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Gabriel Byrne

Gabriel Byrne

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Assault On Precinct 13... An uneventful New Year's Eve descends into chaos and violence when a lonely and... more info $14.98was $14.98 Buy Now

Miller's Crossing DVD This riveting crime drama comes courtesy of the Coen Brothers. Set during the... more info $9.98was $9.98 Buy Now

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Vanity Fair DVD This 2004 biting satire set in Victorian England, features an all-star cast with... more info $7.99was $9.99 Buy Now

Autumn Hearts DVD Susan Sarandon, Max von Sydow, Gabriel Byrne and Christopher Plummer give... more info $14.98was $14.98 Buy Now

Out Of Ireland (The Deluxe Edition)... This fascinating 1995 documentary covers two hundred years of Irish-American... more info $29.99was $29.99 Buy Now



Also Known As: Gabriel James Byrne Died:
Born: May 12, 1950 Cause of Death:
Birth Place: Dublin, IE Profession: actor, director, producer, screenwriter, author, bartender, plumber's assistant, apprentice chef, salesman, columnist, busboy, toy factory worker, messenger, seminarian, teacher, archaeologist

Biography CLOSE THE FULL BIOGRAPHY

Both a strong leading presence and compelling character performer, actor Gabriel Byrne emerged from his native Ireland to become one of the more sought-after talents in the United States. Though he had been acting for over a decade across the Atlantic, Byrne did not begin making a name for himself in America until his dark, brooding performance as an Irish mobster in the Coen Brothers' deft "Miller's Crossing" (1990). But it was his turn as a former corrupt cop drawn into a heist-gone-bad in "The Usual Suspects" (1995) that propelled Byrne to stardom. Ever since, he fluctuated with ease between romantic dramas, crime thrillers and period pieces in a fine display of diversity that translated well behind the camera as a writer and producer. Though he managed to get entangled in several flops - namely "Stigmata" (1999) and the miserable "End of Days" (1999) - Byrne managed to transcend setbacks with a varied slate of interesting projects, including "In Treatment" (HBO, 2007- ), an experimental drama that allowed Byrne to display his considerable acting chops to a sophisticated audience.Born on May 12, 1950 in Dublin, Ireland, Byrne was the oldest of six children raised by a Guinness factory worker...

Both a strong leading presence and compelling character performer, actor Gabriel Byrne emerged from his native Ireland to become one of the more sought-after talents in the United States. Though he had been acting for over a decade across the Atlantic, Byrne did not begin making a name for himself in America until his dark, brooding performance as an Irish mobster in the Coen Brothers' deft "Miller's Crossing" (1990). But it was his turn as a former corrupt cop drawn into a heist-gone-bad in "The Usual Suspects" (1995) that propelled Byrne to stardom. Ever since, he fluctuated with ease between romantic dramas, crime thrillers and period pieces in a fine display of diversity that translated well behind the camera as a writer and producer. Though he managed to get entangled in several flops - namely "Stigmata" (1999) and the miserable "End of Days" (1999) - Byrne managed to transcend setbacks with a varied slate of interesting projects, including "In Treatment" (HBO, 2007- ), an experimental drama that allowed Byrne to display his considerable acting chops to a sophisticated audience.

Born on May 12, 1950 in Dublin, Ireland, Byrne was the oldest of six children raised by a Guinness factory worker father and nurse mother. When he was 12 years old, a Catholic priest came to his school to show students what life was like saving souls in the South Pacific. From that moment, Byrne was interested in becoming a member of the clergy, and eventually went to seminary in Birmingham. But Byrne failed to fit in - perhaps being more interested in football and smoking cigarettes, while constantly late for prayers, had something to do with why he was finally asked to leave. Byrne returned home to Dublin and landed a scholarship to University College, where he studied languages and archeology. After graduating, he toiled in a series of odd jobs, namely installing glass eyes in teddy bears at a toy factory, working as a plumber, and teaching English. He made his first foray into acting in 1974 with the Dublin Shakespeare Society, then joined the Focus Theatre, an experimental repertory company run by director Jim Sheridan. In 1978, Byrne began acting full-time at the Abbey Theatre, where he stayed for two years. Finally, Byrne had found his footing.

Thanks to his stage work, Byrne started to land minor parts in small films, making his debut in "On a Paving Stone Mounted" (1978), which he followed with "The Outsider" (1979), a film that led to starring roles in the Irish soap opera "The Riordens" and its spin-off "Bracken." Byrne's first significant film role was as King Arthur's father in John Boorman's "Excalibur" (1981), a role made more difficult by the oppressive iron armor costumes. He played an obnoxious Israeli attorney in Costa-Gavras' disappointing "Hannah K" (1983), then a German soldier in Michael Mann's dreadful war drama "The Keep" (1983). Bryne proved himself a capable lead in the taut political thriller "Defense of the Realm" (1985), playing a newspaper reporter investigating the crash of a nuclear bomber in the English countryside. But Hollywood remained unimpressed, which, on a whole, considered Byrne a supporting player. He turned to American television in a pair of miniseries, playing the title role of "Christopher Columbus" (CBS, 1985), then the father of fascism's son in "Mussolini: The Untold Story" (NBC, 1985). Back on the big screen, he co-starred in a few unremarkable features, including "Lionheart" (1987) and "Hello, Again" (1987), before returning to England to take the lead in "Diamond Skulls" (1989).

In the 1990s, Bryne finally began to catch the attention of American audiences, starting with "Miller's Crossing" (1990), a revisionist take on the gangster film directed by Joel and Ethan Coen. As the brooding Tom Reagan, the right hand of an Irish mobster (Albert Finney) neck deep in a citywide gang war with his Italian rival (Jon Polito), Byrne's Reagan exuded a cool confidence, despite routine ass-kickings and a falling out with his boss over the same woman (Marcia Gay Harden). Byrne next essayed the cartoonist who creates the "Cool World" (1992) of Ralph Bakshi's mix of live action and animation, later remembering the experience as "like being sedated for three months." In "Point of No Return" (1993), he played a secret agent who oversees the training of a hit woman (Bridget Fonda). Later that year, he romanced two women - one dark and disturbed (Debra Winger); the other lonely and insecure (Barbara Hershey) - in "A Dangerous Woman" (1993), a rather conventional, but violent psycho-drama from director Stephen Gyllenhaal.

A prominent force in Ireland's film industry, Byrne reportedly passed up an opportunity to play the villain in "Lethal Weapon III" to star as an alcoholic single father in Jim Sheridan's charming fable, "Into the West" (1993). Back in Hollywood, Byrne vied with Steve Martin for the love and custody of a little girl in "A Simple Twist of Fate" (1994) and played an obsessive U.S. Attorney in "Trial by Jury" (1994), though he probably turned more heads as the German philosophy professor who sweeps Jo (Winona Ryder) off her feet in "Little Women" (1994). He attained perhaps his highest screen profile since "Miller's Crossing," starring as a former corrupt cop-turned-expert thief in "The Usual Suspects" (1995), Bryan Singer's excellent neo-noir thriller about a gang of thieves recruited by a mysterious underworld figure to stop a massive drug deal, only to learn there is a bigger score to be had. He next teamed with Matt Dillon and Anne Parillaud for "Frankie Starlight" (1995), a gentle and poignant period romance that saw Byrne fall in love with a French woman (Anne Parillaud) after he helps her enter post-World War II Ireland.

In 1996, the increasingly busy Byrne co-starred with Johnny Depp in Jim Jarmusch's revisionist Western "Dead Man;" headlined the Irish love story "This Is the Sea" (1997); and finally co-wrote, co-produced and co-starred in the charming teen romance "Last of the High Kings" (released on video in the United States as "Summer Fling" in 1998). "Last of the High Kings" was merely the first screenplay to come from Byrne, who earlier proved himself as a prose writer with Pictures in My Head. In fact, Byrne sought through his production deal with Phoenix Pictures to showcase himself as a writer-director. Finding time in his acting schedule was difficult, however, as a couple of directing projects fell through. His continued admiration for European filmmaking led him to star in Wim Wenders' "The End of Violence" (1997), Bille August's "Smilla's Sense of Snow" (1997) and "Polish Wedding" (1998). Meanwhile, he displayed a taste for horsemanship and swordplay as the noble D'Artagnan in John Malkovich's star-studded, but ultimately disappointing historical adventure "The Man in the Iron Mask" (1998).

With his place in Hollywood firmly established, Byrne was free to choose his projects, even if it happened to be a small role in the paranoia-inspiring thriller "Enemy of the State" (1998). Perhaps in a nod to his former days as a priest-in-training, he played Father Andrew Kiernan in "Stigmata" (1999), then flipped to the other side to play Satan in "End of Days" (1999), both of which were released in the midst of the millennial apocalyptic craze. But whether he was playing a man of God or the human incarnate of evil, Byrne proved that his presence onscreen could enliven even the most insipid fare. After two decades removed from the stage, Byrne had a starring role in the Broadway revival of "A Moon for the Misbegotten" (2000), Eugene O'Neill's transcendent drama of guilt and forgiveness. His harrowing performance as the guilt-wracked James Tyrone received overwhelming praise by critics and theatergoers alike. Byrne's handling of the cumbersome, but heart-wrenching monologue - particularly where James confesses his sins to human angel Josie (Cherry Jones) - proved compelling, while his shift from emotional detachment to extreme candidness displayed unusually moving grace.

In another attempt to keep his acting career fresh, Byrne took on network television with a starring role in the short-lived sitcom "Madigan Men" (ABC, 2000-01), playing a recently divorced man who routinely receives romantic advice from his teenaged son Luke (John Hensley) and widowed father Seamus (Roy Dotrice). He maintained numerous producing projects on his slate, including "Mad About Mambo" (2000), a Belfast-set coming-of-age tale produced by his own Plurabelle Films. Meanwhile, Byrne continued to be in-demand as a character actor, happily toiling away with parts in such mainstream films as "Ghost Ship" (2002), a supernatural thriller in which he played a salvage ship captain whose crew encounters a mysterious ocean liner lost at sea. In the flashback sequences of "Spider" (2002), he played the father of a psychologically damaged man (Ralph Finnes) recently released from a mental institution, who may or may not be truthful about his childhood trauma. After a short role in "Shade" (2004), a little-seen indie about poker hustlers, Byrne appeared in the adaptation of Thackerey's "Vanity Fair" (2004), playing the seductively titled and privileged Marques of Steyne, who offers Becky Sharp (Reese Witherspoon) all she wants - but at a price.

His next film, the remake of John Carpenter's 1976 thriller, "Assault On Precinct 13" (2005), provided Byrne with what Roger Ebert characterized as "one of his thankless roles in which he is hard, taciturn, and one-dimensional enough to qualify for Flatland." In "Jindabyne" (2006), Byrne was a gas station clerk in Australia who goes off on a fishing trip with his pals and discovers the naked body of a young Aboriginal woman killed by a racist old man (Chris Haywood). But instead of calling the police, the men decide to go on with their fishing trip, which causes all hell to break loose when they go home to their wives (which include Laura Linney). Back on television, Byrne starred in one of the more talked about cable shows, "In Treatment" (HBO, 2007- ), playing a seemingly successful psychotherapist and family man whose life starts falling apart because of his intimate involvement with his patients. Each 30-minute episode put on display a full therapy session, which aired five days a week and showcased a regular set of patients (Blair Underwood, Mia Wasikowska and Embeth Davidtz). But critics and audiences were split over being either fascinated or bored with witnessing an entire therapy session, causing some to question the durability of the show. Regardless, there was no conflict over Byrne's performance. In 2008, he earned an Emmy nod for Outstanding Lead Actor in a Drama Series, but lost out to Bryan Cryanston for his work on "Breaking Bad" (AMC, 2008- ). He then received a Golden Globe nomination for Best Actor in a Television Series - Drama, which he promptly won. The following year, he faced off against Cranston again for an Emmy Award in the lead actor category, thanks to Byrne's remarkable performance on the second season of "In Treatment."

VIEW THE FULL BIOGRAPHY

Filmographyclose complete filmography

CAST: (feature film)

1.
 Vampire Academy (2014)
2.
 33, The (2014)
3.
 I, Anna (2013)
4.
5.
 2:22 (2010)
6.
 Perrier's Bounty (2009)
7.
 Leningrad (2009)
8.
 Played (2007)
9.
10.
 Jindabyne (2006)
VIEW THE FULL FILMOGRAPHY

Milestones close milestones

1962:
Attended a Roman Catholic seminary in Birmingham, England
:
Worked as an archeologist for three years
:
Taught Spanish and Gaelic in a girls' school
:
Began participating in amateur theater
:
Acted with Ireland's Focus Theater, an experimental repertory company run by future filmmaker Jim Sheridan
:
Joined the Abbey Theatre and remained in their company for two years
1978:
Made film acting debut in the British feature "On a Paving Stone Mounted"
1979:
Appeared in the US-Netherlands co-production "The Outsider"
1979:
Moved to London
:
Joined the Royal Court Theater
:
Joined the National Theater in London
1981:
First substantial film role as Uther Pendragon, father of Arthur, in John Boorman's "Excalibur"
1982:
Starred in Irish TV series "The Riordens"
1983:
Had featured roles in Michael Mann's "The Keep" and Kevin Billington's "Reflections"
1985:
Had debut starring role in the political thriller "Defence of the Realm"
1985:
Portrayed the title character in the CBS-TV miniseries "Christopher Columbus"
1986:
Played Lord Byron in Ken Russell's "Gothic"
1987:
Featured in the Italian drama "Julia and Julia" opposite Kathleen Turner
1987:
Co-starred with future wife Ellen Barkin in the ambitious thriller "Siesta"
1990:
Cast as the cool-headed organized crime lieutenant in the Coen brothers' stylized feature "Miller's Crossing"
1992:
First credit as associate producer (also starred), "Into the West"; scripted by Jim Sheridan
1992:
Played a cartoon artist trapped in the world of his creation in "Cool World"
1993:
Co-starred opposite Bridget Fonda in "Point of No Return"
1993:
Executive produced Sheridan's "In the Name of the Father"
1995:
Was one of the ensemble of criminals in Bryan Singer's "The Usual Suspects"
1996:
Co-starred with ex-wife Ellen Barkin in "Mad Dog Time"
1996:
Co-wrote screenplay for (also produced and acted in) "Last of the High Kings"
1997:
Acted opposite Julia Ormond in "Smilla's Sense of Snow"
1997:
Portrayed Rohan in "This Is the Sea"; Sheridan played small role as Station Master
1997:
Co-starred opposite Ben Kingsley as rival executives in the HBO black comedy "Weapons of Mass Distraction"
:
Formed production company Plurabelle Films
1998:
Portrayed D'Artagnan in "The Man in the Iron Mask"
1998:
Played the patriarch in "Polish Wedding" opposite Claire Danes and Lena Olin
1999:
Played a Vatican-sanctioned investigator in "Stigmata"
2000:
Cast in the stage revival of Eugene O'Neill's "A Moon for the Misbegotten"; received a Tony nomination for Best Actor
2000:
Plurabelle Films produced the Belfast-set coming of age comedy "Mad About Mambo"
2002:
Appeared as a salavage vessel captain in the spooky thriller "Ghost Ship"
2002:
Cast as Ralph Finnes' father in David Cronenberg's "Spider"
2004:
Starred opposite Laura Linney and Topher Grace in "P.S."
2005:
Cast in Richard E. Grant's directorial debut, "Wah-Wah"
2008:
Portrayed therapist, Paul Weston in the critically acclaimed HBO series "In Treatment"; earned an Emmy (2008, 2009) nomination for Best Actor in a Drama Series
2009:
Nominated for the 2009 Primetime Emmy Award for Outstanding Lead Actor in Drama Series
VIEW ALL MILESTONES

Education

University College Dublin: -
University College Dublin: -

Notes

Byrne's new production company is Plurabelle, named after Anna Livia Plurabelle, a character in James Joyce's "Finnegan's Wake".

"I still find it amazing that I'm an actor. I'm not a very gregarious person. I can't bear attention being called to me in a public place, which is ridiculous in a business that pays you to be noticed." --Gabriel Byrne to The New York Times, September 16, 1990

"My career--which I'm extremely happy with--has been a bit unpredictable. Steven Spielberg said to me recently, 'I've never been able to track your career; you turn up in the weirdest places.' I wasn't sure whether to take that as a compliment or as advice to get hold of the real world. Maybe I should cut the crap for a couple of years before I get too ancient and do the big Hollywood stuff." --Byrne quoted in New York's Daily News, March 17, 1993

"I believe that our views on everything from how we perceive nationalities to how we fall in love come from movies we've been exposed to. Having said that, I have to say, no, movies don't have a duty to have a political conscience. I often hear people say, 'I want to go to the movies and be swept away--I don't want to have to sit there and think about my life'--and that's a legitimate desire. It's no good being on a soapbox in the middle of the desert." --Gabriel Byrne quoted in Los Angeles Times, December 20, 1994

"He's very modest, but he does things effortlessly. Only when you're looking at the screen do you notice that Gabriel does all these subtle things with his hands, and especially his eyes." --"The Usual Suspects" director Bryan Singer quoted in The New York Times, September 24, 1995

"People who believe that being incredibly famous or wealthy or powerful is going to make them happier are on a fool's mission. I'm famous enough, that suits me fine. The relentless emphasis on celebrity in this country drives me around the fucking bend. Everywhere you go. The new religion is celebrity, but nobody stops to question what it means when you achieve it. Honestly, I'm scared of the whole notion of fame. You take it on at your own peril." --Byrne in Elle, February 1997

Liam Neeson on Byrne, quoted in Elle, February 1997: "Gabriel is a beautiful man. He epitomizes for me Modern European Man: dynamic, a great potential for hard work, for fun, for introspection and he's a wonderful father, actor and writer. He makes me sick."

"I was walking with my five-year-old son [by ex-wife Ellen Barkin] one day, and I had a mobile phone, which he picked up and just dialed, and I was amazed at his technical dexterity, his lack of fear. I realized that his world and mine are already aeons apart, and I thought, if I were to die, what would he know about me? The kind of world I came from and what it meant for me to leave Dublin and come to America, because I never thought I would. So I decided to write about it." --Gabriel Byrne to Premiere, March 1997

"I was teaching gorgeous 17-year-old girls in miniskirts when I was 22. I'd say, 'Did you translate that passage last night?' They'd say, 'No.' I'd say, 'That's OK, you don't have to.' They specialised in finding my weak points. On my birthday, they said, 'We got you a shirt and tie.' I said, 'Thanks, I'll put it on later.' They said, 'No, we want you to put it on now.' So I took off my jacket and undervest. Then the headmistress walked in. I was standing there with no top on. They were ruthless, those girls." --Gabriel Byrne on his days as a teacher, quoted in Neon, May 1998

In an interview with the London Sunday Times (August 8, 1999), Byrne revealed that he underwent physical and sexual abuse at the hands of the Christian Brothers and a priest from the ages of eight to 12. He was quoted as saying: "I'm not carping about it and I'm not being sorry for myself. To be honest, not a great deal of damage was done to me physically. The damage was emotional, and that took me a long time to shake off."

Byrne on his roles in "Stigmata" and "End of Days", playing a priest in the former and Satan in the latter: "I don't believe in acting as catharsis or therapy. I don't believe in bringing your work home with you, in 'becoming' a character. You do this job, you go home. So there's not much difference between playing a priest and playing the devil.

"I'm talking as an actor. One role is playing a good man who's lost his faith. The other is playing a man who believes he's good and who has lost his soul. So, therefore, the sense of torment is the same." -- quoted in the New York Post, November 23, 1999

Gabriel Byrne on religion: "A firm believer in the Buddhist 'You've got today, no one promised you tomorrow', I don't think much about Catholicism anymore. I was forced to so much as a child. I'm still seduced by the rituals--whoever invented them knew what theater was about, for sure." --quoted to Newsday, April 4, 2000

"A Moon for the Misbegotten" co-star Cherry Jones on Byrne's performance, particularly his take on the powerful confessional monologue: "He is meeting this great responsibility every night, and he never cheats O'Neill or the audience or me. It's one of those monologues that takes no prisoners. It leaves no one unshaken." --quoted in The New York Times, April 26, 2000

Byrne on how "A Moon for the Misbegotten" changed his attitude towards theater: "The whole process of going back to the stage has taught me more about myself than anything else I've done in a long time, and I've come back to totally respect the theater again. . .

"When a play works like this one does, it almost is a sacred experience. You can hear the audience leaning forward to listen. Sometimes you can hear people sniffling, sobbing. I think people start to see their own lives, their own ghosts." --quoted to The New York Times, April 26, 2000

Companions close complete companion listing

companion:
Aine O'Connor. Filmmaker. Had 12-year relationship from c. 1974 to c. 1986; died in 1998 at age 50.
wife:
Ellen Barkin. Actor. Met while filming "Siesta" (1987); married in 1988; separated in 1993; Barkin filed for divorce in 1999; mother of his two children.
companion:
Julia Ormond. Actor. Met during filming of "Smilla's Sense of Snow" in 1996.
companion:
Naomi Campbell. Model. Dated from late 1997 to early 1998.
VIEW COMPLETE COMPANION LISTING

Family close complete family listing

son:
Jack Daniel Byrne. Born in October 1989.
daughter:
Romy Marion Byrne. Born on November 18, 1992.

Bibliography close complete biography

"Landscape From a Window"
"Pictures in My Head"

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