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M. A. Anderson

M. A. Anderson

  • Female (1933) September 05 (ET) - Reminder REMINDER
  • Little Giant, The (1933) September 19 (ET) - Reminder REMINDER
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Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Cinematography ...
RATE AND COMMENT

COMPLETE FILMOGRAPHY WITH SYNOPSIS

Cinematography (feature film)

1.
Whirlwind Raiders (1948) as Director of Photography
2.
Border Feud (1947) as Director of Photography
3.
West to Glory (1947) as Director of Photography
4.
Betty Co-ed (1946) as Director of Photography
A fore-runner and a semi- slight version of "Take Care of My Little Girl" from Sam Katzman, but pert-and-pretty Jean Porter had a knack for making Katzman's pictures look better than they were. Here, she (as Joanne Leeds), interrupts her carnival singing career to enroll as a freshman at Upton College. She quickly encounters the snobbery of the sorority girls because of her background. But the sorority is reorganized on democratic principles and she is invited to join, although it is never made too clear why she would want to join this group of airheads anyway.
5.
Slander House (1938) as Photography
6.
Rebellious Daughters (1938) as Photography
7.
Delinquent Parents (1938) as Photography
Rich boy marries poor girl. Poor girl gets pregnant. Rich boy's parents don't know they're married, forbid him to see her anymore. Rich boy dumps poor girl, poor girl gives baby up for adoption. Rich boy and his family are happy, poor girl and her family are miserable...
8.
Bridge of Sighs (1936) as Camera
9.
August Week-end (1936) as Camera
10.
The Little Red Schoolhouse (1936) as Photography
11.
Easy Money (1936) as Camera
12.
Brilliant Marriage (1936) as Camera
13.
Tango (1936) as Cinematographer
14.
15.
The Dark Hour (1936) as Cinematographer
16.
The House of Secrets (1936) as Photography
Globe-trotter Barry Wilding (Leslie Fenton) intercedes when a man annoys Julie Kenmore (Muriel Evans) on a ship crossing the English Channel, but she refuses to tell him her name or address. Barry determines to find her in London, but he is summoned to a lawyer's office and informed that he has inherited "The Hawk's Nest", a large estate outside London. He has to sign a declaration that he will never sell the property. He arrives there and is roughly put off his own property be trespassers who have taken up residence. Despite offers to buy the estate and warnings to get out of England, Barry refuses to do either. Julie appears and tells Barry she is living at "The Hawk's Nest" and he must allow her and her father, Dr. Kenmore (Morgan Wallace), to continue to live there for at least six months, and he can not visit her there. But Barry continues to try to solve the mystery that surrounds his inheritance even after being attacked by three American gangsters. Barry tries to enlist the aid of Scotland Yard, but, for some unfathomable reason, they refuse to help him. Mystery piles on mystery before the amazing and unusual conclusion.
17.
Hitch Hike to Heaven (1936) as Photography
18.
Lady Luck (1936) as Photography
19.
Three of a Kind (1936) as Photography
20.
Ring Around the Moon (1936) as Photography
21.
Murder at Glen Athol (1936) as Photography
22.
Ellis Island (1936) as Photography
23.
Missing Girls (1936) as Photography
24.
Below the Deadline (1936) as Photography
25.
Red Lights Ahead (1936) as Photography
26.
Public Opinion (1935) as Cinematographer
27.
Symphony of Living (1935) as Cinematographer
28.
Death from a Distance (1935) as Cinematographer
29.
The Lady in Scarlet (1935) as Camera
30.
Condemned to Live (1935) as Photography
After a series of murders, a man finds out that his mother was bitten by a vampire bat during her pregnancy, and he believes that he may be the vampire committing the murders.
31.
Circumstantial Evidence (1935) as Photography
32.
Society Fever (1935) as Photography
33.
Happiness C.O.D. (1935) as Photography
34.
A Shot in the Dark (1935) as Photography
35.
False Pretenses (1935) as Photography
36.
The Girl Who Came Back (1935) as Photography
37.
Twin Husbands (1934) as Photography
38.
City Park (1934) as Camera
39.
In Love with Life (1934) as Photography
40.
Fifteen Wives (1934) as Photography
Shortly after his arrival from South America to New York, Steven Humbolt is found dead in his apartment at the Savoia Hotel. Inspector Decker Dawes (Conway Tearle) investigates the case and although the cause of death is described as apoplexy, Dawes is convinced it as murder, especially after he learns that Humbolt had been married fifteen times. The widows come from all over the world but three of them live in NYC; Sybilla Crum (Margaret Dumont), a noted evangelist; Carol Manning (Natalie Moorhead), recently remarried to a man named Arnold; and Ruby Cotton (Noel Francis.) A detective is sent to Philadelphia to try to learn the identity of the sender of a box of flowers delivered to Humbolt's room before his death. Dawes calls on Carol Manning Arnold, who says she had married Humbolt five years ago, and that he had disappeared after stealing all her money and she was told he had died in South America. But he had recently shown up trying to blackmail her as she had not told Arnold of the marriage. The autopsy shows that Humbolt was killed by hydrocyanic acid gas and that the broken glass globe, found by Dawes, was a Helmholtz resonator, a well-known device that can be broken by sound-waves. Sybilla Crum goes to the district attorney to try to stop the investigation, while Dawes also learns that, unknown to her husband, Carol maintains an apartment in her maiden name. Dawes hears a radio program featuring The Electric Voice (Ralf Harolde) in which the latter demonstrates the power of sound waves emanating from his voice in breaking glasses, ringing bells and other feats. When the Voice emits a sound that is supposed to break glass, a Helmholtz resonator on Dawes' desk breaks.
41.
Port of Lost Dreams (1934) as Cinematographer
42.
Stolen Sweets (1934) as Photography
43.
Cross Streets (1934) as Camera
44.
The Quitter (1934) as Photography
45.
Sons of Steel (1934) as Photography
46.
The Curtain Falls (1934) as Photography
47.
One in a Million (1934) as Cinematographer
48.
Green Eyes (1934) as Photography
The owner of a large mansion in the country throws a costume party for some of his friends. However, the party turns sour when he is found stabbed to death in a closet. The police and a guest try to discover who committed the murder.
49.
The Ghost Walks (1934) as Cinematographer
50.
Fugitive Road (1934) as Photography
51.
The World Accuses (1934) as Photography
52.
Dance Girl Dance (1933) as Photography
53.
Female (1933) as Assistant Camera
A female CEO who's used to buying love meets her match in an independent young executive.
54.
Rainbow over Broadway (1933) as Camera
55.
Murder on the Campus (1933) as Cinematographer
56.
Notorious but Nice (1933) as Photography
57.
A Man of Sentiment (1933) as Camera
58.
By Appointment Only (1933) as Photography
59.
Strange People (1933) as Photography
60.
The Little Giant (1933) as Camera Operator
When Prohibition ends, a bootlegger tries to break into high society.
61.
Women Won't Tell (1933) as Camera
62.
In the Money (1933) as Photography
63.
Love Is Like That (1933) as Camera
64.
Forgotten (1933) as Photography
65.
I Have Lived (1933) as Photography
66.
SoƱadores de la gloria (1932) as Photography
67.
Thrill of Youth (1932) as Photography
68.
The King Murder (1932) as Camera
69.
Beauty Parlor (1932) as Photography
70.
Probation (1932) as Camera
71.
Slightly Married (1932) as Photography
72.
Escapade (1932) as Photography
73.
Cross-Examination (1932) as Cinematographer
74.
The Secrets of Wu Sin (1932) as Photography
75.
Midnight Lady (1932) as Camera
76.
Forbidden Company (1932) as Photography
77.
Night Life in Reno (1931) as Cinematographer
78.
The Last Ride (1931) as Camera
79.
The Devil Plays (1931) as Photography
80.
Grief Street (1931) as Photography
81.
The Lawless Woman (1931) as Cinematographer
82.
The Lady from Nowhere (1931) as Photography
83.
Ladies in Love (1930) as Director of Photography
84.
The Midnight Special (1930) as Director of Photography
85.
The Last Dance (1930) as Director of Photography
86.
Lotus Lady (1930) as Director of Photography
87.
Jazz Cinderella (1930) as Director of Photography
88.
Below the Deadline (1929) as Director of Photography
89.
Campus Knights (1929) as Director of Photography
90.
The Peacock Fan (1929) as Director of Photography
91.
Silent Sentinel (1929) as Director of Photography
92.
Circumstantial Evidence (1929) as Director of Photography
93.
Just Off Broadway (1929) as Director of Photography
94.
Fagasa (1928) as Director of Photography
95.
South of Panama (1928) as Director of Photography
96.
Confessions of a Wife (1928) as Director of Photography
97.
The Adorable Cheat (1928) as Director of Photography
98.
The Sky Rider (1928) as Director of Photography
99.
Crashing Through (1928) as Director of Photography
100.
Forbidden Grass (1928) as Director of Photography
101.
The House of Shame (1928) as Director of Photography

Sound (feature film)

102.
Follow the Boys (1944) as Sd tech of Delta Rhythm Boys seq

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