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Dianne Wiest

Dianne Wiest

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Also Known As: Died:
Born: March 28, 1948 Cause of Death:
Birth Place: Kansas City, Missouri, USA Profession: actor, director

Biography CLOSE THE FULL BIOGRAPHY

Academy Award-winning actress Dianne Wiest was a highly respected New York stage veteran who initially carved out a reputation for intense dramatic chops, but found herself more frequently cast in comedy when her career expanded to include feature films. A favorite of filmmaker Woody Allen, the director offered her every stage actress' dream of playing complex, well-developed characters which she brought to sparkling life in films including "Hannah and Her Sisters" (1986), "Radio Days" (1987) and "Bullets Over Broadway" (1994). Hollywood generally gave the versatile actress less adventurous work and Wiest obliged with innumerable supporting roles as underwritten moms, though some of Tinseltown's more visionary directors captured her quirky qualities in "The Lost Boys" (1987), "Parenthood" (1989) and "Edward Scissorhands" (1990). Wiest's steady Hollywood offers financed the actress' frequent returns to the New York stage, and she remained a figure both on- and off-Broadway throughout her film and eventual primetime television career, culminating in the revered role of a therapist on HBO's "In Treatment" (2008- ), all which helped cement her status as one of Hollywoodâ¿¿s most esteemed and beloved...

Academy Award-winning actress Dianne Wiest was a highly respected New York stage veteran who initially carved out a reputation for intense dramatic chops, but found herself more frequently cast in comedy when her career expanded to include feature films. A favorite of filmmaker Woody Allen, the director offered her every stage actress' dream of playing complex, well-developed characters which she brought to sparkling life in films including "Hannah and Her Sisters" (1986), "Radio Days" (1987) and "Bullets Over Broadway" (1994). Hollywood generally gave the versatile actress less adventurous work and Wiest obliged with innumerable supporting roles as underwritten moms, though some of Tinseltown's more visionary directors captured her quirky qualities in "The Lost Boys" (1987), "Parenthood" (1989) and "Edward Scissorhands" (1990). Wiest's steady Hollywood offers financed the actress' frequent returns to the New York stage, and she remained a figure both on- and off-Broadway throughout her film and eventual primetime television career, culminating in the revered role of a therapist on HBO's "In Treatment" (2008- ), all which helped cement her status as one of Hollywoodâ¿¿s most esteemed and beloved character actresses.

Wiest was born on March 28, 1948, in Kansas City, MO, but as the eldest child of a pilot and a nurse she was an "Army brat" who grew up in several communities in the U.S. and Germany. While a teenager, she studied at the School of American Ballet, but abandoned dance at the age 16 in favor of acting. She dropped out of the University of Maryland when she was offered a slot in a touring Shakespeare company, eventually landing a four-year gig as a member of the Arena Stage in Washington, DC. By the mid-1970s, Wiest had settled in New York City and found employment in productions at the New York Shakespeare Festival's Public Theatre. Wiest broke through with a multiple award-winning comic turn in the off-Broadway play "The Art of Dining" in 1979. She played Desdemona to James Earl Jones' "Othello" in 1982 and made her first significant film appearance that year, supporting Jill Clayburgh in "I'm Dancing as Fast as I Can." She also began to land a handful of small screen productions, turning in stage-quality work in "The Wall" (CBS, 1982), a fictionalized account of Jewish Resistance to Nazis in WWII Warsaw, and "The Face of Rage" (ABC, 1983), where she gave a moving depiction of a rape survivor.

Wiest began making inroads in features by playing routine roles, including the long-suffering wife of a preacher (John Lithgow) in "Footloose" (1984), but it took joining Woody Allen's unofficial stock company and being given the freedom to showcase her capabilities for her profile to rise. In "The Purple Rose of Cairo" (1985), the writer-director cast her in the small but memorable role of a hard-bitten prostitute. Wiest picked up her first Academy Award for her scene-stealing turn as Mia Farrow's younger sister, a neurotically unfocused aspiring actress in "Hannah and Her Sisters" (1986). She also lent a similar garrulous charm to man-chasing spinster Aunt Bea in Allen's nostalgic "Radio Days" (1987). In his turgid "September" (1987), she again gave a command performance as an unhappily married woman competing with her best friend (Farrow) for the attentions of the same man (Sam Waterston). It was doubtful that another actress could have telegraphed the character's sexual desire mixed with apprehension in the way that Wiest effectively did.

After the Oscar win and string of strong Allen outings, Hollywood predictably began to tap Wiest for maternal roles. She played the clueless mom of a budding vampire in the cult hit, "The Lost Boys" (1987), the sainted Madonna of "Bright Lights, Big City" (1988), and the wholesome Avon Lady and adoptive mom of outcast "Edward Scissorhands" (1990). Ron Howard's "Parenthood" (1989) netted Wiest a second Academy Award nomination and a Golden Globe nomination for playing the harried, divorced parent of teenagers â¿¿ one pregnant; one a morbid loner. In the span of some seven years, only "Little Man Tate" (1991) offered a slight change of pace, casting her as a caring child psychologist in conflict with the mother of a boy genius. It was Woody Allen who again provided a meaty and decidedly different character for Wiest: a narcissistic, tempestuous actress past her prime in "Bullets Over Broadway" (1994). Using her "stage voice" â¿¿ a bit deeper, more sensual, and in Allen's words "more pretentious" â¿¿ she inhabited the skin of this campy grande dame and amassed another set of trophies, including a second Oscar for Best Supporting Actress.

Another pedigree director â¿¿ this time, Mike Nichols â¿¿ paired Wiest with Gene Hackman as the conservative parents of a daughter marrying into an unconventional family in the laugh-out-loud comedy "The Birdcage" (1996). She added an Emmy to her collection for a 1996 guest appearance on "Avonlea" (The Disney Channel) before Robert Redford tapped into her maternal traits for "The Horse Whisperer" (1998). But the actress seemed to stumble a bit in her over-the-top interpretation of an eccentric aunt training her nieces, Sandra Bullock and Nicole Kidman, in witchcraft in "Practical Magic" (1998). Wiest picked up an Emmy nomination for a supporting role as a diner owner and friend to a seemingly ageless carpenter in "The Secret Life of Noah Dearborn" (CBS, 1999), and was tapped to play a wicked queen who plots to usurp the throne of mythical monarchy in the big-budget miniseries "The 10th Kingdom" (NBC, 2000). She remained a presence on the small screen for the next two years, taking on the role of a district attorney on the acclaimed legal drama "Law & Order" (NBC, 1990-2010).

A return to the big screen found Wiest playing the agoraphobic neighbor of a mentally retarded man (Sean Penn) fighting for custody of his seven-year-old daughter in "I Am Sam" (2002). Wiest lent her voice to Mrs. Copperbottom in the animated family blockbuster "Robots" (2005), and appeared next in "A Guide to Recognizing Your Saints" (2006), an independent film adaptation of Dito Montiel's memoir about growing up in Queens, NY during the 1980s. The film was a favorite on the festival circuit, winning a special Jury Prize for its ensemble cast at the Sundance Film Festival. In a great onscreen pairing with John Mahoney as parents to a widower (Steve Carell) with three daughters, Wiest contributed to the top notch performances in the offbeat comedy "Dan in Real Life" (2007).

Next up for the ever dependable player, Wiest won an Emmy Award for Best Supporting Actress in a Drama Series the following year for her return to primetime in HBO's "In Treatment" (HBO, 2008- ) a smart, character-driven drama starring Gabriel Byrne as a psychotherapist and Wiest as his therapist. She followed with a 2008 Golden Globe nomination for Best Performance by an Actress in a Supporting Role in a Series, Miniseries or Motion Picture Made for Television category. The actress also appeared on limited film screens that year as part of the reality-bending directorial debut from Charlie Kaufman, "Synecdoche, New York." In 2009, Wiest added to her long list of career accolades with another Best Supporting Actress Emmy nomination for "In Treatment."

VIEW THE FULL BIOGRAPHY

Filmographyclose complete filmography

CAST: (feature film)

2.
3.
 Sisters (2015)
4.
 Humbling, The (2014)
6.
 Big Year, The (2011)
7.
 Rabbit Hole (2010)
8.
 Rage (2009)
9.
10.
 Passengers (2008)
VIEW THE FULL FILMOGRAPHY

Milestones close milestones

:
As a child and adolescent, moved frequently due to father's military career
:
Studied at the School of American Ballet in NYC as a teenager
1964:
At age 16, dropped ballet in favor of acting
:
Left college and toured with the American Shakespeare Company
:
Spent four years with the Arena Theater in Washington, DC; travelled to the USSR with company
1975:
TV debut in a "Great Performances" (PBS) presentation of the Arena Theater's production of Elie Wiesel's "Zalmen/Zalmen, or the Madness of God"
1976:
Appeared in a supporting role in the New York Shakespeare Festival production "Ashes"
1979:
Breakthrough stage role, "The Art of Dining"
1980:
Feature film debut in "It's My Turn" starring Jill Clayburgh
1980:
Played title role in Long Wharf staging of "Hedda Gabler"
1981:
Made Broadway debut in the ill-fated "Frankenstein"
1982:
Network TV-movie debut in "The Wall" (CBS), a fictionalized account of the Jewish Resistance to the Nazis in the Warsaw Ghetto during WWII
1982:
First featured film role, supporting Jill CLayburgh in "I'm Dancing as Fast as I Can"
1982:
Returned to Broadway as Desdemona opposite James Earl Jones in "Othello"
1983:
Played the leading role of a rape victim in the ABC movie "The Face of Rage"
1984:
Portrayed Maggie (the character based on Marilyn Monroe) opposite Frank Langella in Arthur Miller's "After the Fall"
1984:
Cast as the long-suffering minister's wife in "Footloose"; first onscream teaming with John Lithgow
1985:
Directed the play "Not About Heroes" featuring Edward Hermann and Dylan Baker at the Williamstown Theatre Festival; production transferred to Off-Broadway
1985:
First film with director Woody Allen, "The Purple Rose of Cairo"; played a hooker
1986:
Breakthrough screen role, as the somewhat neurotic Holly in Allen's "Hannah and Her Sisters"; won Best Supporting Actress Academy Award
1987:
Offered a lovely turn as the high-strung Aunt Bea in Allen's nostalgic "Radio Days"
1987:
Played the mother of teenagers who fall prey to a gang of young vampires in Joel Schumacher's flashy "The Lost Boys"
1987:
Co-starred with Ron Silver (as Polish emigres) in the play "Hunting Cockroaches"
1989:
Earned second Best Supporting Actress Oscar nomination as the exasperated single mother in "Parenthood"
1990:
Played the Avon Lady who befriends the title character in Tim Burton's "Edward Scissorhands"
1991:
Portrayed the child psychologist who clashes with the mother of a genius in Jodie Foster's directorial debut "Little Man Tate"
1994:
Acted with Harris Yulin in "Don Juan in Hell"
1994:
Delivered one of her best screen performances as an over-the-hill actress in Woody Allen's "Bullets Over Broadway"; won second Best Supporting Actress Academy Award; first performer to win two Oscars in films directed by same person
1994:
Created role of a Holocaust survivor in Cynthia Ozick's play "Blue Light"; directed Sidney Lumet
1995:
Acted in the film, "Drunks"; directed by Peter Cohn (the son of Wiest's agent and former off-screen companion Sam Cohn)
1996:
Cast as the wife of a conservative politician in Mike Nichols' "The Bird Cage"; film loosely based on "La Cage aux Folles"
1996:
Played the lead role in George Bernard Shaw's "Jitta's Atonement" at the Bershire Theater Festival; directed by and co-starred Harris Yulin
1996:
Won an Emmy guest-starring on The Disney Channel's "Avonlea"
1997:
Returned to the NY stage in "One Flea Spare" at the New York Shakespeare Festival
1998:
Portrayed the sister-in-law of Robert Redford in "The Horse Whisperer"
1999:
Played the restaurant owner friend to a local craftsman (Sidney Poitier) in the CBS drama "The Simple Life of Noah Dearborn"; received Emmy nomination
2000:
Cast as the Evil Queen out to usurp the throne from the heir in the elaborate NBC miniseries "The 10th Kingdom"
2000:
Reteamed with John Lithgow as husband and wife in the period comedy "Portofino"
2000:
Joined cast of the NBC drama series "Law & Order" as the district attorney
2001:
Played a neighbor who befriends a mentally retarded man (Sean Penn) and his daughter (Dakota Fanning) in "I Am Sam"
2004:
Portrayed an opera-diva mother in "Merci Docteur Rey"
2005:
Voiced Mrs. Copperbottom in the animated feature "Robots"
2006:
Cast in the coming-of-age drama "A Guide to Recognizing Your Saints"
2007:
Played the mother of Dane Cook and Steve Carell in "Dan in Real Life"
2008:
Cast as Paul's (Gabriel Byrne) own therapist and mentor on the HBO series "In Treatment"; earned Golden Globe and Emmy nominations in 2009 for Supporting Actress in a Drama Series
2010:
Played Nicole Kidman's mother in the drama "Rabbit Hole"
2011:
Cast in the comedy feature "The Big Year" opposite Owen Wilson, Jack Black, and Steve Martin
VIEW ALL MILESTONES

Education

School of American Ballet: New York , New York -
University of Maryland: College Park , Maryland - 1969

Notes

"This character [Helen Sinclair in "Bullets Over Broadway"] was so unlike who she is in life, so different than anything she's played. But she's a tremendously gifted actress. She can play comedy to Lady Macbeth or Arthur Miller. It really just becomes a problem of exploring with her a little bit, And very quickly, she got it." --Woody Allen on Dianne Wiest's initial difficulties with her performance, quoted in THE NEW YORK TIMES, October 9, 1994

"You can't take a stage performance and put it on film. It's like painting with marble." --Dianne Wiest, quoted in THE NEW YORK TIMES, October 9, 1994

Companions close complete companion listing

companion:
Sam Cohn. Agent. Together in the 1980s.

Family close complete family listing

daughter:
Emily Wiest. Adopted; born c. 1987.
daughter:
Lily Wiest. Adopted; born c. 1991.

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