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COMPLETE FILMOGRAPHY WITH SYNOPSIS
Cast (feature film)
Posing as an ex-German medical officer, a U.S. Navy Intelligence Officer sets out to rescue a kidnapped scientist, and sink a Nazi submarine, hiding off the coast of South America.
Andy Clark discovers he was cheated out of a half interest in partner Mike's business, now a thriving dance hall in 1892 Chicago. Unable to win it back, Andy schemes to make Mike's position untenable. He also hopes to turn Ruby Summers, Mike's motor-mouthed burlesque queen, into a classier entertainer, and incidentally to make her his own. But at the last minute, Andy's revenge comes unravelled.
Showmen try to exploit a giant ape raised by an orphan.
The Bowery Boys take on a gang of German smugglers.
Dobbs and Curtin meet up in Mexico, and go to work for a contractor, MacClane, who takes them away to remote site and tells them they will be paid when the job is finished. When they are finished, they return to town to find MacClane to get their wages. MacClane gives them a few dollars, and says he'll just go to the bank and pick up the payroll for them. Dobbs and Curtin then meet up with an old prospector, who claims the hills are still full of gold, and if they can get the cash, he'll go with them. They eventually get the cash from MacClane after a little "persuasion", and all three set off for the hills as good friends, but will they return that way?
An insurance agent searches Mexico for a missing colleague.
Reporter Steve Hurley (Carleton Young) is happy when he hears that Crystal McCoy (Evelyn Ankers), star of the burlesque show, is to be replaced by her predecessor, Dolly Devoe (Jaqueline Dalya). Steve hopes Crystal will marry him and give up the stage. But Crystal is unhappy about it, as is show manager Joe Nolan (Craig Reynolds), for he also likes her. It is obvious that he is being forced to put Dolly back in the show. And there is also Blossom Terraine (Rose La Rose) who wants the star role and is using her suitor Chick Malloy (Murray Leonard), the comedian of the show to back her. Dolly arrives in a snit and immediately starts a quarrel with Crystal. And Dolly's day gets worse when Lola Cassell (Marion Martin) shows up and accuses Dolly of having driven to suicide the man they both loved. Dolly's bad day ends when Annie (Alice Fleming), the wardrobe woman who idolizes Crystal, finds her strangled body in a dressing room trunk. The first person Inspector Crowley (Emory Parnell) suspects is Chick, for he had been overheard in an incriminating conversation with Blossom. Then he turns to Crystal, as the result of a threat she had made, plus he learns that a story Steve is writing revolves around the finding of a strangled body in a trunk. To complete the Inspector's own bad day, albeit somewhat better than Dolly's, he finds out that Lola had visited Dolly in her dressing room, and that Chick is blackmailing Nolan into putting Blossom in the starring role and has evidence that Nolan had also been in Dolly's dressing room inbetween the other traffic. THEN, Annie, fearing that Crystal will be arrested, confesses to the murder. The police do not believe her, and give orders that nobody is to leave the theatre until the murderer is found which, based on the number of suspects, gives no indication of happening anytime soon. The list is narrowed when Lola is found dead in a phone booth, with a knife thrust in her back. And while he is questioning the rest of the group in Nolan's office, the lights go out, and Blossom exits stage left by being murdered. Chick accuses Nolan, who admits he was also in Dolly's dressing room - who wasn't - only because she was blackmailing him but she was alive when he left. A shot rings out in Crystal's dressing room, where they find Annie in a faint, but unharmed by the bullet. An inspection of the room shows that Annie fired the bullet at herself, and Steve's adroit questioning tricks Annie into confessing that she was the killer, the crimes being committed as the result of a homicidal mania induced by Annie's intense love for Crystal, who she mistakenly believes to be her daughter.
A songwriter enrolls in an all-girl school to court a pretty gym teacher.
After being tortured by the Nazis, a concert pianist fights to recover his memory.
Two clubmen discuss the occult, introducing three weird tales: 1) Plain, bitter Henrietta secretly loves law student Michael. Then on Mardi Gras night, a mysterious stranger gives her a mask of beauty that she must return at midnight. 2) At a party, palmist Podgers makes uncannily accurate predictions, later telling skeptic Marshal Tyler that he will murder someone. The notion obsesses Tyler, with ironic consequences. 3) High wire artist Gaspar dreams of falling, then loses his nerve. He recognizes Joan from his dreams, and falls for her. Will any of his dreams, involving Joan and disaster, come true?
An heiress experiences a variety of strange goings on when she goes to collect her inheritance.
Ship engineer Jim Taggert (John Litel) is rescued from a torpedoed tramp steamer by Joe Morgan (Alan Baxter), an American gangster that found New York too hot for him, and has become a fisherman operating from an out-of-the-way island off of the coast of South America. Morgan makes his headquarters at the Halfway House run by the parents of Maria Styx (Fifi D'Orsay) as a bar and dance resort catering to the planters and traders of the island. Taggert finds himself practically a prisoner along with a group of American girls acting as entertainers at the resort. Taggert shadows Morgan in his activities in a remote cove and finds that Morgan is supplying German U-boat commanders with torpedoes, but does not know that Morgan has rigged the torpedoes with clock devices that explode when at sea and sinks the U-boats.
True story of U.S. Ambassador Joseph E. Davies' attempts to forge a wartime alliance with the Soviet Union.
A playboy drops his many girlfriends when he falls in love with a grounded angel.
This Republic murder mystery starts with a radio broadcast by Greg Sherman (John Howard) who solves cases on the air that the local police cannot solve. As he names the perpetrator of a recent murder we see the criminal, who is listening to the show, become alarmed and start to make his escape. The scene shifts to the police department where the chief, fearing for his job, assigns officers to get something, anything, on Sherman and get him off the air. Meanwhile, Greg and his pretty wife Beth (Margaret Lindsay) are parting company. He's going to a party and she's going to visit her pregnant sister in the hospital. The next morning Greg wakes up and nudges his sleeping wife. When she doesn't respond, he pulls off the covers and finds not his wife but a strange woman, dead and with the murder knife still sticking up out of her back. While he's still recovering from the shock, Beth walks into the bedroom. Thinking that she has discovered her husband with another woman, she leaves and calls the police. The police are delighted of course, but Greg escapes as they are arresting him. Now he must solve the mystery by himself...
A war correspondent in Egypt thinks a screen star on tour is a spy.
Another film made during WW II in which all the German-born actors, or actors with German-sounding names, changed their names for, to use a WW II expression, "the duration." Here Rudolph Anders chose to be billed as Robert O. Davis and Ludwig Donath opted for Louis Donath, even though they, and most of the other name-change actors of the day, always ended up playing Nazis anyway. This Columbia serial, made after Columbia serial producer Larry Darmour had died, thus making Ralph Cohn the credited producer, finds Police Lieutenant Dan Barton (Paul Kelly), ordered to contact and smash a mysterious Axis sabotage ring, arranging to have himself thrown off the police force in disgrace. He calls attention to himself by assaulting a high government official, the custodian of a newly-devised formula for the manufacture of synthetic rubber, in a faked "effort" to steal the formula. While under the "protection" of the saboteurs who are still suspicious of him, Dan learns that they have been ordered to capture the secret formula by a secret code, whose method of operation is in itself of vital military value. Escaping and disguising himself in a specially-made "Black Commando" suit of fire-proof material (with no Super-Hero powers beyond those possessed by his stunt double), he foils the first Nazi attempt. From that moment on, Barton plays a risky game of life and death; as a disgraced policeman, he becomes an accepted member of the gang and as the Black Commando, he fights them at every turn. And, in either role, he is a hunted fugitive, sought by both the Police and the Federal Government. With the aid and assistance of reporter Jean Ashley (Anne Nagel) and his police partner, Pat Flannagan (Clancy Cooper), Barton manages to round up the ring, locate its secret code and destroy the most serious sabotage effort ever planned by Hitler agents in America. Plus, at the end of every chapter, a series of lessons on code, written and directed by code expert Henry Lysing, was given, and a book called "The Secret C O D E Digest" (by Mr. Lysing) was on sale in the lobby for ten cents.
A pair of murders in Rio de Janiero leads the local police to call the famed detective. Charlie is puzzled, at first, when it appears that one of the murderers is killed by the first victim's widow.
Northern lawyer John Reynolds travels to New Orleans to try and clean up the local crime syndicate based around a lottery. Although he meets Julie Mirbeau and they are attracted to each other, the fact that her father heads the lottery means they end up on opposite sides. When her father is killed, Julie becomes more and more involved in the shady activities and in blocking Reynolds' attempts at prosecution.
A married matador''''s rise to stardom is complicated by an affair with a beautiful aristocrat.
The Cisco Kid (Cesar Romero) tells his pal Gordito (Chris-Pin Martin) that "From now on, Amigo, I am through with women" and then a few minutes later, after rescuing Joan Allen (Jean Rogers) from an attempted stage holdup, tells her "...but you, senorita, you are different!" and therein lies the short summary of all of the films in the 20th Century-Fox Cisco Kid series. The padded plot, so exhibitors could tell the entries apart, finds Towash, Texas saloon owner Hank Gunther (Harold Goodwin) plotting with Jesse Allen (Minor Watson), Joan's father, to rob the money missed on the aborted stage holdup from the express company safe rather than report empty-handed to the "Boss"(Stanley Fields). Allen robs the express office, but is seen by Moses (Nigel de Brulier), an old hermit, who tells the boys in the saloon that he doesn't know the robber's name but recognized him as the man he had seen that day with Joan. The latter has convinced her father to return the money and they will go to Arizona. Cisco, also seen that day with Joan, gets blamed for the robbery as Gunther has killed ol' Mose who is no longer around to identify Cisco as not being the robber, and Joan is not willing to implicate her father. It is beginning to look like Cisco is indeed through with women, albeit on an involuntary basis.
An exiled caveman finds love when he joins another tribe.
This short film shows how cooperation among all the nations of the Americas assists the war effort.
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