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|Also Known As:||Joan Henrietta Collins||Died:|
|Born:||May 23, 1933||Cause of Death:|
|Birth Place:||London, England, GB||Profession:||actor, producer, writer, model, entrepreneur|
Biography CLOSE THE FULL BIOGRAPHY
is soon proves herself to be a world-class upsetter in the Carrington clan, wreaking havoc with Blake¿s new wife, Krystal (Linda Evans), daughter Fallon (Pamela Sue Martin) and just about every male, available or otherwise, that crosses her path. Audiences soon flocked to see what witchery Alexis would conduct each week, as well as the regular room-wrecking catfights she would conduct with Evans and later Diahann Carroll and Stephanie Beacham. A combination of Collins and a new writing staff helped to elevate "Dynasty" past its chief competitor, "Dallas" (CBS, 1978-1991), all of which re-energized Collins¿ career. She would eventually net six Golden Globe nominations between 1982 and 1987, and took home one in 1983.The late-in-life success of Collins allowed her to make the rounds in numerous glitzy TV-movies and miniseries, most notably "Sins" (CBS, 1986) and "Monte Carlo" (CBS, 1987), on which she also served as producer. She surprised many with a 12-page layout in Playboy under the rubric "50 is Beautiful." She also began a very popular second career as an author and magazine contributor, penning several books on beauty, as well as a handful of glossy novels that hewed closely to sister Jackie¿s...
is soon proves herself to be a world-class upsetter in the Carrington clan, wreaking havoc with Blake¿s new wife, Krystal (Linda Evans), daughter Fallon (Pamela Sue Martin) and just about every male, available or otherwise, that crosses her path. Audiences soon flocked to see what witchery Alexis would conduct each week, as well as the regular room-wrecking catfights she would conduct with Evans and later Diahann Carroll and Stephanie Beacham. A combination of Collins and a new writing staff helped to elevate "Dynasty" past its chief competitor, "Dallas" (CBS, 1978-1991), all of which re-energized Collins¿ career. She would eventually net six Golden Globe nominations between 1982 and 1987, and took home one in 1983.
The late-in-life success of Collins allowed her to make the rounds in numerous glitzy TV-movies and miniseries, most notably "Sins" (CBS, 1986) and "Monte Carlo" (CBS, 1987), on which she also served as producer. She surprised many with a 12-page layout in Playboy under the rubric "50 is Beautiful." She also began a very popular second career as an author and magazine contributor, penning several books on beauty, as well as a handful of glossy novels that hewed closely to sister Jackie¿s style. There was also Katy: A Fight for Life (1982), a memoir of her daughter Katy¿s struggle after being struck by a car in 1980 and enduring severe brain injuries.
However, her relationship with "Dynasty" producers Aaron Spelling and E. Duke Vincent began to sour by its sixth season. She was arguably the show¿s key attraction, and as such, demanded a larger salary for her efforts. As a result, she missed the first episode of the sixth season, which followed the infamous "Moldavian Massacre," which closed the fifth season with nearly all the major characters appearing to be killed in a coup during a wedding. Eventually, Collins got her wishes ¿ a reported $60,000 per episode ¿ but the writing was on the wall for "Dynasty." The show slogged through its next nine seasons before ABC pulled the plug, ending Alexis¿ reign on primetime with ¿ what else? A cliffhanger, which was finally resolved in 1991 with the four-hour miniseries "Dynasty: The Reunion" (ABC).
But Collins was not quite out of the scandal sheets yet. A 1991 book deal with Random House resulted in a lawsuit that demanded the actress return the $1.2 million advance she had received after submitting manuscripts that they deemed unsuitable. She countersued for the remaining $4 million in the deal, and, astoundingly, won the case in 1996 thanks to her deal from super agent Irving "Swifty" Lazar, who had stipulated that Collins would be paid whether the manuscripts were published or not. The resulting judgment ¿ Collins was allowed to keep the advance, as well as $1 million for one of the completed manuscripts ¿ landed her in the Guinness Book of World Records for the largest payment for an unpublished book.
Undaunted, Collins began focusing her attention on the theater. A revival of Noel Coward¿s "Private Lives" launched in London¿s West End in 1991 before traveling to Broadway in 1992. She would return to the stage on numerous occasions through the `90s and 2000s, most notably in a tour of "Love Letters" with George Hamilton and a West End production of "Moon Over Buffalo" with Frank Langella. Meanwhile, film and television continued to provide Collins with diva-esque roles in Kenneth Branagh¿s "A Midwinter¿s Tale" (1995), the Emmy-nominated "Annie: A Royal Adventure" (ABC, 1995), and "The Flintstones in Viva Rock Vegas" (2000), which cast her as Fred Flintstone¿s glammed-up mother-in-law, Pearl Slaghoople. She wrapped up the `90s with the receipt of an O.B.E. (Officer of the Order of the British Empire) from Queen Elizabeth II in 1997.
Her "Dynasty" past was never quite far behind, though. In 1997, Aaron Spelling brought her to his primetime soap "Pacific Palisades" (Fox, 1997) in a last-ditch attempt to save the series. It did not work, but she was back in the trenches in 2000 with a guest shot on "The Guiding Light" (CBS, 1952-2009) and in 2005 on the U.K. series "Footballers Wives" (ITV, 2002-06). She also reunited with Linda Evans for the play "Legends!" which ran for a 30-week tour of North America. And in 2010, she joined the cast of the German soap "Forbidden Love" (Das Erste, 1995) for a short stint.ned up the gossip magazines with lurid tales of their non-stop lovemaking, but the affair ended badly, with a broken engagement and an abortion. Collins would later be linked to numerous celebrities, including Frank Sinatra, Dean Martin, Dennis Hopper, Ryan O¿Neal and Robert F. Kennedy.
Her reputation sealed her into a series of vampish roles throughout the 1950s and 1960s. In Richard Fleischer¿s "The Girl in the Red Velvet Swing" (1955), she played Evelyn Nesbit Thaw, whose relationship with architect Stanford White ended with his murder in the 1920s. In "The Opposite Sex" (1956), she was a showgirl who steals faithful husband Leslie Nielsen away from dutiful wife June Allyson. And in "Island in the Sun" (1957), she was the kittenish younger sister of plantation owner James Mason, who uses her wiles to lure war hero Stephen Boyd. On occasion, Collins proved that she had talents beyond her physical appeal; the "Sea Wife" (1957), which was initially helmed by Roberto Rossellini, was a stark character piece about shipwreck survivors adrift in a lifeboat, while the Western "The Bravados" (1958) and the caper picture "Seven Thieves" (1960) showed that she could share the screen with such powerhouses as Gregory Peck, Rod Steiger and Edward G. Robinson. She could also do comedy, as her dizzy town vixen in "Rally Round the Flag, Boys!" (1958) showed. But for the most part, Collins was the go-to for seductive and exotic types, and she played the decorative parts in unmemorable films like "Stopover Tokyo" (1957) with Robert Wagner, "Esther and the King" (1960), and "The Road to Hong Kong" (1962), the final "Road" picture with Bing Crosby and Bob Hope.
By the mid-1960s, Collins was lending her appeal to American TV shows like "The Man from U.N.C.L.E." (NBC, 1964-68), "Batman" (ABC, 1966-68 as The Siren) and a memorable appearance on "Star Trek" (NBC, 1966-69) in the Hugo Award-winning episode "City on the Edge of Forever" as a love interest for Captain Kirk (William Shatner) doomed by a fateful twist in history. Her film career appeared to have stalled completely; among the string of flops to her name during this period was the singularly titled "Can Hieronymus Merkin Ever Forget Mercy Humppe and Find True Happiness?" (1969), a surreal ego trip directed by her second husband, singer and songwriter Anthony Newley. Collins would later attribute the film as a leading factor in her 1973 divorce from him.
The 1970s saw Collins continue to toil in episodic television and low-budget films. Horror and exploitation soon became her forte, with appearances in the anthology films "Tales from the Crypt" (1972) as a woman threatened by a homicidal Santa Claus, and "Tales that Witness Madness" (1973) in which her jealous wife suspects that her husband has fallen in love with a very feminine and vengeful tree. In 1978, she starred in softcore adaptations of her sister Jackie¿s novels "The Stud;" the film, which featured copious nudity by Collins as a predatory nightclub owner, was a sizable hit, as was its sequel, the equally tawdry "The Bitch" (1979). Both saw financial returns that rivaled the Bond series in ticket sales.
In 1981, Collins¿ career received its biggest boost and greatest exposure when she was cast as Alexis Carrington on "Dynasty." Originally considered as a role for Sophia Loren, among others, Alexis was introduced in the second season of "Dynasty" as a key witness in the trial of the show¿s patriarch, Blake Carrington (John Forsythe), for the murder of his son Steven¿s gay lover. Her testimony about her former husband throws a wrench into the defense, and Alex
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CAST: (feature film)
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Voted Female Star of 1982 by the Hollywood Women's Press Club
In 1994 the Association of Breast Cancer Studies presented her with a Lifetime Achievement Award for her humanitarian interests.
Named as Officer, Order of the British Empire by Queen Elizabeth II in 1996
Deeply concerned about children the world over, Collins is an honorary founding member of the National Society for the Prevention of Cruelty to Children and has long been a patron of the International Foundation for Children with Learning Disabilities.
After her victory over Random House: "Wonderful jury! It's tremendously gratifying ...
"I believe in the judicial system here. I did write two books, but that's all right. You'll see 'Hell Hath No Fury' [the second book] in print by the end of the year. This court part will be the end of the book.
"I'm extremely happy. It ended two years of absolute hell ...
"Nobody held a gun to Random House to pay me $4 million." --Joan Collins to New York Post, February 14, 1996.
Attributing her resilience to being raised in wartime London: "If I ever whined, my parents would say, 'Children are starving in Europe! Bombs are falling! How dare you be miserable when you've got a comfy bed to sleep in!' I was brought up to never feel sorry for myself." --Joan Collins, in People, June 30, 1997.
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