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|Also Known As:||Catherine Jones, Catherine Zeta Jones||Died:|
|Born:||September 25, 1969||Cause of Death:|
|Birth Place:||United Kingdom||Profession:||actor, dancer, singer|
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s well as a Golden Globe nomination for Best Actress in a Comedy/Musical. That same year, Zeta-Jones â¿¿ named as one of People magazine's "Most Beautiful People" â¿¿ signed on as the global spokeswoman for Elizabeth Arden cosmetics. After an awards season that dovetailed with her second pregnancy, the actress returned to the screen in the dark Coen Brothers comedy "Intolerable Cruelty" (2003), which fell flat with audiences and critics, despite starring an equally attractive George Clooney. At that time, the beaming mother of two had also signed on as a spokesmodel for T-Mobile cellular phones.Teaming for the first time with Tom Hanks and director Steven Spielberg, Zeta-Jones next appeared in "The Terminal" (2004) which, although she made a solid attempt to portray a romantically-challenged woman, she was simply too beautiful and sharp to be believed as a loser in love. She reteamed with Clooney and his heisting cohorts for the lackluster sequel "Ocean's Twelve" (2004), this time providing a love interest for Pitt. Zeta-Jones film appearances eased up over the next few years as she raised her two children and split time between the family's estate in Bermuda and other homes in New York City, Spain,...
s well as a Golden Globe nomination for Best Actress in a Comedy/Musical. That same year, Zeta-Jones â¿¿ named as one of People magazine's "Most Beautiful People" â¿¿ signed on as the global spokeswoman for Elizabeth Arden cosmetics. After an awards season that dovetailed with her second pregnancy, the actress returned to the screen in the dark Coen Brothers comedy "Intolerable Cruelty" (2003), which fell flat with audiences and critics, despite starring an equally attractive George Clooney. At that time, the beaming mother of two had also signed on as a spokesmodel for T-Mobile cellular phones.
Teaming for the first time with Tom Hanks and director Steven Spielberg, Zeta-Jones next appeared in "The Terminal" (2004) which, although she made a solid attempt to portray a romantically-challenged woman, she was simply too beautiful and sharp to be believed as a loser in love. She reteamed with Clooney and his heisting cohorts for the lackluster sequel "Ocean's Twelve" (2004), this time providing a love interest for Pitt. Zeta-Jones film appearances eased up over the next few years as she raised her two children and split time between the family's estate in Bermuda and other homes in New York City, Spain, and Wales. In 2005, Zeta-Jones reprised her role as Elena in "The Legend of Zorro" (2005), the character now estranged from her masked husband (Antonio Banderas) and trying to balance the thirst for adventure with the desire to be a responsible parent. Off-screen, Zeta-Jones continued to successfully strike that balance, starting her own production company Milkwood Productions, based out of her hometown of Swansea. Following her starring role as a chef in the predictable but moderately popular romantic comedy "No Reservations" (2007) Zeta-Jones was slated to enjoy her first producer credit with Milkwood's debut, "Coming Out" (2008), a comedy in which Alan Cumming plays the gay coach of a Welsh Rugby team.
Following a two-year absence from the screen, Zeta-Jones returned in the May-December romantic comedy, "The Rebound" (2009) in which she played a recently divorced mother who entrances a much younger man (Justin Bartha). Unfortunately, the U.S. distributor declared bankruptcy just prior to release, relegating it to the direct-to-DVD market. On a much better note that year came Zeta-Jonesâ¿¿ Broadway debut in the 2009 revival of Stephen Sondheim and Hugh Wheeler's "A Little Night Music," a performance that won her the Tony for Best Actress in a Musical. The following year, however, proved to be one of the most difficult of the actressâ¿¿ charmed life. In August 2010, Michael Douglas publically revealed that he had been diagnosed with a dangerously advanced stage of throat cancer. Over the course of the next year, Douglas battled the disease aggressively â¿¿ at one point losing as much as 32 pounds as a side-effect â¿¿ and by early 2011 he announced that the tumor had been eliminated, much to the obvious relief of Zeta-Jones, who had foregone career opportunities in order to remain by her husbandâ¿¿s side during the ordeal.
Adding to the stress of the previous year was the incarceration of Douglasâ¿¿ long-troubled son, Cameron, who was sentenced to five years in prison for the possession of heroin and intended sale of methamphetamines. In April 2011, things finally came to a head for Zeta-Jones when the actress sought treatment for a bipolar disorder. Checking herself into a Connecticut area hospital, she cited the stress of the previous year as the primary cause for her condition. With Douglasâ¿¿ health steadily improving and her own emotional struggles under control, Zeta-Jones returned to theaters once more with a slew of projects. First up was a turn opposite Bruce Willis and Vince Vaughn in director Stephen Frearsâ¿¿ Las Vegas gambling comedy "Lay the Favorite" (2012), based on journalist Beth Raymerâ¿¿s memoir of the same name. Next came the highly-anticipated adaptation of the smash Broadway musical, "Rock of Ages" (2012), starring Tom Cruise, Alec Baldwin, Russell Brand and Zeta-Jones as the storyâ¿¿s antagonist, a conservative activist looking to shut down a popular 1980s L.A. rock music venue. in a boisterous farm family on the British TV series "The Darling Buds of May" (Yorkshire TV, 1991-93). The show was a hit, and its three-year run turned Zeta-Jones into a bona fide television star in the U.K. She began to land offers in America, appearing in the TV film "Christopher Columbus: The Discovery" (1992) and in an episode of "Young Indiana Jones Chronicles" (ABC/USA Network, 1992-96). The newcomer turned out memorable performances in the Eric Idle comedy flop "Splitting Heirs" (1993) and the "Hallmark Hall of Fame adaptation of "The Return of the Native" (CBS, 1994) before making a return to the stage in Kurt Weill's "Street Scenes" with the British National Opera in 1994.
With her extensive performing background and certifiable star status in the U.K., Zeta-Jones could take any path she wanted from stage to screen. She chose to move to Los Angeles and take a crack at American film stardom. "Blue Juice" (1995) and "The Phantom" (1996) failed to garner much notice but a supporting role in the CBS miniseries, "Titanic" (1996), caught the eye of filmmaker Steven Spielberg, who shared news of his find with director Martin Campbell. Campbell, blown away but her timeless beauty and its similarities to 1940s screen goddess Hedy Lamarr â¿¿ once called "the most beautiful woman in the world" during her 1930s and '40s heyday â¿¿ cast Zeta-Jones in "The Mask of Zorro" (1998). The film was an instant hit and star-making role for Zeta-Jones, whose swordplay, horseback riding and flamenco dancing was imbued with a sexual charge that audiences found irresistible. American entertainment magazines were abuzz over this latest overseas import with her onscreen Castilian lisp and off-screen Hollywood glamour that earned comparisons to legendary radiant beauties like Lamarr and Gardner. Though she did not know it yet, this hard working, ambitious, exceedingly talented woman was about to become the epitome of the phrase "the woman who has it all."
Trumpeted as the next big thing, Zeta-Jones dazzled opposite Sean Connery in the romantic thriller "Entrapment" in 1999, for which she did many of her own stunts. But her onscreen May-December match-up with the aging Connery mimicked a real-life romance with actor-producer Michael Douglas, the dashing Hollywood heavyweight 25 years her senior. After seeing Zeta-Jones onscreen in "Zorro," Douglas reportedly turned to a friend and said, "I don't know who she is, but I'm gonna marry that woman." Taking off like gangbusters, the two became parents and subsequently married in 2000, culminating in a ceremony that reportedly cost a cool million dollars at New York's Plaza Hotel. Unfortunately the ceremony was overshadowed by high-profile lawsuits concerning photo rights for the affair. Prior to the nuptial circus, Zeta-Jones' talents were criminally underused in the 1999 remake of "The Haunting," but she had a memorable cameo as the free-wheeling former girlfriend of John Cusack's central character in "High Fidelity" (2000). But it was with director Stephen Soderbergh's film "Traffic" (2000) that Zeta-Jones was first able to change public perception by gaining universal acclaim for her portrayal of a drug dealer's wife who transforms from innocent bystander to business partner, a role she played while pregnant with her first child with Douglas. The stunning performance caused an outcry when Zeta-Jones was overlooked come Oscar time.
In 2001, Zeta-Jones was featured in "America's Sweethearts," a romantic comedy about a high-profile Hollywood couple, but that was soon forgotten when she displayed heretofore unseen (on the big screen) singing and dancing chops as the murderess Velma Kelly in the film version of the Broadway musical "Chicago" (2002). Her captivating performance earned Zeta-Jones an Academy Award as Best Supporting Actress, a
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CAST: (feature film)
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Commenting on America, Catherine Zeta-Jones told Movieline (February 1998): "Generally, people here seem to be on Prozac, and sometimes I wish I was."
"The media obsession with my personal life was completely out of hand, and it wasn't self-inflicted. I was just a working actress, and I couldn't afford the protection I needed."---Zeta-Jones on leaving Britain, quoted to Premiere, July 1998.
"Listen, I used to do that no-makeup, straight-hair, really-dark-coat, frumpy thing so many actresses do, because I was told to. When I asked why I was supposed to look like I slept under a bridge all night, I was told, 'You shouldn't go in looking glamorous, because casting people and directors want to see you looking natural.' But I wasn't getting hired, so finally I said, 'Oh, bollocks! Can't I just wear my Gucci clogs? What do you mean my character wouldn't wear them? I wear them.' Only when I started going to auditions as myself, dolled up, did I get work."---Zeta-Jones on her glamorous image, and how it doesn't fit in with current Hollywood ideals, quoted in Details, May 1999.
"She's got that X-factor. Lauren Bacall had it. Audrey Hepburn, Rita Hayworth, Lana Turner, they all had that great style and poise, And Catherine's got it."---"The Mask of Zorro" co-star and fellow Welsh actor Anthony Hopkins on the appeal of Zeta-Jones to Los Angeles Times, April 30, 1999.
"I don't think it comes from the public, I think it comes from people who make decisions [in Hollywood]. Look at the way Hitchcok used women. In those days, you were allowed to be smart, you were allowed to be funny. I think a lot of people are afraid of women who have a lot to offer."---Zeta-Jones on being pigeonholed by her looks, quoted in Daily News, May 3, 1999.
"That's me up on the balance beam, doing back flips. I never had a problem with heights and as far as all that stuff on the skyscrapers, that's with harnesses and matting. It was only after I watched on the monitors that I wondered if I was out of my mind."---Catherine Zeta-Jones, on her stunts in "The Mask of Zorro" quoted in Newsday, May 10, 1999.
"I don't dwell on it, but those people who said I couldn't do it were a bit of an incentive. And I suppose it did give me a litle bit of 'Well, up yours, I'll show you', kind of attitude."---Zeta-Jones on what drives her to succeed to the London Times, July 1, 1999.
"I found her to be a little calculating. She seemed like a climber. She was very aware of how to use sex to charm men and to get ahead. It seemed like a bit of an act."---An unnamed male interviewer on Zeta-Jones, quoted in the New York Post, August 17, 1999.
"I've never dated anybody the same age as me. I think it's because I love the knowledge older men have."--- Zeta-Jones quoted in People, October 11, 1999.
"She has an extraordinary knack for making everyone feel at home with her. On top of that, she had this self-deprecating sense of humor and pure intelligence and blinding beauty. When you look at her background you wonder, 'From whither this flower came?' Take away the Zeta and she's just Cathy Jones from Wales."---Production designer, Eugenio Zanetti on Zeta-Jones People, January 24, 2000.
In March 2000, a lawsuit was filed against Zeta-Jones by film editor Petra von Oelffen who was a passenger in the actress' car when it was involved in an accident.
"She's an awesome talent. I think I'm passe. Our housekeeper in Majorca had a list of friends who wanted Catherine's signed photos. All these years and the housekeeper's never asked me for anything."---Michael Douglas quoted to US Weekly, January 20, 2003.
Catherine was named one of People Magazine's 50 Most Beautiful People for 2004
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