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Overview for Ralph Brinton
Ralph Brinton

Ralph Brinton



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Birth Place: Profession: Art Director ...


Art Director (feature film)

Isadora (1968) as Art Director
A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people's ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free love, debt, dress, and lifestyle shocked the public of her time.
Tom Jones (1963) as Production Design
In this adaptation of Henry Fielding's novel, a country boy in 18th-century England becomes a playboy.
The Loneliness of the Long Distance Runner (1962) as Production Design
A boy from the Irish slums reviews his troubled past while training for a school race.
A Taste of Honey (1962) as Art Director
Deserted by her mother, a pregnant teen turns to a gay friend for help.
The Entertainer (1960) as Art Direction
A third-rate vaudevillian uses liquor and young women to escape the pressures of changing times.
Room at the Top (1959) as Art Direction
A young accountant claws his way to the top in the boardroom and the bedroom.
The Gypsy And The Gentleman (1958) as Art Direction
A gypsy maiden tries to seduce a drunken nobleman in order to better her class.
Moby Dick (1956) as Art Director
Epic adaptation of Herman Melville's classic about a vengeful sea captain out to catch the whale that maimed him.
Lovers, Happy Lovers! (1954) as Art Direction
From the Louis Hemon novel "M. Ripois and His Nemesis" about Andre Ripois (Gerard Philipe), a philanderer in pursuit of love and riches from Paris to London. Andre is breaking up with his wife, Catherine (Valerie Hobson), over his attentions to her best friend Patricia (Natasha Parry). While Catherine is out arranging the divorce, Andre, just to keep in practice, hits on the girl upstairs, Diana (Diana Decker) and then turns his attention back to Patricia, who he tricks into having dinner at his flat on the pretext that Catherine will be there. When he cannot make any progress with her via his usual tactics, he tries to arouse her pity be telling her of his past. In his early, impoverished days in London, he made love to his boss Anne (Margaret Johnston) but her dreadful cooking drove him away. Next came Norah (Joan Greenwood) who he picked up on a bus and took to his flat and told her about his make-believe inheritance, but she insisted on marriage first, which was not in his plans. Marcelle (Germaine Montero), a French woman living in Soho, put him on his feet with money, and he repaid her by stealing fifty pounds and running off. He met the wealthy Catherine at his flat where she came to be tutored in French lessons, and ended up marrying him. But, even at his wedding, he had eyes only for Patricia and, he tells her she is his one true love.
The Master of Ballantrae (1953) as Art Director
A Scottish lord rebels against the British by taking up piracy.
Outpost in Malaya (1952) as Art Director
A plantation owner''''s marriage is tested by a bandit attack.
Lucky Nick Cain (1951) as Art Director
American gambler Nick Cain (George Raft) arrives at the Mediterranean town of San Paola, and befriends an orphan Italian shoe-shine boy named Toni (Enzo Staiola). He is puzzled by the reception and welcome he receives from the management of the casino until he finds he has been framed on a charge of murdering a U.S. Treasury Agent. He escapes with Kay Wonderly (Coleen Gray) and they flee to a deserted village where he leaves Kay to hide out. Nick gets aid from a mysterious character named Massine (Charles Goldner), whom he suspects of trying to collect the reward offered on his capture. Nick discovers that the men responsible for the agent's death are members of an international counterfeiting ring, using the casino to pass the bogus money.
A Christmas Carol (1951) as Art Director
Ghosts visit a miser during the holidays to teach him the errors of his ways.

Film Production - Main (feature film)

Girl With Green Eyes (1964) as Loc adv
A young innocent gets involved with an older, married man.

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