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|Also Known As:||David John Matthew, David J Matthews||Died:|
|Born:||January 9, 1967||Cause of Death:|
|Birth Place:||South Africa||Profession:||vocalist, guitarist, actor|
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The public face of the improvisational, jazz/jam fusion-based Dave Matthews Band (DMB), Dave Matthews enjoyed a religiously devoted fanbase who lived for the bandâ¿¿s tours, albums and live music recordings. Launching from the college/fraternity circuit and powered by a bootleg-swapping, Matthews-approved community, the Grammy-winning groupâ¿¿s nonstop tours made it one of the most financially successful acts of all time. Notching smash albums like Under the Table and Dreaming and Crash, as well as hit singles such as "Ants Marching," "Crash Into Me" and "The Space Between," DMB became more than a beloved band, but a Grateful Dead-type movement whose followers adored Matthewsâ¿¿s funky, rough-edged sound and Earth-friendly ethos. Matthews himself remained the good-natured global citizen at the center of it all, releasing a solo album Some Devil, collaborating with a slew of talented musicians, and making small film appearances in features like "Because of Winn-Dixie" (2005) and several Adam Sandler crowd-pleasers including "I Now Pronounce You Chuck & Larry" (2007) and "Just Go With It" (2011). Always humble and unfailingly polite in his public appearances and interviews, Dave Matthews built an...
The public face of the improvisational, jazz/jam fusion-based Dave Matthews Band (DMB), Dave Matthews enjoyed a religiously devoted fanbase who lived for the bandâ¿¿s tours, albums and live music recordings. Launching from the college/fraternity circuit and powered by a bootleg-swapping, Matthews-approved community, the Grammy-winning groupâ¿¿s nonstop tours made it one of the most financially successful acts of all time. Notching smash albums like Under the Table and Dreaming and Crash, as well as hit singles such as "Ants Marching," "Crash Into Me" and "The Space Between," DMB became more than a beloved band, but a Grateful Dead-type movement whose followers adored Matthewsâ¿¿s funky, rough-edged sound and Earth-friendly ethos. Matthews himself remained the good-natured global citizen at the center of it all, releasing a solo album Some Devil, collaborating with a slew of talented musicians, and making small film appearances in features like "Because of Winn-Dixie" (2005) and several Adam Sandler crowd-pleasers including "I Now Pronounce You Chuck & Larry" (2007) and "Just Go With It" (2011). Always humble and unfailingly polite in his public appearances and interviews, Dave Matthews built an amazing musical empire without sacrificing his core message of living a happy and centered life.
Born Jan. 9, 1967 in Johannesburg, South Africa, David John Matthews was born to American parents, John and Valerie Matthews. When he was two, his fatherâ¿¿s job with IBM moved the family to New York City. At seven, Matthews and his family spent a year in Cambridge, England, but they returned to New York, and Matthews began playing guitar at age nine. In 1977, Matthewsâ¿¿ father died of lung cancer, and in 1980, the family returned to Johannesburg, South Africa. Because of the nationâ¿¿s policy of apartheid and mandatory military service, after high school graduation, Matthews returned to the United States and ended up in Charlottesville, VA. Bartending to pay the bills, he joined the local music and theater communities and began to write songs and perform.
Inspired by the musicians he met while serving drinks, Matthews formed a band in early 1991 with a talented group of jazz and classically trained performers: LeRoi Moore, Carter Beauford, Peter Griesar, Boyd Tinsley and Stefan Lessard. Their name "Dave Matthews Band" came about by accident, and even though it seemed to place the focus on Matthews himself, the members considered themselves a true collective. With an eclectic, jam-based sound that included violin/fiddle and harmonica, DMB began to book jobs in the area, especially at fraternity houses, colleges and local clubs. From the beginning, DMB set themselves apart from other acts by encouraging fans to bootleg and share performances, especially since the bandâ¿¿s free-flowing, improvisational nature ensured that no two shows would ever sound just the same. With that rare mindset, they succeeded in eventually building a long-lasting, passionate community.
While Griesar left the band in spring of 1993, the remaining members cohered into a powerhouse core, and that fall, released the independent album Remember Two Things, which topped the college charts. Featuring concert staples such as "Tripping Billies," DMBâ¿¿s album and outlook reflected the type of fan/artist relationship reminiscent of The Grateful Dead: the creation of a harmonious and interactive community of empowered fans. Their first live EP, 1994â¿¿s Recently, helped cement their college fanbase, but their commercial breakthrough came with their 1994 major label release, Under the Table and Dreaming. The set launched the muscular-hippie jam hits "What Would You Say" and "Ants Marching" as well as the soft, melodic "Satellite." Ever present on the tsunami of DMB-related merchandise was a stylized female image of a "firedancer," which was based on a sketch by Matthews and became an instantly recognizable band logo.
The death of Matthewsâ¿¿s older sister Anne in a murder/suicide that same year shaped his songwriting and outlook on life. He dedicated Under the Table and Dreaming to her memory, and helped his sister Jane raise Anneâ¿¿s two children. The bandâ¿¿s professional momentum went into overdrive with the 1996 release of Crash, which earned them a Grammy as well as mainstream success across the board, propelled by the radio-conquering hits "So Much to Say," "Too Much" and especially the inescapable ballad "Crash Into Me." No matter how powerful the band proved on the charts, their bread and butter remained touring. Drawing record-breaking crowds, faithful followers considered each jam-heavy concert a new religious experience, full of moments of epiphany. In 1997, RCA rereleased DMBâ¿¿s first two indie albums, which went platinum, and the band recorded the enormously popular fan-valentine Live at Red Rocks 8.15.95, notable for its inclusion of Matthewsâ¿¿s longtime friend, collaborator and semi-DMB member Tim Reynolds on electric guitar.
Before These Crowded Streets (1998) featured a more somber tone, and launched darker-tinged singles including "Donâ¿¿t Drink the Water" and "Crush." Without the rest of the band, Matthews and Reynolds released a 1999 one-off, Live at Luther College, but DMB reunited to jam at Woodstock â¿¿99 and launch another live album, Listener Supported, which also served as a PBS television special and DVD. The band took to the recording studio under producer Steve Lillywhite to work on their fourth album, but scrapped the sessions as well as the producer. Instead, Matthews hooked up with Alanis Morissetteâ¿¿s producer, Glen Ballard, to write 2001â¿¿s more pop-oriented Everyday. Containing some of the bandâ¿¿s most commercially successful singles, including "Everyday," "I Did It" and "The Space Between," the album proved divisive with longtime fans who felt that DMBâ¿¿s charmingly rough edges had been smoothed over. The online leaking of The Lillywhite Sessions added a controversial footnote to Everyday, since fans and critics were able to compare the setsâ¿¿ divergent sounds.
In response, DMB took the long-shelved songs and reinterpreted them along with new material on 2002â¿¿s Busted Stuff, which pleased fans. They also continued to tour and release live albums and DVDs. Matthews weathered a public relations black eye when one of the bandâ¿¿s tour bus drivers dumped more than 800 pounds of liquid human waste through a Chicago bridge grate, unfortunately dousing passengers on a boat below. To make amends, they fired the driver, donated a hefty sum to a Chicago River charity and settled the resulting civil lawsuit. Undaunted, Matthews released a platinum-selling solo album, 2003â¿¿s Some Devil, which spawned the Grammy-winning single "Gravedigger." He toured to support the album as "Dave Matthews & Friends," but soon enough a recharged DMB reunited with the successful 2005 release of Stand Up. Reflecting the breadth of fans enjoyed by DMB, Julia Roberts starred in the video for the single "Dreamgirl."
Although he resisted the label, Matthews was undeniably the bandâ¿¿s face and most famous member, and he made many appearances on his own. He played Southern-fried fellows in the family films "Where the Red Fern Grows" (2003) and "Because of Winn-Dixie" (2005), and guested on "House" (FOX, 2004- ) as a musical genius in danger of losing his talent to epilepsy. As part of DMB, he was a repeated musical guest on "Saturday Night Live" (NBC, 1975- ) and spoofed Ozzy Osbourne in a 2009 skit which saw cast member Bill Hader playing an ultra laidback Matthews. The singer placed the song "Where Are You Going" in Adam Sandlerâ¿¿s comedy "Mr. Deeds" (2002), and the two struck up a friendship, in part based on their similar frat/college-age fanbases and senses of humor. Matthews lensed goofy cameos in the comedianâ¿¿s "I Now Pronounce You Chuck & Larry" (2007) as a swishy salesman, "You Donâ¿¿t Mess with the Zohan" (2008) as a racist redneck, and "Just Go With It" (2011) as Nicole Kidmanâ¿¿s gay husband.
Still touring the world, DMB allowed fans to determine the lineup for their greatest hits, 2006â¿¿s The Best of Whatâ¿¿s Around Vol. 1. Loyal Virginians, the band played a free concert for Virginia Tech in 2007 after the infamous school shootings, and Matthews lent his musical and touring support to Barack Obamaâ¿¿s presidential campaign. Always placing equal importance on fans as a necessary member of the band, Matthews announced the 2008 death of the bandâ¿¿s saxophonist, LeRoi Moore, at a concert. DMB then released the platinum-selling Big Whiskey and the GrooGrux King in 2009, and performed single "You and Me" on the Grammys. In 2011, an era ended when the band made the shocking announcement that they were taking the year off from touring for the first time in their 20 years together.
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"Our job is to focus on real simple things, treasuring our friendships and treasuring the music, and treasuring our time doing what we love to do, because it will pass," he says. "And then what happens next? I don't know. We'll have to wait 'til we get there."---Dave Matthews to CNN.com, September 8, 1998.
"Occasionally I think being a hermit might be nice. But I try very hard to at least give myself the appearance of an average life. I indulge myself with very normal things, taking my kids to the movie, doing my own grocery shopping or cooking my meals at home. I'm repulsed by the idea of building a big wall and living in a house behind it. I don't think it's healthy. So that allows me to not be afraid of trying small things."---Dave Matthews quoted to VH1, February 17, 2005.
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