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Charles Scott Welbourne

Charles Scott Welbourne


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Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Cinematography ...


Cinematography (feature film)

Manfish (1956) as Director of Photography
Revenge of the Creature (1955) as Director of Photography
The Creature from the Black Lagoon is back! This time he's captured by scientists and transported to an aquarium in south Florida. Naturally, he's attracted to the lovely female scientist and manages to escape and kidnap her, heading to Jacksonville, presumably to catch a Jaguars game.
The Sound of Fury (1951) as Still cam
The Men (1950) as Stills
A paraplegic veteran fights his own bitterness to build a new life.
Champion (1949) as Stills
An unscrupulous boxer claws his way to the top.
Force of Evil (1949) as Stills
A crooked lawyer tries to protect his numbers running brother from a ruthless crime boss.
Home of the Brave (1949) as Stills
A black G.I. faces racism while fighting for his country in World War II.
So This Is New York (1948) as Stills
Stage Struck (1948) as Stills
The police find the body of hostess Helen Howard (Wanda McKay), disposed of by petty racketeer Nick Mantee (Kane Richmond) after she was shot in his Bluejay night club by Benny Nordick (John Gallaudet) because she knew too much about Mantee's rackets. Police Lieutenant Williams (Conrad Nagel)and police Sergeant Tom Rainey (Ralph Byrd) inform the dead girl's parents (Nana Bryant and Selmer Jackson)and sister Nancy (Audrey Long)of the run-away's death. Nancy, following Helen's trail, signs with the Mercer Agency operated by Nordick, training girls for an excessive sum which they work off as hostesses at the Bluejay Club. Nancy becomes a hostess at the club and after a party for Latin-American night club owner Barda (Anthony Warde), she uncovers evidence that places Helen at the club. She accuses Nick and Benny of the murder and the two mobsters realize they must do away with her.
No Minor Vices (1948) as Stills
Perry Ashwell is a self-satisfied child psychologist who takes his colleagues and wife somewhat for granted. So confident is he of his position that he introduces rich attractive painter Octavio Quaglini to his office and home. Quaglini is no respecter of convention, and April Ashwell is extremely attractive.
Four Faces West (1948) as Stills
Cowboy Ross McEwen arrives in town. He asks the banker for a loan of $2000. When the banker asks about securing a loan that large, McEwen shows him his six-gun collateral. The banker hands over the money in exchange for an I.O.U., signed "Jefferson Davis". McEwen rides out of town and catches a train, but not before being bitten by a rattler. On the train, a nurse, Miss Hollister, tends to his wound. A posse searches the train, but McEwen manages to escape notice. However a mysterious Mexican has taken note of the cowboy, and that loudmouthed brat is still nosing around. Who will be the first to claim the reward for the robber's capture?
French Leave (1948) as Stills
Mystery of the Wax Museum (1933) as Still photog
A disfigured sculptor turns murder victims into wax statues.
42nd Street (1933) as Still photog
The definitive backstage musical, complete with the dazzling newcomer who goes on for the injured star.
The House on 56th Street (1933) as Still photog
A woman loses her family after being falsely convicted of a crime.
Female (1933) as Still photog
A female CEO who's used to buying love meets her match in an independent young executive.
Hard to Handle (1933) as Still photog
A hustling public relations man promotes a series of fads.
Footlight Parade (1933) as Still photog
A producer fights labor problems, financiers and his greedy ex-wife to put on a show.
You Said a Mouthful (1932) as Still photog
To sell his unsinkable bathing suit, an inventor passes himself off as a championship swimmer.
The Tenderfoot (1932) as Still photog
An innocent cowboy sets out to back a Broadway play.
High Pressure (1932) as Still photog
A scheming promoter tries to get rich selling artificial rubber.

Visual Effects (feature film)

Creature from the Black Lagoon (1954) as Spec photog
Scientists track a prehistoric monster in the South American jungle while it tracks them.

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