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Constance Cummings

Constance Cummings

  • In the Cool of the Day (1963) August 01 (ET) - Reminder REMINDER
  • Mind Reader, The (1933) September 19 (ET) - Reminder REMINDER
  • In the Cool of the Day (1963) October 07 (ET) - Reminder REMINDER
  • This Man is Mine (1934) October 15 (ET) - Reminder REMINDER
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Also Known As: Constance Halverstadt Died: November 23, 2005
Born: May 15, 1910 Cause of Death:
Birth Place: Seattle, Washington, USA Profession: Cast ... actor
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BIOGRAPHY

This highly talented blonde actress made 20 Hollywood films in four years before moving to England where her sophistication and abilities were better served in both motion pictures and on the stage. Constance Cummings was born in Seattle and began her career in stock companies at age 16. Within two years, she had made it to Broadway as a chorine in "Treasure Girl", subsequently playing in "The Little Show" (1929) before scoring a success as the leading lady of "This Man's Town" in 1930. Inevitably, Hollywood beckoned and Cummings lent her talents to a string of films at several studios. She debuted as the daughter of a prison warden (Walter Huston) who falls in love with an ex-con (Phillips Holmes) in the creaky melodrama "Criminal Code" (1931). Often, though, Cummings was superior to the material in which she was cast (e.g., "Lover Come Back" 1931). She was too classy a rival to Mae West for George Raft in "Night After Night" (1932) but offered strong support to Walter Huston in Frank Capra's early study of an idealist fighting what's right in "American Madness" (1932). "Movie Crazy" (also 1932) cast her as leading lady to Harold Lloyd in this semi-autobiographical behind-the-scenes look at filmmaking. Cummings made a suitable rival to Irene Dunne in "This Man Is Mine" (1934) and was fine as the socialite wife of Robert Young in James Whale's comedy whodunit "Remember Last Night?" (1935).

After marrying playwright Benn Wolf Levy in 1933, Cummings more or less abandoned her Hollywood career for the stage and England. Her film appearance became infrequent, although she shone as Robert Montgomery's mystery writer spouse in "Busman's Honeymoon/Haunted Honeymoon" (1940) and had perhaps her best screen role as Rex Harrison's second wife Ruth in the delightful screen version of Noel Coward's frothy "Blithe Spirit" (1945). Her later screen roles found her cast as a demanding prima donna in "The Intimate Stranger/Finger of Guilt" (1956), the aunt of a boy trekking through Africa in "Sammy Going South/The Boy Ten Feet Tall" (1963) and second lead to Angela Lansbury in "In the Cool of the Day" (1963), her last films made directly for the big screen.

Cummings, instead, concentrated on her family and a celebrated stage career that saw her in London and in NYC in such memorable roles as Emma Bovary in "Madame Bovary" (1937), the nagging wife in "The Shrike" (1953), Martha in "Who's Afraid of Virginia Woolf?" (1964) and Gertrude to Nicol Williamson's "Hamlet" (1969, although Judy Parfitt replaced her in the film). Joining Laurence Olivier's National Theatre in the 70s, Cummings triumphed as Mary Tyrone in "Long Day's Journey Into Night" (1971, filmed for TV by ABC). But the crowning achievement in her long career came with her effective and moving portrayal of a former daredevil aviatrix who suffers a stroke in Arthur Kopit's "Wings" (1979), for which she received a Best Actress Tony Award (in a tie with Carole Shelley). After repeating that role for a 1983 PBS version, she starred in the Off-Broadway revival of "The Chalk Garden" (1982), starred as Amanda Wingfield in a Florida production of "The Glass Menagerie" (1984), toured the UK in a one-woman show about actress "Fanny Kemble" and made her last TV appearance in the elegiac British drama "Love Song" (aired in the USA on PBS in 1987).

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