skip navigation
Overview for M. A. Anderson
M. A. Anderson

M. A. Anderson

| VIEW ALL

TCM Messageboards
Post your comments here
ADD YOUR COMMENT>

share:

TCM Archive Materials VIEW ALL ARCHIVES (0)

Also Known As: Died:
Born: September 15, 1893 Cause of Death:
Birth Place: Profession: Cinematography ...
RATE AND COMMENT

COMPLETE FILMOGRAPHY WITH SYNOPSIS

Cinematography (feature film)

1.
Whirlwind Raiders (1948) as Director of Photography
2.
Border Feud (1947) as Director of Photography
3.
West to Glory (1947) as Director of Photography
4.
Betty Co-ed (1946) as Director of Photography
A fore-runner and a semi- slight version of "Take Care of My Little Girl" from Sam Katzman, but pert-and-pretty Jean Porter had a knack for making Katzman's pictures look better than they were. Here, she (as Joanne Leeds), interrupts her carnival singing career to enroll as a freshman at Upton College. She quickly encounters the snobbery of the sorority girls because of her background. But the sorority is reorganized on democratic principles and she is invited to join, although it is never made too clear why she would want to join this group of airheads anyway.
5.
Slander House (1938) as Photography
6.
Delinquent Parents (1938) as Photography
Rich boy marries poor girl. Poor girl gets pregnant. Rich boy's parents don't know they're married, forbid him to see her anymore. Rich boy dumps poor girl, poor girl gives baby up for adoption. Rich boy and his family are happy, poor girl and her family are miserable...
7.
Rebellious Daughters (1938) as Photography
8.
Ellis Island (1936) as Photography
9.
The Little Red Schoolhouse (1936) as Photography
10.
11.
The House of Secrets (1936) as Photography
Globe-trotter Barry Wilding (Leslie Fenton) intercedes when a man annoys Julie Kenmore (Muriel Evans) on a ship crossing the English Channel, but she refuses to tell him her name or address. Barry determines to find her in London, but he is summoned to a lawyer's office and informed that he has inherited "The Hawk's Nest", a large estate outside London. He has to sign a declaration that he will never sell the property. He arrives there and is roughly put off his own property be trespassers who have taken up residence. Despite offers to buy the estate and warnings to get out of England, Barry refuses to do either. Julie appears and tells Barry she is living at "The Hawk's Nest" and he must allow her and her father, Dr. Kenmore (Morgan Wallace), to continue to live there for at least six months, and he can not visit her there. But Barry continues to try to solve the mystery that surrounds his inheritance even after being attacked by three American gangsters. Barry tries to enlist the aid of Scotland Yard, but, for some unfathomable reason, they refuse to help him. Mystery piles on mystery before the amazing and unusual conclusion.
12.
Hitch Hike to Heaven (1936) as Photography
13.
Murder at Glen Athol (1936) as Photography
14.
Ring Around the Moon (1936) as Photography
15.
Three of a Kind (1936) as Photography
16.
Lady Luck (1936) as Photography
17.
Bridge of Sighs (1936) as Camera
18.
August Week-end (1936) as Camera
19.
Easy Money (1936) as Camera
20.
Brilliant Marriage (1936) as Camera
21.
Tango (1936) as Cinematographer
22.
The Dark Hour (1936) as Cinematographer
23.
Missing Girls (1936) as Photography
24.
Below the Deadline (1936) as Photography
25.
Red Lights Ahead (1936) as Photography
26.
Circumstantial Evidence (1935) as Photography
27.
Happiness C.O.D. (1935) as Photography
28.
A Shot in the Dark (1935) as Photography
29.
False Pretenses (1935) as Photography
30.
The Girl Who Came Back (1935) as Photography
31.
Public Opinion (1935) as Cinematographer
32.
Symphony of Living (1935) as Cinematographer
33.
Death from a Distance (1935) as Cinematographer
34.
The Lady in Scarlet (1935) as Camera
35.
Condemned to Live (1935) as Photography
After a series of murders, a man finds out that his mother was bitten by a vampire bat during her pregnancy, and he believes that he may be the vampire committing the murders.
36.
Society Fever (1935) as Photography
37.
City Park (1934) as Camera
38.
Stolen Sweets (1934) as Photography
39.
The Ghost Walks (1934) as Cinematographer
40.
Green Eyes (1934) as Photography
The owner of a large mansion in the country throws a costume party for some of his friends. However, the party turns sour when he is found stabbed to death in a closet. The police and a guest try to discover who committed the murder.
41.
The Quitter (1934) as Photography
42.
Sons of Steel (1934) as Photography
43.
The Curtain Falls (1934) as Photography
44.
Fifteen Wives (1934) as Photography
Shortly after his arrival from South America to New York, Steven Humbolt is found dead in his apartment at the Savoia Hotel. Inspector Decker Dawes (Conway Tearle) investigates the case and although the cause of death is described as apoplexy, Dawes is convinced it as murder, especially after he learns that Humbolt had been married fifteen times. The widows come from all over the world but three of them live in NYC; Sybilla Crum (Margaret Dumont), a noted evangelist; Carol Manning (Natalie Moorhead), recently remarried to a man named Arnold; and Ruby Cotton (Noel Francis.) A detective is sent to Philadelphia to try to learn the identity of the sender of a box of flowers delivered to Humbolt's room before his death. Dawes calls on Carol Manning Arnold, who says she had married Humbolt five years ago, and that he had disappeared after stealing all her money and she was told he had died in South America. But he had recently shown up trying to blackmail her as she had not told Arnold of the marriage. The autopsy shows that Humbolt was killed by hydrocyanic acid gas and that the broken glass globe, found by Dawes, was a Helmholtz resonator, a well-known device that can be broken by sound-waves. Sybilla Crum goes to the district attorney to try to stop the investigation, while Dawes also learns that, unknown to her husband, Carol maintains an apartment in her maiden name. Dawes hears a radio program featuring The Electric Voice (Ralf Harolde) in which the latter demonstrates the power of sound waves emanating from his voice in breaking glasses, ringing bells and other feats. When the Voice emits a sound that is supposed to break glass, a Helmholtz resonator on Dawes' desk breaks.
45.
Port of Lost Dreams (1934) as Cinematographer
46.
In Love with Life (1934) as Photography
47.
The World Accuses (1934) as Photography
48.
Twin Husbands (1934) as Photography
49.
One in a Million (1934) as Cinematographer
50.
Cross Streets (1934) as Camera
51.
Fugitive Road (1934) as Photography
52.
Forgotten (1933) as Photography
53.
I Have Lived (1933) as Photography
54.
Dance Girl Dance (1933) as Photography
55.
Female (1933) as Assistant Camera
A female CEO who's used to buying love meets her match in an independent young executive.
56.
Rainbow over Broadway (1933) as Camera
57.
Murder on the Campus (1933) as Cinematographer
58.
Notorious but Nice (1933) as Photography
59.
A Man of Sentiment (1933) as Camera
60.
By Appointment Only (1933) as Photography
61.
Strange People (1933) as Photography
62.
The Little Giant (1933) as Camera Operator
When Prohibition ends, a bootlegger tries to break into high society.
63.
Women Won't Tell (1933) as Camera
64.
In the Money (1933) as Photography
65.
Love Is Like That (1933) as Camera
66.
The King Murder (1932) as Camera
67.
Forbidden Company (1932) as Photography
68.
Probation (1932) as Camera
69.
Midnight Lady (1932) as Camera
70.
Slightly Married (1932) as Photography
71.
The Secrets of Wu Sin (1932) as Photography
72.
SoƱadores de la gloria (1932) as Photography
73.
Thrill of Youth (1932) as Photography
74.
Escapade (1932) as Photography
75.
Cross-Examination (1932) as Cinematographer
76.
Beauty Parlor (1932) as Photography
77.
Grief Street (1931) as Photography
78.
The Last Ride (1931) as Camera
79.
The Devil Plays (1931) as Photography
80.
Night Life in Reno (1931) as Cinematographer
81.
The Lawless Woman (1931) as Cinematographer
82.
The Lady from Nowhere (1931) as Photography
83.
Ladies in Love (1930) as Director of Photography
84.
Jazz Cinderella (1930) as Director of Photography
85.
Lotus Lady (1930) as Director of Photography
86.
The Last Dance (1930) as Director of Photography
87.
The Midnight Special (1930) as Director of Photography
88.
Below the Deadline (1929) as Director of Photography
89.
Just Off Broadway (1929) as Director of Photography
90.
Campus Knights (1929) as Director of Photography
91.
Circumstantial Evidence (1929) as Director of Photography
92.
Silent Sentinel (1929) as Director of Photography
93.
The Peacock Fan (1929) as Director of Photography
94.
South of Panama (1928) as Director of Photography
95.
Fagasa (1928) as Director of Photography
96.
Confessions of a Wife (1928) as Director of Photography
97.
The House of Shame (1928) as Director of Photography
98.
The Adorable Cheat (1928) as Director of Photography
99.
The Sky Rider (1928) as Director of Photography
100.
Forbidden Grass (1928) as Director of Photography
101.
Crashing Through (1928) as Director of Photography

Sound (feature film)

102.
Follow the Boys (1944) as Sd tech of Delta Rhythm Boys seq

Please support TCMDB by adding to this information.

Click here to contribute