dies, she is helped by a scheming lawyer to unravel the mystery in her subconscious.
21.
Hell's Crossroads (1957) as Art Director
22.
Spoilers of the Forest (1957) as Art Director
23.
Duel at Apache Wells (1957) as Art Director
24.
Affair in Reno (1957) as Art Director
25.
A Strange Adventure (1956) as Art Director
26.
Come Next Spring (1956) as Art Director
Matt Ballot has returned home after 12 years of hard drinking in all 48 states. His wife has managed to raise their 14 year daughter and 12 year old sun nicely without his help. Matt is considered a disgrace to the town he came from and now he finds himself trying to win the love of his children, his wife and the respect of the towns people. Set in Arkansaw in the 1920's.
27.
Stranger at My Door (1956) as Art Director
Notorious outlaw Clay Anderson and gang rob the town bank and flee in separate directions. Riding hard, Clay's horse goes lame and he is forced to pull-up at a nearby farm. He soon discovers that the place belongs to local preacher Hollis Jarret, his new wife, and a son from a previous marriage. Clay, posing as a weary traveler, tries to insinuate himself into a secure hideout, but the reverend isn't fooled. He agrees to allow Clay to remain at the farm for a few days, but his motive isn't the preservation of his family's safety. Hollis reasons that, with time, patience and a lot of faith, he can convince the outlaw to turn over a new leaf. But Clay's criminal tendencies may run deeper than the preacher had imagined...
28.
Lisbon (1956) as Art Director
29.
Accused of Murder (1956) as Art Director
Nightclub singer Ilona Vance is accused of the murder of a crooked lawyer. But Lt. Roy Hargis is convinced that Ilona is caught up in a web of deceit and intends to prove her innocence.
30.
Timberjack (1955) as Art Director
Tim Shipman returns to his father's logging company only to find his father has been killed, money is owed, and Croft Brunner controls the railroad used to haul out the logs. But he learns the Government restriction on his valuable stand of timber has been lifted. Brunner wants that timber and tries to buy him out. Refusing to sell, Tim makes plans to somehow get the timber out.
31.
The Last Command (1955) as Art Director
Texas hero Jim Bowie defends against Mexican general Santa Ana.
32.
The Fighting Chance (1955) as Art Director
33.
Santa Fe Passage (1955) as Art Director
Scout and wagon-train guide Kirby Randolph (John Payne) hates all Indians, particularly Kiowa Chief Satank (George Keymas), whose massacre of an entire wagon-train of settlers led by Kirby, has led to his ostracism and neither he nor his pal Sam Beekman (Slim Pickens) can get jobs. Aurelie St. Clair (Faith Domergue), who owns half of an ammunition shipment for sale in Santa Fe to Mexican insurrectionaries, protests when he partner Jess Griswold (Rod Cameron) hires Kirby and Sam as guides. When Kirby saves them all from a wild horse stampede instigated by Satank, she changes her mind and she and Kirby fall in love, although Kirby does not realize she is half-Indian. Jess, who is also in love with Aurelie and wanting to get rid of Kirby, sends his servant Chavez (Anthony Caruso) to Satank offering to deliver Kirby to the Chief in return for safe passage for the wagon train. But, Satank plans to get both Kirby and the wagon train.
34.
Phantom Stallion (1954) as Art Director
Ex-cavalry buddies, Rex and Slim, band together to capture a wild stallion, solve a murder and thwart the killers from cheating a boy out of his inheritance.
35.
Jubilee Trail (1954) as Art Director
A pregnant widow ventures West in search of a new life.
36.
The Outcast (1954) as Art Director
37.
Untamed Heiress (1954) as Art Director
38.
Sea of Lost Ships (1954) as Art Director
39.
Hell's Outpost (1954) as Art Director
40.
A Perilous Journey (1953) as Art Director
41.
Savage Frontier (1953) as Art Director
In his final B western, Bob Steele is Sam Webb, an ex-outlaw gone straight. When the Cherokee Kid is broken out of jail Rocky questions Sam. Cherokee was in Sam's gang which has now been taken over by respected townsman Oakes. Just as Rocky convinces Sam to talk, Oakes has Sam shot. Oakes then plans to lure Rocky into a trap and also finish off Sam.
42.
Down Laredo Way (1953) as Art Director
43.
El Paso Stampede (1953) as Art Director
In the last of the "Rocky" Lane series, federal marshal Rocky Lane (Allan Lane) saddles up "Black Jack" and heads for the Mexican border to investigate cattle rustling during the Spanish-American War. He gets a job with feed-merchant Nugget Clark (Eddy Waller), and discovers that Nugget's wizened little helper,Josh Bailey (Edward Clark), has been giving cattle shipment information to the town dentist, Mason "Doc" Ramsey (Stephen Chase), who is the secret leader of the rustlers headed by Floyd Garnett (Roy Barcroft.) When Ramsey and Garnett steal some of Nugget's cattle feed, Rocky follows them to their hideout through a waterfall into a hidden valley (El Paso is overun with such scenic delights.) The outlaws have kidnapped Alice Clark (Phyllis Coates)and Rocky captures Ramsey after Garnett is killed in a gun battle. Alice is rescued, the stolen cattle are recovered and Rocky moves on to his next film assignment, which was more than five years later when he turned up as the sheriff in Universal's "The Saga of Hemp Brown." This film had two working titles, "Stagecoach To Cheyenne" and "El Dorado Gold Rush", which lasted until somebody read the script and found no mention of gold rushes, El Dorado, Cheyenne or stagecoaches-to-anywhere. The waterfall in a hidden valley would have fit Cheyenne better than El Paso, but it would have been a heck of a cattle drive to get the herd across the Mexican border.
44.
San Antone (1953) as Art Director
45.
Ride the Man Down (1953) as Art Director
46.
Fair Wind to Java (1953) as Art Director
The Dutch East Indies, at the end of the nineteenth century. An adventurous captain of an American merchant vessel is looking for a sunken Dutch vessel containing 10,000 precious diamonds. Unfortunately, he's not the only one and then there's also that volcano on the nearby island of Krakatau, waiting to explode in its historical, disastrous eruption...
47.
Old Overland Trail (1953) as Art Director
Anchor is building a railroad and to get cheap labor he gets Black Hawk's Indians to attack and burn the incoming wagon train. This forces the settlers to work for Anchor and he pays them in devalued scrip. When Rex figures out Anchor's swindle, Anchor gets Black Hawk to capture him. When Anchor turns on Black Hawk and shoots him, Black Hawk gets a chance to repay a debt to Rex.
48.
Iron Mountain Trail (1953) as Art Director
49.
Lady Possessed (1952) as Art Director
50.
The Last Musketeer (1952) as Art Director
A cattle buyer gets mixed up in a brutal war over water rights.
51.
Montana Belle (1952) as Art Director
The Daltons force Belle Starr to help them on a dangerous raid.
52.
Captive of Billy the Kid (1952) as Art Director
Five people have a part of the map to the treasure of Billy the Kid. Stanley kills Howard to get his piece. Marshal Rocky Lane poses as a crook and takes the other four pieces figuring the killer will contact him. But Stanley knows he is a Marshal and sets a trap to nab him.
53.
Black Hills Ambush (1952) as Art Director
Rocky arrives to help his friend Nugget whose shipments are being robbed. Learning the gang only goes for incoming shipments, he figures they are repacking the loot and having Nugget ship it out. So he hijacks the next outgoing shipment finding a box labeled tools contains gold bars. Then posing as an outlaw he makes a deal with the gang hoping to round them up. But the boss learns he is a Marshal and he is made a prisoner.
54.
Woman of the North Country (1952) as Art Director
55.
Oklahoma Annie (1952) as Art Director
56.
Wild Horse Ambush (1952) as Art Director
57.
Hoodlum Empire (1952) as Art Director
58.
Oh! Susanna (1951) as Art Director
59.
Spoilers of the Plains (1951) as Art Director
This is an odd one for Roy. There are foreign spies, desert sites for rocket-launching and artificial satellites. The climax is a one-on-one fight on top of an oil derrick.
60.
Street Bandits (1951) as Art Director
61.
Fighting Coast Guard (1951) as Art Director
62.
Desert of Lost Men (1951) as Art Director
Landers and gang are after money intended for a new hospital. Lane and the Sheriff have a plan to trap them. But Landers hears of it and Lane is captured and the Sheriff's posse diverted. This clears the road for the gang to rob the stage bringing the money.
63.
Buckaroo Sheriff of Texas (1951) as Art Director
It's just after the Civil War in Texas and Sam White has found a rich deposit of bauxite. But lawlessness abounds and Jim Tulane and his henchmen are in control. Tulane knows White has found something but is unable to find out what and kills him. He also knows the key is in a toy wagon White gave to his son. The son figures out the puzzle only to learn that Tulane's henchman has already accidently found the answer.
64.
Utah Wagon Train (1951) as Art Director
Rancher Rex Allen (Rex Allen) receives a summons from his uncle (Forrest Taylor), an old time frontiersman, that he is in trouble. The uncle has been hired to lead a modern-day band of adventurers on a wagon train retracing the route taken by their ancestors 100 years ago. Before Rex can talk to his uncle, the uncle is murdered, and Rex sets out to find the killer and the motive by taking his uncle's place as the leader of the wagon train. He discovers that the motive was the gold that the original pioneers had cached in a cave on the trail to California, and now has to find the culprit that is after it.
65.
The Sea Hornet (1951) as Art Director
66.
Vigilante Hideout (1950) as Art Director
Rocky, a Range Detective, arrives to help Nugget with rustlers. When he learns Nugget owns only three cows, he stays on anyway and soon becomes involved in Benson's attempt to blow open the banks's safe. When Rocky upsets his plans, Benson supposedly gets rid of him by having him declared an outlaw wanted dead or alive. Then Benson takes a load of explosives into an old mine located directly under the bank vault.
67.
California Passage (1950) as Art Director
68.
Federal Agent at Large (1950) as Art Director
69.
Trail of Robin Hood (1950) as Art Director
Retired actor Jack Holt is raising Christmas trees for sale at a cost which permits every family to have one. A commericial tree company tries to drive Holt out of business. Roy saves the day, of course. Songs include: "Home Town Jubilee," "Get a Christmas Tree for Johnny," and "Ev'ry Day is Christmas in the West." A slew of old-tiome cowboys guest star.
70.
Lonely Hearts Bandits (1950) as Art Director
Two con artists join forces and pose as brother and sister. He then meets rich widows through the "personals" sections of newspapers, marries them, and both kill the widows for their money.
71.
Prisoners in Petticoats (1950) as Art Director
72.
The Old Frontier (1950) as Art Director
73.
Rustlers on Horseback (1950) as Art Director
74.
The Showdown (1950) as Art Director
Shadrach Jones (William Elliott), ex-Texas State Policeman, has a ruthless determination to find and kill the man who shot his brother in the back and stole the money with which he was to buy a ranch for he and Shadrach. At the saloon-hotel ran by Adelaide (Marie Windsor), Shadrach is convinced that one of the cowhands on a cattle drive by Captain McKellar (Walter Brennan) to Montana is the killer, and he takes the trail-herd boss job to identify the man. McKellar preaches to Jones that he should forget revenge and let the law of retribution take care of the killer. Shadrach's hard driving of the men and his hunt for the killer makes him bitterly hated, and his retribution quest ends in a manner he has not anticipated.
75.
The Savage Horde (1950) as Art Director
John "Ringo" Baker shoots an Army Captain in New Mexico in self defense and his brother, Lieutenant Mike Baker (Jim Davis) is charged with bringing him in. Ringo is on his way to Utah to see Livvy Weston (Adrian Booth) and has an encounter with the U.S.Cavalry patrol led by his brother, and wounds Mike in making his escape. He arrives in the town of Gunlock and befriends Glenn Larrabee (Noah Beery Jr). , owner of a small ranch whose property, and that of the other ranchers, is coveted by Wade Proctor (Grant Withers). Ringo becomes Glenn's partner and organizes the small ranchers to fight against Proctor, who sends a fast-draw, hired gunman, Dancer (Bob Steele), gunning for Ringo, who also has his brother and the Army closing in on him.
76.
Code of the Silver Sage (1950) as Art Director
Arizona Territory is in the grip of outlaw terror and killer outlaws, secretly organized by Hulon Champion (Roy Barcroft), who covers his power ambitions with the guise of a respectable firearms merchant. Newspaper editor Fred Gately is killed by Champion's henchman Curt Watson (Lane Bradford) when Gatley makes a public appeal to the President of the United States on the front page of his Bolton City News. After his death, his daughter Ann (Kay Christopher) and his assistant Nugget Clark (Eddy Waller) carry on his efforts and are rewarded when they receive word that the President will journey to the territory in response to their plea. Champion immediately sets in motion a scheme to assassinate the President by putting himself in the good graces of Major Oliver Duncan (William Ruhl) who is to facilitate the trip. Champion's henchmen intercept and wipe out the detail led by Lt. John Case (Richard Emory), Ann's sweetheart, who is bearing sealed orders regarding the trip. He pins suspicion on Case. Rocky Lane (Allan Lane), a lieutenant in the U.S. Cavalry Intelligence, working incognito, is riding to deliver a map of the secret route and is attacked by Watson, but escapes. Rocky then begins to uncover Champion's trail of deceit and villainy, but Champion is still loose to make an attempt on the President's life.
77.
The Vanishing Westerner (1950) as Art Director
78.
Frisco Tornado (1950) as Art Director
U.S. marshal sets out to end an insurance scam: salesmen provide cowtown folk with insurance against outlaw activity, outlaws who work for the insurance salesmen.
79.
Trigger, Jr. (1950) as Art Director
A lawbreaker uses a killer horse to set up a protection racket preying on local ranchers.
80.
Redwood Forest Trail (1950) as Art Director
Arthur Cameron (Pierre Watkin) has spent many years establishing the mountain forest community of New Horizon for underprivileged boys. His chief assistant is Hattie Hickory (Jane Darwell) who cooks and acts as a foster mother for the boy. The property is in danger of reverting to Julie Westcott (Jeff Donnell), whose father Sam Westcott (Bob Burns) has recently being killed by riding his horse into a rope stretched across the trail, and she believes the New Horizon boys to be responsible. She is determined to end the Cameron project and to sell the property to lumber king Bart Bryant (Joseph Granby). Actually behind the trouble is her attorney, Craig Danvers (Marten Lamont), who is in debt to Bryant, who has agreed to take the New Horizon property in payment of the debt. Danvers, with the help of his henchmen Curley (John Cason) and Lush Mason (Robert W. Wood), pulled off the killing through one of the New Horizon boys, Two-Bits (Jimmy Ogg), who just thought he was playing a trick on Westcott. Into this situation rides Rex Allen (Rex Allen), a young official of the American Forestry League, and his sidekick "Alfalfa" Donahue (billed as Carl Switzer).
81.
The Missourians (1950) as Art Director
82.
Under Mexicali Stars (1950) as Art Director
Treasury agents join a traveling circus to catch a band of gold robbers.
83.
Gunmen of Abilene (1950) as Art Director
Abilene gunmen are bent on terrorizing the town of Blue Valley and massacring its inhabitants. They have been hired by local druggist Henry Turner (Peter Brocco), who has discovered gold beneath the town and wishes complete possession. The gunmen rob supply wagons, burn houses, kill leading citizens and then the gang leader, Brink Fallon (Roy Barcroft), having acquired Rocky Lane's paper, poses as the new deputy marshal sent to bring order. Then the real Rocky Lane (Allan Lane as Allan "Rocky" Lane) shows up in his usual bad mood, and the tide begins to turn.
84.
Tarnished (1950) as Art Director
85.
Rock Island Trail (1950) as Art Director
Loumas, president of the Rock Island Trail company, tries to expand his rails into the Midwest but finds resistance of the steamship and stage-coach lines. The malicious Kirby Murrow tries everything to slow down Loumas' progress and doesn't even stop before sabotage. Only Constanze, daughter of banker Strong, believes in his success strong enough to support him financially.
86.
Brimstone (1949) as Art Director
87.
Post Office Investigator (1949) as Art Director
88.
The Red Menace (1949) as Art Director
A disillusioned, bitter ex-GI gets involved with the Communist party, and winds up falling in love with one of his "instructors." At first true believers, they realize their mistake when they witness Party leaders murder a member who questions the party's principles. They try to leave the party, but are marked for murder and hunted by the party's assassins.
89.
Duke of Chicago (1949) as Art Director
90.
Outcasts of the Trail (1949) as Art Director
Lavinia White (Jeff Donnell) and her young brother Chad (Tommy Ivo) are shunned by the townspeople of Twin Wells because their father Tom (John Gallaudet) is serving the last part of a long prison sentence for robbing the Rysen Company of $100,000. Their only friends are Doc Meadowlark (Paul Hurst) and Pat Garrett (Monte Hale), who is employed by the Rysen Transportation Company. When released, Tom is determined to return the money to its rightful owners over the objections of Jim Judd (Roy Barcroft.) Judd threatens harm to Chad and forces Lavinia to aid him, under the same threat against Chad, in the stick-up of the stage in which Tom is returning to Twin Wells with the money. Pat arrives and Judd and the girl escape without the money. The money is returned and Tom prepares to settle down and make amends for the past. Judd conspires with Elias Dunkenscold (Milt Parsons), the Rysen office manager, to steal the money and frame it on Tom. In a chase, Sheriff Wilson (Steve Darrell) is shot but swears Pat in as a deputy before he dies. He has to jail Tom and Lavinia has to keep quiet as the outlaws have kidnapped Chad.
91.
The Wyoming Bandit (1949) as Art Director
Deputy Marshal Rocky Lane is sent to Dry Wells to bring in Wyoming Dan. He arrives just after a robbery where a man has been killed. He then finds Wyoming only to learn that the murdered man was Wyoming's son. Instead of bringing him in, the two join up and go after the killer.
92.
Bandit King of Texas (1949) as Art Director
The Jewel Land Company of Elko, Texas is selling Government land to settlers. Before any of the settlers can claim their land, they are being killed by McCabe's gang. When Rocky comes to Elko to find his friend Jim, he winds up in Jail on a charge of stealing money from the new Marshal. The only person in town that is on his side is Nugget, but there is little that he can do by himself. When Rocky escapes from the jail with another prisoner and the Marshal is shot, he has to find who is behind his problems and what has happened to Jim and Emily.
93.
Sheriff of Wichita (1949) as Art Director
It has been almost five years since the outlaws have stolen the army payroll from Lt. Raymond D'Arcy. While claiming that he gave the money to Major Bishop, neither the money or Bishop have ever been found and Raymond was convicted of the theft. Now he is at the abandoned fort, an escaped convict with a letter, looking to find the truth about the robbery. Members of his old command are also there and Rocky shows up to return Raymond to prison.
94.
The Last Bandit (1949) as Art Director
About to marry Jim Plummer (Forrest Tucker), Kate Foley (Adrian Booth) runs off to Nevada when Ed Bagley (Grant Withers) convinces her a quick fortune can be made robbing gold shipments that are being transported by the railroad. In Bannock City she meets reformed-bandit Frank Plummer (William Elliott), posing as Frank Norris, brother of Jim Plummer, who has being going straight and working as an express shipment guard. Jim also shows up and plans a robbery by stealing a train and hiding it in an abandoned tunnel. The two brothers are on opposite sides of the law with the now-reformed Kate caught in the middle.
95.
Harbor of Missing Men (1949) as Art Director
96.
Secret Service Investigator (1948) as Art Director
97.
Oklahoma Badlands (1948) as Art Director
98.
Son of God's Country (1948) as Art Director
99.
California Firebrand (1948) as Art Director
Hale finding a wounded Lowery assumes his identity. This gets him the job of town Marshal and puts him in the middle of the battle between Dawson and the Mason family. More trouble occurs for Hale when Lowery arrives and exposes him as a fake.
100.
Madonna of the Desert (1948) as Art Director
101.
Lightnin' in the Forest (1948) as Art Director
102.
Angel in Exile (1948) as Art Director
103.
The Plunderers (1948) as Art Director
A cavalry officer must join forces with an outlaw he has been tracking to fight a Sioux war party.
104.
Renegades of Sonora (1948) as Art Director
As a valuable Indian tribal belt is being brought to the Indian Agent, Rocky Lane breaks up an attack on the courier. When the courier dies, Rocky delivers the belt to the Agent. But he quickly finds himself arrested for murder and learns not only is the belt missing, but the murdered Agent is not the man he gave the belt to.
105.
The Inside Story (1948) as Art Director
A collection agent arrives in a small town with $1000 for a local farmer. Whilst waiting for the farmer to arrive the money is put in a safe at a hotel for safe keeping. However, it is removed by mistake and solves a number of financial problems before it is returned.
106.
The Denver Kid (1948) as Art Director
When Border Patrol Lieut. Roberts is killed, it appears that his brother Tim was the killer. To clear the Robert's name for his boss, Lieut. Rocky Lane heads south of the border posing as an outlaw. He hopes to get in with the gang and find Tim who is using an assumed name. As always, Nugget is there to help.
107.
Heart of Virginia (1948) as Art Director
108.
Marshal of Amarillo (1948) as Art Director
109.
That's My Gal (1947) as Art Director
Two sharpie promoters (Don Barry and Frank Jenks) put on a show they believe is so bad it will not play more than one day and they therefore will not have to pay the long list of investors,i.e, suckers and buyers. But one of the investors dies intestate and his interests pass to the state. The governor's secretary (Lynne Roberts) engages new talent (the Four Step Brothers, Guadalajara Trio, St. Clair & Vilvoa, Dolores and Don Graham, et al) and a new orchestra (Jan Savitt), in order to make the show successful and a profitable investment for the state. Barry (in another of the vast majority of his films in which he was not billed as Don "Red" Barry), who has fallen in love with the first-billed Roberts, reforms and buys up the surplus stock.
110.
That's My Man (1947) as Assoc art dir
111.
Blackmail (1947) as Art Director
A private detective is approached by a wealthy entertainment executive to stop a blackmail scheme against him. Although he hasn't decided to take the job, the blackmailers believe that he already has, and he is marked for murder.
112.
Bells of San Angelo (1947) as Art Director
Gridley is mining silver from an old Mexican mine and bringing it into the USA thru a passage into his worthless mine. Border guard Rogers suspects Gridley and finally finds the secret entrance to the Mexican mine. He sends Lee Madison for help only to have her captured by Gridley. Trigger brings help that takes care of Gridley's men and now Roy has to rescue Madison.
113.
Rustlers of Devil's Canyon (1947) as Art Director
114.
Marshal of Cripple Creek (1947) as Art Director
Tom Lambert arrives and Long John Case gets him into trouble. To protect his wife and son he refuses to talk and is sent to prison. Long John then gets Lambert's son into his outlaw gang but Lambert is told the boy's problems are caused by Red Ryder. So Lambert breaks prison planning to kill Red.
115.
Springtime in the Sierras (1947) as Art Director
A gang, headed by evil Stephanie Bachelor, is slaughtering game out of season. Roy finds the freezer where the meat is kept, but baddie Roy Barcroft finds him there. A famous fight takes place in the freezer. Roy, of course, wins it. Songs include the title song, "Oh, What a Picture," "The Quilting Party," "A Cowboy has to Sing," and "Pedro from Acapulco."
116.
Bandits of Dark Canyon (1947) as Art Director
As prisoner Ed Archer is being transferred, the stage is attacked and crashes. Archer escapes the attackers but Ranger Rocky Lane catches up with him. As Rocky is bringing him in, Archer is attacked again. Somebody wants Archer killed and Rocky, now suspecting Archer is innocent, decides to find out who and why.
117.
Driftwood (1947) as Art Director
Six-year-old Jenny (Natalie Wood) rescues a collie dog, the only survivor of a plane wreck. A tag on the dog's neck states that it is en route to a medical laboratory where its blood will be used for spotted fever vaccine. Dr. Steven Webster (Dean Jagger) meets both Jenny and the dog and "adopts" them both. His fiancee Susan (Ruth Warrick) isn't too fond of either the girl or the dog. Webster wants to get a hospital for the town but he is suppressed by the town mayor (Jerome Cowan.) In the arguments that follow, Webster's lab is wrecked and ticks infected with spotted fever escape. The town is in a panic and all want to be vaccinated. Jenny is infected and is about to die.
118.
The Phantom Speaks (1945) as Art Director
119.
The Vampire's Ghost (1945) as Art Director
120.
The Topeka Terror (1945) as Art Director
The land-rush opening of the Cherokee Strip brings in its wake a scattering of outlaws and claim jumpers. Among these is a crooked promoter. Trent Parker (Frank Jacquet), and his henchmen who plan a huge swindle by compiling falsified reports, putting the claims of honest settlers into the names of various henchmen. Clay Stevens (Allan Lane), a government agent posing as a drifting cowhand, advises the settlers to organize their resistance. Ben Jode (Roy Barcroft), the gang leader, runs for sheriff so he can gain full control of the town.

Film Production - Main (feature film)

121.
Heroes (1977) as Production Manager
It's 4 years since Jack is back from Vietnam, but he still has nightmares. In a bus on his way to California he meets Carol, who just left her fiancTe - only 4 days before their wedding, allegedly just for a few days of vacation. Jack happily tells her about his plans to set up a worm farm for fishing baits together with four of his Vietnam ex-comrades. Although he gets on her nerves at the beginning, she starts to care. When one after the other of his friends steps out and Jack looses his optimism, Carol remains as the last support that keeps him from despair.
122.
Mustang Country (1976) as Production Manager
With the help of a Native American teenager, a Montana rancher attempts to catch a wild mustang.

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