Wrote music for the North Carolina Dance Festival and for the Chicago Civic Orchestra
First film work was for the USC short film, "The Bicycle"
Scored his first feature film, the low-budget thriller, "Death Match"
Composed music for the late-night cable series, "Love Street" (Showtime)
Scored the main titles and most episodes of the short-lived syndicated drama series, "Land¿s End"
Wrote the score for Wes Craven's smash hit shocker, "Scream"; also scored the "Scream" sequels in 1997 and 2000
First collaborated with director Guillermo Del Toro on "Mimic"
Scored the television drama, "Oprah Winfrey Presents: David And Lisa" (ABC); earned first Emmy nomination for Outstanding Music Composition
Wrote the music for the horror film, "Dracula 2000"; produced by Wes Craven
Co-composed the soundtrack to the horror thriller, "Resident Evil" with Marilyn Manson
Re-teamed with director Guillermo del Toro for "Blade II"
Scored the sci-fi film, "Terminator 3: Rise of the Machines"
First worked with director Len Weisman on the vampire sequel, "Underworld: Evolution"
Scored director John Moore's "Flight Of The Phoenix"
Once again teamed with Guillermo del Toro for "Hellboy"
Re-teamed with Wes Craven for "Cursed"
Composed the critically acclaimed, "The Three Burial of Melquiades Estrada"; directed by and starring Tommy Lee Jones
Scored John Moore's remake of Richard Donner's 1976 thriller, "The Omen"
Wrote the music for the western, "3:10 to Yuma"; earned first Academy Award nomination for Best Original Score
Re-teamed with director Len Weisman to score the long-awaited sequel, "Live Free or Die Hard"
First collaborated with Buck Sanders on composing the music for "Max Payne"; also re-teamed with director John Moore
Again worked with Buck Sanders to score Kathryn Bigelow's drama, "The Hurt Locker"; earned second Academy Award nomination for Best Original Score