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Overview for William H. Clothier
William H. Clothier

William H. Clothier



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Also Known As: Died: January 7, 1996
Born: February 21, 1903 Cause of Death: complications from a broken hip
Birth Place: Decatur, Illinois, USA Profession: Cinematography ...


Cinematography (feature film)

The Train Robbers (1973) as Director Of Photography
A bandit's widow enlists a famed gunman to return the gold her husband had stolen.
Big Jake (1971) as Director of Photography
A rancher leads the posse out to recover his kidnapped grandson.
Chisum (1970) as Director of Photography
A cattle baron enlists Pat Garrett and Billy the Kid to help him fight a land war.
The Cheyenne Social Club (1970) as Director of Photography
An aging cowboy finds that the successful business he has inherited is actually a house of prostitution.
Rio Lobo (1970) as Director of Photography
A Civil War veteran searches for the traitor behind a friend's death.
The Undefeated (1969) as Director of Photography
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and company are bringing horses to the unpopular Mexican government for $35 a head while Langdon is leading a contingent of displaced southerners, who are looking for a new life in Mexico after losing their property to carpetbaggers. The two men are eventually forced to mend their differences in order to fight off both bandits and revolutionaries, as they try to lead their friends and kin to safety.
Hellfighters (1968) as Director of Photography
While fighting a perilous oil-well fire, a demolition specialist seeks a reconciliation with his wife and daughter.
The Devil's Brigade (1968) as Director of Photography
Experienced soldiers and misfits join forces to create a World War II commando unit.
Bandolero! (1968) as Director of Photography
Posing as a hangman, Mace Bishop arrives in town with the intention of freeing a gang of outlaws, including his brother, from the gallows. Mace urges his younger brother to give up crime. The sheriff chases the brothers to Mexico. They join forces, however, against a group of Mexican bandits who mortally wound both brothers.
Firecreek (1968) as Director of Photography
A pacifist sheriff must use tougher means when his town is threatened by a band of outlaws.
The War Wagon (1967) as Director of Photography
A rancher and a hired gun join forces to take on the criminal who betrayed them both.
The Way West (1967) as Director of Photography
A senator hires a veteran scout to accompany a wagon train from Missouri to Oregon.
The Rare Breed (1966) as Director of Photography
A brave woman tries to breed her English bull with western cattle.
Stagecoach (1966) as Director of Photography
Way ... Way Out (1966) as Director of Photography
The Americans and Russians each have a two-person base on the Moon The Americans have had to keep replacing their astronaut teams because they quickly go crazy; they have been using only male astronauts on the unspoken assumption that this would avoid any possibility of impropriety. The Russians, as godless Communists, are under no such constraints, and their male-female team has remained well-adjusted At the start of the film, a male and female American astronaut team is sent up to replace the sex-starved all-male team. The government insists on them being married first to preserve morality. Most of the story revolves around the eventual consummation of this marriage of convenience, and around their relationship with their Russian neighbors, who keep casually dropping by.
Shenandoah (1965) as Director of Photography
A Virginia farmer fights to keep his family together during the Civil War.
Cheyenne Autumn (1964) as Director of Photography
A reluctant Calvary Captain must track a defiant tribe of migrating Cheyennes.
A Distant Trumpet (1964) as Director of Photography
A recent West Point graduate starts to fall for his commanding officer''''s wife.
Donovan's Reef (1963) as Director of Photography
A war veteran in the South Seas tries to salvage a buddy's reputation when the man's daughter comes calling.
McLintock! (1963) as Director of Photography
A cattle baron fights to tame the West and his estranged wife.
Merrill's Marauders (1962) as Director of Photography
A grizzled U.S. general leads his men against the Japanese in Burma during World War II.
The Man Who Shot Liberty Valance (1962) as Director of Photography
An experienced gunman and a peace-loving tenderfoot clash with a Western bully.
Ring of Fire (1961) as Director of Photography
A group of delinquents hold a sheriff hostage in the middle of a forest fire.
The Deadly Companions (1961) as Director of Photography
To make amends for killing a man, a Civil War veteran accompanies his corpse through dangerous territory.
Tomboy and the Champ (1961) as Director of Photography
The Comancheros (1961) as Director of Photography
A Texas ranger teams up with a gambler to stop an outlaw from running weapons into Mexico with the help of the Comanches.
The Alamo (1960) as Director of Photography
Davy Crockett and Jim Bowie join the fight for Texas'''' independence from Mexico.
Escort West (1959) as Director of Photography
A Confederate veteran helps the survivors of a Union wagon train.
The Horse Soldiers (1959) as Director of Photography
A Union cavalry officer leads his men on a vital mission behind Confederate lines.
China Doll (1958) as Director of Photography
A World War II veteran searches for the daughter he left behind in China.
Darby's Rangers (1958) as Director of Photography
An Army Major leads his men behind enemy lines during World War II.
Lafayette Escadrille (1958) as Director of Photography
A hotshot young flyer falls for a French prostitute during World War I.
Fort Dobbs (1958) as Director of Photography
A frontierswoman suspects the man who rescued her from the Comanches of killing her husband.
Bombers B-52 (1957) as Director of Photography
A hard-nosed Air Force sergeant tries to keep his daughter from dating a hotshot flyer.
Dragoon Wells Massacre (1957) as Director of Photography
Gun the Man Down (1956) as Photography
Man in the Vault (1956) as Photography
Bank robbers force a locksmith to help them with a big heist.
Seven Men from Now (1956) as Director of Photography
A former sheriff hunts down the seven men who killed his wife.
Good-Bye, My Lady (1956) as Director of Photography
A stray dog brings together a young boy and an old man in the Georgia swamps.
Sincerely Yours (1955) as Director of Photography
Hearing loss creates professional and romantic crises for a concert pianist.
Blood Alley (1955) as Photography
An American sailor breaks out of a Chinese jail and dodges Communist agents on the road to Hong Kong.
Gang Busters (1955) as Director of Photography
Hardened criminal repeatedly breaks out of Oregon State Prison, eluding police for prolonged periods afterwards.
The Sea Chase (1955) as Director of Photography
A German freighter captain tries to elude the British in the early days of World War II.
Top of the World (1955) as Alaskan aerial photog
When he''''s transferred to Alaska, a brash pilot tries to stop his ex-wife from remarrying.
Killers from Space (1954) as Director of Photography
Atomic scientist Doug Martin is missing after his plane crashes while on an investigatory mission after a nuclear test. Showing up at the base later, he is given sodium pentathol after being caught in espionage activities. He is not believed as he relates how he was captured by aliens who plan on conquering Earth by using giant animals and insects.
Track of the Cat (1954) as Photography
A murderous panther haunts a dysfunctional pioneer family.
The High and the Mighty (1954) as Aerial photog
When a commercial airliner develops engine trouble, the passengers and crew think back on the lives they could be losing soon.
Phantom from Space (1953) as Director of Photography
An alien being lands in Santa Monica. Killing two people who attacked him due to the menacing appearance of his spacesuit, the creature takes it off while being pursued by government authorities, revealing himself to be invisible.
Island in the Sky (1953) as Aerial cam
A WWII transport plane crashes in the Canadian wilderness.
One Minute to Zero (1952) as Aerial photog
A U.S. colonel in Korea tries to evacuate American civilians.
Confidence Girl (1952) as Director of Photography
A con-artist couple pose as a detective and a psychic.
Air Cadet (1951) as Air photog
A new group of plebes (including roommates Joe, Russ, Jerry and Walt) arrive at an Air Force training camp and go through the usual "course of sprouts." Then on to jet training, where cadet Russ Coulter meets lovely Janet...who just happens to be the estranged wife of Major Page. Will a potential romantic triangle prevent Russ from qualifying as a fighter pilot? Or does the two men's rivalry run even deeper?
Once a Thief (1950) as Photography
A hard-luck woman falls for a con man.
For You I Die (1948) as Director of Photography
A prison inmate trying to go straight is forced into participating in a prison break by another convict. After the two men escape, they separate. The reluctant inmate hides out in a cafe, where he falls in love with a waitress who works there - who he doesn't know is the girlfriend of the convict who forced him to escape.
Sofia (1948) as Director of Photography
High Tide (1947) as Camera Operator
A reporter hires a bodyguard to protect him from a gang boss he has been investigating. After a car accident traps the two of them inside the car with the tide coming in, the reporter recounts for his bodyguard the circumstances leading up to their predicament.
Behind the Mask (1946) as 2nd Camera
Lawyer-superhero Lamont Cranston is framed for the murder of a newspaper columnist.
The Gay Cavalier (1946) as 2nd Camera
The Cisco Kid sets out to find the outlaws behind a daring stagecoach robbery.
Memphis Belle (1944) as Photography
Footage of actual bombing missions highlights William Wyler's account of the U.S. Air Force's work during World War II.
Flying Devils (1933) as Assistant Camera
A trio of veteran pilots joins an aerial circus.
King Kong (1933) as Assistant Camera
A film crew discovers the "eighth wonder of the world," a giant prehistoric ape, and brings him back to New York, where he wreaks havoc.
One Man's Journey (1933) as Assistant Camera
Father and son doctors disagree over the son's materialistic goals.
Ladies of the Jury (1932) as Assistant Camera
A jury hold-out tries to prove the defendant''''s innocence.
Men of Chance (1932) as Assistant Camera
Gamblers go after a man with a knack for picking winning horses.
What Price Hollywood? (1932) as Assistant Camera
A drunken director whose career is fading helps a waitress become a Hollywood star.
Peach-O-Reno (1931) as Assistant Camera
Two divorce lawyers run a gambling joint by night.
Fanny Foley Herself (1931) as Assistant Camera
Wings (1927) as Akely cam
In this silent film, romantic rivals fly against the enemy in World War I.

Producer (feature film)

Gang Busters (1955) as Producer
Hardened criminal repeatedly breaks out of Oregon State Prison, eluding police for prolonged periods afterwards.

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