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|Also Known As:||John Otto Cleese,John Marwood Cleese||Died:|
|Born:||October 27, 1939||Cause of Death:|
|Birth Place:||Somerset, England, GB||Profession:||Cast ... actor screenwriter author producer director teacher|
nd a clueless Centurion in the Roman army.
By the time the 1980s rolled along, Cleese was well on his way toward making a name for himself outside of Python. He starred in a number of British comedies throughout the decade - "Privates on Parade" (1982), "Yellowbeard" (1983) and "Clockwise" (1986), to name a few. He did reunite with the Pythons for one last major production, "Monty Python's The Meaning of Life" (1983), a funny, but uneven return to their sketch comedy roots that depicted a series of vignettes skewering the various stages of life - "Birth," "Growth and Learning," "Fighting Each Other," "Middle Age," "Live Organ Transplants," "The Autumn Years" and "Death." Meanwhile, Cleese become a familiar face in American television commercials and had several memorable turns in Hollywood features: "The Great Muppet Caper" (1981), "Silverado" (1985) and "The Big Picture" (1989). Perhaps his greatest film success was "A Fish Called Wanda" (1988), a blockbuster comedy directed by Ealing Studio veteran Charles Crichton and starring Cleese as an uptight British barrister, Jamie Lee Curtis as a sexy con artist, Kevin Kline as her macho boyfriend and Michael Palin as an hilariously tortured animal lover with a stutter. Having written the screenplay, Cleese also served as executive producer, and the little gem that cost slightly more than $7 million to make took in more than $200 million.
Following the surprise success of "Wanda," which was aided in part with Cleese's famous dance wearing nothing but a small picture frame, he appeared alongside Eric Idle and Rick Moranis in "Splitting Heirs" (1993), a strained comedy in the Monty Python tradition which failed to deliver the requisite laughs. Cleese then co-starred in "Mary Shelley's Frankenstein" (1994), "The Swan Princess" (1996) and "The Wind in the Willows" (1996), before reuniting with his "Wanda" co-stars for "Fierce Creatures" (1997), a pleasant enough, but ultimately disappointing comedy that had no relation character- or plot-wise to their previous effort. As the new millennium approached, Cleese's presence on-screen became more widespread. He played an obnoxious hotel clerk with a penchant for women's clothes in the remake of "The Out-of-Towners" (1999), the apprentice gadget-master, R, who works alongside Q (Desmond Llewelyn) in the James Bond movie, "The World Is Not Enough" (1999), and Simon & Schuster head Dick Snyder in the Jacqueline Susann biopic, "Isn't She Great" (2000).
Cleese may have initially smarted from his ratings-impaired and critically drubbed sitcom "Wednesday at 9:30 (8:30 Central)" (ABC, 2002) and an appearance in one of filmdom's biggest bombs, "The Adventures of Pluto Nash" (2002), but he managed to redeem himself with two hugely popular films - portraying Nearly Headless Nick in "Harry Potter and the Chamber of Secrets" (2002), a character that he first introduced in "Harry Potter and the Sorcerer's Stone" (2001). He also assumed the role of Q after the passing of Llewelyn in "Die Another Day"(2002) - this time bringing even more of his trademark cheek and disdain to the part. The comedian's talents were woefully underused in his turn as Lucy Liu's staid father in "Charlie's Angels 2: Full Throttle" (2003). That same year, Cleese joined the cast of "Will & Grace" (NBC, 1998-2006) in a delightful recurring role as Lyle "Finney" Finster, the paramour of Karen Walker (Megan Mullally) and father of Karen's arch-nemesis (Minnie Driver). The actor also lent his haughty tones to the voice of King Harold, father of Princess Fiona (Cameron Diaz), in the sequels "Shrek 2" (2004) and "Shrek the Third" (2007).
Cleese and the other surviving members of the Python troupe gave their blessing to Eric Idle's Broadway production of "Spamalot," a stage musical drawn from their 1975 film "Monty Python and the Holy Grail." The 2005 debut earned rave reviews and broke box office records, and although Cleese did not appear in person, he was the only Python in the cast, as he provided the voice of God for the original production. Meanwhile, Cleese ventured more into animated features, providing voiceovers for the captured pigeon, Mercury, in "Valiant" (2005), Samuel the Sheep in "Charlotte's Web" (2006) and Dr. Glickenstein in the barely-seen, but well-reviewed "Igor" (2008). Back in the world of live action, Cleese co-starred in the major Hollywood disaster flick, "The Day the Earth Stood Still" (2008), then was confirmed to play Chief Inspector Dreyfus, the scourge and nemesis of the bumbling Inspector Clouseau (Steve Martin), in "The Pink Panther 2" (2009).rdly slapstick and pointedly satirical, often skewering British culture and politics with biting intellectual vigor, hilarious over-the-top characters, and wild animation drawn by Gilliam. While all six members became noted for particular talents, it was Cleese who emerged as the show's true star - sometimes to the bitter disappointment of his cast mates behind the scenes. Each member had their specialty, with Cleese becoming known for playing officious bureaucrats, loose-limbed maniacs and foreigners - often French - with outrageous accents. Some of Cleese's better-known skits were playing "Ken Clean-Air Systems," a mongoloid boxer who does nothing but train, sleep and rub gravel in his hair; a competitor in the goofball competition "Upper Class Twit of the Year;" a disgruntled customer who tries to return a deceased Norwegian Blue in the "Dead Parrot" sketch - perhaps the most popular ever aired on the show - and as a government civil servant who demonstrates his high-legged kick on his way to work in "Ministry of Silly Walks." Though incredibly popular, particularly in America, "Ministry of Silly Walks" was ironically Cleese's least favorite sketch.
During the show's run, the Pythons made their first of four features, "And Now for Something Completely Different" (1971), an ironically titled string of re-shot skits that had already aired on the show, including "Dead Parrot" and "How Not to Be Seen," in which Cleese's steady, bureaucratic voice was put to good use. Once the show ended, the comedy troupe made their second film, "Monty Python and the Holy Grail" (1974), a cult classic that put an irreverent spin on the Arthurian tales, featuring Chapman as the hapless monarch traveling across England during the Dark Ages on a quest to find the holiest of all Christian artifacts. Along the way, he meets all manner of ridiculous characters - a blood-thirsty Sir Lancelot (Cleese), the cowardly Sir Robin (Idle), a Black Knight who refuses to back down even after his arms and legs are hacked off, a killer bunny that can bite the head off a man, and the famous Knights Who Say "Ni!"
Cleese enjoyed considerable success outside of Monty Python with a more conventional, but nonetheless uproarious sitcom "Fawlty Towers" (BBC-2, 1975; BBC-2, 1979), co-written with his wife, Connie Booth. Cleese portrayed Basil Fawlty, the perpetually frustrated owner of a resort inn - a sort of middle-class Ralph Kramden on the verge of a nervous breakdown. Despite the show's popularity, Cleese felt two seasons worth was all he could do with the character. Meanwhile, in 1972, Cleese ventured into business as one of the co-founders of Video Arts Ltd., a company specializing in witty training films - in which he often starred - that became the largest training film company in the world outside the United States. Following the second series of "Fawlty Towers," Cleese rejoined his mates for "Monty Python's Life of Brian" (1979), a biting, hilarious and exceedingly irreverent satire on religion that followed a young Jewish man (Chapman) born during the time of Christ (Ken Colley), who is mistaken for the messiah and hounded to death by his insistent followers. As often was the case with Monty Python, Cleese - and his five co-stars - depicted numerous characters, including the officious leader of an anti-Roman group, a Jewish high priest who is stoned to death, a
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