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Marco Beltrami

Marco Beltrami

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Also Known As: Died:
Born: October 7, 1966 Cause of Death:
Birth Place: New York, New York, USA Profession: Music ...
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MILESTONES

:
Wrote music for the North Carolina Dance Festival and for the Chicago Civic Orchestra
1994:
First film work was for the USC short film, "The Bicycle"
1994:
Scored his first feature film, the low-budget thriller, "Death Match"
1994:
Composed music for the late-night cable series, "Love Street" (Showtime)
1996:
Scored the main titles and most episodes of the short-lived syndicated drama series, "Land¿s End"
1996:
Wrote the score for Wes Craven's smash hit shocker, "Scream"; also scored the "Scream" sequels in 1997 and 2000
1997:
First collaborated with director Guillermo Del Toro on "Mimic"
1998:
Scored the television drama, "Oprah Winfrey Presents: David And Lisa" (ABC); earned first Emmy nomination for Outstanding Music Composition
2000:
Wrote the music for the horror film, "Dracula 2000"; produced by Wes Craven
2002:
Co-composed the soundtrack to the horror thriller, "Resident Evil" with Marilyn Manson
2002:
Re-teamed with director Guillermo del Toro for "Blade II"
2003:
Scored the sci-fi film, "Terminator 3: Rise of the Machines"
2003:
First worked with director Len Weisman on the vampire sequel, "Underworld: Evolution"
2004:
Scored director John Moore's "Flight Of The Phoenix"
2004:
Once again teamed with Guillermo del Toro for "Hellboy"
2005:
Re-teamed with Wes Craven for "Cursed"
2005:
Composed the critically acclaimed, "The Three Burial of Melquiades Estrada"; directed by and starring Tommy Lee Jones
2006:
Scored John Moore's remake of Richard Donner's 1976 thriller, "The Omen"
2007:
Wrote the music for the western, "3:10 to Yuma"; earned first Academy Award nomination for Best Original Score
2007:
Re-teamed with director Len Weisman to score the long-awaited sequel, "Live Free or Die Hard"
2008:
First collaborated with Buck Sanders on composing the music for "Max Payne"; also re-teamed with director John Moore
2009:
Again worked with Buck Sanders to score Kathryn Bigelow's drama, "The Hurt Locker"; earned second Academy Award nomination for Best Original Score

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