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A beautiful, narrow-eyed, sometimes nail-eating actress once called a "blonde, Barbie vixen" in The New York Times, Morgan Fairchild seemingly made a career of portraying strong-willed characters on daytime and primetime soap operas, yet has, on occasion, stepped out of stereotype in delicious guest turns on TV series. Such a turn came with her Emmy-nominated effort on "Murphy Brown" in 1989, wherein Fairchild was an actress researching Murphy for a TV role. But, sticking closer to type, Fairchild accepted the starring role on the daytime soap "The City" (ABC, 1995-96) as a no-holds-barred female tycoon.Fairchild was one of those actresses who did not have to wait tables before getting the breaks, but she did have to remold herself to get there. Born in Dallas, often admitting to being somewhat of an ugly duckling with glasses, Fairchild began performing on stage at age 12. In 1973, six weeks after arriving in New York, she won the role of Jennifer Pace on the CBS daytime drama, "Search for Tomorrow," a character who eventually turned murderous. After leaving the soap in 1977, Fairchild went to the West Coast, where she quickly found work in the miniseries "Harold Robbins '79 Park Avenue'" (NBC,...
A beautiful, narrow-eyed, sometimes nail-eating actress once called a "blonde, Barbie vixen" in The New York Times, Morgan Fairchild seemingly made a career of portraying strong-willed characters on daytime and primetime soap operas, yet has, on occasion, stepped out of stereotype in delicious guest turns on TV series. Such a turn came with her Emmy-nominated effort on "Murphy Brown" in 1989, wherein Fairchild was an actress researching Murphy for a TV role. But, sticking closer to type, Fairchild accepted the starring role on the daytime soap "The City" (ABC, 1995-96) as a no-holds-barred female tycoon.
Fairchild was one of those actresses who did not have to wait tables before getting the breaks, but she did have to remold herself to get there. Born in Dallas, often admitting to being somewhat of an ugly duckling with glasses, Fairchild began performing on stage at age 12. In 1973, six weeks after arriving in New York, she won the role of Jennifer Pace on the CBS daytime drama, "Search for Tomorrow," a character who eventually turned murderous. After leaving the soap in 1977, Fairchild went to the West Coast, where she quickly found work in the miniseries "Harold Robbins '79 Park Avenue'" (NBC, 1977) and the TV-movie "The Initiation of Sarah" (ABC, 1978). Soon thereafter, she was cast as Jenna Wade on the CBS series "Dallas." Fairchild would actually play the role in only one episode, losing it to Priscilla Presley.
By 1981, however, Fairchild had become a primetime soap diva in her own right as Constance, the spoiled adopted daughter, in NBC's "Flamingo Road." In 1984, she played Racine, the powerful and shrewd head of a modeling agency, in the short-lived ABC series "Paper Dolls" and during the 1985-86 season, joined yet another nighttime soap, "Falcon Crest" (CBS), as schizophrenic attorney Jordan Roberts. Even when she was doing longform TV, such as "North & South" (ABC, 1985) and its 1986 sequel, or numerous TV-movies, Fairchild usually played cold-hearted, bitchy roles.
Displaying a sense of humor about that image, Fairchild decided to have fun and surprised the audience in a number of key TV episodes in the 90s. In 1992, she played Sandra Bernhard's lesbian lover on an episode of "Roseanne", and in 1995, got into a catfight with "Cybil" as competitive actresses on -- what else? -- a soap opera. She was also Matthew Perry's too-sexy mother on an episode of "Friends." Fairchild was lured by ABC to play Sydney Chase, one of the richest women in the world, in "The City," its revamped version of the soap opera "Loving;" an MTV generation quick-paced half hour.
Beginning with "The Seduction" (1981), Fairchild played leads in occasional feature films, usually modestly budgeted independents or direct-to-video fodder. In "The Seduction," she was a newscaster being stalked by Andrew Stevens while she was a demanding publishing magnate in "Campus Man" (1987). Fairchild also scored a cameo in the film-within-the film of "Pee-wee's Big Adventure" (1985).
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Fairchild is a member of the Entertainment Industry AIDS Task Force, and a member of the board of governors of AIDS Project Los Angeles (APLA) and a member of the board of directors of Americans for AIDS Research (AMFAR). She also is active in pro-choice and environmental groups.
"When I first came to Hollywood I was offered the role of the 'bad' sister in a TV-movie, even though I really wanted to play the 'good' sister. But one of the producers sat me down and said, 'Honey, you haven't been here very long, have you? Let me explain something. I can get a good ingenue anywhere, but a good bitch is hard to find.' I never dreamed it was going to be my epitaph!" --Morgan Fairchild
"I love being on location and living out of suitcases. It makes it easier to concentrate on the part you're playing because there are no outside distractions, like the pipes bursting in your house." --Morgan Fairchild
"I'm so sick of clothes I could die--I'm sick of the work that goes into the clothes and the look and the image. But this how I know it matters: I was at the gym last week, and two guys came up to me--separately mind you--and told me they loved the red suit I was wearing in the title shots for 'The City'--and they were both straight! This tells me the work it takes to put it all together is worth the effort ... They're not paying me to play a charwoman. They're paying me to show up looking glam and, damn it, I'm gonna show up looking glam!" --Morgan Fairchild in TV Guide, January 13, 1996.
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