skip navigation
Jean-Claude Carriere

Jean-Claude Carriere

Up
Down

| VIEW ALL

TCM Messageboards
Post your comments here
ADD YOUR COMMENT>

share:

TCM Archive Materials VIEW ALL ARCHIVES (0)

Recent DVDs

 
 

Jean-Claude... - NOT AVAILABLE

Find what your looking for faster use the search field below to shop for titles.

SEARCH TCM.COM/SHOP


OR ... Click here to VOTE > for this person to be released on Home Video



Also Known As: Died:
Born: Cause of Death:
Birth Place: France Profession: playwright, screenwriter, novelist, actor, caricaturist, adaptor, translator, director

Biography CLOSE THE FULL BIOGRAPHY

A prolific, highly accomplished French playwright and screenwriter, Jean-Claude Carriere is perhaps best recalled for his two decade association with Luis Bunuel during which he contributed to the screenplays of such classics as "The Diary of a Chambermaid" (1964), "Belle du Jour" (1968), "The Discreet Charm of the Bourgeoisie" (1972) and "That Obscure Object of Desire" (1976). In addition, the writer has enjoyed profitable associations with such top talent as Jacques Deray, Milos Forman, Louis Malle, Volker Schlondorff, Jean-Paul Rappeneau, Andrzej Wajda and Peter Brook, often adapting plays and novels. Adept at a variety of genres, he excels at producing screenplays that demonstrate an acerbic but amused point of view.A farmer's son who was born and raised in a small village in France, Carriere moved to Paris in the waning days of World War II to pursue his academic studies. By the end of the 1950s, he had published his first novel ("Le Lezard" 1957) and had been introduced to the world of film by Pierre Etaix, with whom he formed his first collaborative relationship. Etaix was a protege of Jacques Tati and Carriere was hired to write the novelizations of such Tati films as "M. Hulot's Holiday" and...

A prolific, highly accomplished French playwright and screenwriter, Jean-Claude Carriere is perhaps best recalled for his two decade association with Luis Bunuel during which he contributed to the screenplays of such classics as "The Diary of a Chambermaid" (1964), "Belle du Jour" (1968), "The Discreet Charm of the Bourgeoisie" (1972) and "That Obscure Object of Desire" (1976). In addition, the writer has enjoyed profitable associations with such top talent as Jacques Deray, Milos Forman, Louis Malle, Volker Schlondorff, Jean-Paul Rappeneau, Andrzej Wajda and Peter Brook, often adapting plays and novels. Adept at a variety of genres, he excels at producing screenplays that demonstrate an acerbic but amused point of view.

A farmer's son who was born and raised in a small village in France, Carriere moved to Paris in the waning days of World War II to pursue his academic studies. By the end of the 1950s, he had published his first novel ("Le Lezard" 1957) and had been introduced to the world of film by Pierre Etaix, with whom he formed his first collaborative relationship. Etaix was a protege of Jacques Tati and Carriere was hired to write the novelizations of such Tati films as "M. Hulot's Holiday" and "Mon Oncle". As the 60s progressed Carriere moved into filmmaking in tandem with Etaix, co-producing, co-writing and co-directing short films including the 1962 Oscar-winner "Heureux Anniversaire/Happy Anniversary". Two years later, Carriere began his notable working relationship with Bunuel, then in his 60s and considered to be on the decline. Their pairing re-invigorated the surrealism of the older man, infusing his work with irony, paradox and a renewed sense of comedy. "The Diary of a Chambermaid", a remake of Jean Renoir's 1946 original, was a searing look at the bourgeoisie in the fascist milieu of 1939 as filtered through the eyes of the family maid (played by Jeanne Moreau). "Belle du Jour" was a wry examination of an uptight newlywed (Catherine Deneuve) who finds a curious liberation in working a day shift at a brothel. Their symbiotic affiliation perhaps reached its apotheosis with "The Discreet Charm of the Bourgeoisie", and their final effort, "That Obscure Object of Desire", both of which garnered Academy Award nominations for their screenplays.

After Bunuel's death, Carriere forged a similar working relationship in the theater with Peter Brook. "The Tragedy of Carmen", their reworking of Bizet's opera "Carmen", proved a hit in its Paris and New York stagings and was captured for posterity on film in 1983. The duo later worked on "The Conference of the Birds" in 1982 and in 1987 on the formidable staging of "The Mahabharta" (filmed for British television in 1989).

If Carriere had only worked with Bunuel and Brook, his place in history would be assured, yet those films and plays represent only a part of his astonishing output. Carriere twice collaborated with Louis Malle, most notably on "Le Voleur/The Thief of Paris" (1967). In 1966. he was introduced to Milos Forman who later tapped the writer for assistance on "Taking Off" (1971) and "Valmont" (1989), which some found a more faithful rendering of Choderlos de Laclos' "Les Liaisons dangereuses". Carriere also contributed to the popular French comedy "L'Associe/The Associate" and teamed with Jean-Luc Godard for the somewhat overrated "Sauve qui puet la vie/Every Man for Himself" (both 1979). The screenwriter also proved his mettle joining Volker Schlondorff, Franz Seitz and Gunter Grass in adapting Grass' award-winning novel "The Tin Drum" (also 1979) to film. One of the most memorable films of the 70s and an Oscar-winner for Best Foreign-Language Film, "The Tin Drum" focused on a young boy who refused to grow up when the Nazis assumed power and included one memorable sequence after another. Yet, the film has been subjected to attacks on grounds of obscenity by right-wing groups over one suggestive scene of a sexual nature.

The 80s saw Carriere reach audiences with such diverse adaptations as "Le Retour de Martin Guerre/The Return of Martin Guerre" and "Danton" (both 1982), which both starred Gerard Depardieu. The former, co-written with director Daniel Vigne, earned a Cesar for its mystery of a man returning from war and claiming to be the title character while the latter allowed Andrzej Wajda to draw parallels between France's Reign of Terror and contemporary Poland. He and Brook were two of the credited screenwriters of the opulent but bloodless Proust adaptation "Swann in Love" (1984), directed by Schlondorff. Carriere shared his third Oscar nomination in 1988 for screenwriting with Philip Kaufman for their affecting version of Milan Kundera's erotic and powerful novel "The Unbearable Lightness of Being".

Carriere found a new partner in Jean-Paul Rappeneau with whom he collaborated on what has been called the definitive film version of Rostand's classic "Cyrano de Bergerac" (1990), which showcased Depardieu's towering lead performance. Although he stumbled somewhat with the English-language "At Play in the Fields of the Lord" (1991 -- generally conceded to be an unfilmable work), the screenwriter was back on surer ground with his second teaming with Rappeneau on the lavish period drama "Le Hussard sur le toit/The Horseman on the Roof" (1995) as well as Schlondorff's "The Ogre" (1996), an often overlooked gem. His last produced screenplay to date, "Chinese Box" (1998), though, was another disappointment with an almost anachronistic juxtaposition of a triangular romance set against the waning days of British rule in Hong Kong.

VIEW THE FULL BIOGRAPHY

Filmographyclose complete filmography

DIRECTOR:

1.
  Unique, L' (1985) Director
3.
  Rupture (1961)

CAST: (feature film)

2.
 Certified Copy (2010)
3.
 Avida (2006)
4.
 Bunuel, King Solomon (2001) David Goldman
5.
 Regarding Bunuel (2000)
6.
 Jaya Ganga (1996) Professor
7.
 Night & the Moment, The (1994) Gouverneur
8.
 Ils sont grands ces petits (1979) Psychiatre
9.
 Photo Souvenir (1977) Doctor
VIEW THE FULL FILMOGRAPHY

Milestones close milestones

1945:
Arrived in Paris to study literature and history just before the end of WWII
1957:
Began collaboration with Pierre Etaix
1961:
Made directorial debut as co-helmer (with Etaix) of the short film "Rupture"
1962:
Co-produced (with Etaix) the Oscar-winning short "Heureux Anniversaire/Happy Anniversary"
1962:
Feature film screenwriting debut, "Le Soupirant/The Suitor", directed by Etaix
1964:
First collaboration with Luis Bunuel, "Le Journal d'une femme de chambre/Diary of a Chambermaid"; also made screen acting debut in film
1965:
First collaboration with Louis Malle, "Viva Maria!"
1967:
Scripted "Belle du Jour", directed by Bunuel
1967:
Reunited with Malle for "Le Voleur/The Thief of Paris"
1967:
First English language screenwriting credit, "Hotel Paradiso"
1968:
Wrote play "L'Aide-Memoire"; produced on Broadway as "The Little Black Book" in 1972
1969:
Initial collaboration with director Jacques Deray, "The Swimming Pool/Basseinut/La Piscine"
1970:
Contributed to the script of Deray's gangster drama "Borsalino"
1971:
Collaborated with Milos Forman on "Taking Off"
1971:
Wrote "A Little Sun in Cold Water/Un Peu de soleil dans l'eau froide", featuring Gerard Depardieu
1972:
With Bunuel, co-wrote "Le Charm discret de la bourgeiosie/The Discreet Charm of the Bourgeoisie"; nominated for Best Original Screenplay
1974:
Reteamed with Bunuel for "La Fantome de la liberte/The Phantom of Liberty"
1975:
Penned screenplay of "Leonor", directed by Jean-Luis Bunuel
1977:
Shared an Academy Award nomination for Best Screenplay for "That Obscure Object of Desire/Cet obscure objet du desir"; final film with Luis Bunuel
1979:
Co-wrote the award-winning adaptation of "The Tin Drum", directed by Volker Schlondorff
1979:
Contributed to the script for the popular French comedy "L'Associe/The Associate"
1979:
Collaborated with Jean-Luc Godard on "Sauve qui peut la vie/Every Man for Himself"
1981:
Earned widespread praise for his collaboration with Peter Brook on the stage play "La Tragedie de Carmen/The Tragedy of Carmen"; filmed in 1983
1982:
Wrote the stage play "The Conference of Birds" in collaboration with Peter Brook
1982:
Co-wrote "Le Retour de Martin Guerre/The Return of Martin Guerre", starring Gerard Depardieu
1982:
Made contributions to the script of Andrzej Wajda's historical drama "Danton", starring Depardieu
1984:
Reunited with Schlondorff to adapt Proust's "Swann in Love/Un Amour de Swann"; Peter Brook also was one of the credited scenarists
1985:
With Olivier Assayas, co-directed feature film "L'Unique"; also worked on screenplay
1987:
Second collaboration with Wajda, "The Possessed/Les Possedes"
1988:
Collaborated with director Philip Kaufman on the screen version of Milan Kundera's novel "The Unbearable Lightness of Being"; shared a Best Adapted Screenplay Oscar nomination
1989:
With Peter Brook, adapted Brook's acclaimed staging of "The Mahabharta" as a miniseries for British television; eventually aired in the USA
1989:
Reunited with Forman to adapt "Les Liaisons Dangereuses" as "Valmont"
1990:
Worked with Jean-Paul Rappeneau on the definitive "Cyrano de Bergerac", starring Depardieu
1991:
Contributed to the screenplay of "At Play in the Fields of the Lord", directed by Hector Babenco
1995:
Adapted "Le Hussard sur le toit/The Horseman on the Roof" for Rappeneau; Depardieu had small role in film
1996:
Wrote screenplay for "Le Roi des aulnes/The Ogre", directed by Schlondorff
1998:
Wrote screenplay for "Chinese Box", directed by Wayne Wang
1999:
Stage play "La Terrasse" opened Off-Broadway
2007:
Reunited with Forman to script "Goya's Ghosts"
VIEW ALL MILESTONES

Notes

Carriere was head of the film school FEMIS from 1986, and has frequently conducted writing and directing workshops.

Luis Bunuel was once quoted about his collaboration with Carriere as saying, "I give my ideas and we discuss them and then he writes for me."

In his memoirs "Threads of Time", Peter Brook wrote that Carriere "was never satisfied, always open to criticism, untiring, never short of ideas, writing all the time."

"The problem of an adaptation is not whether one is being faithful or unfaithful, it is a stupid quarrel, in which both terms are bad. Taking a book in order to be unfaithful to it is stupid. Why not leave it then? Taking a book solely to be faithful to it, why not just stay with the book? The problem is making a movie. People don't come to the movie house with a book on their knees to compare each word point by point. They come to see a movie, that's all." --Jean-Claude Carriere

Comparing his two most frequent collaborators: "Peter is a brook, like clear water going from one graound to another one, bringing fertility. Bunuel was a block of Spanish stone. You have to dig inside to find if there is some corner of the stone which has not been explored yet." --Carriere quoted in The New York Times, June 8, 1999

"A screenwriter has to know this: If he considers that a script is a finished work, he's not a real screenwriter. It is ephemeral and transitory. The cinema has its own language, and the one who uses that is the director. He writes with his camera and his [editing machine]." --Carriere quoted in The Holywood Reporter, February 28, 2000

Companions close complete companion listing

wife:
Nicole Carriere. Painter, interior decorator.
wife:
Nicole Carriere. Had six children.
companion:
Hanna Schygulla. Actor.
companion:
Hanna Schygulla. Miner.
VIEW COMPLETE COMPANION LISTING

Family close complete family listing

father:
Felix Carriere. Has four older sisters and two older brothers.
father:
Felix Carriere. Farmer.
mother:
Alice Carriere. Converted from Judiasm.
daughter:
Iris Carriere. Polish immigrant.
VIEW COMPLETE FAMILY LISTING

Bibliography close complete biography

"Le Lezard"
"L'Alliance"
"Le Petit Napoleon illustre"

Please support TCMDB by adding to this information.

Click here to contribute