skip navigation
Wes Craven

Wes Craven

Up
Down

| VIEW ALL

TCM Messageboards
Post your comments here
ADD YOUR COMMENT>

share:

TCM Archive Materials VIEW ALL ARCHIVES (0)



Also Known As: Died:
Born: August 2, 1939 Cause of Death:
Birth Place: Cleveland, Ohio, USA Profession: Writer ...
RATE AND COMMENT

NOTES

According to Robert 'Freddy Krueger' Englund (New York Post, October 10, 1994), Craven lives on a cliff in Hollywood Hills in a house once owned by Steve McQueen.

"The horror film consistently bucks censorship, the sort of censorship of the mind that tries to normalize the chaos of life itself. The middle class wants things nice, neat and normal with all the corners squared. Horror films are the brush fires that make room for new trees to grow."---Craven, quoted in The Hollywood Reporter, October 30, 1992.

Wes Craven talking about his feature debut as a writer-director, "Last House on the Left" (1972): "The way I was raised, which was basically as a law-abiding, Bible-following person, a lot of the rage and wildness is kept out from your conscious mind," Mr. Craven says. "Finally when I had gone through a divorce and left teaching, abandoning everything everyone was pleased that I was doing, and somebody said just make something wild and crazy, suddenly all this came out of me very easily. It just gelled in a way that astonished everyone, including me."---From "Freddy Krueger's Creator Breaks Out of His Genre" by James Greenberg, The New York Times, October 9, 1994.

Wes Craven talking about his feature debut as a writer-director, "Last House on the Left" (1972): "I found that I had never written anything like this, and I'd been writing for ten to twelve years already. I'd always written artistic, poetic things. Suddenly, I was working in an area I had never confronted before. It was almost like doing a pornographic film if you'd been a fundamentalist. And I found that I was writing about things that I had very strong feelings about. I was drawing on things from very early in my own childhood, things that I was feeling about the war, and they were pouring into this very simple B-movie plot."---From "Neglected Nightmares", a chapter of Hollywood from Vietnam to Reagan by Robin Wood (New York: Columbia University Press, 1986)

"I dream in colors, I dream in scene cuts, dissolves sometimes. Quite often I'll have a dream that is very specific to what I'm working on."---Wes Craven quoted in "Meeting Mr. Fright" by Manohla Dargis, Village Voice, October 25, 1994.

"In 1978, Craven's interest in dreams led him to a series of news reports which served as the inspiration for the original "A Nightmare on Elm Street". The articles detailed the mysterious case of three boys who, after experiencing a horrific nightmare one night, died the next time they slept. 'The last time it happened the kid literally tried to stay awake as long as he could. His family was very concerned. He was getting more and more distraught. The doctor prescribed sleeping pills and he threw them away. They gave him warm milk and he threw it in the sink. Finally, he fell asleep and the whole family breathed a sigh of relief. Then in the middle of the night they heard screams and ran in and found him dead.'"---From "Craven's Nightmare: Dream Director" by Dale Kutzera, Imagi-Movies, Fall 1994.

"Horror has affected me deeply, and it hasn't always been in a positive way," he says. "In certain circles, I've become a pariah for making this kind of film. I've had a lot of suspicion and resentment directed at me because I choose to deal with horror and for having to come back to it more than once. I've found that horror can be a lonely watch, and this film ["Wes Craven's New Nightmare"] addresses some of that loneliness."---Wes Craven quoted in "Psycho Analysis" by Marc Shapiro, Fangoria, October 1994.

"I would have hoped that the "Elm Street" films would have been treated with absolute respect all along the way," he says. "That's not a snipe against New Line (Pictures), but I would have liked to see somebody sit down each time they set out to make one of the sequels and really get into the philosophy and the heart behind it."

"My first film was about some very serious and important subjects. I felt that with '2', they immediately threw all the important issues out the window and made it a series of strange freaky events and the same old raunchy teenagers. I tried to wrestle it back with '3', and then the series tended to wander, depending on the talent of the directors and the commitment of the writers. Sometimes I had the feeling that they just went with somebody who could knock out a script rather than somebody who had a true vision."---Wes Craven quoted in "Psycho Analysis" by Marc Shapiro, Fangoria, October 1994.

"I have a very macabre sense of humor. To me, it's just a way of coping. It's not like I go around thinking the world is horrible all the time, but there's that subtext that you feel all the time of, "God, it's just madness out there." To be able to joke about it eases it somehow. On the face of it, it's almost inappropriate because of how horrendous life is, but life is tough and then you die. So it's almost like Voltaire said once, that God is a comedian playing to a house that's afraid to laugh. The joke is on us ultimately because we're all here for such a short time. To me, humor makes it all a little bit bearable, and there's often a lot of wisdom and insight in humor, and I think that's why people continually make up jokes about very important things. They usually have a kernel of truth in them. What we think is true."---Wes Craven on the comedic undercurrent running through most of his films to Knac.com, January 1, 2004.

Please support TCMDB by adding to this information.

Click here to contribute