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|Also Known As:||Farrokh Bomi Bulsara||Died:||November 24, 1991|
|Born:||September 5, 1946||Cause of Death:||AIDS-related Bronchopneumonia|
|Birth Place:||Zanzibar, , TZ||Profession:|
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uality. Though not one to shy away from controversy, Mercury would never confirm where he fell on the sexual spectrum, though most assumed he was bisexual. His longtime love affair with Mary Austin ¿ to whom called his "common-law wife" ¿ notwithstanding, Mercury¿s sexual orientation did veer toward homosexuality to those in the know. His voracious sexual appetite and outlandish Caligula-esque parties thrown both by the band and Freddie independently became the stuff of rock `n¿ roll legend.In 1985, Mercury released his moderately successful solo album, Mr. Bad Guy, a compilation of disco and dance songs. In 1987, after Barcelona was selected as the next Olympic city, Mercury was tapped to write a song for the event. He released the album, Barcelona (1988), which he recorded with the Spanish operatic soprano, Montserrat Caballe¿. They recorded their parts separately, and as a testament to Mercury¿s unwavering soprano voice, he sent Montserrat Caballé tapes of him singing her parts in his falsetto voice. With Queen, Mercury performed in front of some of the largest crowds to ever attend a rock concert, with one show ¿ Knebworth Park in England on Aug. 9, 1986 ¿ estimated at more than 300,000 in...
uality. Though not one to shy away from controversy, Mercury would never confirm where he fell on the sexual spectrum, though most assumed he was bisexual. His longtime love affair with Mary Austin ¿ to whom called his "common-law wife" ¿ notwithstanding, Mercury¿s sexual orientation did veer toward homosexuality to those in the know. His voracious sexual appetite and outlandish Caligula-esque parties thrown both by the band and Freddie independently became the stuff of rock `n¿ roll legend.
In 1985, Mercury released his moderately successful solo album, Mr. Bad Guy, a compilation of disco and dance songs. In 1987, after Barcelona was selected as the next Olympic city, Mercury was tapped to write a song for the event. He released the album, Barcelona (1988), which he recorded with the Spanish operatic soprano, Montserrat Caballe¿. They recorded their parts separately, and as a testament to Mercury¿s unwavering soprano voice, he sent Montserrat Caballé tapes of him singing her parts in his falsetto voice. With Queen, Mercury performed in front of some of the largest crowds to ever attend a rock concert, with one show ¿ Knebworth Park in England on Aug. 9, 1986 ¿ estimated at more than 300,000 in attendance. However before that could take place, Queen had to snatch back their crown after suffering a bit of a slump and did so in spades by agreeing to join the roster of Bob Geldof¿s pet project to feed Africa¿s poor, Live Aid. One of numerous superstar acts on the bill ¿ including U2, David Bowie, Mick Jagger, Madonna, and Elton John, among others ¿ Queen jogged onstage to little expectation and ended up tearing apart London¿s Wembley Stadium with their 17-minute set of greatest hits ¿ including the stadium-friendly "Radio Ga Ga" and "We Will Rock You." Mercury commanded the stage as he never had before. Calling out to the audience of 70,000, his awe-inspiring manipulation of the clapping, saluting throngs mesmerized the world and its media, most of whom changed their focus from the band onto the enthusiastic crowds who swayed in unison at Mercury¿s every command. Critics called it the closest thing modern-day audiences would get to witnessing what the Nazi¿s Nuremberg rally might have looked like. So memorable was Live Aid¿s Queen that the band¿s set was voted "The World¿s Greatest Concert Performance" in a historic 2005 poll for UK¿s Channel 4. Beyond the band¿s native borders, international music critics and fans often cite Live Aid¿s most celebrated act as the greatest live performance in the history of live rock music. In the shadow of Live Aid, the comeback kids began touring stadiums around the world, leading to their sold-out 1986 Wembley concert becoming their second most famous concert performance.
Off stage, Mercury¿s personal life continued to be a frequent subject in the media ¿ particularly the British media. To those closest to him, he was openly bisexual; in the 1970s, he had lived with Mary Austin, whom he considered his soul mate, as well as dated an Austrian actress during the early-to-mid-1980s. However, Mercury also had a series of affairs with men. Sadly, the singer was reportedly diagnosed HIV-positive in 1987, yet the press-shy Mercury never confirmed nor denied those rumors, even as his physical appearance and energy level began to change through the years. Despite the fear and prejudice surrounding anything HIV-positive at that time, Mercury¿s band mates rallied behind their frontman in support, promising to keep his secret even from their own wives. In spite of his weak state, Queen recorded another album which would turn out to be their swan song, Innuendo (1991), featuring the bittersweet singles "The Show Must Go On" and "These Are the Days of Our Lives." Although fans did not know it at the time, through his lyrics, the singer was bidding them goodbye.
Mercury¿s increasingly gaunt and frail appearance when he did venture out into the world ¿ not to mention Queen¿s absence from touring ¿ intensified rumors that he was dying. On November 23, 1991, Mercury¿s camp publicly confirmed that he did have AIDS. Only a day later, Mercury died of bronchial-pneumonia brought on by the disease. His death was a shock and a deep blow to the recording industry, not to mention fans who could not conceive of anyone filling Mercury¿s shoes vocally in the beloved band. Because he was the first major rock star to die of AIDS, his death brought more awareness and raised money for research. On April 20, 1992, the surviving members of Queen organized "The Freddie Mercury Tribute: Concert for AIDS Awareness" before a crowd of 72,000 strong at the scene of Queen¿s greatest live triumphs, Wembley Stadium. The concert featured some of music¿s biggest acts and Queen fans, including David Bowie, Annie Lennox, Guns n¿ Roses, and Mercury¿s close friend, Elton John. Throughout the years, Mercury¿s influence as a rock icon would live on through other artists¿ works, and in television and films, as well as in stage productions like the long-running West End spectacle, "We Will Rock You." As a member of Queen, he was posthumously inducted into the Rock and Roll Hall of Fame in 2001. In 2010, British comedian Sacha Baron Cohen was tapped to portray Mercury in the singer¿s biopic that centered on Queen¿s heyday up until their historic 1985 Live Aid set.songwriting encompassed the hard rock type for which Queen was becoming known during the mid-1970s, his individual musical style was much broader and spanned many different genres. Their hit single, "Somebody to Love" (1976), stayed true to his guitar-driven music with a distinct gospel influence. In 1977, the band went mainstream with its platinum-selling album, News of the World scaling down their complex arrangements, but also keeping their signature multi-tracked harmonies and guitar orchestrations. The album contained two of Queen¿s biggest songs: "We Will Rock You" and "We Are the Champions." Although both were individual singles, they began being played back-to-back by American DJs, essentially melding them as one song in the minds of fans. Both became staples in sports stadiums and arenas all over the world; this gift of creating timeless stadium-friendly hits was one of Queen¿s greatest strengths. At the opposite end of the spectrum, their No. 1 hit single, "Crazy Little Thing Called Love" from the 1980 album, The Game was decidedly written in "rockabilly" style, similar to that of early Elvis Presley or Carl Perkins. The Game also featured another No. 1 with "Another One Bites the Dust," in which Mercury experimented with a harmonizer that created a "swirling" effect when used in combination with pianos, guitars, and drums ¿ particularly John Deacon¿s prominent bass lick.
At the peak of their game, literally and figuratively, Mercury and Co. suddenly hit a rough patch with their soundtrack to the campy sci-fi feature, "Flash Gordon" (1980), which they wrote for the movie soundtrack. Along with the odd title song, the band also composed the score, all of which ended up a major disappointment on the charts. Queen did, however, score a major hit with the single, "Under Pressure" (1982), which Mercury wailed through with David Bowie. Like many of their songs, "Pressure" would later be sampled most famously by white rapper, Vanilla Ice, resulting in his 1990 hit, "Ice Ice Baby." Three years later, the band released their supposed "comeback" album, The Works (1984), which contained the smash hits "Radio Ga Ga" and "I Want To Break Free." In both cases, their respective music videos caused a stir. With "Ga Ga," Queen was accused of using Nazi-influenced mannerisms ¿ à la the "Heil Hitler" salute ¿ during the concert portion of the "Metropolis"-inspired video, while "Break Free" featured the boys in full drag. The image of the mustachioed Mercury in blonde wig, stilettos and push-up bra caused an uproar and led again to whispered questions about his sex
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