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Overview for Edward Cronjager
Edward Cronjager

Edward Cronjager



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Also Known As: Died: June 15, 1960
Born: March 21, 1904 Cause of Death:
Birth Place: Profession: Cinematography ...


Cinematography (feature film)

The Devil's Partner (1961) as Director of Photography
The Threat (1960) as Director of Photography
The Girl in Lovers Lane (1960) as Director of Photography
Danny, son of a wealthy family, is running away from home. He meets Bix, a long-time drifter, who agrees to "mentor" Danny. Danny's naivete leads him to commit gaffe after gaffe, leaving Bix to straighten things out. But when they stop in a diner in the next town, Bix finds himself attracted to the waitress, Carrie, and is forced to reexamine his whole drifting career. Meanwhile, Jesse (Jack Elam) goes around creeping everyone out.
Désirée (1954) as Loc dir of photog
A young woman wins the heart of Napoleon, though the two can never be together.
Siege at Red River (1954) as Director of Photography
A Cavalry captain tries to keep the Indians from getting their hands on Gatling Guns.
Beneath the 12-Mile Reef (1953) as Director of Photography
Love brings together two families of rival sponge fishers.
Treasure of the Golden Condor (1953) as Director of Photography
Jean-Paul (Cornel Wilde) rebels against his bondage to his uncle, the Marquis de St. Malo (George Macready), and journeys to the far-off Mayan hills of Guatemala seeking a hidden treasure. He is the rightful heir to his uncle's title and lands, and goes to Guatemala to win his fortune and come back and claim his heritage.
Powder River (1953) as Director of Photography
Ex-marshal Chino Bull has hung up his guns until his prospecting partner is shot dead. Chino then takes over as the law in town, forming a friendship with gun-man Mitch Hardin and making enemies of the Logan brothers. When Hardin' girl from the east arrives, he makes her pretty unwelcome - as does his new flame, saloon owner Frenchie.
Lure of the Wilderness (1952) as Director of Photography
A young girl and her father, who is unjustly accused of murder, seek refuge in a Georgia swamp until they are befriended by a trapper who penetrates the swamp in search of his dog.
Bloodhounds of Broadway (1952) as Director of Photography
I'd Climb the Highest Mountain (1951) as Director of Photography
A Methodist minister and his wife are called to a small mountain community to help its residents.
Two Tickets to Broadway (1951) as Director of Photography
A small-town girl finds love on the road to Broadway stardom.
Best of the Badmen (1951) as Director of Photography
A band of notorious outlaws help a friend against a corrupt federal agent.
The Capture (1950) as Director of Photography
House by the River (1950) as Director of Photography
A deranged writer murders a maid after she resists his advances. The writer engages his brother's help in hiding the body, and then watches as the brother becomes the prime suspect.
An Innocent Affair (1948) as Director of Photography
Doing business with an ex-flame drives an ad man''''s wife mad with jealousy.
Relentless (1948) as Director of Photography
Robert Young, Marguerite Chapman, Willard Parker, Akim Tamiroff, Barton MacLane, Mike Mazurki. When his prize mare is stolen, cowboy Robert Young goes in pursuit of the culprit, only to learn that he is also being pursued by the law for a murder he didn''t commit
The Countess of Monte Cristo (1948) as Director of Photography
Desert Fury (1947) as Director of Photography
Fritzi Haller is a powerful casino owner in Chuckawalla, Nevada. Her daughter Paula (having quit school) returns at the same time as racketeer Eddie Bendix, who left under suspicion of murdering his wife. Paula and Eddie become involved; each for their own reasons, Fritzi, Paula's old beau Tom, and Eddie's pal Johnny try to break up the relationship. Then Eddie's past catches up with him in an unexpected way.
Honeymoon (1947) as Director of Photography
A teen bride eloping to Mexico suddenly falls for an older man.
Do You Love Me (1946) as Director of Photography
A dean of a music school undergoes a transformation after she meets a swing bandleader.
Colonel Effingham's Raid (1946) as Director of Photography
A retired Army officer fights to save his hometown''''s Confederate monument.
Canyon Passage (1946) as Director of Photography
A respected businessman and his gambler best friend fall for the same woman in 1850s Oregon.
Nob Hill (1945) as Director of Photography
The owner of a San Francisco saloon yearns to rank among the upper crust of Nob Hill. When he begins romancing a wealthy socialite it looks like he may have his entree into high society. The pretty star of his saloon's show, however, wants to make sure he stays on the Barbary Coast.
Paris--Underground (1945) as Cinematographer
Irish Eyes Are Smiling (1944) as Director of Photography
Home in Indiana (1944) as Director of Photography
A troubled teen gets a new future when he moves to the country to raise a racehorse.
Heaven Can Wait (1943) as Director of Photography
An old roué arrives in Hades to review his life with Satan, who will rule on his eligibility to enter the Underworld.
The Gang's All Here (1943) as Director of Photography
Playboy Andy Mason, on leave from the army, romances showgirl Eadie Allen overnight to such effect that she's starry-eyed when he leaves next morning for active duty in the Pacific. Only trouble is, he gave her the assumed name of Casey. Andy's eventual return with a medal is celebrated by his rich father with a benefit show featuring Eadie's show troupe, at which she's sure to learn his true identity...and meet Vivian, his 'family-arrangement' fiancée. Mostly song and dance.
Margin for Error (1943) as Director of Photography
It is a toss-up as to who is most displeased when Patrolman Moe Finkelstein (Milton Berle) is given the duty of guarding the German consulate ran by Karl Baumer (Otto Preminger); neither Moe nor Baumer are too happy with this turn of events. Moe, however, quickly becomes fiends with the other residents of the consulate: Sophie Baumer (Joan Bennett), the consul's wife; the secretary Baron Max Von Alvenstor (Carl Esmond); and a pretty maid named Freida (Poldi Dur as Poldy Dur.)Moe senses an underlying tension that is not entirely accounted for by the gathering clouds of war. The gambling-loving Baumer has lost a large sum of money belonging to the German government, Sophie has learned to hate her husband and what he stands for and represents, and Baron Max has fallen in love with her. Max confronts Baumer with the discrepancy in the consulate's funds, and Baumer threatens to inform Berlin that one of Max's grandparents was not "Aryan." The arrival of a group of Nazi saboteurs (Ted North, Elmer Jack Semple and J. Norton Dunn) and the insistence they be given the funds to finance their project stirs consulate affairs even further.
My Friend Flicka (1943) as Director of Photography
A boy''s love for a horse helps him grow up.
The Pied Piper (1942) as Director of Photography
Englishman Mr Howard is on a fishing holiday in eastern France when the Germans invade in 1940. Setting off to try and get back home he is persuaded to take along the two Cavanaugh children, and as his journey progresses his family keeps growing in size. Once in German-occupied northern France a new problem arises - the risk of being heard speaking English.
Life Begins at Eight-Thirty (1942) as Director of Photography
Kathy lives in a cramped New York flat with her father Madden Thomas, a celebrated actor brought down by drink. Lame from an early age and feeling trapped with her father in her small world, Kathy is delighted to meet fellow tenant Robert. When Madden is offered the lead in a new King Lear and Robert lands a composing job in Hollywood, better times seem for a while to beckon.
Friendly Enemies (1942) as Director of Photography
Girl Trouble (1942) as Director of Photography
To the Shores of Tripoli (1942) as Director of Photography
A brash young Marine has to redeem himself after trying to romance a female officer.
Sun Valley Serenade (1941) as Director of Photography
A Norwegian war orphan adopted by a pianist as a publicity stunt turns out to be a beautiful young woman.
A Very Young Lady (1941) as Director of Photography
Tomboy (Withers) is sent to finishing school where she falls for the headmaster (Sutton). When her love letters are discovered she okays his relation with a teacher (Kelly) and gets her first kiss from a beau (Clayton).
Rise and Shine (1941) as Director of Photography
The college president, the head cheerleader and a gambling gangster try to keep a flunking football star in the game.
I Wake Up Screaming (1941) as Director of Photography
A celebrity promoter is accused of murdering one of his clients.
Western Union (1941) as Director of Photography
An outlaw goes straight to work for the telegraph company, which puts him in conflict with his lawless brother.
The Gay Caballero (1940) as Director of Photography
City of Chance (1940) as Photography
Youth Will Be Served (1940) as Director of Photography
A southern girl (Withers) goes to a National Youth Association camp after her father goes to jail for bootlegging. When a mean tycoon tries to buy the campground for himself she stages a show which endears her to him. Then her father escapes and catches the crooks who took the tycoon's money, all is saved.
I Was an Adventuress (1940) as Director of Photography
Andre Desormeaux, master con artist and jewel thief, has been very successful with his partners, light-fingered Polo and beautiful lure "Countess" Tanya Vronsky. But Tanya falls in love with one of their victims, resigns from the team, and (despite Andre's warning) marries rich young Paul Vernay...for love. Inevitably, Andre and Polo reappear in her life. Can Tanya outwit the master schemer?
Girl in 313 (1940) as Director of Photography
Young People (1940) as Photography
Shirley's last film on her 20th Century Fox contract (aged 12). Her parents (Oakie, Greenwood) decide to retire from show biz so she can have a normal life. They are unwelcome in the small town until a storm lets the family show their stuff. Clips from earlier films fill in Shirley's background.
While New York Sleeps (1939) as Photography
The Escape (1939) as Director of Photography
An embittered Louie Peronni (Edward Norris) returns from prison to find that his sister, Juli Peronni (Amanda Duff), is engaged to policeman Eddie Farrell (Kane Richmond), and also finds that his secret wife Annie Qualen (June Gale) has placed their baby girl in a foundling home. With his old gang again, Louie plans a robbery of a fur warehouse. Louie shoots down the night watchman and is trailed home where his father Guiseppe Peronni (Henry Armetta) persuades him not to fight it out with the police. Determined to let Louie take the full rap, the gang kidnaps the district attorney's daughter. Annie informs Louie that the kidnapped child is really their own and was adopted from the foundling home.
Heaven with a Barbed Wire Fence (1939) as Director of Photography
Everything Happens at Night (1939) as Director of Photography
Two reporters compete to discover a scientist living in hiding and win his daughter.
Chicken Wagon Family (1939) as Director of Photography
An traveling merchant (Carrillo) takes his family to New York where he explores his weakness for poker as he looks for work aided by his daughter (Withers).
The Gorilla (1939) as Photography
Three screwball detectives try to protect a lawyer from a murderous gorilla.
Too Busy to Work (1939) as Director of Photography
Winner Take All (1939) as Photography
When a waiter (Martin) makes a lucky hit and wins a benefit prizefight, gamblers rig some fights for him; but a reporter (Stuart) arranges for a real boxer (Richmond) to put him in his place.
Rascals (1938) as Photography
A Gypsy band takes lots of stuff but always in a good cause. Led by Jane Withers, they pick up a socialite (Hundson) who has amnesia. She works as a fortune teller and raises enough money for an operation to regain her memory.
Island in the Sky (1938) as Photography
District Attorney's investigator (Whalen) starts his honeymoon and a man is indicated for murder. His bride (Stuart) doubts the man's guilt and enlists the help of a former racketeer (Kelly) to find the real killer.
Keep Smiling (1938) as Photography
Jane breaks into the film business while also reviving the flagging career of her film director uncle (Wilcoxon) and getting him hooked up with his secretary (Stuart).
Gateway (1938) as Photography
Irish immigrant (Whalen) meets returning war correspondent (Ameche) on a liner bound for New York. When she resists the amors of another passenger, charges result in her being detained at Ellis Island.
Thin Ice (1937) as Photography
One in a Million (1937) as Photography
Wife, Doctor and Nurse (1937) as Photography
Wake Up and Live (1937) as Photography
The Texas Rangers (1936) as Photography
Yellow Dust (1936) as Photography
After he''''s accused of a series of stagecoach robberies, an innocent man has to find the real crooks.
Special Investigator (1936) as Photography
A crooked criminal lawyer discovers his brother has been killed by one of the gangsters he kept out of prison.
Three Married Men (1936) as Photography
Enchanted April (1935) as Photography
Two women rent an Italian villa to escape from their unfulfilling marriages.
In Person (1935) as Photography
A movie star runs off to the mountains for an incognito vacation.
Roberta (1935) as Photography
A football player inherits a chic Paris fashion house.
Jalna (1935) as Photography
A young bride struggles to cope with the tangled relationships on her husband''''s Canadian estate.
The Nitwits (1935) as Photography
Two cigar-stand attendants get mixed up in a murder investigation.
Kentucky Kernels (1934) as Photography
Two musicians try to get an orphaned heiress through hillbilly country to claim her inheritance.
Strictly Dynamite (1934) as Photography
A radio comic runs out of jokes, triggering a desperate search.
Down to Their Last Yacht (1934) as Photography
A society family gone bust uses their yacht for charter tours.
Spitfire (1934) as Photography
A backwoods faith healer falls for a married man from the big city.
Diplomaniacs (1933) as Photography
An Indian tribe sends two nitwits to a conference in Geneva.
No Other Woman (1933) as Photography
A newly rich couple finds wealth drives them apart.
Ann Vickers (1933) as Photography
A social worker's fight for reform is compromised by her love for a corrupt judge.
If I Were Free (1933) as Photography
A man and a woman trapped in bad marriages try to make an adulterous affair work.
Sweepings (1933) as Photography
A man spends his life building a successful business to pass on to his kids who are uninterested.
Professional Sweetheart (1933) as Photography
A radio star''''s pure image leads to a fake engagement to a hayseed.
Bird of Paradise (1932) as Photography
An island visitor falls for a Polynesian beauty slated for sacrifice to the gods.
Girl Crazy (1932) as Photography
City slickers try to turn a broken-down ranch into a resort.
Hell's Highway (1932) as Photography
A prison-camp convict learns that his younger brother will soon be joining him behind bars.
The Conquerors (1932) as Photography
Newlyweds go West and build a banking empire in Nebraska.
The Lost Squadron (1932) as Photography
Veteran flyers from World War I find work as movie stuntmen.
Roar of the Dragon (1932) as Photography
Bandits menace Americans on a Chinese riverboat.
Cimarron (1931) as Photography
A husband and wife fight to survive in the early days of the Oklahoma Territory.
Secret Service (1931) as Photography
A Union officer fakes a dishonorable discharge so he can spy on the South.
Young Donovan's Kid (1931) as Photography
Public Defender (1931) as Photography
A bank failure could land one of its executives in jail.
Seven Keys to Baldpate (1930) as Director of Photography
Peace and quiet elude a writer hiding away in a mysterious country inn.
Lovin' the Ladies (1930) as Director of Photography
To win a bet, a man tries to get a young couple to the altar.
He Knew Women (1930) as Director of Photography
A novelist has to chose between his wealthy patron and a penniless romantic.
Shooting Straight (1930) as Director of Photography
A gambler accidentally commits murder and hides under the guise of a clergyman.
The Wheel of Life (1929) as Camera
Fast Company (1929) as Director of Photography
Fashions in Love (1929) as Director of Photography
Nothing But the Truth (1929) as Director of Photography
Redskin (1929) as Director of Photography
The Love Doctor (1929) as Director of Photography
Just Married (1928) as Director of Photography
Sporting Goods (1928) as Director of Photography
Moran of the Marines (1928) as Director of Photography
What a Night (1928) as Director of Photography
Warming Up (1928) as Director of Photography
Easy Come, Easy Go (1928) as Director of Photography
Paradise for Two (1927) as Director of Photography
Knockout Reilly (1927) as Director of Photography
Shanghai Bound (1927) as Director of Photography
Man Power (1927) as Director of Photography
The Gay Defender (1927) as Director of Photography
Say It Again (1926) as Director of Photography
The Quarterback (1926) as Director of Photography
Let's Get Married (1926) as Director of Photography
Womanhandled (1925) as Director of Photography

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